Title from note in a contemporary hand on verso; alternative title devised by curator. and Approximate date based on that of a print in the same collection done in a similar style and depicting a similar theatrical scene. See Lewis Walpole Library call no.: Waller no. 24.
Volume 1, page 96.1. Inquiries into the origin and progress of the science of heraldry in England.
Image Count:
1
Resource Type:
still image
Abstract:
A seal with a shield at center bearing the coat arms of Stafford, Roos and Burley: greyhound supporters on either side; anchor above
Description:
Title written in ink below image., Artist identified as Tovey in the Sotheby's catalogue description of the volume in which this drawing is bound., Date based on publication date of the work in which this drawing is bound., and Mounted on page 96.1 in volume 1 of James Dallaway's interleaved, extra-illustrated copy of his: Inquiries into the origin and progress of the science of heraldry in England. Gloucester : Printed by R. Raikes, for T. Cadell, London, 1793.
Volume 2, page 398.2. Inquiries into the origin and progress of the science of heraldry in England.
Image Count:
1
Resource Type:
still image
Abstract:
Drawing of six seals bearing images of clergy and armorial shields. The name of the English king who used each seal and the date it was used are written below each seal; depicted are seals used by Edward III, Edward IV, and Richard II.
Description:
Title written in ink at top of image., Artist identified as Tovey in the Sotheby's catalogue description of the volume in which this drawing is bound., Date based on publication date of the work in which this drawing is bound., and Mounted on page 398.2 in volume 2 of James Dallaway's interleaved, extra-illustrated copy of his: Inquiries into the origin and progress of the science of heraldry in England. Gloucester : Printed by R. Raikes, for T. Cadell, London, 1793.
Subject (Name):
Edward III, King of England, 1312-1377., Edward IV, King of England, 1442-1483., and Richard II, King of England, 1367-1400.
Half-length, oval portrait of Sir Thomas More, Lord Chancellor, classical scholar, philospher, later canonized, looking slightly right and wearing the Collar of Esses, with the Tudor rose badge of Henry VIII; within a decorative border with an elaborately decorated flag, spectre and axe below. The two drawings were created in preparation for the engraved portrait print engraved by Jacobus Houbraken and published by John & Paul Knapton in 1741
Alternative Title:
Sir Thomas More
Description:
Title from inscription on verso of drawing., Portrait is unsigned, but the mount is decorated with a border in ink and wash and signed: H. Gravelot inv. et delin., Counter watermark in center of sheet used as the mount: IV., After Hans Holbein the Younger, and One of ten watercolor portraits and other drawings included in George Vertue's set of engravings: The heads of the most illustrious persons of Great Britain (London : John and Paul Knapton). See all catalog records by searching call number: LWL Folio 724 743 H432 (Oversize).
Watercolor drawing depicting one wall of the chancel inside Barnwell Church, where the carved head of King Henry III was formerly located. The bottom parts of two windows, one of stained glass, are seen at top; an arch is built into the bottom part of the wall and a decorated rectangular structure is to the left of the arch
Description:
Title from note in black ink at bottom of sheet., Unsigned; artist unidentified., Date of production based on Horace Walpole's death date., Annotation in center of image in black ink: Head of King Henry the Third. About forty years ago the chancel of Barnwell Church (near Barnwell Castle two miles from Oundle) was repaired[?] and the head taken down by the carpenter employ'd, in whose hands it remaind. & his sons thirty years - who gave it to a carpenter of Peterborough where is remain'd till it came into the possession of Dr. Palmer of Peterborough. N.B. King Henry endow'd Barnwell Church., and Mounted on page 73 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12.
