Brooke, William Henry, 1772-1860, printmaker, artist
Published / Created:
[1 September 1813]
Call Number:
813.09.01.02
Image Count:
1
Resource Type:
still image
Abstract:
"Plate from the 'Satirist', xiii. 193. In the text the title continues '. . ., "alias" War'. A satire on the Congress of Prague. Four sovereigns, completely unlike the men in question, in conference. The Tsar sits behind a small rectangular table on which are displayed implements of war in miniature: cannon, pyramids of cannon-balls, muskets, swords, drums, &c., and flags on one of which are fleurs-de-lis. On the left stand the King of Prussia and the Emperor of Austria, on the right is Napoleon. Alexander extends his hands rhetorically, turning to the left, with a puckered scowl, to say to the two Germans: "Come Gentlemen see first if you can agree--if not we'll all fight!" He has quasi-Kalmuck features, and wears an odd-shaped crown, an ermine-bordered robe, with a jewelled necklace and a Greek cross. Frederick William III, on the extreme left, clutches the hilt of his sword and puts his left hand to his cocked hat as if ready to doff it, he turns to Francis I, towards whom a label issues from his mouth: "I am ready to treat or to fight"; a second label floats to the left, inscribed 'Infernal Scoundrel'. Francis I, looking distracted, stands directed to the right, legs apart, and in his left hand is his sabre, the blade of which curves over the Tsar's head, but both hands touch his crown, and he says: "I will wear an independant Crown." He wears hussar uniform, cloak, sash, and elaborately embroidered tunic and pantaloons. Napoleon, tall and burly, with heavy whisker and aquiline profile, wears a plumed bicorne with tricolour cockade and very tattered uniform leaving his legs almost bare, with one dilapidated jack-boot and one damaged stocking; he has a long sword. He stands aggressively with arms dramatically extended, saying, "My Friends! all we wish is Peace." A chain is attached to each great toe, which is fastened to the necks of two miserable princes, tiny figures standing between his outstretched legs. One (left), Charles IV of Spain, wearing a crown and robe, grotesquely knock-kneed and despairing, stands full-face. The other, wearing a crown with uniform and sword, stoops in profile, looking up abjectly at Napoleon's legs. On the extreme right, in the middle distance, is a tall Spanish don, much emaciated, wrapped in a cloak. He looks down with folded arms at a fat British officer beside him, who says: "I ll countenance Austria into our interests." The Spaniard: "I'll be damned if I go to meet a Frenchman in Prague, while there is a Frenchman to meet in Spain!!!" Behind them in the background a tiny Napoleon, wearing a grotesque crown and holding a sword, marches downhill at the head of his soldiers carrying flags; he has a melancholy expression and approaches the edge of a precipitous descent."--British Museum online catalogue
Alternative Title:
Satirist 1st September 1813
Description:
Title etched below image., Date of publication from text above image: Satirist 1st September 1813., and Plate from: The satirist, or, Monthly meteor, v. 13, page 193.
Publisher:
publisher not identified
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, Alexander I, Emperor of Russia, 1777-1825, Frederick William III, King of Prussia, 1770-1840, Francis I, Emperor of Austria, 1768-1835, Charles IV, King of Spain, 1748-1819, and Napoleon I, Emperor of the French, 1769-1821.
