"Bonaparte stands in a dispensary opening off a military hospital, conspiratorially giving orders to a slyly grinning doctor who shows him a bottle labelled 'Poison'. The general points to the hospital, separated from the dispensary by a curtain, where men, apparently moribund, lie on bedsteads. In the dispensary are jars, bottles, scales, pestle, and mortar; a small crocodile hangs from the roof (cf. British Museum Satires No. 11057). The most persistent of all 'atrocity' charges; certain plague-stricken French soldiers being given opium on the retreat from Acre in May 1799, see British Museum Satires No. 10063."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., One of thirty plates from: The life of Napoleon, a hudibrastic poem in fifteen cantos. London : Printed for T. Tegg, Wm. Allason ; Edinburgh : J. Dick, 1815., See also: W. Helfand, "The poisoning of the sick at Jaffa", Veröffentlichungen der Internat. Ges. für Geschichte der Pharmazie, neue Folge, volume 42, Wissenschaftl. Verlagsges. Stuttgart, 1975., and See further: Raymond Crawfurd, Plague and pestilence in literature and art, Oxford 1914, pages 200-211.
Publisher:
Published by Thomas Tegg, No. 111 Cheapside
Subject (Geographic):
Israel. and Jaffa (Tel Aviv, Israel)
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821 and Napoleon I, Emperor of the French, 1769-1821.
Subject (Topic):
Plague, Soldiers, Poisoning, Poisons, Peste, Hospitals, Interiors, Military hospitals, Sick persons, Physicians, Mortars & pestles, Scales, and Crocodiles
Title from caption below image., Printmaker and artist from unverified data from local card catalog record., Date of publication from unverified data from local card catalog record., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Parliament -- Debate -- Treasury., and Principal figure identified by ms. annotation in pencil.
Publisher:
Published by John Miller, Bridge Street & W. Blackwood
"The Regent, as Macheath, wearing military uniform and heavily shackled, stands between Mrs. Fitzherbert, who kneels at his feet (left) removing his leg-irons, and Lady Hertford (right), who stands beside him taking the fetters from his wrists (inscribed 'Restri[ctions]'), He sings "How happy could I be with either." Mrs. Fitzherbert, a long rosary dangling from her waist, says: "The Benediction of His Holiness light on the Defender of Our Faith." Lady Hertford, sultana-like in a jewelled turban, says: "You heard of the Row & the Rowly Powly Song before Our house the Other Night?!!" Behind and on the right Eldon stands full-face between Perceval and McMahon, who face each other in profile. Perceval, in his Chancellor of the Exchequer's gown, and holding a brief-bag, says: "The Greys won't move without their own Coachman tho the Brewer [Whitbread] has offerd his black to do the dirty Work." Eldon, in a huge wig, holds the Purse of the Great Seal; he says: "We must hire Jobs for the Night Work but we are Pro' Rogued." McMahon, in military uniform, has a number of ribbons and stars hanging over his arm; he says: "These Garters & Ribbonds are all returned." On the wall are two pictures: George Hanger, bestriding his pony (as in No. 8889) with a burly bailiff seated behind him, rides in the direction of a sign-post, with a noose hanging from it, pointing 'To the Kings Bench'. This is 'George & his Hanger On, takeing a ride together to a Lodging in Surry'. The other is Sheridan as Bacchus, but dressed as Harlequin (cf. British Museum Satires No. 9916), bestriding a cask of 'Old Sherry'."--British Museum online catalogue
Alternative Title:
Polly & Lucy taking off the restrictions, Polly and Lucy takeing off the restrictions, and Polly and Lucy taking off the restrictions
Description:
Title etched below image. and Watermark: J. Whatman.
Publisher:
Published March 1812 by J. Jonhston, 98 Cheapside
Subject (Name):
Gay, John, 1685-1732., George IV, King of Great Britain, 1762-1830, Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834, Fitzherbert, Maria Anne, 1756-1837, Perceval, Spencer, 1762-1812, Eldon, John Scott, Earl of, 1751-1838, McMahon, John, approximately 1754-1817, Sheridan, Richard Brinsley, 1751-1816, Hanger, George, 1751?-1824, Grey, Charles Grey, Earl, 1764-1845., Whitbread, Samuel, 1764-1815., and Dionysus (Greek deity),
Subject (Topic):
Harlequin (Fictitious character), Military uniforms, British, Shackles, Religious articles, Turbans, Wigs, Bags, and Pictures
"Promenaders in Hyde Park illustrate these titles. [1] A dandy walks, right to left, jauntily rakish, holding a lorgnette and glove in a gloved hand. He wears a large bell-shaped top-hat, beneath which projects a great tuft of curled hair. Under his arm is a rolled umbrella. [2] A Quaker, in a shallow broad-brimmed hat, walks primly (right to left) with a young (twin) daughter on each arm. He holds a large gamp umbrella, fastened and point downwards. [3] A thin man wearing a long greatcoat and seedy top-hat, walks (left to right) with an expression of acute melancholy. He trails behind him an unfastened umbrella. He faces heavy wind and slanting rain. Beside him is a small dead tree. Near each is an appropriate dog."--British Museum online catalogue
Alternative Title:
Premium, par, and discount
Description:
Title from caption below image.
