Ambrose, Saint, Bishop of Milan, d. 397 Jerome, Saint, d. 419 or 20
Published / Created:
1439-1440.
Call Number:
Beinecke MS 766
Image Count:
620
Resource Type:
Archives or Manuscripts
Abstract:
Manuscript on parchment of St. Jermone, Epistulae et tractatus. With Ambrosius Mediolanensis (St. Ambrose, 339-397), De excessu fratris.
Description:
Binding: Sixteenth century. Brown leather over cardboard boards, the covers blind-tooled with a triple fillet lozenge inside a floral roll frame, the center and the corners gold-tooled with two different floral tools. Spine with four raised bands and remnants of gold-tooled lilies in the compartments. Edges painted blue. Marks of two pairs of ties., Headings in red. Red heightening (stroking) of the majuscules. 2-3-line flourished initials (with guide letters) in red with penwork varying from pale red to purple. A large (10 lines) decorated flourished initial in red, with developed purple penwork (“R” instead of “D”) in littera duplex style on f. 229v. Two Gothic historiated initials on gold background with floral marginal extensions: f. 1r: St. Jerome with lion and boy holding open a book (damaged); f. 25v: a monk copying., Script: Apparently four scribes: A, Iohannes de Carnago, is the main scribe and copied ff. 1r-260v (with the exception of 8 lines at the bottom) in Gothico-Humanistica Semitextualis Libraria; B copied from the bottom lines of f. 260v to f. 270v, in Humanistica Textualis Libraria; C copied ff. 271r-275v in Gothico-Humanistica Textualis Libraria; and D copied ff. 276r-304v in Gothico-Humanistica Semitextualis Libraria., and The codex belonged to the Diocesan Library of Dunedin, New Zealand. Sotheby sale, London, 27 March 1950 (catalogue, no. 35).
Subject (Name):
Jerome,--Saint,--d. 419 or 20
Subject (Topic):
Christian literature, Latin, Illumination of books and manuscripts, Medieval, Latin letters, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on parchment of Ambrose, Expositio Evangelii secundum Lucam. With Acts of the synod of Piacenza, March 1095 (Urban II), chs. 1-14.
Description:
Binding: 1800-1810, Italy. Half bound in brown calf with bright pink paper sides that have been covered with tan paper; edges spattered blue-green. Two gold-tooled labels on spine, the first left blank and the lower one reading "Saecul XII". Bound in the same distinctive style as Marston MSS 50, 125, 128, 135, 151, 153, 159, and 197, also from the Cisterican abbey of Hautecombe. and Numerous pen and ink initials of good quality, 8- to 3-line, drawn in red. The initials are constructed of thick vine stems, divided in half and swelling at the ends, issuing sprouts of intertwining stylized foliage. On f. 10v the letter E is formed from a bird and its extended wing; on ff. 75r and 103r the initials terminate in animal heads. The most important initials, ff. 1v, 13r, 36v, 62r, 75r, 114r, 115v and 119v, are touched with patches of ochre and summary modelling in the same color. On f. 1v the continuation capitals are filled in with red and ochre. Plain initials and headings in red. Remains of instructions to the rubricator along outer edge perpendicular to text (e.g., ff. 119v, 120v).
Subject (Name):
Urban--II,--Pope,--ca. 1042-1099
Subject (Topic):
Bible. N.T. Luke --Commentaries--Early works to 1800, Bible--Commentaries, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Papal documents
Manuscript on parchment of 1) Anonymous grammatical treatise in prose (Grammatica Latina secundum Donatum). 2) Disticha Catonis.
Description:
1-line red versals and 2-line red plain initials. Two large initials: f. 1r, at the beginning of the text of art. 1, historiated 10- line initial in pink on a blue background, containing a half-length profile of a poet or teacher in outline with a yellow dress; f. 10r, at the beginning of art. 2, decorated 9-line initial in pinkon a blue background, filled with red, yellow and green leaves., Binding: Original half brown leather binding over heavy bevelled wooden boards; sewn on two split leather thongs; the spine damaged. Remnants of one strap attached to the front cover, with iron pin on the rear cover., Due to intensive use the pages are badly rubbed and the legibility is impaired; whole passages have been rewritten by a later hand. The corners of the leaves are worn off. Holes and sewings., and Script: Copied by one hand in large Southern Gothica Textualis Formata (Rotunda). The opening majuscule of each verse set off in a separate column.
Subject (Topic):
Didactic poetry, Latin, Illumination of books and manuscripts, Medieval, Latin language--Grammar, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on paper (polished) of Cecco d'Ascoli (Francesco Stabili), L'Acerba, Bks. 1-4 with the final 214 lines of Bk. 4 and all of the fragmentary Bk. 5 missing.
