Three men in a tavern with three pictures on the wall with images of pugilists, a portrait of Buckhorse and two images of fights. The one man has his head on the table, presumably passed out and asleep. The other man sits in a chair looking out at the viewer, a club in his hand and a dog at his feet. The third man stands behind him, his fists postitioned ready for a bout, although he holds a smoking pipe in his left hand. On the mantel are glasses and flasks of liquor
Description:
Title etched below image., Sheet trimmed within plate mark., Manuscript notion identifies the seated man as "Morland the artist" and the man standing behind him as "Rowlandson"., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., For a description of the reissue or alternate version of this design from 1812, see: Grego, J. Rowlandson the caricaturist, v. 2, page 230., Temporary local subject terms: Tankards -- Pictures amplifying subjects: 3 prints of pugilists., and Identifications of the two figures added in ink in a contemporary hand -- Morland and Rowlandson; secondary border line around design also added in ink.
Publisher:
Pubd. as the act directs, June 20, 1789, by Mrs. Lay on the Steine, Brighthelmstone
Subject (Name):
Morland, George, 1763-1804 and Rowlandson, Thomas, 1756-1827
"Two men sit beside a blazing fire in a well-furnished room, overcome by drink, and fast asleep. One, a stout officer in regimentals, wearing a cocked hat, seated in an arm-chair (right), has thrust his wooden leg into the fire, where it is burning. The ashes of his pipe fall on to the tail of a dog asleep under his chair. His companion sits (left) supporting his head on his elbow, which rests on a round table on which are a punchbowl, glasses, and a candle, in which his wig is burning. On the wall (left) is a framed plan of fortifications."--British Museum online catalogue
Alternative Title:
Bon companions
Description:
Title engraved below image., Printmaker identified by the repository based on the original drawing in the Huntington Library., One of a series of 'Drolls.', and Watermark (partial): fleur-de-lis.
Publisher:
Published Septr. 15th, 1790, by Robt. Sayer, No. 53 Fleet Street, London
Title from British Museum catalogue., Publication date based on the beginning of Chatham's administration, July 30, 1766., Sheet trimmed within plate mark resulting in loss of title., Three columns of verse below image: The monkey Scot no more shall boast, 'tis he at C-t who rules the roast ..., Temporary local subject terms: Emblems: thistle and white rose of Stuarts -- Royal crown -- Emblems: jack boot as Lord Bute -- Pictures amplifying subject -- British Lion -- Ministries: Pitt's ministry, 1766., and Mounted to 33 x 49 cm.
Publisher:
publisher not identified
Subject (Name):
George III, King of Great Britain, 1738-1820, Augusta, Princess of Wales, 1719-1772, Bute, John Stuart, Earl of, 1713-1792, Conway, Henry Seymour, 1721-1795, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Pitt, William, Earl of Chatham, 1708-1778, Camden, Charles Pratt, Earl, 1714-1794, Beckford, William, 1709-1770, and Temple, Richard Grenville-Temple, Earl, 1711-1779
Subject (Topic):
Cats, Dogs, Fireplaces, Monkeys, National emblems, British, and Scotland
A companion print to British Museum satire no. 6878: The country justice. Inside a watch-house, a burly watchman stands (left) facing an elderly constable who sits frowning in his arm-chair. He holds out a broken lantern and points to a thin, fashionably dressed, and apparently drunken man who stands beside him with closed eyes, holding a large stick in his left hand. Next to the constable is a clerk writing at a desk with a slanted top. The room is lit by a lantern slung from the roof. A map on the wall apparently represents the roads of the parish and the beats of the watchmen. A fire burns in a grate (right).
Description:
Title engraved below image., Eight lines of verse below title: "Watchman. This wicked dog did lift his hand, First knocked me down, then bid me stand; The peaceful neighbours he awoke, And then the Knave my lanthorn broke, At which the Villain loud did Laugh, So down I knock'd him with my staff. "Constable: If so: you Justice did yourself, Therefore begone thou prating Elf.", Originally published July 10, 1785. Cf. British Museum catalogue no. 6879., Sheet trimmed within plate mark., and Watermark: fleur-de-lis on a shield with initials G R below.
Publisher:
Published Sepr. 8th by S.W. Fores at the Caracature [sic] Warehouse, No. 3 Piccadilly
Subject (Geographic):
England and London.
Subject (Topic):
Law enforcement, Police, Clerks, Dogs, Fireplaces, Inkstands, Lanterns, Rifles, Soldiers, British, Watchmen, and Writing materials
"Mrs. Clarke (left) and Mrs. Carey (right) (see British Museum Satires No. 11050) berate each other; both wear evening dress, with feathers in their hair, those of Mrs. Carey being the taller. The Duke, wearing regimentals, watches the quarrel, equally distant from both. Mrs. Clarke, arms akimbo, says: "Why how now Madam Carey, although you are so Warey In saveing of your cash, John Bull and I we both will try, And settle all your hash." [see 1803 Isaac Cruikshank print for an earlier use of this phrase, BM impression 1868,0808.7141/ PPA108823] Mrs. Carey retorts: "Why how now Madam Clarke------ Why since you thus can chatter------ And thus betray your spark------ I wonder whats the matter with, you, Madam Clarke!!" The Duke looks at Mrs. Clarke, stopping his ears, a leg raised in angry protest; he says: "Zounds! the thunder of Valencienes was Music to this". Behind Mrs. Clarke is a cockatoo on a high perch, screaming: "go it! go it"; a chair has been overturned, and a mastiff, its collar inscribed 'John Bull', barks at the Duke. A small dog behind Mrs. Carey also barks. She stands with her back to the fire. On the chimney-piece a china Cupid aims his arrow at a heart on the trunk of a tree."--British Museum online catalogue
Alternative Title:
Rival queens, or, A scene in The beggars opera and Scene in The beggars opera
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., and Sheet trimmed to plate mark.
Publisher:
Pubd. March 1809 by Walker, Cornhill
Subject (Geographic):
Great Britain.
Subject (Name):
Clarke, Mary Anne, 1776?-1852 and Frederick Augustus, Prince, Duke of York and Albany, 1763-1827
Subject (Topic):
Military officers, British, Mistresses, Quarreling, Headdresses, Cockatoos, Dogs, and Fireplaces
"A pretty young wife sits beside an aged doting and rich husband, reading to him. He delightedly contemplates his glass, which is being filled by Death, who leans over a screen. The girl's left hand is held by a young officer who leans through the window (right)."--British Museum online catalogue
Alternative Title:
Honeymoon and When the old fool has drank his wine and gone to rest, I will be thine
Description:
Title from British Museum catalogue, taken from the heading to the printed page opposite the plate in The English dance of death., Couplet etched below image: When the old fool has drank his wine / and gone to rest, I will be thine., Attributed to Rowlandson in the British Museum catalogue., Sheet trimmed within plate mark with loss of imprint from top margin and verses from bottom margin. Missing text supplied from impression in the British Museum., Plate from: Combe, W. The English dance of death. London : Published at R. Ackermann's Repository of Arts ..., 1815-1816, v. 1, opposite page 106., and Temporary local Medical Library subject terms: Marriage & married life -- Skeleton as Death.
Publisher:
Pub. Augt. 1, 1814, by R. Ackermann's, 101 Strand
Subject (Name):
Combe, William, 1742-1823.
Subject (Topic):
Dance of death, Death (Personification), Marriage, Skeletons, Courtship, Adultery, Military officers, British, Eating & drinking, Alcoholic beverages, Windows, Interiors, Stringed instruments, Books, Dogs, Fireplaces, and Screens