"The Prince stands outside the gate of Carlton House as in BMSat 7167, but receives in a lordly manner two purses from two obsequiously bowing Treasury Secretaries (Rose and Steele). He is dressed as in BMSat 7167, but wears his coronet. Pitt, Sydney, and Dundas kneel in a grovelling manner behind the Prince, whose posteriors Pitt is about to kiss. Fox, North, Burke, and Sheridan stand behind, with gestures and expressions of pleased surprise. A tiny figure, the Duke of Richmond, is at work with a trowel on the replaced scaffolding (right), while Thurlow mounts a ladder carrying a hod. On the left a crowd of workmen wave their hats and tools in delight. In the foreground (left) sits a one-legged and one-armed sailor clasping a purse."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Etched on one plate with companion print: The prince at grass., Sheet trimmed within plate mark., Temporary local subject terms: Payment of Prince's debts -- Carlton House., 1 print : etching on laid paper, hand-colored ; sheet 12.7 x 18.9 cm., and Window mounted to 14 x 21 cm.
Publisher:
Pubd. June 2d, 1787, by S.W. Fores, Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Pitt, William, 1759-1806, Richmond, Charles Lennox, 3d Duke of, 1735-1806, Melville, Henry Dundas, Viscount, 1742-1811, Thurlow, Edward Thurlow, Baron, 1731-1806, Sheridan, Richard Brinsley, 1751-1816, Sydney, Thomas Townshend, Viscount, 1733-1800, Steele, Thomas, 1753-1823, Burke, Edmund, 1729-1797, and Rose, George, 1744-1818
"The Emperor of China (left) reclines on a mattress on a low dais, smoking a long pipe and contemptuously watching, out of his slit-like eyes, Lord Macartney, who kneels on one knee, holding out the King's letter, which is signed 'GR \ WP [Pitt] Sec.' The Emperor emits a puff of smoke from a twisted mouth in a subtly insulting manner. Behind him stand two impassive mandarins, their folded hands concealed in their voluminous sleeves. Beside the dais (right) stands a soldier in armour, holding a sword in his clasped hands. The Chinese have pointed beards and moustaches, and long claw-like fingernails. Over the dais is an ornate canopy in the manner of a Chinese pagoda, ornamented with a dragon. Macartney, wearing the insignia of the Bath, kneels in profile to the left, indicating with his left hand a number of presents which have been placed at the Emperor's feet. Five members of his suite prostrate themselves behind Macartney, their heads touching the floor so that their faces are hidden and the backs of their breeches are ludicrously conspicuous. Behind are others bringing presents, the two most prominent are identified as Sir George Staunton, secretary to the Embassy, and Huttner, who published a German account of the expedition. Staunton, who is not caricatured but does not conspicuously resemble his portrait (by Engleheart, 1792, engraved C. Picart), stands full face behind Macartney, holding the string of a toy balloon decorated with the royal arms, to which is attached, in place of a basket, a cock standing on a pair of breeches. Huttner holds a magpie in a wicker cage. Men crowd behind them carrying, one, a toy coach complete with six horses, driver, postilion, &c, the whole on a small wheeled platform; another, a rocking-horse; a third holds a weathercock in one hand, a British flag in the other. The objects on the ground are: a volume of 'Boydell's Shakespeare' on which is a rat-trap; a bat, trap, and ball, dice-box and dice, a battledore and shuttlecock (on which is a crown); an oval miniature of George III, to which is attached a child's coral and bells; a toy windmill; a magic-lantern with a 'slider' (cf. BMSat 6287) which projects at each side showing devils, in the lantern is a figure of Punch; the model of a man-of-war flying a British flag, and an E.O. table."--British Museum online catalogue
Alternative Title:
Reception of the diplomatique & his suite at the Court of Peking and Reception of the diplomatique and his suite at the Court of Peking
Description:
Title etched below image.
