"Satire on George II's reluctance to accept an inter-party ("Broad-Bottom") government which included Tories suspected of Jacobite sympathies. The king, in the centre. leans across a table crying out, "Hounsfoot me no Stomach him!" as Thomas Pelham, Duke of Newcastle, and his brother Henry prepare to cram the Tory John Hinde Cotton into his mouth; Newcastle remarks, "His Bottom's dam'd Broad". Six other former opposition members hoping for office, including Lords Cobham (saying "I'll Protest no more") and Lyttelton ("You are right Cuz"),and William Pitt ("We drive a fine Trade"), lie on a shelf ready to be treated in the same way as Cotton, one of them saying, "Burn the Yellow List." The kings breeches are lowered and he is evacuating Lord Hobart. Others who have presumably emerged in the same manner leave the scene to left complaining that they have been turned out of office. They include Sir John Rushout saying, "Rusht-out with a Fizzle", and, kneeling in the foreground, Lord Winchelsea who has dropped his spectacles, complaining, "Bes[hi]t without a Job". In the foreground to right, stand two other gentlemen address the oppositiion members, one saying "Consider Your Oaths", and the other, holding a large key, "Remember The Healths"."--British Museum online catalogue
Description:
Title from caption above image., Printmaker George Bickham the Younger and publication date 1744 from British Museum catalogue., and Mounted to 34 x 49 cm.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain and Great Britain.
Subject (Name):
George II, King of Great Britain, 1683-1760, Buckinghamshire, John Hobart, Earl of, 1693-1756, Cobham, Richard Temple, Viscount, 1669?-1749, Cotton, John Hynde, Sir, 1686-1752, Lyttelton, George Lyttelton, Baron, 1709-1773, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, Pelham, Henry, 1695?-1754, Pitt, William, Earl of Chatham, 1708-1778, Rushout, John, Sir, 1684-1775, and Winchilsea, Daniel Finch, Earl of, 1689-1769
Subject (Topic):
Broad-bottom, Politics and government, Defecation, and Politicians
A tracing by George Steevens of a print by Willaim Hogarth: Theatre stage with two dancers; on the left a woman (La Barbarina) jumps with her legs apart and on the right a man (George Desnoyer) stands with his legs together; on either side a chorus, or audience, and statues of Comedy and Tragedy holding candles. With the text "C.C. Prickt lines shewing the rising Height" at the foot of the stage as in the first state and with a face on the sun
Alternative Title:
Charmers of the age
Description:
Title from item., Lengthy pencil note in William Windham's hand below: These two pieces viz. the one marked Qui Color albus erat and The Charmers of the age? are not prints but copies taken with a pen by Mr. Steevens, and given to me, together with many others, not copies, in return for those mentioned in his collection as given by me to him. [Signed] W.W. March 22d 1800., After Paulson, R. Paulson, R. Hogarth's graphic works (3rd ed.), no. 153., and On page 100 in volume 1.
Subject (Name):
Campanini, Barberina, 1721-1799 and Desnoyer, George, approximately 1700-1764
Subject (Topic):
Dancers, German, Italian, and Theatrical productions
Title from text etched above image., Title translation in British Museum catalogue: Night singer of shares with his magic lantern., Publication date from British Museum catalogue., Sheet trimmed within plate mark., Plate numbered '2'., Text burnished from plate between image and verse., Two columns of verse in Dutch below image: 't wind-luchtig bulken, blaasen, gaapen, zyn tanden braaf te laaten zien ..., and Mounted to 26 x 19 cm.
"A ship, apparently bearing 'Aeneas' (George II) is tossed on a stormy sea. On the shore at right, 'Dido' (the figure of Britannia), points and smiles, above the inscription, "She, while [the] outragious winds [the] deep deform, Smiles on [the] tumult, & enjoys [the] storm". In the sea Neptune near the shore looks at the ship in displeasure. Above in the sky are three Winds, as three young boys, one blowing, one farting, the last kicking a hat."--British Museum online catalogue
Description:
Title engraved above image., Formerly attributed to Hogarth, now thought to be by Van der Gucht. See British Museum online catalogue., Questionable attribution in Paulson's 2nd edition., Lettered below image: Tanta haec mulier potuit suadere malorum., Latin motto below image translated: So much evil can a woman induce., Verse etched in lower right of image: She, while [the] outragious winds [the] deep deform, Smiles on [the] tumult, & enjoys [the] storm., Also a note in Steevens's hand discussing the three prints on this page pasted down at top of page., and On page 89 in volume 1.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain
Subject (Name):
George II, King of Great Britain, 1683-1760., Dido,, Aeneas (Legendary character),, and Neptune (Roman deity),
Subject (Topic):
Politics and government, Britannia (Symbolic character), Sailing ships, and British
April 26, 1745, publish'd according to act of Parliament.
