A detail showing figures keyed with the letters 'e' through 'i' and who are not Moscovites but a Circassian (g), Circassian maidens (f), which he is offering to sell to the Persian (h). The figure keyed 'i' is a Nogharian Tartar. Original formerly thought to have been the work of William Hogarth
Alternative Title:
5 standing Muscovites
Description:
Title supplied by cataloger based on original as described in Paulson., A copy of a plate from: A. de La Motraye's travels through travels through Europe, Asia, and into part of Africa., Sheet trimmed within plate mark., Cf. Paulson, R. Hogarth's graphic works (1st ed.), no. 268. Rejected as the work of Hogarth in 3rd ed., On page 19 in volume 1., and Ms. note at top in Steevens's hand: Copy.
Corporal Trim stands with his back to the viewer as he reads a sermon upon Conscience. Dr. Slop sleeps in an armchair on the left beside the fireplace, his chin resting on his large belly. In the background Uncle Toby and Walter Shandy sit smoking. Behind them in the corner against the wall is a grandfather's clock and on the wall Toby's map of the fortifications of Namur. A three-cornered hat is shown on the floor in the foreground
Alternative Title:
Frontispiece to vol. 1
Description:
Title and state from Paulson., Text upper left corner: Frontispiece Vol. 1., Text below image: Vol. 2. page 128., Sheet trimmed to plate mark., Ms. note in pencil in Steevens's hand above this print and another version listed above: Tristram Shandy; in pencil in Steevens's hand on page near grouping: For these plates to Tristram Shandy, see Mr. Nichols's book 3rd edition, p. 372 & 374, 375., and On page 186 in volume 2. Sheet trimmed to: 14.7 x 8.7 cm.
Corporal Trim stands with his back to the viewer as he reads a sermon upon Conscience. Dr. Slop sleeps in an armchair on the left beside the fireplace, his chin resting on his large belly. In the background Uncle Toby and Walter Shandy sit smoking. Behind them in the corner against the wall is a grandfather's clock and on the wall Toby's map of the fortifications of Namur. A three-cornered hat is shown on the floor in the foreground
Alternative Title:
Frontispiece to vol. 1
Description:
Title and state from Paulson., Text upper left corner: Frontispiece Vol. 1., Text below image: Vol. 2. page 128., and Sheet trimmed to plate mark.
Corporal Trim stands with his back to the viewer as he reads a sermon upon Conscience. Dr. Slop sleeps in an armchair on the left beside the fireplace, his chin resting on his large belly. In the background Uncle Toby and Walter Shandy sit smoking. Behind them in the corner against the wall is a grandfather's clock and on the wall Toby's map of the fortifications of Namur. A three-cornered hat is shown on the floor in the foreground
Alternative Title:
Frontispiece to vol. 1
Description:
Title, artist, printmaker, date and state from Paulson., Sheet trimmed to plate mark., Ms. note in pencil in Steevens's hand below print: Given me by Mr. Robert Dodsley. Ms. note in pencil in Steevens's hand above this print and another version listed below: Tristram Shandy. Ms. note in pencil on page near grouping: For these plates to Tristram Shandy, see Mr. Nichols's book 3rd edition, p. 372 & 374, 375., and On page 186 in volume 2.
Title, state, and date from Paulson., One of fourteen illustrations created for John Beaver's Roman military punishments; used as headpiece for Chap. XIII; see p. 109., Ms. note in Steevens's hand: Fustium admonitio., and On page 24 in volume 1. Plate trimmed to: 4.3 x 7.8 cm.
Publisher:
Wm. Hogarth
Subject (Name):
Beaver, John, active 18th century.
Subject (Topic):
Beating, Punishment & torture, Soldiers, and Roman
Volume 2, page 18. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"Lady Bothwell sitting beside a cot, where a child lies sleeping, her hands raised, looking down at it sorrowfully, while another sits with her back to the viewer, pouring a cup and a lady wearing a beret stands in the doorway in the background to right, looking out; in a roundel; after Bunbury."--British Museum online catalogue
Description:
Title from later state., Artist and printmaker from statements of responsibility on later state: H. Bunbury Esqr. delint. ; engraved by F. Bartolozzi., State with publication line only. For a later state with title, statements of responsibility, verses, and dedication added below image, see British Museum online catalogue, registration no.: 1870,0514.1597., Sheet trimmed to plate mark., Illustration to the ballad 'Lady Ann Bothwell's lament'., Mounted on page 18 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs., and Title "Lady Bothwell's lamentation" added by Horace Walpole in ink below image, beneath which he also added the verses "Ballow, my babe, lie still and sleep, it grieves me sore to see thee weep".
Publisher:
Publish'd Jany. 20th, 1784, by W. Dickinson, engraver & printseller, No. 158 New Bond Street
Subject (Name):
Bothwell, Ann, Lady,
Subject (Topic):
Cribs (Children's beds), Infants, Grief, and Pitchers
"An exterior scene set among ruins; to left the naked buttocks of Gulliver to whom an enema is being administered by a crowd of Lilliputians; to right their prime minister, carried in a thimble, supervises operations while beyond a rat carries off a child."--British Museum online catalogue
Alternative Title:
Alternative form of title
Description:
Title, state, and publisher from Paulson., Caption below image: The punishment inflicted on Lemuel Gulliver by applying a Lilypucian fire engine to his posteriors for his urinal profanation of the Royal Palace at Mildendo which was intended as a frontispiece to his first volume but omitted., Sheet trimmed to plate mark., Ms. note in pencil in Steevens's hand: See Mr. Nichols's book, 3d edit, p. 331., and On page 163 in volume 2.
Volume 1, page 33. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A man on horseback in a street with his arms around two women, one of whom is crying at right, an old lady sat in profile in the foreground holding a bunch of flowers and a dog drinking from a fountain behind, a man watching the farewell with crossed arms at left, a church building behind a high wall before which a carriage is waiting behind; circular design, after Henry William Bunbury."--British Museum online catalogue
Description:
Title from text on later state., State before title and verses added below image. For the final state, see British Museum online catalogue, registration no.: 1872,0511.128., Sheet trimmed to plate mark., Mounted on page 33 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs., and Sheet annotated by Horace Walpole in ink below image: Departure of La Fleur from Montreuil in Sterne's Sentimental Journey.
Publisher:
Publish'd May 28th, 1781, by Watson & Dickinson, No. 158 New Bond Street
Illustration of Canto IV, II, 121 ff.: Sir Plume dispatched by Belinda demands her stolen lock of hair from the Baron
Description:
Title etched below image and above eight lines of verse., Date based on Samuel Ireland's copies., Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 244., Ms. note in Steevens's hand above print: Saml. Ireland's copy., and On page 7 in volume 1.