Plate 2. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
A scene outside the Bell Inn in which a country girl, Moll Hackabout, just arrived on the York Wagon, meets an extravagantly dressed bawd (Mother Needham); a clergyman on horseback fails to notice the encounter, but a lecherous old gentleman (Colonel Charteris) eyes the girl with anticipation. In the lower right the girl's initials "M.H." (M[ary?] Hackabout) are on her portmanteau, next to which is a basket with a goose with a note around its neck, "For my Loving Cosen in Tems Stret in London", presumably the person who has failed to meet her. In the background a woman hangs out her laundry on a balcony
Description:
Title from Paulson., Series title engraved below image, lower right., State, publisher, and date from Paulson., and Fourth state with Mother Needham's feet now appear under her skirt. See Paulson for full description.
Publisher:
Wm. Hogarth
Subject (Name):
Charteris, Francis, 1675-1732.
Subject (Topic):
Prostitution, Carriages & coaches, City & town life, Clegy, Horses, Lust, Rake's progress, Prostitutes, Signs (Notices), Taverns (Inns), and Young adults
Plate 2. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
A scene outside the Bell Inn in which a country girl, Moll Hackabout, just arrived on the York Wagon, meets an extravagantly dressed bawd (Mother Needham); a clergyman on horseback fails to notice the encounter, but a lecherous old gentleman (Colonel Charteris) eyes the girl with anticipation. In the lower right the girl's initials "M.H." (M[ary?] Hackabout) are on her portmanteau, next to which is a basket with a goose with a note around its neck, "For my Loving Cosen in Tems Stret in London", presumably the person who has failed to meet her. In the background a woman hangs out her laundry on a balcony
Description:
Title from Paulson., Series title engraved below image, lower right., State, publisher, and date from Paulson., Fourth state with Mother Needham's feet now appear under her skirt. See Paulson for full description., 1 print : etching and engraving on laid paper ; plate mark 31.7 x 39.2 cm, on sheet 46 x 59 cm., and Plate 2 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Name):
Charteris, Francis, 1675-1732.
Subject (Topic):
Prostitution, Carriages & coaches, City & town life, Clegy, Horses, Lust, Rake's progress, Prostitutes, Signs (Notices), Taverns (Inns), and Young adults
Plate 10. Queen Charlotte's collection of Hogarth works. Leaf 10. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
A room at the Rose Tavern, Drury Lane (after the painting at Sir John Soane's Museum); to left, Tom, surrounded by prostitutes and clearly drunk, sprawls on a chair with his foot on the table; one young woman embraces him and steals his watch, another spits a stream of gin across the table to the amusement of a young black woman standing in the background; one woman drinks from the punchbowl; another is removing her clothes in order to perform "postures"; to the right, a harpist and a door through which enters a man holding a large dish and a candle, and a pregnant ballad singer holding a sheet lettered "Black Joke"; on the walls hang a map of the world to which a young woman holds a candle and framed prints of Roman emperors, all (except that of Nero) damaged. The portrait on the wall which in the 2nd state was a faceless Julius Caesar is now a portrait of Pontac
Alternative Title:
O vanity of youthfull blood, so by misuse to poinson good!
Description:
Title, imprint, and state from Paulson., Added title from first lines of verse below image., "Plate 3"--Lower right corner., Description based on imperfect impression; sheet trimmed to image; separate caption and imprint mount below., and On page 69 in volume 1. Plate trimmed to: 35.2 x 40.1 cm.
A room at the Rose Tavern, Drury Lane (after the painting at Sir John Soane's Museum); to left, Tom, surrounded by prostitutes and clearly drunk, sprawls on a chair with his foot on the table; one young woman embraces him and steals his watch, another spits a stream of gin across the table to the amusement of a young black woman standing in the background; one woman drinks from the punchbowl; another is removing her clothes in order to perform "postures"; to the right, a harpist and a door through which enters a man holding a large dish and a candle, and a pregnant ballad singer holding a sheet lettered "Black Joke"; on the walls hang a map of the world to which a young woman holds a candle and framed prints of Roman emperors, all (except that of Nero) damaged
Alternative Title:
O vanity of youthfull blood ...
Description:
Description based on entry in Paulson., "Plate 3"--Lower right corner., Description based on imperfect impression; sheet trimmed to image with loss of text and imprint., and On page 68 in volume 1. Plate trimmed to: 35.1 x 39.8 cm.
A room at the Rose Tavern, Drury Lane (after the painting at Sir John Soane's Museum); to left, Tom, surrounded by prostitutes and clearly drunk, sprawls on a chair with his foot on the table; one young woman embraces him and steals his watch, another spits a stream of gin across the table to the amusement of a young black woman standing in the background; one woman drinks from the punchbowl; another is removing her clothes in order to perform "postures"; to the right, a harpist and a door through which enters a man holding a large dish and a candle, and a pregnant ballad singer holding a sheet lettered "Black Joke"; on the walls hang a map of the world to which a young woman holds a candle and framed prints of Roman emperors, all (except that of Nero) damaged
Alternative Title:
O vanity of youthfull blood ...
Description:
Description based on entry in Paulson., "Plate 3"--Lower right corner., and Description based on imperfect impression; sheet trimmed to image with loss of text and imprint.