Publisher:
Pubd. Septr. 14th, 1792, by H. Humphrey, No. 18 Old Bond Street
Subject (Name):
Macartney, George Macartney, Earl, 1737-1806, Pitt, William, 1759-1806, Staunton, George, Sir, 1737-1801, and Hüttner, Johann Christian, 1766-1847
"The King steps forward to embrace the Prince of Wales, who throws himself into his father's arms, saying, "against Heaven - and before thee, and am no more worthy------" (the words fade out). George III wears court dress, the Prince's dress is tattered and dishevelled, his pocket hangs inside out, the garter at his knee - 'Honi soit' - is loose. Behind the King stands the Queen on the door-step, half-smiling, her arms outstretched. Two pleased princesses look over her shoulder. Just outside the door stand Pitt and Moira watching the reconciliation, Pitt with a benign expression, Moira more doubtfully; both wear footmen's court-livery, of military cut; Moira wears jack-boots. Pitt holds a paper: 'New Union Act Britains best Hope', implying that he is the author of the 'Union'. Moira holds Pitt's arm. Beside the house (r.) are a tree and a balustrade, against which grow a rose-bush and a thistle. After the title: '"And he arose and came to his Father, and his Father saw him, & had compassion, & ran, & fell on his Neck, & kissed him. - Read the Parable. Verse 16th to 24th.'"--British Museum online catalogue
Description:
Title etched below image., Temporary local subject terms: Biblical Quotation: Parables, 'Prodigal Son', verses 16-24 -- Emblems: Rose-bush and thistle -- Reconcilliation: George III and Prince of Wales, Nov. 12, 1804 -- Acts: Union, 1784., and Ms. annotations along the top margin identfiy figures within the print; mounted to 32 x 43 cm.
Publisher:
Publishd. Novr. 20th, 1804, by H. Humphrey, 27 St. James's Str
Subject (Name):
George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Pitt, William, 1759-1806, Charlotte, consort of George III, King of Great Britain, 1744-1818, and Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826
"The King sits impassively in his badly damaged state coach, which is being assailed by a mob; facing him sit two courtiers in abject terror. Pitt (right), dressed as the coachman, drives furiously, lashing the horses, the hind legs only of the wheelers being visible on the extreme right. These are trampling on Britannia who lies prostrate, her shield and broken spear beneath her. Four footmen in striped liveries stand behind, one holding the straps; the others hold each other's waists: Loughborough, the Lord Chancellor, wearing his wig, stands next the coach; behind him is Grenville, then Dundas, wearing a plaid and with a bottle projecting from his coat-pocket. Last is Pepper Arden wearing a judge's wig. All, like Pitt, wear jockey-caps. Lord Lansdowne (right), a sansculotte, composedly fires a blunderbuss point-blank through the coach window, aiming at the King. Fox and Sheridan, facing Lansdowne, run beside the coach, holding on to it. Both are tattered ruffians brandishing clubs, but wear breeches. The other three assailants cling to the spokes of the back wheel to stop the coach: (left to right) the Duke of Grafton, neatly dressed and wearing a cocked hat with tricolour cockade, Lord Stanhope, and little Lord Lauderdale, both wearing bonnets-rouges. Behind, a sea of heads indicates the mob; they carry a tricolour flag inscribed 'Peace and Bread' and a loaf draped with black and spiked on a pitchfork. A cat, stones, and eggs shower on the coach, the crown on the top of which is broken."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Temporary local subject terms: Mob -- Attack on George III's coach on October 29, 1795 -- Coaches: royal state coach -- Crowns: broken crown -- Guns: blunderbass -- Domestic service: footmen -- Hats: jockey caps -- Bonnets rouges., and Mounted.
