Leaf 18. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"The Duchess of Devonshire (right), in morning cap and gown, makes tea for Fox and Sam House who sit side by side on a sofa (left). The duchess leans back in her chair, one hand on the tap of the urn, while she hands a cup to a footman who stands with a tray. Sam (left) has been served first; he sits stirring his tea and gazing adoringly at Fox (right), who playfully pats his bald head. A spaniel stands in front of them, begging. On the wall behind are two freely sketched whole length portraits: behind the duchess is Reynolds's portrait of her husband standing by his horse (as in British Museum Satires No. 6546), the other is over the heads of House and Fox."--British Museum online catalogue
Description:
Title etched below image., Attribution to Rowlandson from the British Museum catalogue and Grego., Restrike. For original issue of the plate, see no. 6529 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Cf. Grego, J. Rowlandson the caricaturist, v. 1, pages 128-9., and On leaf 18 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Pubd. April 14th, 1784, by W. Humphrey, No. 227 Strand and Field & Tuer
Subject (Geographic):
England, London., and Westminster
Subject (Name):
Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806, Devonshire, William Cavendish, Duke of, 1748-1811, Fox, Charles James, 1749-1806, House, Samuel, -1785, and Great Britain. Parliament
Subject (Topic):
Elections, 1784, Politics and government, Dogs, Pleading (Begging), Political elections, and Servants
"The Duchess of Devonshire (right), in morning cap and gown, makes tea for Fox and Sam House who sit side by side on a sofa (left). The duchess leans back in her chair, one hand on the tap of the urn, while she hands a cup to a footman who stands with a tray. Sam (left) has been served first; he sits stirring his tea and gazing adoringly at Fox (right), who playfully pats his bald head. A spaniel stands in front of them, begging. On the wall behind are two freely sketched whole length portraits: behind the duchess is Reynolds's portrait of her husband standing by his horse (as in British Museum Satires No. 6546), the other is over the heads of House and Fox."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue and Grego., Another impression of a print owned by Horace Walpole which is now at NYPL 71., and Mounted to 30 x 42 cm.
Publisher:
Pubd. April 14th, 1784, by W. Humphrey, No. 227 Strand
Subject (Geographic):
England, London., and Westminster
Subject (Name):
Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806, Devonshire, William Cavendish, Duke of, 1748-1811, Fox, Charles James, 1749-1806, House, Samuel, -1785, and Great Britain. Parliament
Subject (Topic):
Elections, 1784, Politics and government, Dogs, Pleading (Begging), Political elections, and Servants
A satire against Wray for his proposals to abolish Chelsea Hospital and to tax maidservants and for his desertion of Fox, for which he was called Judas. In the center of the image Sir Cecil Wray is cudgeled by two Chelsea pensioners as another man approaches on crutches from the right. A maidservant on the left is preparing to strike him with her mop as she shouts: "I'll souse him, a dog, tax maid servants, ha!" A fourth pensioner cheers the others on from the background where he sits waving his hat and crutch, his wooden leg having been broken off to use on Wray. All of the pensioners have lost limbs or eyes
Alternative Title:
Plumpers for Sir Judas, Chealsea pensioners revenge, and Chelsea pensioners revenge
Description:
Title from text below image., Sheet trimmed within plate mark., and For further information, consult library staff.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain
Subject (Name):
Wray, Cecil, Sir, 1734-1805 and Chelsea Hospital for Women (London, England)
Subject (Topic):
Fighting, People with disabilities, Servants, and Taxation
In the foreground, the veterans with wooden legs and on crutches try to get away from the crumbling facade of the Chelsea Hospital. Several of them lie on the ground crushed by the fallen columns. In the background, a group of women, outraged by the proposal to abolish the Chelsea Hospital and to tax employers of maid servants, attacks with brooms and a slop jar the proposal's author, Sir Cecil Wray
Description:
Title etched below image., Printmaker from British Museum catalogue., and Mounted to 32 x 46 cm.