A collection of approximately 130 drawings and sketches by John Chute and one etching and engraving entitled Chaucer's Grove by P. Mazell (artist James Pettit Andrews) given to Horace Walpole, for his renovation of Strawberry Hill, bound in one volume and with an additional 23 loose leaves, including sketches for the Gallery, Round Tower, and one inspired by a doorcase in Dugdale's St. Paul's for the presses in the Library. Some of the drawings have been annotated by Walpole and/or Thomas Kirgate
Alternative Title:
Original drawings and sketches
Description:
Title from ms. title page in Horace Walpole's hand., Title from Hazen: Original drawings and sketches., In English., John Chute (1701-1776), English architect and connoisseur of the arts and literature, member of Horace Walpole's 'Strawberry committee.', Bound in original marbled boards., Inscribed on front fly leaf: "Lady Waldegrave from W.V. Harcourt, July 5, 1887.", On front pastedown, Carlingford's bookplate., Marble boards with half-leather. Written in ink in unidentified hand on front cover: Strawberry Hill (drawings). Paper lable on spine: "33.", The 3 volumes consist of 1 album and 2 cases., and Original marbled boards. Second Strawberry Hill Sale fleuron used as bookplate. Press-mark K.13, but moved to the Closet. Not in Manuscript Catalogue of 1763; probably kept in the Glass Closet until 1790. Inscribed on the fly-leaf: 'Lady Waldegrave from W.V. Harcourt, July 6, 1867.' Bookplate of Lord Carlingford, who married Lady Waldegrave in 1863.
Subject (Geographic):
Great Britain and Twickenham (London, England)
Subject (Name):
Walpole, Horace, 1717-1797 and Strawberry Hill (Twickenham, London, England)
Subject (Topic):
Homes and haunts, Country homes, and Buildings, structures, etc
Half-length, oval portrait of Sir John Smith, scholar, diplomat, and political theorist, looking slightly left and wearing a hat and fur-trimmed coat; within a decorative border and frame ending with a coat of arms. The two drawings were created in preparation for the engraved portrait print engraved by Jacobus Houbraken and published by John & Paul Knapton in 1744
Alternative Title:
Sir John Smith
Description:
Title from inscription in ink on verso of drawing., Also written on the mount under the drawing in block lettering: Smith., Unsigned., The mount is probably by H. Gravelot based on similar signed drawing in the collection., After Hans Holbein the Younger. See published print., Counter watermark in center of sheet used as the mount: IV., and One of ten watercolor portraits and other drawings included in George Vertue's set of engravings: The heads of the most illustrious persons of Great Britain (London : John and Paul Knapton). See all catalog records by searching call number: LWL Folio 724 743 H432 (Oversize).
Volume 2, page 382.3. Inquiries into the origin and progress of the science of heraldry in England.
Image Count:
1
Resource Type:
still image
Abstract:
Drawing of four rectangular heraldic flags and two cognizances, each labeled below with the name of an English king. The four standards belong to Henry IV, Henry VI, Edward IV, and Richard III; the two cognizances belong to Henry VII
Description:
Title written in ink above image., Artist identified as Tovey in the Sotheby's catalogue description of the volume in which this drawing is bound., Date based on publication date of the work in which this drawing is bound., and Mounted on page 382.3 in volume 2 of James Dallaway's interleaved, extra-illustrated copy of his: Inquiries into the origin and progress of the science of heraldry in England. Gloucester : Printed by R. Raikes, for T. Cadell, London, 1793.
Volume 1, page 12.2. Inquiries into the origin and progress of the science of heraldry in England.
Image Count:
1
Resource Type:
still image
Abstract:
Seal of Edward I showing the king riding a horse to the right, wearing armor and a flat helmet; he carries a sword in his right hand and holds a shield with three lions passant guardant in his right hand. The horse caparison is also decorated front and back with three lions passant guardant
Description:
Title written in ink below image., Artist identified as Tovey in the Sotheby's catalogue description of the volume in which this drawing is bound., Date based on publication date of the work in which this drawing is bound., and Mounted on page 12.2 in volume 1 of James Dallaway's interleaved, extra-illustrated copy of his: Inquiries into the origin and progress of the science of heraldry in England. Gloucester : Printed by R. Raikes, for T. Cadell, London, 1793.