"The Duchess of Devonshire (right), in morning cap and gown, makes tea for Fox and Sam House who sit side by side on a sofa (left). The duchess leans back in her chair, one hand on the tap of the urn, while she hands a cup to a footman who stands with a tray. Sam (left) has been served first; he sits stirring his tea and gazing adoringly at Fox (right), who playfully pats his bald head. A spaniel stands in front of them, begging. On the wall behind are two freely sketched whole length portraits: behind the duchess is Reynolds's portrait of her husband standing by his horse (as in British Museum Satires No. 6546), the other is over the heads of House and Fox."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue and Grego., Another impression of a print owned by Horace Walpole which is now at NYPL 71., and Mounted to 30 x 42 cm.
Publisher:
Pubd. April 14th, 1784, by W. Humphrey, No. 227 Strand
Subject (Geographic):
England, London., and Westminster
Subject (Name):
Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806, Devonshire, William Cavendish, Duke of, 1748-1811, Fox, Charles James, 1749-1806, House, Samuel, -1785, and Great Britain. Parliament
Subject (Topic):
Elections, 1784, Politics and government, Dogs, Pleading (Begging), Political elections, and Servants
"The piazza of Covent Garden, with the hustings, showing a line of hill in the distance inscribed 'View of Richmond Hill'. In the air, flying towards the hustings, is Mrs. Hobart encased from the waist downwards in a circular balloon to which is attached a hammock-like platform, on which lie two voters, face downwards, looking over the side. The lady, in profile to the left, looking upwards, excessively fat, with uncovered breast, is saying "This may save him"; her petticoats have been transformed into the balloon, her 'last shift'. A blast issues from her posteriors. One of her passengers in profile to the left holds out his hand, saying, "I see the Hustings". The other, facing in the opposite direction, says, "thank God I am an outside Passenger". A flock of birds scatters right to left of the balloon. Wray, kneeling on one knee, and Hood standing behind him (right) look up eagerly to the balloon, holding out their hands. Wrays says, "A foul wind is fair for us"; Hood says, "O come sweet Air Balloon or I must off in one". The hustings under the portico of St. Paul's are freely sketched; gesticulating orators, hat in hand, address the crowd. One of the houses on the right (north) side of the piazza is inscribed 'Lows'; a flag flies from a window."--British Museum online catalogue
Alternative Title:
Aerostatic dilly
Description:
BEIN BrSides 2022 42: Sheet trimmed to 34.7 x 24.4 cm. Hand-colored., Title etched below image, at top of center column of text., Printmaker identified as Rowlandson and artist questionably identified as Townshend in the British Museum catalogue., Fourteen lines of explanatory text below image, in center column underneath title: The grand political balloon launched at Richmond Park on the of [sic] March 1784 and discharged by secret influence with great effect in Covent Garden at 12 O Clock on the same day. ..., Two numbered verses of a song, each verse in its own column to the left or right of center column, etched below image: Song, Tune Bellisle March. 1. Tho' in every street, all the voters you meet, the Dutchess knows but how to court them ..., Temporary local subject terms: Canvassing -- Elections: Westminster, 1784 -- Electors -- Covent Garden: Piazza -- Portico of St. Paul's Church, Covent Garden -- Songs: 'Bellisle March' -- Richmond Hill -- Hustings -- Balloons -- Coaches: Allusion to diligence (stage-coaches) -- Low's in Covent Garden., Watermark: E P., and Mounted to 41 x 31 cm.
Publisher:
Pubd. April 29th, 1784, by H. Humphreys, Bond Street
Subject (Name):
Buckinghamshire, Albinia Hobart, Countess of, 1738-1816, Hood, Samuel Hood, Viscount, 1724-1816, and Wray, Cecil, Sir, 1734-1805
A large and animated procession approaches the Grocers' Hall on the left, led by musicians and Wilkes who tosses coins to the crowd. In the first of the three coaches, shown as a child's or an invalid's chair, sits Sir Watkin Lewes, alderman and M.P. for the City, in the central one rides Pitt, behind him Sir Barnard Turner, alderman and Sheriff. The windows of the buildings are filled with spectators. On the right, above the vitrine to "Neat Wines" shop, hangs a large portrait of Lord Chatham. A burlesque rendition of the procession that took place on February 28.
Description:
Title etched below image., Printmaker from British Museum catalogue., and Mounted to 32 x 45 cm.
Publisher:
Pub. March 8th by W. Humphry, No. 227 Strand
Subject (Geographic):
Great Britain, England, and Westminster
Subject (Name):
Pitt, William, 1759-1806, Pitt, William, Earl of Chatham, 1708-1778, Lewes, Watkin, Sir, 1740?-1821, Turner, Barnard, 1741 or 1742-1784, Wilkes, John, 1725-1797, and Grocers' Company (London, England)
Subject (Topic):
Politics and government, Political elections, Parades & processions, Spectators, and Wheeled chairs
A satire on the debts of the Prince of Wales. A handsome young man in a riding costume (a star on his coat suggesting he is the Prince of Wales) sits in a relaxed manner at a table set with a coffee service. Opposite him are two elderly money-lenders, one of whom is wearing spectacles and is drawn with the stereotype profile and beard of a Jew sits reading a long parchment with seal. His partner looks on with a grin of satisfaction
Description:
Title etched below image., Printmaker from British Museum catalogue and Grego., and Mounted to 31 x 45 cm.
Publisher:
Pubd. Novemr. 8th, 1784, by W. Humphrey, No. 227 Strand
"The Prince of Wales (left) sleeps on a grassy bank, his right elbow supported on a bank or rock. His hat with three ostrich plumes and the motto 'Ich Dien' leaves no doubt of his identity. A huge toad (right) climbs up his body to whisper in his ear: "Abjure thy Country and thy parents And I will give thee dominion over Many powers. Better to rule in hell than Serve on Earth". His fox's brush shows that the 'Preceptor' is Fox. Trees are indicated behind the Prince (left). Behind Fox are water-weeds (right). Beneath the design is etched:'Not Satan to the Ear of Eve Did e'er such pious Counsel give. Milton.'"--British museum online catalogue
Description:
Title from caption etched above image., Printmaker from British Museum catalogue., Caption below title, quote from Milton: Not Satan to the ear of Eve, did e'er such pious counsel give., 'No. 15' in lower left corner., Sheet trimmed partially within plate mark., Temporary local subject terms: Emblems: Prince of Wales's feathers -- Toads -- Preceptors: Fox as Toad -- Sleeping pupils -- Mottos: 'Ich Dien' -- Literature: Quote from John Milton, 1608-1674., Watermark in center of sheet., and Mounted to 25 x 37 cm.
Publisher:
Pubd. May 18th, 1784, by G. Humphrey, No. 48 Long Acre, London
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Fox, Charles James, 1749-1806
An election-procession lead by the Duchess of Devonshire marches towards the hustings, indicated by a corner of the pediment of St. Paul's Church. Other marches include her sister Lady Duncannon and perhaps Mrs. Crewe who wear the emblems of the Prince of Wales -- the ostrich plumes and of Fox. Each holds an election placard, one of which proclaims "No tax on maid-servants."
Description:
Title from item., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., "No. 14.", and Watermark.
Publisher:
Published April 30, 1784, by G. Humphrey, No. 48 Long Acre
Subject (Geographic):
England and London.
Subject (Name):
Bessborough, Henrietta Frances Spencer Ponsonby, Countess of, 1761-1821, Fox, Charles James, 1749-1806, Crewe, Frances Anne Greville Crewe, Lady, 1748-1818, Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806, House, Samuel, -1785, Great Britain. Parliament, 1783-1784., and Great Britain. Parliamen
Subject (Topic):
Elections, Political participation, and Political posters
"An election-procession marches (right to left) towards the hustings which are indicated by a corner of the pediment of St. Paul's Church and a crowd. A band of butchers, with marrow-bones and cleavers, heads the procession. Next walks the Duchess of Devonshire, holding up on a pole a pair of breeches inscribed 'Man of the People', and surmounted by a crowing cock. She is followed by a lady holding up on a pole a placard with 'Fox (a fox) and the Rights of the Commons'. A third lady holds up on a pole a mob-cap and apron inscribed 'No Tax on Maid Servants'. They are followed by sturdy-looking citizens wearing 'Fox' favours, one of whom carries a fourth standard: a key tied in a hoop and inscribed 'Key of the Back Stairs', [This emblem appears to have been first used on 14 Feb., during Fox's procession to Devonshire House (see British Museum Satires No. 6421, &c), when 'at Lord Temple's, a wag held up a flag tied to a stick, hung round with crape, which he called 'the Secret Influence Key in Mourning'. Full and Authentic Account of the Proceedings in Westminster Hall', 1784, pp. 26-7 n.] in allusion to the 'secret influence' which favoured Pitt, cf. British Museum Satires No. 6417. &c, 6557, 6592, 7139, 7325, 7339, 7372, 7634, 8102. House is seen between the first two ladies, waving his hat and wildly cheering the procession; other spectators do the same. See British Museum Satires No. 6475, &c. The Duchess is more characterized than her two companions, who are probably her sister Lady Duncannon and perhaps Mrs. Crewe, cf. British Museum Satires No. 6493, &c. All three wear the ostrich plumes and fox's brush which were worn as emblems of the Prince of Wales and of Fox."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Reissue, with altered publication line, of a print originally issued with the imprint "London, Published April 30th, 1784, by G. Humphrey, No. 48 Long Acre." Cf. No. 6564 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Temporary local subject terms: Emblems: Prince of Wales's feathers -- Election standards -- Election emblems -- Electors' parade to the Hustings, Westminster, 1784 -- Marrowbones -- Cleavers -- Taxes: Proposed tax on maidservants, 1784 -- Key of the Back Stairs -- Election favors -- St. Paul's facade, Covent Garden., Watermark in center of sheet., and Mounted to 30 x 39 cm.
Publisher:
Published April 30th, 1784, by G. Humphrey, Printseller, & Dealer in Natural Curiosities, No. 48 Long Acre
Subject (Geographic):
England and London.
Subject (Name):
Bessborough, Henrietta Frances Spencer Ponsonby, Countess of, 1761-1821, Crewe, Frances Anne Greville Crewe, Lady, 1748-1818, Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806, House, Samuel, -1785, Fox, Charles James, 1749-1806., George IV, King of Great Britain, 1762-1830., and Great Britain. Parliament
Subject (Topic):
Elections, 1784, Politics and government, Butchers, and Parades & processions
"The king, seated on a throne on a dais of two steps, says, "I trust we have got such a House of Commons as we Wanted". On his right is Thurlow (left) with the body of a bird of prey; he is saying "Damn the Commons, the Lords shall Rule". Behind the throne crouches Bute in Highland dress, saying to Thurlow, "Very Gude, Very Gude Damn the Commons". On the king's left is a head in profile to the left supported on an erect serpent's body; probably intended for Pitt (a poor portrait but resembling Pitt in British Museum Satires No. 6664). In the foreground (right) sits Britannia asleep, resting her elbow on her shield. A man wearing a ribbon, perhaps the Prince of Wales, rushes up from the right with outstretched arms, saying, "Thieves! Thieves! Zounds awake Madam or you'll have your Throat Cut"."--British Museum online catalogue
Alternative Title:
Secret influence directing the new Parliament
Description:
Title etched below image., Printmaker and date of publication from Grego., Letters "th," perhaps the remnants of a former publication line, are etched above Humphrey's name in imprint., and Mounted to 32 x 45 cm.
Publisher:
Pubd. by W. Humphrey, No. 227 Strand, London
Subject (Name):
George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Bute, John Stuart, Earl of, 1713-1792, Pitt, William, 1759-1806, and Thurlow, Edward Thurlow, Baron, 1731-1806
In the foreground, the veterans with wooden legs and on crutches try to get away from the crumbling facade of the Chelsea Hospital. Several of them lie on the ground crushed by the fallen columns. In the background, a group of women, outraged by the proposal to abolish the Chelsea Hospital and to tax employers of maid servants, attacks with brooms and a slop jar the proposal's author, Sir Cecil Wray
Description:
Title etched below image., Printmaker from British Museum catalogue., and Mounted to 32 x 46 cm.
Publisher:
Pubd. March 30th, 1784, by Mrs. Dacheray, St. James's Street
Subject (Geographic):
Great Britain
Subject (Name):
Wray, Cecil, Sir, 1734-1805 and Royal Hospital (Chelsea, London, England)
Subject (Topic):
Politics and government, Disabled veterans, Peg legs, Servants, Chamber pots, and Building failures