Manuscript fragment on parchment from a breviary or antiphonary, with musical notation above the texts without staves. The recto text is in late Caroline minuscule and the music is notated in Hufnagel neumes. The verso text is in transitional protogothic and music is in letter notation in the style of Saint Gall. Neither text has been identified
Description:
In Latin., Script: recto: late Caroline minuscule. Verso: transitional protogothic., and Decoration: recto: small capitals in red ink. Verso: Small capitals and letter musical notation in red ink.
Manuscript fragment on parchment, from a breviary, containing readings for the 24th Sunday after Trinity Sunday. With neumes written above the text without staves
Description:
In Latin., Script: protogothic., and Decoration: rubricated. Initials in red ink.
Manuscript fragments on parchment, from a breviary, containing the beginning of the Divine Office series for the Sundays after Pentecost. With Saint Gall neumes
Description:
In Latin., Script: protogothic., and Decoration: rubricated. Initials in red ink.
Manuscript fragment on parchment of a calendar and computus, possibly made for a Cistercian monastery; includes a calendar for April and May and computus tables for determining the dates of Septuagesima, Quadragesima, Easter, Rogation, and Pentecost
Description:
In Latin., Script: written in gothic script (littera textualis)., and Decoration: on fol. 1 columns 3 and 4 are written in red, as is the slightly enlarged "A" indicating a Sunday on every seventh line in column 2; the enlarged abbreviations for the words "kalendae", "nonae", and "idus" are also red; the script in the columns of the computus tables alternates black and red; punctuated with the punctus.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Cistercians.
Subject (Topic):
Manuscripts, Medieval, Calendar, and Church calendar
Manuscript, on parchment, incomplete, of a Carthusian psalter with the Canticles and the Creed, with musical notation
Description:
In Latin., Incomplete. Text ends with Psalm 77., Layout: single columns of 24 lines., Script: large gothic script., Decoration: smaller initial in alternate red and blue; 12 historiated initials; full illuminated border to one page with figures of Carthusian monks and an abbot., and Binding: contemporary pigskin over wooden boards; metal clasps, corner pieces and central bosses.
Subject (Geographic):
Connecticut, New Haven., and Germany
Subject (Name):
Catholic Church and Carthusians.
Subject (Topic):
Liturgy, Prayers and devotions, Manuscripts, Medieval, Manuscripts, Renaissance, and Psalters
Manuscript on paper (unidentified watermark) of Libellus de quinque floribus huius mundi contemnendis, a short moralistic treatise dealing with the five flowers of the world which need to be despised: (1) bona dispositio corporis, scilicet sanitas, fortitudo et pulcritudo; (2) nobilitas generis; (3) habundantia rerum temporalium; (4) sapiencia cum discreta eloquentia; (5) potestas sive dignitas temporalis. The treatise is illustrated with quotations from the Bible, Church Fathers and other authors, and exempla
Description:
In Latin., Script: Copied by one hand in Gothica Cursiva Currens. A later hand has transcribed in the margins in Humanistica Cursiva the words or passages which were found difficult to read., Headings, paragraph marks, underlining, heightening of majuscules and plain initials (3 lines) in red., Worm holes throughout the manuscript; the edges of the last folio are torn., and Binding: Nineteenth century (?). Half brown leather over pasteboard, the boards covered with greyish marbled paper.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Christian literature, Latin (Medieval and modern), Conduct of life, Didactic literature, Latin (Medieval and modern), and Manuscripts, Medieval
Manuscript on parchment of 1) St. Augustine (Aurelius Augustinus), Enarrationes in Psalmos 134-150. 2) First half of Ps.-Iohannes Chrysostomus, Sermo de martyribus. 3) Antiphons for the feast of the Conception of the Virgin (8 Dec.), with neumatic notation
Description:
In Latin., Script: Copied in Praegothica by three hands., Headings in red. Art. 1 has plain initials (Capitalis, ca. 4 lines) in red, followed by a word in Capitalis/Uncialis. The book opens with an 8-line Romanesque decorated initial in red and black. Art. 2 opens with a black capital followed by two words in Capitalis. Art. 3 is decorated with 1-line initials in black with heightening in red and opens with a 4-line red plain initial., Holes, original repairs and sometimes irregular lower edges., and Binding: Early (probably original) binding in pigskin over heavy unbevelled wooden boards. The covers are blind-tooled with fillets. On the front cover the fillets make a St. Andrews cross, at a later time decorated with trees in Lederschnitt, countless small circular stamps and a few stars (?); the rear cover, with fillets in lozenge pattern, has only the circular stamps and the stars. Spine with three raised bands. On each cover marks of five brass and iron bosses. Two clasps attached to the rear cover. At the top of the front cover an original paper library label with the title (partly rewritten) "Expositio beati Augustini super Psalmo CXXXIIII et deinceps usque ad finem". The binding is strengthened by means of parchment strips placed around the first quire and taken from a 13th-century Latin manuscript.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Augustine, of Hippo, Saint, 354-430.
Subject (Topic):
Antiphons (Music), Manuscripts, Medieval, and Sermons