Plate 10. Queen Charlotte's collection of Hogarth works. Leaf 10. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
A room at the Rose Tavern, Drury Lane (after the painting at Sir John Soane's Museum); to left, Tom, surrounded by prostitutes and clearly drunk, sprawls on a chair with his foot on the table; one young woman embraces him and steals his watch, another spits a stream of gin across the table to the amusement of a young black woman standing in the background; one woman drinks from the punchbowl; another is removing her clothes in order to perform "postures"; to the right, a harpist and a door through which enters a man holding a large dish and a candle, and a pregnant ballad singer holding a sheet lettered "Black Joke"; on the walls hang a map of the world to which a young woman holds a candle and framed prints of Roman emperors, all (except that of Nero) damaged. The portrait on the wall which in the 2nd state was a faceless Julius Caesar is now a portrait of Pontac
Alternative Title:
O vanity of youthfull blood, so by misuse to poinson good!
Description:
Title, imprint, and state from Paulson., Added title from first lines of verse below image., "Plate 3"--Lower right corner., and Description based on imperfect impression; sheet trimmed to image; separate caption and imprint mount below.
Plate 10. Queen Charlotte's collection of Hogarth works. Leaf 10. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
A room at the Rose Tavern, Drury Lane (after the painting at Sir John Soane's Museum); to left, Tom, surrounded by prostitutes and clearly drunk, sprawls on a chair with his foot on the table; one young woman embraces him and steals his watch, another spits a stream of gin across the table to the amusement of a young black woman standing in the background; one woman drinks from the punchbowl; another is removing her clothes in order to perform "postures"; to the right, a harpist and a door through which enters a man holding a large dish and a candle, and a pregnant ballad singer holding a sheet lettered "Black Joke"; on the walls hang a map of the world to which a young woman holds a candle and framed prints of Roman emperors, all (except that of Nero) damaged. The portrait on the wall which in the 2nd state was a faceless Julius Caesar is now a portrait of Pontac
Alternative Title:
O vanity of youthfull blood, so by misuse to poinson good!
Description:
Title, imprint, and state from Paulson., Added title from first lines of verse below image., "Plate 3"--Lower right corner., Description based on imperfect impression; sheet trimmed to image; separate caption and imprint mount below., 1 print : etching with engraving on laid paper ; plate mark 35.5 x 40.9 cm, on sheet 46 x 59 cm., and Plate 10 in the album: Queen Charlotte's collection of Hogarth works.
publish'd according to act of Parliament, March 8th, 1756.
Call Number:
Kinnaird 55K(b) Box 215
Image Count:
1
Resource Type:
still image
Abstract:
Outside an English country inn, over whose door a sign reads "Duke of Cumberland Roast and boil'd every day", a group of soldiers and sailors laugh at a large caricature of Louis XV on the tavern wall. They sit with two attractive young women around a table on which sits a large pie, a tankard, and a broadsheet with the verses of "Rule Britannia." In the lower left a soldier leans against a drum as he plays his flute; the music sheet in front of him is "God save Great George our King". To the right, a short well-fed man smiles as he stands on tip-toe to reach the height required by the recruiting sergeant. In the distance, soldiers are drilling in an orderly fashion; beyond them, on a hill is a large country house
Alternative Title:
Invasion, Pl. 2. England
Description:
Title etched above image. The two Ns in England etched backwards., Added title from Paulson: The invasion, Pl. 2. England., State and publisher from Paulson., Companion print: France. Plate 1st., Four columns of verse below image: See John the soldier, Jack the tar with sword & pistol arm'd for war. Should mounsir dare come here?! The hungry slaves have smelt our food, they long to taste our flesh and blood, Old England's beef and beer! Britons to arms! and let 'em come! Be you but Britons still. Strike home, and lion-like attack 'em; no power can stand the deadly stroke that's given from hands & hearts of oak with liberty to back em., and Sheet trimmed within plate mark.
Publisher:
Wm. Hogarth
Subject (Name):
Louis XV, King of France, 1710-1774
Subject (Topic):
Seven Years' War, 1756-1763, Eating & drinking, Musicians, Signs (Notices), Soldiers, Taverns (Inns), War, and Women
"Frontispiece to John Clubbe, 'Physiognomy'; being a sketch only of a larger work upon the same plan...' (London, 1763); scene outside an inn with the sign of 'The Weighing House', with nine men being assessed along a scale of gravity to levity; at right a man by the inn door operates a pulley to raise a magnet from the crossbeam of the inn sign; the men are balanced in a semi-circle from 'A', 'absolute Gravity', standing on his head, to 'I', 'absolute Levity or Stark Fool', in the middle of the air just beneath the magnet; at the centre, horizontally balanced and with nonchalant expression, is E, 'good Sence'."--British Museum online catalogue
Alternative Title:
Weighing house
Description:
Title, date, artist, printmaker and publication information from Paulson., The degree of Hogarth's involvement in the design is unknown (see Paulson for discussion). Clubbe dedicated the 'Physiognomy' to Hogarth, and the author's son claimed that Hogarth had drawn at least the faces, but that perhaps the rest of the design was by Joshua Kirby, draughtsman and writer on perspective and a mutual friend to Hogarth and Clubbe. The attribution of the engraving to Luke Sullivan is as early as Nichols and Steevens' 'The Genuine Works of William Hogarth' (1808) vol. 1, p. 373., Sheet trimmed to plate mark., and On page 199 in volume 2.