Subject (Topic):
Heads of state, Summit meetings, Cannons, Flags, Military uniforms, Daggers & swords, Crowns, and Chains
"Wellington sits behind a small cloth-covered table flanked by eight other representations of himself, as depicted in recent caricatures, apparently all by W. Heath. The arrangement is evidently that of Charles Mathews' 'At Homes', see British Museum Satires No. 14714, &c., Wellington, like Mathews, being in propria persona at the table. In this guise he wears the robes (indistinguishable from Coronation robes) and collar of the Garter and the order of the Golden Fleece and a (crown-like) ducal coronet; his head is turned in profile to the right. Immediately below him, the head and hands of another Wellington, who is crouching on the floor, project from the tablecloth; he grasps a royal crown, and wears a cap coloured blue and resembling a tam-o'-shanter, but perhaps intended for a coronet. The other Wellingtons, all standing (left to right): [1] A mute as in British Museum Satires No. 15501, in profile to the right. [2] A Grenadier, full-face and rigidly at attention, much as in British Museum Satires No. 15768, but without the musket. [3] A ratcatcher stooping to the left and touching his hat, the cage in his left hand (cf. British Museum Satires No. 15806). [4] Aged and cloaked, wearing spectacles, with bowed head, he clasps a cross in both hands. [5] The old woman in a soldier's coat of British Museum Satires No. 15721, facing, and apparently in angry altercation with, the seated Wellington. [6] The coachman of British Museum Satires No. 15731, in profile to the left, holding shaft and lash of his whip as if they were the reins of a four-in-hand which he is driving. [7] Wellington in uniform, directed to the left, wearing his plumed cocked hat and holding up with a furtive expression a sword with a damaged blade in a dilapidated scabbard. [8] A mummy-case with an aperture to show Wellington's head with the forefingers compressing his mouth; below the aperture is the word 'Mum'. (Apparently from a satire on Wellington's silence as to his intentions on Catholic Relief until the eve of the opening of Parliament, see British Museum Satires No. 15659.) There is a background of curtains. Cf. British Museum Satires No. 15787."--British Museum online catalogue
Alternative Title:
All the world's a stage &c. S-
Description:
Title etched below image., Print signed using William Heath's device: A man with an umbrella., Publisher's annnouncement following imprint: ... sole publisher of P. Pry caricatures, none are original without T. McLeans name as publisher., Sheet trimmed to plate mark., and Watermark: J. Whatman Turkey Mill 1828.
Publisher:
Pub. June 15, 1829, by T. McLean, 26 Haymarket ...
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852 and Mathews, Charles, 1776-1835.
Subject (Topic):
Tables, Robes, Crowns, Military uniforms, Daggers & swords, Coach drivers, Sarcophagi, and Draperies
"A sequel to British Museum Satires No. 10518, Gillray's 'Tiddy-Doll'. Napoleon, haggard and desperate, wearing tattered uniform without the former apron and sword, walks in profile to the left, carrying on his head a large tray. On this stand three gingerbread kings, burlesqued and mutilated, with two queens, a detached head (crowned), and (right) a pile of imperial emblems: crowns, mitre, sceptre, eagle, flag, &c. On the left a bonnet rouge hangs from a staff. In the middle stands an imperial eagle with a tricolour flag to which is tied a broom showing that the contents of the tray are for sale. Napoleon says (with grimly closed mouth): "Buy my Image! Here's my nice little Gingerbread Emperor & Kings Retail and for Exportation!" Behind him is a tumbledown thatched hovel; over an aperture where more gingerbread figures are displayed is a board: 'Tiddy-Doll Gingerbread Baker. NB Removed from Paris.' Above fly three of the (carrion) birds associated in these prints with Elba. Napoleon walks towards the sea; across the water (in France) tiny figures dance holding hands round a white flag inscribed 'Vivent les Bourbons' and topped by a fleur-de-lis. Behind them is the gable-end of a rustic inn: 'The Kings Head New Revived'. A fiddler capers on the edge of the cliff, watching Napoleon."--British Museum online catalogue and "One of many satires on Napoleon's banishment, see British Museum Satires No. 12229, &c., and on the fall of the Bonaparte kings, the 'Corsican Kinglings' of British Museum Satires No. 10518. The Kings must be Joseph, Louis, and Jérôme, see British Museum Satires No. 12225, the Queens either their wives or Napoleon's sisters; they symbolize the fall of the dynasty and no precise identification is necessary. The other kings of British Museum Satires No. 10518, those who owed their crowns to Napoleon, are absent; they are now his enemies."--Curator's comments, British Museum online catalogue
Description:
Title etched below image., Artist "G.H." identified as George Humphrey in the British Museum catalogue., Sheet trimmed within plate mark., and On verso in brown ink is the collector's stamp of Nick Knowles: A pair of crossed skis.
