Title from British Museum catalogue., Publication date from that of the book in which this plate was published., State without title and with original publication date partially burnished from plate. Cf. No. 3880 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Plate from: The Butiad, or, Political register ... London : Printed for E. Sumpter, 1763., Temporary local subject terms: Throne Room -- Orders: Order of the Thistle -- Harlequins -- Scots., and Mounted to 30 x 46 cm.
Publisher:
E. Sumpter
Subject (Name):
Augusta, Princess of Wales, 1719-1772, George III, King of Great Britain, 1738-1820, Bute, John Stuart, Earl of, 1713-1792, and Holland, Henry Fox, Baron, 1705-1774
Illustration to one of the episodes added by Gildon: Young Fantasio (Apuleius's Lucian) enters an Italian church where corrupt priests and gallants are celebrating the feast of St. Theresa
Description:
Title and imprint from Paulson., "Vol: I : P : 8"--Lower left, below image., A reversed copy of a print from the 1708 edition facing p. 5, with changes to the design by Hogarth: raised lectern and figures in foreground shifted., One of seven illustrations engraved for a modernized edition of Apuleius's The golden ass: Gildon, C. New metamorphosis. London : Printed for Sam. Briscoe at the Bell-Savage on Ludgate-Hill, 1724., and Sheet trimmed to plate mark.
Illustration to one of the episodes added by Gildon: Young Fantasio (Apuleius's Lucian) enters an Italian church where corrupt priests and gallants are celebrating the feast of St. Theresa
Description:
Title and imprint from Paulson., "Vol: I : P : 8"--Lower left, below image., A reversed copy of a print from the 1708 edition facing p. 5, with changes to the design by Hogarth: raised lectern and figures in foreground shifted., One of seven illustrations engraved for a modernized edition of Apuleius's The golden ass: Gildon, C. New metamorphosis. London : Printed for Sam. Briscoe at the Bell-Savage on Ludgate-Hill, 1724., Sheet trimmed to plate mark., On page 21 in volume 1. Plate trimmed to: 14.1 x 7.8 cm., and Date given in Steevens's hand: 1724. With other notes by Steevens that apply to the group of seven other illustrations mounted on same sheet.
An elegantly dressed young woman is seated in an armchair facing right reading a letter. The room is richly carpeted and furnished, with striped upholstery on the furniture and matching draperies. Through the window is visible a winter scene with ice skaters
Description:
Title from manuscript inscription on mount. and Date from Montgomery.
Publisher:
Printed for & sold by Carington Bowles, No. 69 in St. Pauls Church Yard, London
Subject (Geographic):
England
Subject (Topic):
Ice skating, Reading, Rugs, Draperies, Interiors, and Clothing & dress
"An apothecary's shop, the walls covered by jars closely ranged on shelves, a stuffed fish hanging from the ceiling. Behind a curtain (right) Death, wearing an apron, pounds at a mortar of 'slow Poison', looking gleefully in a mirror to watch the customers. The fat quack compounds medicines at the counter. A grotesque crowd of agonized patients enters through a doorway (left) inscribed 'Apothecaries Hall'. Two sit in arm-chairs. The jars are 'Canthar[ides]', 'Arsnic', 'Opium', 'Nitre', 'Vitriol', 'Elixir', with (right) 'Restorativ Drops'."--British Museum online catalogue
Alternative Title:
I have a secret art to cure each malady, which men endure
Description:
Title from British Museum catalogue, taken from the heading to the printed page opposite the plate in The English dance of death., Couplet etched below image: I have a secret art to cure / each malady, which men endure., Attributed to Rowlandson in the British Museum catalogue., Sheet trimmed within plate mark with loss of imprint from top margin and verses from bottom margin. Missing text supplied from impression in the British Museum., Plate from: Combe, W. The English dance of death. London : Published at R. Ackermann's Repository of Arts ..., 1815-1816, v. 1, opposite page 85., and Temporary local Medical Library subject terms: Skeleton as death -- Pharmacy, interior -- Apothecaries.
Publisher:
Pub. July 1- 1814, at R. Ackermann's, 101 Strand
Subject (Name):
Combe, William, 1742-1823.
Subject (Topic):
Death (Personification), Quacks and quackery, Skeletons, Interiors, Drugstores, Pharmacists, Mortars & pestles, Sick persons, Medicines, Shelving, Containers, and Mirrors
Print portrays a schoolroom with schoolmaster looking somewhat like Rowlandson's 'Dr. Syntax'.
Description:
Title supplied by cataloger., Date of publication from unverified data in local card catalog record., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Male costume: Child's -- Male costume: Schoolmaster -- Dr. Syntax -- Day school.
Publisher:
publisher not identified
Subject (Topic):
Education, Schools, Interiors, Classrooms, School children, and Teachers
The interior of a seraglio shows a Turk with his harem, seated in a low hall that looks out to a garden. The women are served by eunuchs (the only other men allowed in the hall), one of whom peers in through the window to insure privacy. The master and his favorite are being cooled with a fan made of feathers as two other women dancing "after a wanton manner" accompanied by musicians. Figures are numbered; key provided in the text (see v. 1, p. 250-251).
Description:
Title, publisher, state, and date from Paulson., One of fifteen illustrations engraved for: A. de La Motraye's travels through travels through Europe, Asia, and into part of Africa., 'Tom. 1. No. XXII'--Upper right corner., and On page 5 in volume 1. Plate trimmed to: 25.5 x 34.8 cm.
Publisher:
A. de La Mottraye
Subject (Geographic):
Turkey. and Islamic Empire.
Subject (Name):
La Mottraye, Aubry de, approximately 1674-1743.
Subject (Topic):
Blacks, Clothing & dress, Eunuchs, Harems, Interiors, and Servants
The interior of a seraglio shows a Turk with his harem, seated in a low hall that looks out to a garden. The women are served by eunuchs (the only other men allowed in the hall), one of whom peers in through the window to insure privacy. The master and his favorite are being cooled with a fan made of feathers as two other women dancing "after a wanton manner" accompanied by musicians. Figures are numbered; key provided in the text (see v. 1, p. 250-251).
Description:
Title, publisher, state, and date from Paulson., One of fifteen illustrations engraved for: A. de La Motraye's travels through travels through Europe, Asia, and into part of Africa., and 'Tom. 1. No. XXII'--Upper right corner.
Publisher:
A. de La Mottraye
Subject (Geographic):
Turkey. and Islamic Empire.
Subject (Name):
La Mottraye, Aubry de, approximately 1674-1743.
Subject (Topic):
Blacks, Clothing & dress, Eunuchs, Harems, Interiors, and Servants
A scene from Horace Walpole's Gothic novel The castle of Otranto, with the characters Matilda and Theodore shown at center talking in a church, one on either side of the statue marking the tomb of Alphonso; Theodore wears full armor and Matilda wears an orange gown. Behind Matilda on the right is Manfred, who interrupts the conversation by reaching over Maltida's shoulder and stabbing her with the dagger held in his left hand. The interior of the church forms the background, with statues in alcoves along the wall on the right and a row of arched windows along the wall on the left
Description:
Title devised by curator., Unsigned; artist not identified., Date of production supplied by curator., and Mounted opposite page 228 in an extra-illustrated copy of: Walpole, H. The castle of Otranto. Parma : Printed by Bodoni, for J. Edwards, London, MDCCXCI [1791].
Subject (Name):
Walpole, Horace, 1717-1797.
Subject (Topic):
Churches, Interiors, Tombs & sepulchral monuments, and Homicides