A servant (butcher?) with his hands on his hips looks suspicously at a fashionably dressed man as the latter crosses one arm in front of his chest completing an apologetic bow and uses the other to secretly slide a package behind his back to a thrid unidentified individual penciled in outline. The inscribed caption reads: Permit me good sir to solicit your countenance. You be damned!
Description:
Title penciled in below image. and For further information, consult library staff.
Subject (Topic):
Corruption, Bribes, Servants, Dandies, and British
A young woman sits despairingly on the edge of a bed, with the end of a garter round her neck; the other end dangles from the bed-tester. She watches a servant holding a foppish, elderly naval officer by the collar as he flourishes a cudgel. At his feet lie a set of bellows. On the wall is a framed picture of Venus and Adonis with Cupid
Description:
Title from published print based on this drawing., Signed "George Cruikshank" lower right. The British Museum catalogue attributes the design to George's father Isaac in its description of the print engraved after this drawing. Cohn similarly suggests that this design "was probably the work chiefly of Isaac"., A drawing for the illustrated songsheet "Galvanism, or, The miraculous recovery of the unfotunate [sic] Miss Baily", published by Laurie & Whittle in 1807, which tells the tale of a servant Darby Daly who discovers the young Miss Baily hanging, and after reviving her with bellows, forces her seducer to marry her., Backed with Japanese tissue; with the title "The outraged husband" printed on mount., Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8, no. 10938., and Cf. Cohn, A.M. George Cruikshank: a catalogue raisonné, 1144.
Subject (Topic):
Adonis, Cupid, Venus, Beating, Bellows, Bedrooms, Couples, Canopy beds, Military officers, British, Paintings, Seduction, and Servants
Plate lettered in the top center 'F': Reverse copies of the upper bodies of six figures in the sixth plate of William Hogarth's Marriage a la Mode. Each of the figures is numbered; 1. The dying countess; 2. Her child, kissing her; 3. The old woman; 4. The merchant; 5. The foolish servant; 6. The apothecary; also a sketch at left of a head from one of the paintings
Description:
Title from British Museum catalogue., Illustrations to: Lichtenberg's Göttinger Taschen Kalender., and Numbered '6' in upper left corner above border.
Publisher:
publisher not identified
Subject (Name):
Hogarth, William, 1697-1764
Subject (Topic):
Adultery, Children, Death, Merchants, Mothers, Pharmacists, and Servants
"Interior of a kitchen showing servants at leisure: a stout woman dances with a black man in the centre accompanied by a man with a wooden leg who sits playing a violin on the left; watched by others on the right, a young woman standing on a chair and supported by a young man, while a seated man wearing a tricorn smiles and points at her and an elderly woman stands with her arms folded under her apron, a dog at her heels; two posters pasted on the wall behind, shelves, bellows and other kitchen implements in the background."--British Museum online catalogue, description of a print of the same design
Description:
Title from a copy published by Carington Bowles, July 17th, 1770., Unsigned; attributed to Francis Grose., and Date of production based on exhibition history; this drawing was exhibited at the Incorporated Society of Artists in 1767.
Subject (Topic):
Blacks, Interiors, Kitchens, Servants, Peg legs, Violins, Bellows, and Dogs
Drawings B87 no. 30 Framed, shelved in Object Room Bin 5
Image Count:
1
Abstract:
A game of billiards is being played on a table, one corner of which only is visible, so curiously elongated that it gives the impression of a triangular table. The two players stand by the corner of the table, the one who is about to make a stroke appears from his leanness, frogged coat, and long pigtail queue to be a Frenchman; he leans over the table in profile to the left, wearing pince-nez. His opponent watches him, standing on top-toe, his cue held over his left shoulder, his face screwed up in anxiety; he wears a bag-wig. A number of spectators look on with expressions of amusement or concern: on the right two men stand together grinning; on the left a man watches open-mouthed; behind the table a man watches with an expression of alarm, another takes cover behind him with a grin; a small boy stands beside them. In the foreground are two dogs, one, a greyhound, stands between the player's legs. On the wall behind the table is a rack of cues and two clock-faced scoring boards both pointing to the figure X. On the right is a door, on the left a small casement window. Pictures and prints decorate the wall (left to right): a print of Wilkes (bust) with two caps of liberty; a print of a nymph and satyr; a print of a man seated, three quarter length; a print of a man and woman whole-length; two framed landscapes
Description:
Title from local card catalogue. and Published stipple engraving: no. 5803 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5.
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[1773]
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Page 91. Bunbury album.
Image Count:
1
Resource Type:
still image
Abstract:
A scene from Tristram Shandy in which Susannah stands holdings her nose with her right hand while in her left she holds a candle over the cradle where the swaddled infant Tristram lies with a plaster on his nose. She addressed the doctor with obvious fury, her mouth agape. On the left Dr. Slop raises his left fist at her while in his right he holds a cataplasm in a ladle, ready to fling at her. His hat lies at his feet, and his wig is ablaze. Obadiah stands behind him carrying in his hands a chamber pot and a bowl, a medicine bottle tucked under his arm. The two men stand before a screen. The walls of the room are hung with portraits and a mirror; a grandfather's clock showing the time as 6:15 stands against the wall behind the cradle and Susannah. Two medicine bottles sit on a table partially hidden behind the screen. In the foreground lies an over-turned chair
Description:
Title from later state., Artist and printmaker from signatures on later state: HWBunbury delin. ; J. Bretherton f., Proof state, before any lettering and before additional shading added to the design. For the lettered state, see no. 5216 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Publisher and date of publication inferred from imprint statement on later state., Sheet trimmed within plate mark., Temporary local subject terms: Medical: Cataplasm -- 'Dr. Slop' -- Dishes: Bowls -- Lighting: Long handle candlesticks -- Domestic service: Maid -- Furniture: Hall clock -- Folding screen., and Mounted on page 91 of: Bunbury album.
Publisher:
J. Bretherton
Subject (Name):
Sterne, Laurence, 1713-1768.
Subject (Topic):
Illustrations, Cradles, Longcase clocks, Physicians, Quarreling, Screens, Servants, and Women domestics