Shown full-length, a short man in ill-fitting uniform stands before a cannon. He leans on one sword and has another very large one swung behind his back
Description:
Title etched above imprint and below text., Sheet trimmed within plate mark., Five lines of text below image and above title: Some school-boys who were playing at soldiers found one of their number so ill made and so much under size that he would have disfigured the whole body if put into the ranks. What shall we do with him asked one. Do with him says another? Why, make an officer of him., Publisher's statement below image: Prints & drawings lent on the plan of a circulating library, folios of caracatures [sic] lent out for the evening., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pubd. Jany 1st, 1796, by S.W. Fores, No. 50 Piccadilly, corner of Sackville Street
Subject (Topic):
Cannons, Dwarfs, Military uniforms, British, and Swords
Shown full-length, a short man in ill-fitting uniform stands before a cannon. He leans on one sword and has another very large one swung behind his back
Description:
Title etched above imprint at the end of five lines of text., Printmaker from another state in Lewis Walpole collection. This state also lacks the publisher's statement following printmaker's statement. Cf. Lewis Walpole Library 796.01.01.02.2., Sheet trimmed to plate mark on left side and top., Five lines of text below image and preceding title: Some school-boys who were playing at soldiers found one of their number so ill made and so much under size that he would have disfigured the whole body if put into the ranks. What shall we do with him asked one. Do with him says another? Why, make an officer of him., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and With printseller's stamp: S.W. Fores.
Publisher:
Pubd. Jany 1st, 1796, by S.W. Fores, No. 50 Piccadilly, corner of Sackville Street
Subject (Topic):
Cannons, Dwarfs, Military uniforms, British, and Swords
"A vendor of offal, wheeling a barrow of calves feet and his other wares into the left foreground, looking down to right."--British Museum online catalogue
Alternative Title:
Hola ho! qué vent des tripes, des pieds de veau des coeurs et des poulmons?
Description:
Titles in English and French etched below image., Printmaker and publication information from first plate in series., Third plate from: Twelve London cries done from the life by P. Sandby. London, 1760., and Plate numbered "3" in lower right corner.
Title engraved in English, French, and Italian below image., Tempest also possibly the printmaker. See Hindley, C. History of the cries of London, ancient and modern., 'ML' in M. Lauron forms a monogram., Imprint from title page., No. 43 bound in: The cryes of the city of London. London : Printed & sold by Henry Overton at the White Horse without Newgate, 1733., and Numbered on verso in contemporary hand.
Publisher:
Printed & sold by Henry Overton at the White Horse without Newgate
A half-undressed Dr. Johnson in a dunce's cap and with a rope around his neck walks from left to right, driven by Apollo, who holds the other end of the rope, and the Muses with uplifted scourges and birch rods. On his cap are the names of the poets Johnson criticized. He carries a placard describing his guilt as an unjust critic. In the background, on the summit of Parnassus, can be seen a temple highlighted by the sun behind it, with Pegasus flying nearby
Description:
Title etched below image., Printmaker from British Museum catalogue., Text following title: * Vide, the last sermon at St. Dunstans., and Sheet trimmed within plate mark.
Publisher:
Pubd. July 29th, 1783, by Holland, No. 66 Drury Lane
Subject (Name):
Johnson, Samuel, 1709-1784 and Apollo (Deity)
Subject (Topic):
Muses (Greek deities), Poetry, History and criticism, and Whips
A satire on a recent performance of Timor the Tartar depicts a horde of Tartar horsemen, wearing turbans with aigrettes and holding scimitars, as they attack a classic Apollo figure who looks back with horror as he flees, his broken bow in his left hand and his helmet and quiver at his feet. They are lead in the attack by a lady on horseback and wearing medieval-style costume. Apollo appears to be punched in the head by a man in the background, wearing boxing gloves. On the right Kemble is about to thrust a piece labelled "Cocktail ginger" into the horse's rear as he lifts its tail. In the center foreground a man shoots a blunderbuss, which is supported by a pile of books with titles: American, New Musical Pieces, Shipwreck, etc. From the muzzle issue words and papers: Plan of new tragedy, Poetry for an oratorio, Remarks on light & shade, etc
Description:
Title from item., Plate from: The Satirist, viii, p. 453., Attributed to De Wilde in the British Museum catalogue., and Sheet trimmed within plate mark resulting in loss of imprint.
Publisher:
Published for the Satirist
Subject (Name):
Kemble, Charles, 1775-1854, Lewis, M. G. 1775-1818. (Matthew Gregory),, and Apollo (Deity)
Title from caption below image., Text below title: Size of the picture, 2 f. 0 1/4 i. by 2 f. 7 i. high., Etched coat of arms below image bearing the motto: Fari quae sentiat., Plate LV from: A set of prints engraved after the most capital paintings in the collection of ... the empress of Russia. London: J. & J. Boydell, 1788, v. 2., and On same sheet: Virgin and child.
Publisher:
Pubd. Jany. 1st, 1784, by John Boydell, engraver, in Cheapside
Subject (Geographic):
England and Norfolk.
Subject (Name):
Walpole, Robert, Earl of Orford, 1676-1745 and Houghton Hall (England)
Title from caption below image., Publisher's advertisement below title: Folio's of caracatures [sic] lent out for the evening., Design consists of thirteen figures in two rows, each with lines of text etched above., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Purl -- Teapot.
Publisher:
Pubd. May 1, 1798, by S.W. Fores, No. 50, Piccadilly, corner of Sackville Street