In Middle English., Script: Written by a single scribe in a formal style of bastard Anglicana; delicately decorated ascenders and descenders along upper and lower edges of written space., On f. 5v a large coat of arms, Carent quartered with Toomer, in a green, orange, and gold frame, against a dark green ground, perhaps a slightly later addition; f. 6r, a small coat of arms, Carent, in the lower margin, against a gold ground, surrounded by a phylactery wrapped around the bar border. Arms supported by two seated dogs, in black pen, set in an oblong landscape, edged heavily in black., One 8-line (f. 6r), four 6-line (ff. 1r, 21r, 52r, 85v) and one 4-line (f. 106r) initials, blue and red with white highlights, filled with large four-lobed flowers and acanthus leaves, orange, green, pink, blue, and light blue, against irregular gold grounds, edged in black, with full (ff. 1r, 6r), 3/4 (ff. 52r, 85v) or single marginal (ff. 21r, 106r) borders. The full and 3/4 have gold, blue and red bands attached to initial, with curling and braided sections sprouting curling acanthus at corners; often against gold cusps, with spiraling black ink hair-spray vines with small green teardrop leaves, pink, brown, green, and blue flowers, and gold dots with small pink and blue leaves. 2-line gold initials on irregular blue and red grounds with white highlights, each with two sprigs of black hair-spray with green leaves and gold dots, as above. 1-line blue and gold initials, with red or pink penwork. Rubrics throughout., and Binding: Nineteenth century. Brown goatskin blind-tooled, with a gold-tooled title. Bound by Francis Bedford (London, 1800-84), who worked with C. Lewis and set up his own shop in 1841.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Lydgate, John, 1370?-1451? and Mary, Blessed Virgin, Saint.
Subject (Topic):
Devotional literature, English (Middle), Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment of Edward, the second Duke of York, Master of Game
Description:
In English., Script: Written by a single scribe in a careful English secretary script., Gold initials, 3-line, on blue and dark pink grounds with white highlights mark text divisions. Headings and marginal chapter references, in red, throughout., and Binding: Eighteenth century. Brown skin, flesh side out, blind-tooled, over paper boards. Front cover detached.
Subject (Geographic):
Connecticut, New Haven., and York (England)
Subject (Name):
Edward, of Norwich, 1373?-1415.
Subject (Topic):
English literature, Hunting, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript, on vellum, in a single hand, of the complete text of Love's translation of the Meditationes vitae Christi, a text often attributed to Pseudo-Bonaventure or Johannes de Caulibus. This version concludes with the "additional" chapter on the sacrament
Description:
In Middle English., Presentation inscription at end of text, in red ink: This booke is gyffyne to Allyse Belacyse. Be the gyfte of Johane Countesse of kente., Presentation inscription following the previous, in black ink: I Allyse Belacyse, gyfe this booke to Elysabeth my serua[n]t wt. my handys., Layout: single columns of 34 lines., Script: English bookhand., Decoration: illuminated initial and a full illuminated bar border on the first page of text; other illuminated initials., and Binding: eighteenth-century full paneled calf, gilt. Six-compartmented spine, decorated, gilt. Spine tag in red leather: Lyffe of Jesu Criste.
Subject (Geographic):
Connecticut, New Haven., and England.
Subject (Name):
Love, Nicholas, active 1410.
Subject (Topic):
Devotional literature, English (Middle), English literature, Manuscripts, Medieval, Women, and Books and reading
Manuscript, on vellum, in a single hand, of the complete text of Love's translation of the Meditationes vitae Christi, a text often attributed to Pseudo-Bonaventure or Johannes de Caulibus. The manuscript also contains John Lydgate's Fifteen joys of Our Lady and the anonymous poems, The fifteen ooes of Christ and The charter of Our Lord Jesus Christ
Description:
In Middle English., Layout: single columns of 45 lines., Script: English bookhand., Decoration: illuminated initial and three-quarter border on first page of text; three other illuminated initials with gold., Verse ownership inscriptions of Erkynwald Gyttyns on three back flyleaves, accompanied by pen trials and sketches., Ownership inscription of Francis Layton on verso of third front flyleaf., and Binding: eighteenth-century half calf over marbled boards.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Love, Nicholas, active 1410. and Lydgate, John, 1370?-1451?