Publisher:
Pubd. April 21st, 1814, by H. Humphrey, St. James's Street
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, Joseph Bonaparte, King of Spain, 1768-1844, Louis Bonaparte, King of Holland, 1778-1846, and Jérôme Bonaparte, King of Westphalia, 1784-1860
Subject (Topic):
Elba and the Hundred Days, 1814-1815, Military uniforms, French, Baked products, Trays, Kings, Queens, Crowns, Scepters, Miters, Liberty cap, Flags, Brooms & brushes, Birds of prey, Bodies of water, and Cliffs
"Duchess of Kent sits regally on the throne, holding the orb, and turning her head to watch Princess Victoria, who sits (left) on Prince Leopold's knee, holding the sceptre (in the form of a hand of Justice, cf. BM Satires No. 12247) and with the crown half-extinguishing her little head. He wears uniform, sits on a lower seat, but with his right foot on a footstool. He holds out twin cherries to the child, saying, 'Now we'll play at Bob Cherry--open your mouth'. On a table (left) are Sweet Meats and Sugar Candy, on the floor a (mature) doll. On the right, framed by pillars, is the Council Chamber. Wellington presides, in the royal chair, turning arrogantly to say: 'As president of the Council--who shall gainsay me--' [Bathurst was Lord President of the Council]. Behind him Grenadier Guards with fixed bayonets stand at attention. Inconspicuously at his right hand, and below the dais, sits William IV. Peel stands at a side-table (right), his back to Wellington, looking conspiratorial. The (?) Archbishop is among those seated on Wellington's left."--British Museum online catalogue
Description:
Title from caption below image., Sheet trimmed within plate mark., and Numbered in ms. at top of sheet: 123.
Publisher:
Pub. July 8, 1830, by T. McLean, 26 Haymarket
Subject (Name):
Victoria Mary Louisa, Duchess of Kent, 1786-1861, Victoria, Queen of Great Britain, 1819-1901, Léopold I, King of the Belgians, 1790-1865, Wellington, Arthur Wellesley, Duke of, 1769-1852, and William IV, King of Great Britain, 1765-1837
Subject (Topic):
Ceremonial objects, Crowns, Dolls, Military uniforms, British, and Thrones
"Napoleon (left) and Joseph sit side by side on low seats or stools, both with a hand on each knee. They have large, elongated heads broadly caricatured (as in British Museum Satires No. 10604, &c.) and look sideways at each other with drawn-down mouths and wrinkled foreheads. Napoleon is in uniform, wearing a feathered bicorne; Joseph wears a crown with Spanish dress, ermine-trimmed robe, and the order of the Golden Fleece. His seat is, very inconspicuously, a commode. At his feet is a sceptre with a scroll inscribed 'Servata Fides Cineri'. Napoleon says: "A pretty piece of Business we have made of it Brother Joe." Joseph: "I always told you Nap, what would come of makeing too free with the Spaniards.""--British Museum online catalogue
Alternative Title:
King Nap and King Joe in the dumps
Description:
Title etched below image., Printmaker identified as Charles Williams in the British Museum catalogue., Tentative artist attribution to Woodward from the British Museum catalogue., Sheet trimmed., and Watermark: J. Whatman.