Description:
Binding: Nineteenth century, Italy. Vellum stays adhered inside and outside of quires. Backs of quires cut in for original sewing. Bookblock tacketed to a semi-limp paper case, reinforced at the spine. Handwritten paper label with title and a printed medallion with Flora (?) standing on an anchor and globe (?), both on spine., Blue initial, 6-line, with nice penwork designs, f. 1r. Smaller initials, 2-line, red with purple designs or blue with red designs, alternate throughout. Headings in pale red. Paragraph marks alternate red and blue. Later addition of arms in lower margin, f. 1r, effaced and covered with mending strips., Purchased from B. M. Rosenthal in 1959 by Thomas E. Marston., Script: Written by a single scribe in mercantesca script, above top line., and Watermarks: unidentified cherries (?) in upper margin, trimmed.
Subject (Topic):
Encyclopedias and dictionaries--Early works to 1600, Italian poetry--To 1400, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Binding: Original blind-tooled brown leather over unbevelled oak boards, bound on four double cords. The two covers are decorated by means of triple fillets with different patterns: on the front cover a double rectangular frame divided into small lozenges decorated with lozenge-shaped hand-tools: griffon, unicorn (?), undetermined, ad two small flowerets; on the rear cover a double rectangular frame divided into six triangles decorated with only a few lozzenge-shaped hand-tools. Both covers protected by four engraved brass corner-pieces (three lost). Remnants of two clasps attached to the rear cover. Spine reinforcement consisting of four fragments from a missal (see below). Spine (damaged) with four raised bands and plaited headbands. Brown leather spine label with gold-tooled title and shelf-mark: VEN. BEDAE / SCINTILLA ETC. / I. XXII. B. V. (now detached). Five red leather tabs or traces of tabs, one at the beginning of each part. Front paste-down of blank parchment., Cite as: Mariological, Mystical and Ascetical Treatises. General Collection, Beinecke Rare Book and Manuscript Libra, Consecutive rear fly-leaf and paste-down cut from the same missal as the binding reinforcements, Germany, 14th century. Final part of the Ordinary of the Mass, containing corrections and changes. The Pater noster has neumatic notation on 4-line staves in black, red and yellow. Parchment. Copied by one hand in Gothica Textualis Formata, the corrections in smaller Textualis Libraria (ca. 1400). Red stroking of majuscules, red rubrics and plain initials., f. 142 loose. Originally tipped in and tab bound., In Latin., Manuscript on paper in five parts, each with its own very partial foliation (ca. 1800); they seem to have had the same history. The handwriting, by various scribes sometimes difficult to discern, is generally very uneven. The paper at places damaged by the acidity of the ink. Part I (ff. 1-84, art. 1): Copied by four Gothic hands: A (ff. 1r-29v): Hybrida Formata; B (ff. 30r-39va): Semihybrida Currens; C (ff. 39vb-56r): Hybrida Libraria; D (ff. 56v-77r): small Hybrida Libraria. Part II (ff. 85-215, art. 2): Copied by various scribes, writing Hybrida Formata, Hybrida Libraria, Cursiva Libraria (ff. 153v-157v) and Semihybrida Currens (f. 210r-v, 212v). The headings are in diverse types of script, often slovenly written. Part III (ff. 216-273, art. 3): Copied by three hands. A (ff. 216r-230v): large, bold Hybrida Formata; B (ff. 231r-272ra): Hybrida Libraria; C = friar Rudolphus Deyrdynck (f. 272rb-v): Hybrida Libraria. Part IV (ff. 274-343, artt. 4-19): Copied by one hand writing Hybrida or Semihybrida Libraria/Currens. Part V (ff. 344-388, art. 20): Copied by three hands. A (ff. 344r-352ra, 14): bold Hybrida Formata/Libraria; B (ff. 352ra, 14-354va): bold Semihybrida Libraria; C (ff. 354vb-388r): linear Hybrida Libraria/Currens sloping to the left., Note in the lower margin of f. 1r suggests that the manuscript was produced in the Benedictine abbey of Huysburg, north of Halberstadt. The scribe Rudolf Deyerdynck may have been a member of this community. Gift of the Library Associates of Yale University Library., Part I: Headings in red. The majuscules are stroked in red. Plain initials of various sizes in red, generally with the simplest form of penwork; they are all executed by the same hand., Part II: Plain initials in red of various styles and sizes, often with some flourishing; they are missing on ff. 206r-207v., Part III: Headings in red. The majuscules are stroked in red. 2-3 line plain initials in red., Part IV: Headings in red. Red stroking of majuscules and red paragraph-marks. Plain initials in red of mediocre execution; on ff. 279r-284r cadels with fancy forms; a face in the initial on f. 312r; some initials (ff. 324r-341v) apparently by the same hand as those in Part I., and Part V: Headings in red. Stroking of initials in red. 2-3-line plain initials in red at the opening of the chapters. A human face in the initials on ff. 351r, 352r, 375v. The names of the authorities quoted are in red.