Publisher:
Pubd. March 30th, 1784, by Mrs. Dacheray, St. James's Street
Subject (Geographic):
Great Britain
Subject (Name):
Wray, Cecil, Sir, 1734-1805 and Royal Hospital (Chelsea, London, England)
Subject (Topic):
Politics and government, Disabled veterans, Peg legs, Servants, Chamber pots, and Building failures
Leaf 20. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"Sir Cecil Wray (left) is being drummed away from the hustings; Sam House, the central figure, beats a drum, looking at Wray. On the right, ignoring Wray, stands Fox addressing the populace, a cheering crowd behind him; he holds a flag on which is the figure of Britannia seated, holding the staff and cap of Liberty, and the words 'Champion of the People'. He says, "Friends & Fellow Citizens I cannot find words to express my feelings to you upon this Victory". Wray walks beside a procession which marches to Sam House's drum. It is headed by Chelsea pensioners with wooden legs, who scowl at him; one carries a crutch over his shoulder. They have two flags, inscribed respectively 'May all public Deserters feel public Resentment' (Wray had deserted the cause of Fox who nominated him for Westminster in 1782, see British Museum Satires No. 5998), and 'Chealsea Hospital'. They are followed by a detachment of maidservants, with a flag inscribed 'Tax on Maid Servants'; they carry over their shoulders a broom, a brush, a mop, a shovel. A crowd cheers frantically, hats are waved at the procession and at Fox. Behind Fox is part of the portico of St. Paul's, Covent Garden, the scene of his triumph at the hustings, see British Museum Satires No. 6590, &c."--British Museum online catalogue
Alternative Title:
Westminster deserter drummed out of the regiment
Description:
Title etched below image., Attributed to Rowlandson in the British Museum catalogue., Restrike. For original issue of the plate, see no. 6586 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Plate originally published 18 May 1784; see Grego., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Cf. Grego, J. Rowlandson the caricaturist, v. 1, pages 138-40., and On leaf 20 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Field & Tuer
Subject (Geographic):
England and London.
Subject (Name):
Fox, Charles James, 1749-1806, House, Samuel, -1785, Wray, Cecil, Sir, 1734-1805, and Great Britain. Parliament
Subject (Topic):
Elections, 1784, Politics and government, Britannia (Symbolic character), Drums (Musical instruments), and Servants
"Sir Cecil Wray (left) is being drummed away from the hustings; Sam House, the central figure, beats a drum, looking at Wray. On the right, ignoring Wray, stands Fox addressing the populace, a cheering crowd behind him; he holds a flag on which is the figure of Britannia seated, holding the staff and cap of Liberty, and the words 'Champion of the People'. He says, "Friends & Fellow Citizens I cannot find words to express my feelings to you upon this Victory". Wray walks beside a procession which marches to Sam House's drum. It is headed by Chelsea pensioners with wooden legs, who scowl at him; one carries a crutch over his shoulder. They have two flags, inscribed respectively 'May all public Deserters feel public Resentment' (Wray had deserted the cause of Fox who nominated him for Westminster in 1782, see British Museum Satires No. 5998), and 'Chealsea Hospital'. They are followed by a detachment of maidservants, with a flag inscribed 'Tax on Maid Servants'; they carry over their shoulders a broom, a brush, a mop, a shovel. A crowd cheers frantically, hats are waved at the procession and at Fox. Behind Fox is part of the portico of St. Paul's, Covent Garden, the scene of his triumph at the hustings, see British Museum Satires No. 6590, &c."--British Museum online catalogue
Alternative Title:
Westminster deserter drummed out of the regiment
Description:
Title etched below image., Printmaker and date of publication from Grego., Plate from: The history of the Westminster election., Sheet trimmed within plate mark., Temporary local subject terms: Churches: St. Paul's Church, Covent Garden -- Proposed tax on maidservants -- Chelsea Hospital pensioners -- Hustings -- Drumming for the hustings -- Slogans: 'Champion of the people' -- Veterans., and Mounted to 29 x 39 cm.
Publisher:
publisher not identified
Subject (Geographic):
England and London.
Subject (Name):
Fox, Charles James, 1749-1806, House, Samuel, -1785, Wray, Cecil, Sir, 1734-1805, and Great Britain. Parliament
Subject (Topic):
Elections, 1784, Politics and government, Britannia (Symbolic character), Drums (Musical instruments), Brooms, Cheering, Crowds, Crutches, and Servants
"A sequence of six designs in two rows. [1] 'Begging before the Door of his Benefactor.' Young Leach, as a crossing-sweeper, holds out his hat to a gentleman who amiably puts in a coin. The latter walks away from a street-door with a plate inscribed 'Sir Robt Taylor'. [2] 'In the Service of his Benefactor.' Leach, as a young footman in livery, walks behind Taylor and his wife, who are returning from a country church. He carries cane and prayer-book. [3] 'As Clerk to his Benefactor.' Leach writes at a desk in a bare room, with a shelf of books high on the wall. [4] 'Now a Lawyer!!!' He sits in a well-furnished room, smilingly giving advice to a dismayed client (cf. British Museum Satires No. 11931, &c.). [5] 'Becomes a Counsellor!!! Thanks to his Benefactor.' Scene in court, with a crowded gallery. As one of a row of barristers Leach makes an impassioned appeal to the judge. [6] 'And now a Judge!!! Thanks to the Nation.' From the bench he looks down at a row of barristers. After the title: 'Every Merit should be Awarded to a Man for having raised himself from Beggary to so prominent a Station. The utmost Hatred, does that Man deserve who would create Despotism in our Land.'"--British Museum online catalogue
Alternative Title:
Gradations of a Vice Chancellor and "'Tis better to be born lucky than rich"
Description:
Title from text below image., Publisher's statement written in ink on separate piece of paper (11 x 38 mm) pasted below lower left corner of image., Date of publication from the British Museum catalogue., Imperfect; sheet trimmed with partial loss of statement of responsibility from lower right. Missing text supplied from the British Museum catalogue., and Mounted on page 22 of: George Humphrey shop album.
