Manuscript on parchment of Pauline Epistles (Epistola ad Romanos 2.27 through Epistola ad Hebreos 11.34), with commentary of Gilbert de la Porree. With Argumenta, later additions, all attributed to Hugo de Sancto Caro or Peter Lombard.
Description:
Binding: Twentieth century, United States (?). Half bound in dark red goatskin with gold-tooled lettering on the spine ("St. Paul/ Epistulae cum commento/ MS. 12th Cent."), marbled paper sides, and yellow edges., Script: Written in fine early gothic bookhand in two sizes of script, above top line., and Three illuminated initials at beginning of first three Epistles of excellent quality, ff. 34v, 69v, 86v, 8- to 5-line, with descenders extending into margins, red, blue, green and beige against gold ground. Bodies of initials filled with stylized scrolling foliage, bright blue, red, green, orange, silver and yellow with white highlights against gold ground. Descenders serve as a trellis for similar scrolls, some ending in biting animal's heads or fantastic birds. Scrolling foliage, f. 86v, inhabited by beasts of a canine variety, white with red shading. The decoration of manuscript is unfinished; f. 99r pen and ink underdrawing for an initial as above, with only touches of red added; blank spaces left for initals for remaining Epistles. Small initials, 3-line, gold with red penwork, for beginning of commentary for each Epistle. Headings in red or alternating red and blue majuscules. Plain initials touched with red. Running titles, later addition, in red.
Subject (Name):
Gilbert, de La Porrée, Bishop, ca. 1075-1154, Hugh, of Saint-Cher, Cardinal, ca. 1200-1263, Paul, the Apostle, Saint, and Peter Lombard, Bishop of Paris, ca. 1100-1160
Subject (Topic):
Bible.--N.T.--Epistles of Paul, Bible--Commentaries, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on parchment of Nicolaus de Lyra, Postillae on Genesis, Exodus, Leviticus, Numbers, Deuteronomy, Joshua, Judges, Ruth, and I-IV Kings.
Description:
19 pen-and-ink drawings with washes in red, green, blue and pale yellow, some inserted into the text column, others up to half-page size dealing with the Tabernacle in the Desert and the Temple of Solomon: the drawings serve to clarify the written text by depicting differences in interpretations between Jewish and Catholic exegesis; contrasting drawings are usually juxtaposed and labelled with the respective source for each., Binding: Modern restoration? Limp vellum case with earlier title (mostly illegible) running lengthwise on spine and later title added at top of spine: "Fr. Nicolai de Lyra ord. min. Commentaria in Libro historico Sacrae Scripturae"., ff. 43-44 loose., Many fine flourished initials, red and blue divided, 9- to 3-line, with penwork designs in red, blue and/or purple; somewhat smaller less ambitious initials alternate red and blue with designs in the opposite color. The minor decoration appears inconsistently, with running headlines, rubrics, paragraph marks and underlining of Biblical texts, in various colors or totally absent., Purchased in 1958 from Emile Rossignol, Paris, by L. C. Witten, who sold it the same year to Thomas E. Marston., Script: Written by several scribes in gothic bookhand., and Written by several scribes in gothic bookhand.
Subject (Name):
Nicholas,--of Lyra,--ca. 1270-1349
Subject (Topic):
Bible.--O.T.--Historical Books, Bible.--O.T.--Pentateuch, Bible--Commentaries, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Scholasticism
Manuscript, on parchment, in Gothic script, produced in Flanders during the fourth quarter of the thirteenth century.
Description:
Binding: dark brown calf skin over pasteboards (sixteenth or seventeenth century)., Decorations include a half-page initial on f. 43r (six other half-page initials have been cut from the manuscript) and illustrations of the labors of the months in the calendar., On the calendar page for December, St. Thomas of Canterbury's name has been erased from its place, indicating English ownership at least in the sixteenth century., and The back flyleaf has, in two fourteenth century hands, a French song "Une bon chanson ay troue" and a Middle English carol "Mayde and moder, glade thou be."
Illuminated manuscript on vellum, in a Gothic liturgical hand, of a Psalter, prefaced by a liturgical calendar and followed by the Office of the Dead.
Description:
Binding: modern full blue velvet., Ex libris John Ruskin. Ex libris Laurence Hilliard. Ex libris Bibliotheca Philosophica Hermetica (J. R. Ritman Library). Purchased from Sam Fogg on the James Marshall and Marie-Louise Osborn Fund, 2007., Presentation inscription on front flyleaf: Laurence Hilliard with John Ruskin's love, Brantwood, 25th January 1881., Tipped in at front of manuscript: parchment leaf containing copy of a letter from Joseph Mallord William Turner to John Ruskin, Midsummer Day [June 24] 1848, in the hand of John Ruskin., and Tipped in to front of manuscript: parchment leaf containing a description of the illuminations in the hand of John Ruskin.
Subject (Name):
Catholic Church, Hilliard, Laurence--Ownership, Ruskin, John--1819-1900.--Autograph, and Turner, Joseph Mallord William--1775-1851.--Association
Subject (Topic):
Catholic Church--Liturgy--Texts, Medieval and Renaissance Manuscripts in Beinecke Library, and Psalters
Manuscript (holograph?) on parchment of nineteen poems, dedicated to Niccolo Franco, Bishop of Treviso (d. 1499), and other members of the literary circle in Treviso with whom Giovanni Aurelio Augurello (ca. 1440-1524) was actively connected as a famous private teacher and distinguished poet from 1491 until his death. Only the seventeenth poem of MS 22 is directly related to alchemy, but it is above all a literary exercise.
Description:
Binding: Apparently original. Blind-stamped red goatskin (now darkened), repaired, sides paneled with blind fillets, two rows of differing knotwork tools, four clasps and catches now lacking, two asterisk-headed brass nails for each clasp remaining on upper cover, plain edges, modern leather label on backstrip with three faintly raised original bands., Large capital letters, mostly plain, at the beginning (written in the left margins) and dedication of each poem in pale red. On f. 1v (blank on the recto) is a drawing in delicate wash of a tree, lower left, against the base of which leans a small book in a red cover; extending upward from the treetop to the sun, at extreme top right, is the inscription in red capitals: "VTCVNQ[VE] TIBI." On f. 2r, opposite the dedicatory drawing just described, there is further decoration in the same delicate wash colors: a leaf in the margin beside the dedication to Niccolo Franco, Bishop of Treviso; light tracery ornament surrounding the capital "F" in the left margin at the beginning of the first poem; and Franco's arms, surmounted by the Bishop's mitre and surrounded by green twigs tied with red ribbons, in the lower margin. At the end of the manuscript, beneath the colophon, there is a further drawing and inscription in green wash, referable to the final poem: a small Roman sarcophagus with a little book in red binding lying atop it, and the inscription "POSTERITATI SACRUM" below., and Script: Written by a single scribe in a good humanistic cursive.
Subject (Geographic):
Treviso (Italy)
Subject (Name):
Augurelli, Giovanni Aurelio,--ca. 1456-1524?
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin poetry, Medieval and modern, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library