Manuscripts, in different hands, of a collection of several dozen primarily satirical and anonymous poems, many scatological. The majority of the poems are political satires, especially concerning the abdication of King James II and the accession of King William III; other targets include Charles Montagu, Earl of Halifax; religious zeal; and France. Other poems satirize women, including Barbara Villiers (afterwards Palmer), Countess of Castlemaine and Duchess of Cleveland, with reference to her affair with rope-dancer Jacob Hall; Mrs. Moseley and her link with Anthony Ashley Cooper, 1st Baron Ashley and 1st Earl of Shaftesbury; and women's conduct generally. The collection also includes a broadside printing of Packington's Pound, as well as numerous satirical songs sung to its tune.
Description:
Binding: marbled covers, detached. and See "Early American Literature, vol. XIV, 1979, concerning the attribution of "A Fart" (p. 193).
Subject (Geographic):
Great Britain--Court and courtiers, Great Britain--Politics and government--1660-1714, and Great Britain--Social life and customs--17th century
Subject (Name):
Cleveland, Barbara Villiers Palmer, Duchess of, 1641-1709, Etherege, George, Sir, 1635?-1691, Hall, Jacob, James II, King of England, 1633-1701. aut, Shaftesbury, Anthony Ashley Cooper, Earl of, 1621-1683, and William III, King of England, 1650-1702
Subject (Topic):
Ballads, English, English poetry--17th century, Political poetry, English, Songs, English, Verse satire, English, and Women--Conduct of life
Manuscript, in a single hand, of a collection of approximately 105 poems divided into "Miscellaneous Pieces," "Songs," "Cantatas," "Odes," Satirical Pieces," "Mock-Pieces relating to the Stage," and "Imitations." The first "Imitation" is a sonnet concerning an abortion scandal surrounding Mademoiselle de Guerchi in 1660, and is addressed in her voice to her aborted "embrio;" other poem titles include "An Ode, Inscrib'd to his grace the Duke of Buckingham, on his Embarking for France," "The paper Bonnets worn by Ladys," "On seeing lewd Women refus'd Admittance," "Fungus," "The poor & Rich Rogue," "Prologue to a Puppet-Show," and "The Shipwrack'd Sailors." The collection is prefaced by a dedication to Viscount Nessuno in the voice of an "orphan Muse" who writes, "should she beg your Lordship...to favour her with a corner of the Green-house in delightful Groves of Utopia; there to correct at Leisure, the numberless Reams she has scribbled within these twelve years: And should she afterwards implore your Lordship to assist the publication of her labours, by raising a handsom subscription among your friends for that purpose...she is certain your Lordship would not deny her one of them." Many additional poems, in a smaller hand and with numerous corrections, appear in the margins.
Description:
Additional poems, in a smaller hand and with numerous corrections, appear in the margins., Binding: full sueded calf., Laid in at the beginning of "Imitations": a piece of paper with an engraving in red ink., and Pasted onto pages at beginning at end: printed poems by Lockman, with handwritten corrections.
Subject (Name):
Lockman, John, 1698-1771
Subject (Topic):
English drama--18th century, English literature--18th century, English poetry--18th century, Epigrams, Occasional verse, English, and Verse satire, English
Winchilsea, Anne Kingsmill Finch, Countess of, 1661-1720(?)
Published / Created:
[1680-1700].
Call Number:
Osborn fb70
Collection Title:
[Collection of 17th century poems], [1680-1700].
Container / Volume:
Box 1 | Folder 2
Image Count:
1
Abstract:
Manuscripts, in different hands, of a collection of several dozen primarily satirical and anonymous poems, many scatological. The majority of the poems are political satires, especially concerning the abdication of King James II and the accession of King William III; other targets include Charles Montagu, Earl of Halifax; religious zeal; and France. Other poems satirize women, including Barbara Villiers (afterwards Palmer), Countess of Castlemaine and Duchess of Cleveland, with reference to her affair with rope-dancer Jacob Hall; Mrs. Moseley and her link with Anthony Ashley Cooper, 1st Baron Ashley and 1st Earl of Shaftesbury; and women's conduct generally. The collection also includes a broadside printing of Packington's Pound, as well as numerous satirical songs sung to its tune.
