Caption title., Date based on publisher John Pitts's street address. See: Todd, W.B. Directory of printers and others in allied trades, London & vicinity, 1800-1840, page 151., In one column with a woodcut above the title., A slip song., In verse., First line: When first I heard the drum and fife ..., and For further information, consult library staff.
Publisher:
Printed for and sold by J. Pitts, 14, Great St. Andrew Street, Seven Dials
Interleaved throughout., Occasioned by the founding of the Magdalen Hospital, London., Dedication signed: Harris.--cf. Harris's list of Covent Garden ladies., and Imperfect: Leaf A1 torn in lower fore-edge with loss of some text.
Publisher:
Printed for J. Fleming, opposite Norfolk-Street, Strand
Caption titles., Two slip songs printed on one sheet, each in its own column, separate caption titles and identical printer's statements and a woodcut above each title., In verse., First line of "The return of the rose": Weep not [the] streams of silver Thames ..., First line of "Caroline's return": O let the silver trumpet sound ..., and Laid on to stiff blue paper. For further information, consult library staff.
Publisher:
Printed by R. Lane, Bridewell-Alley, Norwich
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821
Racine, source et fondement des anabaptistes ou rebaptisez de nostre temps. English Book 1.
Description:
BEIN Pequot Z96: Imperfect: scorched, with considerable loss of text; leaf H4 wanting. Autographs on front paste down endpaper: E.S. Waterman; Elijah Waterman, 1810. Autographs on title page: Edward Rawson; Sam. F[?]oyes, 1710. Number 1 of 6 titles bound together in brown, blind tooled leather binding with manuscript call number label on spine., Translation by Joshua Scottow from book 1 of: La racine, source by Joshua Scottow et fondement des anabaptistes ou rebaptisez de nostre temps., Errors in paging: page 16 misprinted as 19, and 36 as 3., Signatures: A-H⁴ (H4 blank)., Bookseller's advertisement, p. 58: "There is now in the press, and will very shortly be extant, an excellent and usefull treatise, entittled, the Righteous Man's Evidence for Heaven, &c. By Mr. Timothy Rogers, Minister of the Gospel.", and Title within ornamental border; head- and tail-pieces; printed marginalia.
Caption title in letterpress below image., The illustration is by Hogarth. Cf. Paulson, R. Hogarth's graphic works. No. 180, v. 1, p. 202-204., First line of first recitative: Twas at the gates of Calais, Hogarth tells, where sad despair and famine always dwell ..., Date based on Tringham's location at Royal Exchange. The first recorded edition of Theodosius Forrest's cantata printed below, is 1759., Three columns of verses alternating Recitative and Air., and On page 145 in volume 2.
Publisher:
Printed for W. Tringham, under the North Piazza of the Royal Exchange, in Threadneedle-Street
Caption title., In verse., A slip song., In one column with a woodcut above the title., First line: Blow softly ye breezes; and waft o'er the proud billows ..., The Lewis Walpole Library copy: Imperfect, sheet trimmed with loss of woodcut illustration from top edge., and Imperfect copy: Trimmed with the loss of all but the bottom edge of the woodcut above the title. For further information, consult library staff.
Publisher:
J. Pitts, printer, and Wholesale Toy | Warehouse, 6, Great St. Andrew Street, 7 Dials
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821
In the foreground (left) a party of ministers is carousing. Members of the Opposition watch them with indignation. In the distance (left) behind them mounted men with hounds chase a stag. On the right the Temple of Fame is being demolished by the enemies of Britain. Many of the figures have numbers referring to notes engraved beneath the design. The central figure in the ministerial group is (4) Sandwich ("S--h") seated on the ground playing a violin, between two courtesans, each of whom holds a goblet of wine. He turns to one of them, saying, "D--mn the Navy, Give me t'ther Glee"; she holds a torn paper inscribed "How merrily we live". An open book, "Catchs Glees", in front of him, is supported by a wine-bottle. In the left corner of the print is (5) North (“N--h”) seated on a small sack inscribed “Budg[et]”, he is yawning, his arms stretched above his head. Three men stand behind him: a man in Elizabethan dress wearing a tall hat and ruff who is (9) “R--by [Rigby] in the Character of Bobadil”. He says (apparently of Sandwich) “I would he were in the Bottomless Pit.” ... For the time-serving Rigby's attack on Germain and Sandwich, and flattery of Pitt (14 Dec. 1781) see Walpole, 'Last Journals', 1910, ii. 390, and 'Parliamentary Hist.' xxii. 847. Behind him and whispering into his ear, stands 8, Lord Amherst (“A--rst”), very thin, saying, “Dick Rugby [sic] Stand Close”. Behind Amherst stands 7, Lord George Germain (“G--mn”) saying “Jeffry Barebones [i.e. Amherst], this is worse than Minden.” Next on the right stands the group of patriots: (6) Pitt (“W--P--t”) looking towards North, says “Shake off this Indolence”. (3), Fox (“F--x”), pointing towards the Temple of Fame (right) and frowning, says, “Wheres your Navy, wheres your Islands”. (2), Burke (“B--k”) is saying “Wont even Destruction move ye”. (1), The Duke of Richmond (“R--d”) says “Curs'd be those men who owe their Greatness to their Countrys Ruin”. In the foreground (right) Britannia, seated on the ground on her shield, weeps, a handkerchief held to her eyes. Behind her is (10) “The Temple of Fame, formerly the Wonder of the World, but now in Ruins”, a building with a fluted dome on which the winged figure of Fame without her trumpet is poised on one foot, the other leg being broken off. ... See British Museum online catalogue
Alternative Title:
Prospect of the year 1782
Description:
Title from caption etched above image. and A companion print to British Museum Satire 5988 also ascribed to a design by Townshend: Anticipatio, or, The contrast to the Royal hunt.