Publisher:
Pubd. May 1st, 1822 by G. Humphrey 27 St. James's St.
Subject (Geographic):
Hyde Park (London, England),, England, and London.
Subject (Topic):
Quakers, Dogs, Dandies, British, Parks, Pedestrians, and Umbrellas
"An African chief displays to a naval officer three black women, who stand together (right), grinning and coy, and absurdly squat and obese, with huge posteriors like those of the Hottentot Venus (see British Museum satire no. 11577). The officer, Lieut. Lyon, bows in profile to the right, right hand on his breast, staring with humorous and wary appraisal at the women. The chief, who smiles blandly, seated on a low slab, wears a huge nose-ring, a plume of ostrich feathers, and a sword for which his left ear serves as hilt. Immediately behind him is a bodyguard of four warriors holding tall spears on each of which a skull is transfixed. Two grin, one looks with sour possessiveness at the women. All the Africans are very negroid, and naked except for small aprons. Behind the women are more Africans, much amused. Behind Lyon stand an astonished naval officer and two amused military officers; all are in dress uniform. Behind these are grinning sailors and on the extreme left the tips of the bayonets of the escort, with a Union flag."--British Museum online catalogue
Alternative Title:
King of Timbuctoo offering one of his daughters in marriage ...
Description:
Title from item., An anchor is a symbol used by Captain Frederick Marryat; he was a personal friend of George Cruikshank the caricaturist and engraver and designed a number of prints for him., and Sheet trimmed leaving thread margins.
Publisher:
Pubd. Octr. 10, 1818 by G. Humphrey, 27 St. James's Street
Subject (Geographic):
Africa, West and Africa, West.
Subject (Name):
Lyon, G. F. 1795-1832 (George Francis), and Lyon, G. F. 1795-1832. (George Francis),
Subject (Topic):
Black people, English wit and humor, Pictorial, Ethnic stereotypes, Military officers, British, and Skulls
"The Princess, in oriental dress, sits regally on a low settee, knees apart, left foot on a stool, with Pergami at her right hand, and others of her suite behind her. She addresses Metternich (right), pointing to Pergami, and saying: "Permit me Sir Prince, to present to you my sweet [scored through and replaced by] suite--" Pergami, bold, florid, and handsome, stands erect, right hand on his hip, holding his busby and the hilt of his sword. He wears hussar uniform as in British Museum Satires No. 12889, with spurred Hessian boots. Metternich, slim and elegant, wearing embroidered court dress with a sword, makes a courtier's bow, answering: "Your R--l H--s is really too Condescending?!" The Princess is a grotesque obese figure in Turkish trousers, short-waisted bodice grossly décolletée, Turkish slippers, and large turban with crescent and aigrette, wearing, like Pergami, a bunch of orders. At her right knee and between her and Metternich is little Willy Austin, cap in hand, and holding a riding-switch. He wears a short braided jacket with trousers, and a childish frill round the neck. Behind him is a stout lady-in-waiting (probably 'Countess' Oldi), oddly dressed, in round cap, décolletée high-waisted bodice and (apparently) breeches or trousers. Two gentlemen-in-waiting behind Pergami wear braided tunics with trousers gathered at the ankle. All the suite, including the boy, wear orders; the three men are whiskered and moustached. Along the wall forming a background are pictures illustrating the persons beneath. Behind Pergami is a prancing stallion with a girth inscribed 'Ich Dien: Cock horse a favourite Stallion.' Behind the Princess is 'A View in Wales', the frame decorated with the Prince's feathers: a mountainous sea-shore with goats. Behind the boy is a scraggy mule with a plume of ostrich feathers, and its tail decorated with ribbons. At its feet 'Black-heath' (see British Museum Satires No. 12027): This is 'Billy A-- favourite Mule--!!!' Above Metternich is the whole length portrait of a courtier, cocked hat in hand: 'Met--her--nick--!!'"--British Museum online catalogue
Alternative Title:
Royal condescension, or, A foreign minister astonished! and Foreign minister astonished!