Call Number:
745.04.26.01+
Image Count:
1
Resource Type:
still image
Abstract:
A satire on Admirals Thomas Mathews and Richard Lestock and other officers who had been engaged in the fight off Toulon, and who subsequently became subjects of a Court Martial. A street scene, on the left a portico, from which a goup of persons is led by the figure of Britannia towards a dockyard; with letterpress inscriptions, verses in four columns
Description:
Title from item., Four columns of verse below image begins: Shall British glory rise again, and wipe the degen'rate stain ..., Later state, with publisher's name burnished from plate. Cf. No. 2682 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., Temporary local subject terms: Buildings: portico of the Admiralty's Building -- Admiralty: satire on admiralty inscribed on portico -- British Lion -- Personifications: Justice -- Trade -- Symbols: Hand of Providence -- Lightning bolts -- Reference to the Battle of Toulon, 1744 -- Reference to the War of the Austrian Succession, 1740-1748 -- Court martial -- Emblems: laurel wreath -- Balance -- Weapons: sticks as cudgels -- Architectural details: busts -- Naval uniforms -- Gates: dockyard at Deptford -- Reference to Bremen and Verden., and Watermark: countermark IV.
Publisher:
publisher not identified
Subject (Name):
Torrington, George Byng, Viscount, 1663-1733, Blake, Robert, 1599-1657, Mathews, Thomas, 1676-1751, Lestock, Richard, 1679?-1746, and Norris, John, Sir, 1660?-1749
"Satire identifying George II with his electorate of Hanover, showing the Hanoverian landscape and his profile head in trompe l'oeil; the king is shown with a moustache in the style typical of a German soldier of the period. The landscape carries numbers referring to a key beneath suggesting that trade in Hanover is in a state of decay: 1. Herrenhausen; 2. Manufacture of Boars Heads (a ruined building); 3. Do. of Hams (a farm); 4. The Town of Hanover; 5. Manufacture of Linnen (a distant village); 6. Do. of Bonporenicole (a fortress; a reference to the lack of provisions for British troops in Germany, see BM Satire 2584); 7. Beggars Cambrick (another village); 8. Hunting House; 9. The (Army) Camp; 10. The River Leyne; 11. The Alder (a lake in the foreground where men are fishing)."--British Museum online catalogue
Alternative Title:
Face of the country whereon Hanover stands, with a view of Herenhauseen and the seats of manufacture
Description:
Title from item., Publisher identified from address., Publication date from British Museum catalogue., Five lines of text, including key to numbered objects within image, below image: Tho' this is not given as [the] most regular, [the] most varied, or [the] most noble prospect in the world ..., and Watermark: countermark IV.
"Satire identifying George II with his electorate of Hanover, showing the Hanoverian landscape and his profile head in trompe l'oeil; the king is shown with a moustache in the style typical of a German soldier of the period. The landscape carries numbers referring to a key beneath suggesting that trade in Hanover is in a state of decay: 1. Herrenhausen; 2. Manufacture of Boars Heads (a ruined building); 3. Do. of Hams (a farm); 4. The Town of Hanover; 5. Manufacture of Linnen (a distant village); 6. Do. of Bonporenicole (a fortress; a reference to the lack of provisions for British troops in Germany, see BM Satire 2584); 7. Beggars Cambrick (another village); 8. Hunting House; 9. The (Army) Camp; 10. The River Leyne; 11. The Alder (a lake in the foreground where men are fishing)."--British Museum online catalogue
Alternative Title:
Face of the country whereon Hanover stands, with a view of Herenhauseen and the seats of manufacture
Description:
Title from item., Publisher identified from address., Publication date from British Museum catalogue., Five lines of text, including key to numbered objects within image, below image: Tho' this is not given as [the] most regular, [the] most varied, or [the] most noble prospect in the world ..., and With spine title: Caricatures anglaise 1740.
published according to act of Parliament, [approximately 1736]
Call Number:
736.11.08.01.2+
Image Count:
1
Resource Type:
text
Abstract:
An ass with panniers, driven by Wake, Archbishop of Canterbury who carries a whip in one hand and a book in the other. The ass has the face of Dr. Lynch, Dean of Canterbury, son-in-law of Wake who bestowed manu preferments on the Dean. A poorly fed and clothed clergyman kneels on one knee before the ass and salutes the beast, who turns his face away. In the pannier, which is marked "Sinecure of Bray", lie many labels or packages inscribed with the names of Dr. Llynch's preferments
Alternative Title:
Ass loaded wth church preferments and Ass loaded with church preferments
Description:
Title from item., Publication date inferred from dated impression of this print in the Pierpont Morgan Library., Publication date in British Museum catalogue: ca. 1735., The word 'church' in title is represented by an image of a church building., Bowditch's ms. annotations on the mounting sheet., and Mounted to 34 x 42 cm.
Publisher:
publisher not identified
Subject (Name):
Wake, William, 1657-1737 and Lynche, John, 1697 or 1698-1760
Epistle to Miss - etc, etc and Miss - in the actual dress as she appear'd in ye character of Iphigenia, at ye jubilee ball or masquerade at Ranelagh
Description:
Title from item., Miss - is Miss Chudleigh., Broadside illustrated at top of sheet with an etching (plate mark 26.5 x 33.3 cm)., Two lines of verse below title : Some men to pleasure, some to bus'ness take ... Pope., Twelve lines of verse etched below caption title on the plate: What odd fantastick whimsies fill ..., and Temporary local subject terms: Allusion to Susannah Maria Ciber, 1714-1766 -- Masquerade: Punch -- Masquerade: Domino -- Masquerade: Iphigenia -- Literature: Alexander Pope, 1688-1744 -- Jubilee: masquerade ball, Ranelagh, May 1, 1749 -- Mask.
Publisher:
Printed for A. Freeman, near Charing-Cross
Subject (Name):
George II, King of Great Britain, 1683-1760 and Bristol, Elizabeth Chudleigh, Countess of, 1720-1788