Description:
Binding: marbled covers, detached. and See "Early American Literature, vol. XIV, 1979, concerning the attribution of "A Fart" (p. 193).
Subject (Geographic):
Great Britain--Court and courtiers, Great Britain--Politics and government--1660-1714, and Great Britain--Social life and customs--17th century
Subject (Name):
Cleveland, Barbara Villiers Palmer, Duchess of, 1641-1709, Etherege, George, Sir, 1635?-1691, Hall, Jacob, James II, King of England, 1633-1701. aut, Shaftesbury, Anthony Ashley Cooper, Earl of, 1621-1683, and William III, King of England, 1650-1702
Subject (Topic):
Ballads, English, English poetry--17th century, Political poetry, English, Songs, English, Verse satire, English, and Women--Conduct of life
Manuscript, on paper, in three hands (Anglicana and early secretary), produced in northern England, probably Durham, during the second quarter of the fifteenth century.
Description:
Binding: original oak boards, with leather or vellum spine missing. The middles of the quires are bound with fragments of a Latin theological manuscript of the fourteenth century., Contains name "Roger? Willims" on f. 56r., and The text of the poem is incomplete, beginning at line 2501 and ending at line 12363, with gaps. It includes an "interpolation" of 126 lines between lines 6546 and 6547 which consists of lines 5377-5414 of the Anglo-Norman poem on which Mannyng's translation is based, "Le Manuel des Pechiez (Peches)."
Subject (Name):
Mannyng, Robert,--fl. 1288-1338.--Handlyng synne
Subject (Topic):
Confession--Handbooks, manuals, etc.--Poetry, Medieval and Renaissance Manuscripts in Beinecke Library, and Sin--Poetry
Manuscript, in a single hand, of a large collection of poems. The first volume contains primarily occasional poems and satirical verse; titles include "To a Fellow, who after the Author had done Him Some Service, endeavour'd to ridicule Him in a stupid Print" and "Writ under the Print of a Chimney Sweeper, Squeezing a Cat." The first volume also contains a dedication to the Princess of Wales," requesting Her Royal Highness graciously to patronize a Subscription, for printing Poems on Several Occasions," and is followed by a dedicatory poem to her, which mentions a fable "presented to His late Royal Highness at Leicester House, in 1751, which was most graciously receiv'd, & the Author had the honour to kiss the Princess' Hand." The other three volumes contain more occasional poems, political verse, "imitations and translations," and songs. Titles in these volumes include "Verses on the Demise of the late King: & the Accession of His present Majesty," "The Willow and the Peach-Tree, from a Chinese Poem," "The Victory at Cullden: gain'd by His Royal Highness...set by Mr. Handel, & Sung by Mr. Lows, in Vauxhall Gardens," and "Anniversary Song; for the Cyder Counties on the repeal of the Cyder Act (The Tune, Bumper Squire Jones)." The third volume also contains numerous dramatic pieces, including a "Prologue to the Conscious Lovers, acted in Covent Garden Theatre," "Yarico: an American pastoral Drama, set to music by Mr. John Christopher Smith: & writ for Buckingham House," "Elfrida: an Opera set to Music by Mr. John Christopher Smith," and "Moses: an Oratorio."
Description:
Binding: quarter contemporary leather., On flyleaf of vol. 1: copy of a poem titled "To my worthy Friend M. John Lockman: on His Poems on various Occasions," by Michael Clancy, dated 1762., and Pasted into Vols. 1, 2, and 4: printed copies of Lockman's poems inside front cover and throughout the manuscripts.
Subject (Name):
George--III,--King of Great Britain,--1738-1820, Handel, George Frideric,--1685-1759, Lockman, John,--1698-1771, and Smith, John Christopher,--1712-1795
Subject (Topic):
English drama--18th century, English literature--18th century, English poetry--18th century, Music--England--18th century, Occasional verse, Political poetry, English, and Verse satire, English