Description:
Title etched below image., "Ple. 2"--Upper left corner., Companion print to: A r-y-l visit to a foreign capital, or, The ambassador not at home!!, and Mounted on page 3 of: George Humphrey shop album.
Publisher:
Pubd. Septr. 15, 1817, by S.W. Fores, 50 Piccadilly, London
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, Metternich, Clemens Wenzel Lothar, Fürst von, 1773-1859, and George IV, King of Great Britain, 1762-1830.
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"The Regent, in tight and dandified admiral's full-dress uniform, wearing a cocked hat, is carried by two bathing women (cf. British Museum Satires no. 8432) from a bathing-machine (right) to the barge 'Royal George', for transit to the royal yacht. Just behind is the machine, inscribed 'The Best Machines in Brighton'; from it two naked girls look towards the departing prince. A sailor standing in the barge, which flies the Royal Standard, seizes the Regent's ankles; one foot is gouty and swollen; he says to the man standing behind him (left): "My eyes jack this here craft will never carry him--we should bring the sheers and reeve a tackle for him in the long boat--!!" A naval officer stands beside the sailor, and shouts an order to the man behind: "shove the Barge further a stern & be d--d to you--what you about a head there." The Regent has an arm round the neck of each woman and grasps the plump breast of the nearer one who is comely. He says: "Do my dear Girls put me on board safe, I shall Tell Paget to give you some Grog--I have been almost suffocated in that infernal Bathing Machine--mind my foot." One bathing-woman says: "Faith he's no joke Judy the devil a heavier Burthen in all the country"; her comelier companion answers: "By my own soul I'd rather carry such a nice neat beautiful young Gentleman, than the best basket of mackerel that ever was at Billingsgate." The sailor on the left uses a pole to manipulate the barge, the bow of which is cut off by the left margin. He wears a tight blue jacket to the (pinched) waist, with red collar and cuffs, white trousers, and top-hat with a badge: 'Royal George'. With a grimace he says: "D--n these soldiers jackets I can't move in em--I suppose we shall all be lobsters by & bye!!" Behind (right) are the chalk cliffs of Brighton, with tiny figures waving their hats; one woman is seated on a donkey holding up a parasol."--British Museum online catalogue
Alternative Title:
Royal embarkation, or, Bearing Britannia's hope from a bathing machine to the royal barge, Bearing Brittannia's hope from a bathing machine to the royal barge, and Bearing Britannia's hope from a bathing machine to the royal barge
Description:
Title etched below image., Printmaker from British Museum catalogue., Plate numbered "361" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., and Leaf 73 in volume 5.
Publisher:
Pubd. Augt. 19th, 1819, by T. Tegg, 111 Cheapside
Subject (Geographic):
England.
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Royal George (Ship)
Subject (Topic):
Shipwrecks, Bathing, Admirals, British, Military officers, Military uniforms, and Sailors
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Two adjacent designs. [1] The Regent tipsily bestrides a fat and ugly cook, who is on her hands and knees; he flourishes a bottle of 'Royal Max' [gin] and a glass and shouts: "Ha! ha! D--me! this is glorious! this is Princely!!--better fun than the Hertford Hobby [see British Museum Satires No. 13213]--Kitchen stuff & Dishclouts for ever I say D--me!!--If the rascals caricature me, I'll buy em All up d--me." The cook, still holding the broken dish from which a huge cod's head has fallen, exclaims: "Oh! Master do let me alone & see! you've thrown the Cods head & Shoulders all in the dirt!" In the background, Lady Hertford, wearing a coronet, looks angrily from a doorway. On the floor in the foreground are a 'Royal Greas Pot', rolling-pin, and a ladle, with a playbill: 'Brighton--under the Pub [Patr]onage of [the Princ]e Regent--High Life below Stairs Principle Character--G P R'. See British Museum Satires No. 13208, &c. [2] The Duke of York, very erect, rides a velocipede (see British Museum Satires No. 13399) in profile to the right, with Mrs. Carey behind him in a little seat over the back wheel, her hands on his shoulders. He wears Windsor uniform of military cut, with breeches, spurred top-boots, and a top-hat, which he raises. Across the pole hangs a fat purse inscribed '10,000 pr annm Custos [Personae Regis]' which serves as saddle. He says: "I say Carey: this Windsor job, is a devilish snug concern & this saddle bag makes it very pleasant riding!--I wish our army had been mounted on these Hobby's in Flanders;--I don't mean Waterloo--" She answers: "I know what you mean;--but it is a good joke, to think while the Establishment of the Father is redud at Windsor: the sons Establist is increas'd at Fulham--tis properly coming York over John Bull." In the background John Bull, a sturdy fellow, stands with folded arms outside a miserable thatched hut where women and children are crouching. He says fiercely: "£10,000 a year for a son to do his duty to his Father!!!!!! whilst my Children are starving!!!--"Fie out! O Fie 'tis an unweeded garden that grows to seed things rank & gross in nature posess it merely." ['Hamlet', I. ii.]."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Three lines of quoted text following title: "De gustibus non est disputandum; that is, there is no disputing against hobby-horses." Tristram Shandy., Plate numbered "341" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Watermark: 1817., and Leaf 52 in volume 5.