Publisher:
Pubd. Augt. 1808 by Walker, No. 7 Cornhill
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821 and Joseph Bonaparte, King of Spain, 1768-1844
Subject (Topic):
Military uniforms, French, Hats, Stools, Robes, Crowns, and Scepters
"The left and wider portion of the design represents 'England', the right portion 'France'; two posts and the corners of two buildings meet along the dividing line. From each post a horizontal beam projects to support a signboard, in each case that of a crown. In England this is in place, and has the inscription 'Good Entertainment for Man & Horse'; two Frenchmen standing on the opposite side are pulling at the English sign with ropes. They stand on the sign of the (French) crown which has already been cut down. They are assisted by Tom Paine who sits astride the horizontal bar to saw it through, but leaves his saw in the wood to stare in terror at a large bill, posted on the house from which the sign projects, and inscribed: 'Association for preserving Liberty & Property against Republicans and Levellers Resolved. . . '. He exclaims, "Here's a Stop to my Levelling." He is dressed in a slovenly manner and from his pocket protrude 'D Priestley Sermon' (see British Museum Satires No. 7887, &c.) and 'Rights of Man' (see British Museum Satires Nos. 7867, 8137, &c). On the ground, and opposite the door of the Crown Inn, stand a sailor (left) and a soldier (right) who clasp hands; the sailor waves his hat, crying, "for our King and"; the soldier, who holds a musket, the butt end resting on the ground, adds "Country". Against the door is pasted a bill headed 'Proclamation' (see British Museum Satires No. 8095), and ending 'God save the King'. The rays of the sun dispel some dark clouds which surround Paine. In the background is a castle, flying a British flag, and the masts of ships. In front of them is a wall on which stands a small defiant British Lion. In France the sky is covered with heavy clouds. On the building are three large placards: [1] 'Liberté & Egalité Ca ira', [2] 'Mr Fox's Speech to the Vig Club Anglois', [3] 'Memorial of Cit Thos Paine to the Nation[al] Conven[tion]'. Beside the two men who pull at the English crown is a third Frenchman, a ragged sansculotte, who holds a pike on which is a head; he stands astride a recently decapitated body, shouting, "Vive la Nation." Behind him are the branches of a bare tree, inscribed 'L'arbre de la Liberte', from which hangs the body of a monk."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Sheet trimmed to plate mark on bottom edge and within plate mark in lower left corner., Two lines of quoted text below title: "Nought can make us rue, if England to itself do rest but true.", Temporary local subject terms: Associations: Association for preserving Liberty & Property against Republicans and Levellers -- Male costume: French sans culottes -- Signboard "Crown Inn" -- Tools: Aaws -- Chains -- Proclamations -- Soldiers: British soldier -- Soldiers' uniforms -- Weapons: Muskets -- British Lion -- Executions: Decapitated body -- Executions: Hanged monk -- Travesties: Dead tree of liberty -- St. James's Palace., and Mounted on page 76.
Publisher:
Publd. 15 Decr. 1792 by Thos. Cornell, Bruton Street
Subject (Name):
Paine, Thomas, 1737-1809 and Fox, Charles James, 1749-1806.
Subject (Topic):
Signs (Notices), Taverns (Inns), Ropes, Saws, Sailors, British, Soldiers, Military uniforms, Rifles, Lions, Crowns, Spears, Decapitations, Nooses, and Monks
"The left and wider portion of the design represents 'England', the right portion 'France'; two posts and the corners of two buildings meet along the dividing line. From each post a horizontal beam projects to support a signboard, in each case that of a crown. In England this is in place, and has the inscription 'Good Entertainment for Man & Horse'; two Frenchmen standing on the opposite side are pulling at the English sign with ropes. They stand on the sign of the (French) crown which has already been cut down. They are assisted by Tom Paine who sits astride the horizontal bar to saw it through, but leaves his saw in the wood to stare in terror at a large bill, posted on the house from which the sign projects, and inscribed: 'Association for preserving Liberty & Property against Republicans and Levellers Resolved. . . '. He exclaims, "Here's a Stop to my Levelling." He is dressed in a slovenly manner and from his pocket protrude 'D Priestley Sermon' (see British Museum Satires No. 7887, &c.) and 'Rights of Man' (see