Publisher:
Pubd. Novr. 1st, 1795, by H. Humphrey, New Bond Street
Subject (Name):
George III, King of Great Britain, 1738-1820, Pitt, William, 1759-1806, Lansdowne, William Petty, Marquis of, 1737-1805, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Lauderdale, James Maitland, Earl of, 1759-1839, Stanhope, Charles Stanhope, Earl, 1753-1816, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Grenville, William Wyndham Grenville, Baron, 1759-1834, Melville, Henry Dundas, Viscount, 1742-1811, and Alvanley, Richard Pepper Arden, Baron, 1745-1804
Subject (Topic):
Assassination attempts, Britannia (Symbolic character), Carriages & coaches, Cats, Coach drivers, Crowds, Riots, Sansculottes, and Servants
Two stout ladies, dressed in long gowns, confront each other. Mrs. Fitzherbert (left) with her second the Prince of Wales faces in a confident manner the scowling and clumsy Mrs. Schwellenberg whose second, Pitt offers her a lemon. The furious German woman holds a massive sceptre in both her hands raised above her head ready to strick her opponent. All the figures have speech bubbles above their heads referencing the rights of the people, the Prince's morganatic marriage, Catholics, and the issue of money going to Germany
Alternative Title:
Political heat for Rege & Grege and Political heat for Rege and Grege
Description:
Title etched below image., Printmaker from later state. Cf. Works of James Gillray, the caricaturist with the history of his life and times. London, Chatto and Windus, [1873?], p. 107., Sheet trimmed within plate mark with loss of subtitle., Earlier state, with the Prince of Wales's uncensored speech. Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6, no. 7501., and Watermark: L Taylor.
Publisher:
Pubd. Feby 1, 1789, by S.W. Fores, N. 3 Piccadilly
Subject (Geographic):
Great Britain.
Subject (Name):
Lee, Nathaniel, 1653?-1692., George IV, King of Great Britain, 1762-1830, Pitt, William, 1759-1806, Fitzherbert, Maria Anne, 1756-1837, and Schwellenberg, Elizabeth Juliana, ca 1728-1797
Subject (Topic):
Marriage, Regency, Censorship, Crucifixes, Fighting, Lemons, Royal marriages, British, and Scepters
Two stout ladies, dressed in long gowns, confront each other. Mrs. Fitzherbert (left) with her second the Prince of Wales faces in a confident manner the scowling and clumsy Mrs. Schwellenberg whose second, Pitt offers her a lemon. The furious German woman holds a massive sceptre in both her hands raised above her head ready to strick her opponent. All the figures have speech bubbles above their heads referencing the rights of the people, the Prince's morganatic marriage, Catholics, and the issue of money going to Germany
Alternative Title:
Political heat for Rege & Grege and Political heat for Rege and Grege
Description:
Title etched below image., Printmaker from British Museum catalogue., Later state with the Prince's speech censored., Temporary local subject terms: Morganatic marriages: Prince of Wales's to Mrs. Fitzherbert -- Ficticious duels: Mrs. Fitzherbert and Mrs. Schwellenberg -- Allusion to Regency crisis, 1788 -- Lemons -- Literature: travesty of Nathaniel Lee's The rival queens., Watermark: Portal & Bridges., and Mounted to 27 x 38 cm.
Publisher:
Pubd. Feby 1, 1789, by S.W. Fores, N. 3 Piccadilly
Subject (Geographic):
Great Britain.
Subject (Name):
Lee, Nathaniel, 1653?-1692., George IV, King of Great Britain, 1762-1830, Pitt, William, 1759-1806, Fitzherbert, Maria Anne, 1756-1837, and Schwellenberg, Elizabeth Juliana, ca 1728-1797
Subject (Topic):
Marriage, Regency, Censorship, Crucifixes, Fighting, Lemons, Royal marriages, British, and Scepters
"Pitt (left), as a toreador, rides a rearing white horse (of Hanover) with a spear directed horizontally against a buil (John Bull) snorting fire and bleeding from many wounds. He wears a short tunic and sash; his saddle-cloth is a leopard-skin on which is a crest: the white horse of Hanover enclosed in a Garter ribbon inscribed 'Honi soit qui mal y pense', and surmounted by a crown. He looks alarmed and spurs his horse viciously. Two tiers of spectators in an arc of the arena are freely sketched. In the upper row George III looking through a glass is in the centre, on his left is the Queen, on his right Loughborough. The man next the Queen is (?) Grenville. In the lower tier Fox is conspicuous with (?) the Prince of Wales on his left; Sheridan stands behind them. The other spectators are members of the Opposition or ragamuffins. Those who can be identified are (right to left): Stanhope, Derby, Grafton, Lansdowne. A chimney-sweep applauds with brush and shovel. ..."--British Museum online catalogue
Description:
Title etched below image., Three lines of text beginning to the left of title and continuing below it: Description from the royal bull fight of 1795. Then entered a bull of the true British breed ..., Sheet trimmed within plate mark., and Temporary local subject terms: Opposition -- Treason -- Emblems : the White Horse of Hanover -- Male costume: toreador.
Publisher:
Pubd. Novr. 21st, 1795, by H. Humphrey, New Bond Street
Subject (Name):
George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Charlotte, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Lansdowne, William Petty, Marquis of, 1737-1805, Smith-Stanley, Edward, 1752-1834, Grenville, William Wyndham Grenville, Baron, 1759-1834, Stanhope, Charles Stanhope, Earl, 1753-1816, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, and Rosslyn, Alexander Wedderburn, Earl of, 1733-1805
"Pitt, fast asleep, wearing only nightcap and night-shirt, walks down a staircase holding up a lighted candle in his right hand. On his right only are banisters, on his left the steps abut on a gulf indicated by the top of an arch supporting the stair; he is about to descend the first step, perilously near the left edge. Behind him, in a wall of heavy masonry, is an open door surmounted by a crown. A tall gothic window pierces the wall of the building."--British Museum online catalogue
Alternative Title:
Sleepwalker
Description:
Title etched below image., Printmaker from British Museum catalogue., Possibly etched from a drawing by Sneyd. See British Museum catalogue., and Mounted to 48 x 34 cm.
Publisher:
Pubd. Novr. 1st, 1795, by H. Humphrey, New Bond Street
Subject (Name):
Pitt, William, 1759-1806
Subject (Topic):
Candlesticks, Castles & palaces, Interiors, Quatrefoils, Sleepwear, Somnambulism, and Stairways
"A lumbering wagon drawn (l. to r.) by eight asses is stuck fast, up to the axles in water; the asses strain hard to drag it up a steep slope to dry land. Its dilapidated tilt is much patched and is labelled 'British State Waggon 1804'. The wagoner, Addington (r.), kneels on an adjacent bank, and shouts to a fat and jovial John Bull, dressed as a volunteer, who stands on the opposite bank of the deeply sunken lane, his bulldog beside him. Addington wears a smock, but his powdered hair is in a black bag. He holds his long whip and his hat in his right. hand, and extends his left. arm, shouting, " - help, Johnny Bull! - help! - my Waggon's stuck fast in the Slough! - help! help." John, who holds his bayoneted musket, looks down at Addington, pointing behind him with outflung r. arm at thirteen horses with human heads above and behind him on rising ground. He answers: " - stuck fast in the Slough! - ay to be sure! - why dost'nt put better Cattle to thy Wain? - look at them there Horses doing o' nothing at all! - what ether they matches in Colour, if they do but drag the Waggon out o' the Mud! - don't ye see how the very thoughts o' being put into Harness makes 'em all love and nubble one another?" The horses, [The identifications (most being self-evident) are those of Miss Banks, the alternatives in brackets being those of E. Hawkins. Wright and Evans arrange them differently and omit Spencer and Lansdowne.] though close together, are in groups. On the extreme left., and rather behind the others, Lord Spencer (or Carlisle) rubs noses with Carlisle (or Lauderdale), Erskine (in wig and bands) with Wilberforce. In front of this group the bulky Lansdowne (or Norfolk) lies on the ground, asleep, his back to the others. Next, Grey turns his head towards the haughty Buckingham, who wears spectacles and a Garter ribbon. Their backs are turned to the main group of four: Fox, with a foreleg placed on Grenville's shoulder looks up affectionately at the latter, who responds with a complacent smile. Pitt watches the pair with haughty benignity; Canning, behind, watches them intently. On the extreme right. Sheridan (a plump piebald), scowling fiercely, kicks up his heels at Windham, who retorts with a blast of excrement, his head turned towards Fox and Grenville. In the foreground (l.) is the stage-wagon (the slowest form of transit), drawn by its eight undifferentiated asses. The tilt is open at the back, showing it crammed with bundles, &c. The centre-piece is a bulging sack: 'Budget for 1804', from which project papers inscribed 'Taxes'. A treasure-chest is inscribed 'Treasury'; coins pour from a hole in its side. It is flanked by two bundles: 'Secret Service Money' and 'Family Pickings'. A bundle of 'Pensions' consists of bulky papers inscribed 'Sinecure'. Large volumes tied together are 'New Acts of Parliament'. Other papers are 'Defence against Invasion'; 'State of Ireland'; 'East Indies'. A bundle of 'Loans for / 84' [sic] contains 'Navy Bills' and 'Exchequer Bills'. There are also three tiny barrels of 'Gun Powder' and a bundle of muskets inscribed 'Volunteers'. From the side of the wagon hangs a basket of 'Family Medicine' containing two bottles labelled 'Broth[er] Bra[gge]' and 'Brother Hiley'."--British Museum online catalogue
Alternative Title:
State wagoner and John Bull, Waggon too much for the donkeys!, and Wagon too much for the donkeys!
Description:
Title etched in upper left corner of image., Sheet trimmed within plate mark with loss of imprint. Imprint from British Museum catalogue., Mounted to 37 x 56 cm., and Collector's annotations on mount.
Publisher:
Publish'd March 14th, 1804, by H. Humphrey, 27 St. James's Street, London
Subject (Name):
Sidmouth, Henry Addington, Viscount, 1757-1844, Carlisle, Frederick Howard, Earl of, 1748-1825, Spencer, George John Spencer, Earl, 1758-1834, Erskine, Thomas Erskine, Baron, 1750-1823, Wilberforce, William, 1759-1833, Lansdowne, William Petty, Marquis of, 1737-1805, Grey, Charles Grey, Earl, 1764-1845, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, Grenville, William Wyndham Grenville, Baron, 1759-1834, Sheridan, Richard Brinsley, 1751-1816, Windham, William, 1750-1810, and Canning, George, 1770-1827
"The windlass (right) is turned by Bedford, in profile to the left, Fox, in back view but looking to the raft (left), Sheridan, in profile to the right, and Tierney, coming towards the spectator. From Bedford's pocket hangs a paper: '£1400 Fined, for False Entry of Servants'. All are running, but it is clear that huge waves raised by Pitt will swamp the raft before it reaches shore. All wear coats except Fox, whose coat lies on the ground beside a paper: 'List of the New Republican Ministry. Citizen Volpone, Premier..'.. Fox's shirt is tattered, his hair is tied by a tricolour ribbon. Pitt's profile emerges from clouds in the upper (right) corner; his blast spreads as it reaches the raft, developing into flashes of lightning ..."--British Museum online catalogue
Alternative Title:
Republican flotilla in danger
Description:
Title etched below image. and Sheet trimmed within plate mark on right and left edges.
Publisher:
Pubd. Feby. 1st, 1798, by H. Humphrey, 27 St. James's Street
Subject (Name):
Fox, Charles James, 1749-1806, Tierney, George, 1761-1830, Bedford, Francis Russell, Duke of, 1765-1802, Sheridan, Richard Brinsley, 1751-1816, and Pitt, William, 1759-1806