Publisher:
Pubd. Apl. 9th, 1819, by T. Tegg, No. 111 Cheapside
Subject (Name):
George IV, King of Great Britain, 1762-1830, Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834, and Frederick Augustus, Prince, Duke of York and Albany, 1763-1827
Cartoon shows ministers, among them Vansittart and Castlereagh, vomiting taxes into a large bag labeled "budget." The Prince Regent stands nearby, supported on crutches labeled "more money" and "increase in income", holding rolled documents under his arms labeled with descriptions of some of his extravagant expenses and "On the right is a group of Ministers vomiting taxes. On the left the Regent stands directed to the right, supported on crutches, one inscribed 'More Money', the other 'Increase of Income'. The swathing of his gouty leg is tied above the knee by his 'Garter, inscribed 'Honi . . . Pense'. Under each arm are large rolled documents inscribed 'Expences of Pavillion', 'd° of Thatch'd Cottage', 'D° of Furniture', 'D° of Pall Mall', 'Pulling down Rebuilding &c Pulling down again for New Street!', 'Drinking Expence'. Beside him and on the extreme left is the end of a cloth-covered table on which are balls; one larger than the others is 'Economy', and is labelled: 'This bolus to be taken immediately'. Beside it are four others, all inscribed 'Petition against Property Tax'. The Regent, ill and melancholy, says: "Aye, this comes of your cursed Pill economy which you forced me to take a Month back, no one knows what I have suffered from this Econmical [sic] Spasm; I am afraid we shall all be laid up togather." Six Ministers stand over a low, wide-mouthed sack inscribed 'Budget', the edge of which is held by Vansittart (right), wearing his Chancellor of the Exchequer's gown and a large wig. Facing him, and with his back to the Regent is Castlereagh, his hands on his stomach. These and two others vomit streams inscribed 'Property Tax', 'Economy', 'Standing Armies', 'increase of Salaries', 'Cock Bugs provi[sion]'. The contents of the full sack are similarly inscribed. Another Minister (? Liverpool) stands behind Vansittart, with open mouth and distressed expression."--British Museum online catalogue
Alternative Title:
Sick of the property tax, or, Ministerial influenza, Ministerial influnza, and Ministerial influenza
Description:
Title etched below image. and Temporary local Medical Library subject terms: Politics, British.
Publisher:
Pubd. by S.W. Fores, March 8, 1816, at No. 50 Piccadilly, London
Subject (Geographic):
Great Britain
Subject (Name):
George IV, King of Great Britain, 1762-1830, Castlereagh, Robert Stewart, Viscount, 1769-1822, Vansittart, Nicholas, 1766-1851, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Léopold I, King of the Belgians, 1790-1865., Cockburn, George, Sir, 1772-1853., Castlereagh, Robert Stewart, Viscount, 1769-1822., George IV, King of Great Britain, 1762-1830., and Vansittart, Nicholas, 1766-1851.
Subject (Topic):
Gout, Crutches, Government officials, Vomiting, Taxes, and Economic policy
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A Cossack (right), highly delighted, uses a large pair of snuffers to grip the head of a tiny figure of Napoleon (left), emerging like a candle from a flat candlestick which stands (left) on a three-legged stool. Napoleon's feet are within the socket of the candlestick; he wears uniform, with immense plumes in his bicorne. He stands with fingers outspread, turning his head in profile to the right, his mouth wide open as if shrieking. The Cossack is a large figure, boldly drawn, wearing furred cap with aigrette and a sword. He is in a slightly crouching attitude, right leg extended and resting on the heel, left arm raised, as if dancing (cf. British Museum Satires No. 12046). On the wall above Napoleon is a print of a seated Cossack about to place an extinguisher over a tiny and terrified Napoleon."--British Museum online catalogue
Description:
Title etched below image., Plate numbered "326" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Temporary local subject terms: National stereotypes., Watermark: 1817., and Leaf 87 in volume 5.
Publisher:
Pubd. May 1st, 1814, by T. Tegg, No. 111 Cheapside