Publisher:
Published according to Act of Parliament by R. Owen, in Fleet Street
Subject (Geographic):
Great Britain and England
Subject (Name):
Pitt, William, 1759-1806.
Subject (Topic):
Britannia (Symbolic character), Politics and government, and Clothing & dress
In the foreground (left) a party of ministers is carousing. Members of the Opposition watch them with indignation. In the distance (left) behind them mounted men with hounds chase a stag. On the right the Temple of Fame is being demolished by the enemies of Britain. Many of the figures have numbers referring to notes engraved beneath the design. The central figure in the ministerial group is (4) Sandwich ("S--h") seated on the ground playing a violin, between two courtesans, each of whom holds a goblet of wine. He turns to one of them, saying, "D--mn the Navy, Give me t'ther Glee"; she holds a torn paper inscribed "How merrily we live". An open book, "Catchs Glees", in front of him, is supported by a wine-bottle. In the left corner of the print is (5) North (“N--h”) seated on a small sack inscribed “Budg[et]”, he is yawning, his arms stretched above his head. Three men stand behind him: a man in Elizabethan dress wearing a tall hat and ruff who is (9) “R--by [Rigby] in the Character of Bobadil”. He says (apparently of Sandwich) “I would he were in the Bottomless Pit.” ... For the time-serving Rigby's attack on Germain and Sandwich, and flattery of Pitt (14 Dec. 1781) see Walpole, 'Last Journals', 1910, ii. 390, and 'Parliamentary Hist.' xxii. 847. Behind him and whispering into his ear, stands 8, Lord Amherst (“A--rst”), very thin, saying, “Dick Rugby [sic] Stand Close”. Behind Amherst stands 7, Lord George Germain (“G--mn”) saying “Jeffry Barebones [i.e. Amherst], this is worse than Minden.” Next on the right stands the group of patriots: (6) Pitt (“W--P--t”) looking towards North, says “Shake off this Indolence”. (3), Fox (“F--x”), pointing towards the Temple of Fame (right) and frowning, says, “Wheres your Navy, wheres your Islands”. (2), Burke (“B--k”) is saying “Wont even Destruction move ye”. (1), The Duke of Richmond (“R--d”) says “Curs'd be those men who owe their Greatness to their Countrys Ruin”. In the foreground (right) Britannia, seated on the ground on her shield, weeps, a handkerchief held to her eyes. Behind her is (10) “The Temple of Fame, formerly the Wonder of the World, but now in Ruins”, a building with a fluted dome on which the winged figure of Fame without her trumpet is poised on one foot, the other leg being broken off. ... See British Museum online catalogue
Alternative Title:
Prospect of the year 1782
Description:
Title from caption etched above image., A companion print to British Museum Satire 5988 also ascribed to a design by Townshend: Anticipatio, or, The contrast to the Royal hunt., and Uncolored impression. Trimmed to plate mark 250 x 360 mm.
Publisher:
Published according to Act of Parliament by R. Owen, in Fleet Street
Subject (Geographic):
Great Britain and England
Subject (Name):
Pitt, William, 1759-1806.
Subject (Topic):
Britannia (Symbolic character), Politics and government, and Clothing & dress
A slip-song - "O brave England’s forces!"., "In praise of James Butler, duke of Ormonde's campaigns in Spain against Cadiz and Vigo; after his banishment" (Foxon)., Foxon dates this "[1715/-]"; that is, no earlier than 1715 (the year of Ormonde’s banishment), but with no terminus ante quem specified., Mounted on leaf 43. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 2.
Publisher:
publisher not identified
Subject (Geographic):
Spain
Subject (Name):
Ormonde, James Butler, Duke of, 1610-1688
Subject (Topic):
Spanish Succession, War of, 1701-1747, Campaigns, Vigo Bay, Battle of, Spain, 1702, Naval warfare, Warships, and Sailing ships
Caption title., Date based on inclusion of 'Wottington', perhaps a variant spelling of Samuel Worthington, Mayor of Nottingham in 1800/1., An apparently satirical Nottinghamshire slip song, perhaps produced during an enclosure dispute (‘Have BURGESS's the Time forgot, When Worshipper's of Mammon; Combined to seize that happy Spot, We hold as RIGHT of Common?'), which groups the names of several local worthies (such as Mayors Hawksley and Hunt) 'as An Auctioneer's old Books, Waste Paper, Rotten Leather'., In verse., First line: The mighty contest now is done, And Nottingham in slav'ry ..., and For further information, consult library staff.