Subject (Name):
Abbot of St. Mihiel, Smaragdus, fl. 809-819, Bishop of Brandenburg, Stephan Bodeker, 1383-1459, and Blessed Virgin, Saint, Mary
Subject (Topic):
Christian literature, Latin (Medieval and modern), Illumination of books and manuscripts, Medieval, Manuscripts, Medieval -- Connecticut -- New Haven, and Sermons
Manuscript on parchment (fine; leaves repaired before pricking and ruling) of the Collected Works of Hugh of St. Victor.
Description:
8-line illuminated initial, blue with white highlights on square ground, magenta with blue and white highlights; interior of initial inhabited by scrolling vines, rabbit and two animal heads on gold and blue ground; tail of letter extends down inner margin. 11- to 7-line red and blue initials divided by a zig-zag line in parchment and with interior red and blue flourishes resembling the design on a peacock's tail feathers, mostly in red with small blue circles. This style of initial accompanied by long penwork extensions in red and blue I designs and with small spirals, circles, flourishes. Small 3-line initials alternate red and blue with penwork flourishes in the opposite color. 1-line plain initials alternate red and blue for chapter lists. Remains of guide letters for decorator. Headings, running titles (often incorrect), deletions (single horiztonal red line) and initial strokes in red., Binding: France [?], ca. 19th c. Brown calf, elaborately blind-stamped with figure of Christ giving a blessing with his right hand, while his left hand holds a book with alpha and omega displayed on the open pages. Original endbands (and therefore sewing?) and yellow edges., Binding: Nineteenth century, France (?). Brown calf, elaborately blind-stamped with figure of Christ giving a blessing with his right hand, while his left hand holds a book with alpha and omega displayed on the open pages. Original endbands (and therefore sewing?) and yellow edges., Purchased from L. C. Witten in 1960 by Thomas E. Marston., Script: Written in uniform gothic bookhand throughout; contemporary marginal notes in several less formal hands., and Written in uniform gothic bookhand throughout; contemporary marginal notes in several less formal hands.
Subject (Name):
Hugh,--of Saint-Victor,--1096?-1141
Subject (Topic):
Christian literature, Latin (Medieval and modern), Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on parchment containing 1) Benedictus Casinensis (500-550), Regula. 2) Promise formula of the novice upon his entry in religion. 3) Decrees of pope Pascal II (1099-1118) and emperors Charlemagne (?800-814) and Lothar I (823-855) against alienating the goods of a church or monastery. 4) Alberic, bishop of Rimini (1158-1177), Letter to the prior and convent of Vangadizza, on the death of abbot Liutald. 5) Computistical notes and tables: (a) Table of the regulares lunae; (b) dates of the seven embolismi of the Nineteen-Years Cycle; (c) discussion of the three years of the Cycle in which epacts and embolismi differ; (d) table of the seven embolismi for all the years of the Nineteen-Years Cycle; in the first column the epacts; (e) a short table summarizing the data of table (d). 6) Obituary of the abbey of Vangadizza. 7) Liturgical instructions for observing the anniversary of Martin, first abbot of the monastery.
Description:
Binding: Nineteenth century (?). Parchment over pasteboard. On the flat spine the handwritten 19th century inscription: "Regulae S. Benedicti et Kalendarium antiquum M.S.", Headings in red. Plain initials in red of various sizes (mostly 2-3 lines), sometimes with penwork decoration in the same colour (on f. 29 r in an initial a human head is drawn). On f. 4r the text of art. 1 opens with a 6-line zoomorphic initial "M" with two birds on a rectangular background. On f. 1r its preface opens with a 10-line historiated initial "A" , depicting St. Benedict explaining his rule to a monk, on a rectangular background. Both initials are in liquid gold, red, ocre and blue, and are followed by large display script in red, blue and ocre., Script: Copied by various hands, all writing Southern Praegothica. In art. 1 the changes of hands and layout often go together with the appearance of singletons, different layout and bad textual connection between successive pages and deserve a close analysis. In the Obituary (art. 6) the entries are added by many different, sometimes informal hands., and The lower margin of f. 25 and the outer margin of f. 58 are replaced with modern parchment.
Subject (Name):
Benedictines and Vangadizza (Abbey : Badia Polesine, Italy)
Subject (Topic):
Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Monasticism and religious orders