Subject (Topic):
Devotional literature, English (Middle), English literature, English poetry, and Manuscripts, Medieval
Manuscript on parchment of The Mirrour of the Blessed Lyf of Jesu Crist, translated into English by Nicholas Love. With Memorandum stating that the original copy of the translation was given to Thomas Arundell, Abp. of Canterbury, for his approval, in 1410
Description:
In Middle English., Script: Written by one hand in bastard Anglicana., Initials at beginning of each day, 4-line, on ff. 22r, 34r, 53r, 106r, gold against pink and blue grounds, with white filigree, partial borders of acanthus leaves and daisy buds in purple, pink, orange and blue, black hair-spray with green leaves and gold dots. (Similar initials or more important decoration probably occurred on the folios missing at the beginning of Prohemium, Monday, Friday and Chapter 64.) 3- and 2-lines initials gold against pink and blue, with white filigree, short border of hair-spray with green leaves and gold dots. 1-line initials and paragraph marks gold with blue penwork or blue with red used in text and in running titles and notations in outer margin. Line-fillers in blue and gold; rubrics throughout., Outer margin of f. 37 cut off., and Binding: 19th-20th centuries. Olive green goatskin, blind-tooled, with gold-tooled label. Two clasp-and-catch fastenings. Bound by Zaehnsdorf (London, ca. 1842-1930). Original flyleaf (f. iv) is a bifolium, inserted sideways, from a manuscript written in England, 14th century, in Anglicana formata. On the recto and verso at top, portions of a prose text by Richard Rolle; on the recto and verso at bottom, Rolle's Commandment of Love.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Love, Nicholas, fl. 1410. and Rolle, Richard, of Hampole, 1290?-1349.
Subject (Topic):
Devotional literature, English (Middle), English literature, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Fragment, on vellum, of Piers Plowman, produced in Anglicana book script in Oxford or London at the beginning of the 15th century. The bifolium includes Passus II, line 200 to Passus III, line 44; and Passus IV, lines 123-174
Description:
In Middle English., The fragment was discovered during renovations in the Old Vicarage, Wickhambrook, Suffolk., and Schøyen MS 1953.
Manuscript on parchment of 1) Psalter in English, in the 8-part liturgical division, beginning defectively. Text is the later version of the Wycliffite translation of the Psalms. 2-7) Book of Hours, use of Sarum. 8) St. Jerome's Psalter, with introductory prayer and text followed by a suffrage to the Virgin. With Notes on Historia, Alegoria, Anagogia, Tropologia
Description:
In Middle English and Latin., Script: Written in small, well formed gothic bookhand., Five 6- to 5-line initials at the liturgical divisions of the Psalter (Psalms 26, 52, 68, 80, 97; initials for Psalms 1, 38, and 109 missing, offset initials on ff. 35v, 109r, and 156r), pink and blue with white highlights against cusped gold grounds, filled with brown, blue, and pink foliage with curling foliate serifs; pink, blue and gold bar border in outer margin with foliate shoots, terminals and horizontal extensions full across in upper and lower margins. Eleven 5- to 4-line initials (ff. 139v, 158v, 161r, 162r, 163r, 163v, 164r, 165v, 168r, 169v, 176v), gold, edged in black against a cusped ground, quartered in blue and pink, with white highlights and floral hair-spray. 3-line initials, blue with red penwork throughout. Capitals alternating red and blue. Rubrics throughout. Red and blue line-fillers in litany., and Binding: 19th-20th centuries. Brown leather case, blind-tooled. Red edges. Smells like a Middleton binding.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Devotional literature, English (Middle), Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Psalters
Manuscript document, on parchment, in a single hand, containing a quitclaim by John Burgh, parson of Huish Champflower in Somerset, releasing his rights in the lands and tenements of John Badyngton of Somerset
Description:
In Middle English., Layout: single column of 9 lines., and Script: secretary script.
Subject (Geographic):
England, Connecticut, New Haven., and Somerset (England)
Manuscript on paper of 1) Thomas Hoccleve, Complaint. 2) Hoccleve, Dialogue with a Friend. 3) Hoccleve, Tale of Jereslaus' Wife. 4) Prose moralization of the text in art. 3, preceded by a prologue in verse. 5) Hoccleve, How to Learn to Die. 6) Hoccleve, The Joys of Heaven, in prose, preceded by a prologue, in verse. 7) Hoccleve, Tale of Jonathas, preceded by prologue. 8) Prose moralization of the tale in art. 7. 9) John Lydgate, Dance of Macabre. 10) Hoccleve, Regiment of Princes
Description:
In Middle English., Script: Written in a current mixed hand, Anglicana with Secretary forms, by a single scribe who wrote in a more cursive and compressed style of script for the prose sections of text., Blue initials, 6- to 2-line, for major text divisions, with several distinct styles of red flourishing. Headings and marginal notes in red; paragraph or stanza marks alternate red and blue. Written by a scribe who paid careful attention to the presentation of the text: stanzas are divided by red lines that extend width of written space; metrical arrangements are marked by brackets in red; notes are added, in red, in outer margins and preceded by blue paragraph marks that are often joined together to form a vertical wavy line. In addition, the scribe has also paid attention to minor ornamental features: decorative flourishes, mostly in red, have been added to many lower margins; ornamental ascenders in top line of text extend into upper margin and are often decorated with red., and Binding: Twentieth century. Tan pigskin, blind-tooled, with title, in gold, on spine: "Hoccleve/ Manuscript/ XV Cent." Edges spattered red.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Hoccleve, Thomas, 1370?-1450?
Subject (Topic):
English literature, English poetry, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval