"Dibdin stands smiling beside a harpsichord (left) directed to the left, and leaning slightly forward, left hand extended. In his right is a paper inscribed 'Oddities Wags'. On each side of the harpsichord is a tripod supporting a lighted candle-sconce. He is giving a musical entertainment. In the text he is ridiculed as Petronius Broadgrin, noted for consummate effrontery, and he is recommended the works of Joe Miller as a repertory of jokes. Below the title: 'Wags have at ye.'"--British Museum online catalogue and A description of Dibdin's musical entertainments, Oddities and The Wags
Alternative Title:
Oddity wags have at ye
Description:
Title etched above image. Above title: Attic miscellany., Caricatures published under the pseudonym Annibal Scratch have been attributed to Samuel Collings., For another state published under different title, see: Marmaduke Momus., Sheet trimmed within plate mark., Plate from: Attic miscellany, v. ii, page 197., and Mounted to 27 x 20 cm.
Title from item., Publication place from that of the periodical for which this plate was engraved., Publication date from British Museum catalogue: 1 May 1773., Sequel to: Cupid turn'd auctioneer. Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5, no. 5066., Two lines of verse below image: [The] maids, dames, courtesans, now lend your ears, folly and love beat up for volunteers!, Plate from: Westminster magazine. London : Printed for W. Goldsmith, v.1(1772-3), p. 237., and Temporary local subject terms: Mythology: Cupid as drummer -- Kettle-drums -- Fashion -- Cupid as auctioneer -- Flags: folly -- Caps: cap with bells -- Recruiting party: beating up for volunteers -- Female dress: macaroni dress, 1773 -- Buildings: gateway of St. James's Palace -- Allusion to Adrien Louis de Bonnieres, comte de Guines, 1735-1806, French ambassador in London.
Publisher:
publisher not identified
Subject (Name):
Cornelys, Teresa, 1723-1797
Subject (Topic):
Auctioneers, Crowds, Dandies, British, Musical instruments, and Musicians
Nero fiddling, Rome burning, Poppaea and Agrippina smiling
Description:
Title from item., Plate from: The Oxford magazine or, Universal museum ... London : Printed for the authors, v. 4 (1770), p. 193., and Temporary local subject terms: Petitions: presentation of City address by Beckford, 14 March 1770 -- History: the burning of Rome, AD 64 -- Violin -- Costume: Roman costume.
Publisher:
publisher not identified
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, Augusta, Princess of Wales, 1719-1772, Nero, Emperor of Rome, 37-68, Poppaea Sabina, Empress, consort of Nero, Emperor of Rome, d. 65, and Agrippina, Minor, 15-59
Title from item., Sheet trimmed within plate mark., Plate from: The Political register and London museum. London : Printed for J. Almon, v. 3(1768), p. 65., Temporary local subject terms: Altars: Baal's altar -- Reference to the liberty of the press -- Reference to the Constitution -- Reference to Habeas corpus -- Discharged sailor -- Scourge -- Bags of money -- Allusion to the East India Company -- Allusion to the Bank of England -- Allusion to the American colonies -- Emblems: an earl's coronet -- Pensions: allusion to Lord Chatham's pension., and Mounted to 32 x 41 cm.
Publisher:
publisher not identified
Subject (Name):
Bute, John Stuart, Earl of, 1713-1792, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Pitt, William, Earl of Chatham, 1708-1778, Hertford, Francis Seymour Conway, Marquess of, 1719-1794, Warburton, William, 1698-1779, Winchilsea, Daniel Finch, Earl of, 1689-1769, Mansfield, William Murray, Earl of, 1705-1793, Northington, Robert Henley, Earl of, 1708?-1772, Norton, Fletcher, 1716-1789, Granby, John Manners, Marquis of, 1721-1770, Rigby, Richard, 1722-1788, Rochford, William Henry Nassau de Zuylestein, Earl of, 1717-1781, and Wilkes, John, 1725-1797
Subject (Topic):
Britannia (Symbolic character), Gout, Beggars, Peg legs, and Musical instruments
"A pair of scenes on one plate, each with its own title, from The Political Register, September 1768, facing page 129. The scenes satirise the unpopularity and the alleged corruption and disloyalty of Lord Bute as he embarked on a trip to France. In the upper scene Bute is shown with a witch on a broomstick, laden with large bags of money, flying across the Channel, “over the Water to Charly” (an allusion to the Young Pretender in exile). Dover Castle is shown on top of a cliff on the left and Calais in the distance on the right. On the shore below Princess Augusta faints lamenting “Ah me what Shall I do Sawny is flown & with him all my Joy”. She is comforted by an attendant who hopes he will come again, a man beside her calls out to Bute ”Won’t you take Madam with you”. Others on the shore remark on his departure, one sailor says “Now he has got all our Dollars let him go.”, another would like to throw him to the shark, a boy throws stones and a man shoots at him, a satyr aims a bow saying “I’ll reach you my L(or)d where ever you go” Britannia sitting on the right advises her children to let him go so that she may recover. In the lower design Bute is shown being greeted outside the well guarded fort at Calais by the Young Pretender who calls him cousin and thanks him for his services. Bute, bonnet in hand and bowing , responds “I have sett the 3 Kingdoms at variance for your Sake my Prince now is your time or never”. The Mayor of Calais comes forward to welcome Bute effusively telling him of “the grand Monarqe’s” love; three monks on the left assure each other that Bute is not a heretic (Protestant) as he has demonstrated this by giving France such an advantageous peace. On the right an old woman in raptures is sure all the English ladies love him, while a Scot with a wooden leg plays on his fiddle singing “And the King shall enjoy his own again”. A British sailor deplores the respect Bute is shown while another tells him that “why Should they do otherwise he was allway their Friend”."--British Museum online catalogue
Description:
Two separately titled images on one plate; titles engraved above image., Publication place and date inferred from those of the periodical for which this plate was engraved., Plate from: The Political register and London museum. London : Printed for J. Almon [1767-1772], v. 3 (1768), page 195., and Temporary local subject terms: Dover -- Calais -- Brooms -- Bags of money -- Satyrs.
Publisher:
publisher not identified
Subject (Name):
Augusta, Princess of Wales, 1719-1772, Charles Edward, Prince, grandson of James II, King of England, 1720-1788, and Bute, John Stuart, Earl of, 1713-1792
Subject (Topic):
Britannia (Symbolic character), Arrivals & departures, Forts & fortifications, Monks, Musical instruments, Peg legs, Sailors, British, Violins, and Witches
"The interior of a panelled room: ten men holding hands dance in a circle to the tune of a bag-pipe played by Bute (l.) wearing a kilt and appearing from behind a curtain. The king watches with pleased amusement from behind a door (r.). The dancers are trampling on papers and state documents. Lord North, trampling on papers inscribed "National Debt" and "Grievances", is between Lord Bathurst in his Chancellor's robes but wearing a hat, and Lord Barrington in a military coat under whose feet are "Dispatches from War Office"; under Bathurst's foot is a paper, "Appeals, Decrees". Next him (r.) is a youthful-looking minister stepping on a paper inscribed "French Grammar" to show that he is Suffolk, Secretary of State, pilloried for his ignorance of French, see BMSat 4875, 4876. His neighbour is only partly visible. Next comes a military officer trampling on a paper inscribed "Middlesex Election" to show that he is Colonel Luttrell. On Luttrell's r., and the central figure of the design, is Lord Mansfield wearing tartan stockings to show that he is a Scot and dancing upon "Magna Charta". On his right. is an unidentified figure, then a minister treading on papers inscribed "Whitfield Hymns" to show (not very consistently) that he is Lord Dartmouth, whose strong attachment to the Methodists earned the nickname of the Psalm-singer. He had succeeded Hillsborough as Secretary of State for the Colonies on 14 Aug. 1772. Between him and Barrington stands Sandwich, wearing a sailor's trousers and standing on "The Petition of the Navy Captains". Bute stands on a paper "To Miss Vansittar[t]". Other papers on the ground are "The Remonstr[ance of the City]" and "Petition of the East India Comp"."--British Museum online catalogue
Alternative Title:
State cotillion 1773
Description:
Title from item., Sheet partially trimmed within plate mark., and Plate from: Westminster Magazine. London : Printed for W. Goldsmith, v.1(1772-3), p. 149.
Publisher:
publisher not identified
Subject (Name):
Barrington, William Wildman Barrington, Viscount, 1717-1793, Bathurst, Henry Bathurst, Earl, 1714-1794, Bute, John Stuart, Earl of, 1713-1792, Dartmouth, William Legge, Earl of, 1731-1801, Dyson, Jeremiah, 1722-1776, Carhampton, Henry Lawes Luttrell, Earl of, 1743-1821, Mansfield, William Murray, Earl of, 1705-1793, North, Frederick, Lord, 1732-1792, Sandwich, John Montagu, Earl of, 1718-1792, Suffolk and Berkshire, Henry Howard, Earl of, 1739-1779, and Townshend, George Townshend, Marquis, 1724-1807