Publisher:
Pubd. by Garmeson, No. 2 St. Swithins Lane, Lombard Stt.
Subject (Name):
Leach, John, 1760-1834 and Taylor, Robert, Sir, 1714-1788
"The Prince and Mrs. Fitzherbert in the bedroom of a French inn ; a maidservant enters (left) with a tea-tray. The Prince, yawning and stretching with a dissipated air, is seated on the edge of a table; the revelry of the past night is indicated by an overturned decanter, broken wineglass, and a broken candle. Another candlestick and broken wine-glass lie on the ground, together with the Prince's top-boots. He wears slippers and his stockings are ungartered, the 'honi soit qui mal y' [pense] ribbon hanging round his leg. Mrs. Fitzherbert, seated on the bed, draws on a stocking; her garter inscribed 'Fox' lies on the ground (cf. British Museum satire 7306). The bed is heavily draped with fringed curtains. The Prince's feathered hat hangs on the wall."--British Museum online catalogue
Alternative Title:
Scene on the Continent
Description:
Title etched below image., Printmaker identified as Gillray in the British Museum catalogue., Probably a reissue; the final digit '8' in '1788' in imprint appears to have been altered from '6,' and the publisher's street address seems to have been burnished and re-etched. See British Museum catalogue., Companion print to: "Wife & no wife, or, A trip to the Continent.", Sheet trimmed within plate mark., and Temporary local subject terms: Morganatic marriages -- Motto: Honi soit qui mal y pense.
Publisher:
Pubd. April 5th, 1788, by W. Holland, No. 50 Oxford Strt
Subject (Geographic):
France
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fitzherbert, Maria Anne, 1756-1837, and Fox, Charles James, 1749-1806.
Subject (Topic):
Taverns (Inns), Bedrooms, Draperies, Hats, Servants, and Tableware
"The King sits impassively in his badly damaged state coach, which is being assailed by a mob; facing him sit two courtiers in abject terror. Pitt (right), dressed as the coachman, drives furiously, lashing the horses, the hind legs only of the wheelers being visible on the extreme right. These are trampling on Britannia who lies prostrate, her shield and broken spear beneath her. Four footmen in striped liveries stand behind, one holding the straps; the others hold each other's waists: Loughborough, the Lord Chancellor, wearing his wig, stands next the coach; behind him is Grenville, then Dundas, wearing a plaid and with a bottle projecting from his coat-pocket. Last is Pepper Arden wearing a judge's wig. All, like Pitt, wear jockey-caps. Lord Lansdowne (right), a sansculotte, composedly fires a blunderbuss point-blank through the coach window, aiming at the King. Fox and Sheridan, facing Lansdowne, run beside the coach, holding on to it. Both are tattered ruffians brandishing clubs, but wear breeches. The other three assailants cling to the spokes of the back wheel to stop the coach: (left to right) the Duke of Grafton, neatly dressed and wearing a cocked hat with tricolour cockade, Lord Stanhope, and little Lord Lauderdale, both wearing bonnets-rouges. Behind, a sea of heads indicates the mob; they carry a tricolour flag inscribed 'Peace and Bread' and a loaf draped with black and spiked on a pitchfork. A cat, stones, and eggs shower on the coach, the crown on the top of which is broken."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Temporary local subject terms: Mob -- Attack on George III's coach on October 29, 1795 -- Coaches: royal state coach -- Crowns: broken crown -- Guns: blunderbass -- Domestic service: footmen -- Hats: jockey caps -- Bonnets rouges., and Mounted.
Publisher:
Pubd. Novr. 1st, 1795, by H. Humphrey, New Bond Street
Subject (Name):
George III, King of Great Britain, 1738-1820, Pitt, William, 1759-1806, Lansdowne, William Petty, Marquis of, 1737-1805, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Lauderdale, James Maitland, Earl of, 1759-1839, Stanhope, Charles Stanhope, Earl, 1753-1816, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Grenville, William Wyndham Grenville, Baron, 1759-1834, Melville, Henry Dundas, Viscount, 1742-1811, and Alvanley, Richard Pepper Arden, Baron, 1745-1804
Subject (Topic):
Assassination attempts, Britannia (Symbolic character), Carriages & coaches, Cats, Coach drivers, Crowds, Riots, Sansculottes, and Servants