British Museum Satires Nos. 7867, 8137, &c). On the ground, and opposite the door of the Crown Inn, stand a sailor (left) and a soldier (right) who clasp hands; the sailor waves his hat, crying, "for our King and"; the soldier, who holds a musket, the butt end resting on the ground, adds "Country". Against the door is pasted a bill headed 'Proclamation' (see British Museum Satires No. 8095), and ending 'God save the King'. The rays of the sun dispel some dark clouds which surround Paine. In the background is a castle, flying a British flag, and the masts of ships. In front of them is a wall on which stands a small defiant British Lion. In France the sky is covered with heavy clouds. On the building are three large placards: [1] 'Liberté & Egalité Ca ira', [2] 'Mr Fox's Speech to the Vig Club Anglois', [3] 'Memorial of Cit Thos Paine to the Nation[al] Conven[tion]'. Beside the two men who pull at the English crown is a third Frenchman, a ragged sansculotte, who holds a pike on which is a head; he stands astride a recently decapitated body, shouting, "Vive la Nation." Behind him are the branches of a bare tree, inscribed 'L'arbre de la Liberte', from which hangs the body of a monk."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Sheet trimmed to plate mark on bottom edge and within plate mark in lower left corner., Two lines of quoted text below title: "Nought can make us rue, if England to itself do rest but true.", Temporary local subject terms: Associations: Association for preserving Liberty & Property against Republicans and Levellers -- Male costume: French sans culottes -- Signboard "Crown Inn" -- Tools: Aaws -- Chains -- Proclamations -- Soldiers: British soldier -- Soldiers' uniforms -- Weapons: Muskets -- British Lion -- Executions: Decapitated body -- Executions: Hanged monk -- Travesties: Dead tree of liberty -- St. James's Palace., 1 print : etching on wove paper ; plate mark 25.3 x 20.2 cm, on sheet 27.2 x 21.9 cm., and Mounted on verso of leaf 57 of James Sayers's Folio album of 144 caricatures.
Publisher:
Publd. 15 Decr. 1792 by Thos. Cornell, Bruton Street
Subject (Name):
Paine, Thomas, 1737-1809 and Fox, Charles James, 1749-1806.
Subject (Topic):
Signs (Notices), Taverns (Inns), Ropes, Saws, Sailors, British, Soldiers, Military uniforms, Rifles, Lions, Crowns, Spears, Decapitations, Nooses, and Monks
"The left and wider portion of the design represents 'England', the right portion 'France'; two posts and the corners of two buildings meet along the dividing line. From each post a horizontal beam projects to support a signboard, in each case that of a crown. In England this is in place, and has the inscription 'Good Entertainment for Man & Horse'; two Frenchmen standing on the opposite side are pulling at the English sign with ropes. They stand on the sign of the (French) crown which has already been cut down. They are assisted by Tom Paine who sits astride the horizontal bar to saw it through, but leaves his saw in the wood to stare in terror at a large bill, posted on the house from which the sign projects, and inscribed: 'Association for preserving Liberty & Property against Republicans and Levellers Resolved. . . '. He exclaims, "Here's a Stop to my Levelling." He is dressed in a slovenly manner and from his pocket protrude 'D Priestley Sermon' (see British Museum Satires No. 7887, &c.) and 'Rights of Man' (see British Museum Satires Nos. 7867, 8137, &c). On the ground, and opposite the door of the Crown Inn, stand a sailor (left) and a soldier (right) who clasp hands; the sailor waves his hat, crying, "for our King and"; the soldier, who holds a musket, the butt end resting on the ground, adds "Country". Against the door is pasted a bill headed 'Proclamation' (see British Museum Satires No. 8095), and ending 'God save the King'. The rays of the sun dispel some dark clouds which surround Paine. In the background is a castle, flying a British flag, and the masts of ships. In front of them is a wall on which stands a small defiant British Lion. In France the sky is covered with heavy clouds. On the building are three large placards: [1] 'Liberté & Egalité Ca ira', [2] 'Mr Fox's Speech to the Vig Club Anglois', [3] 'Memorial of Cit Thos Paine to the Nation[al] Conven[tion]'. Beside the two men who pull at the English crown is a third Frenchman, a ragged sansculotte, who holds a pike on which is a head; he stands astride a recently decapitated body, shouting, "Vive la Nation." Behind him are the branches of a bare tree, inscribed 'L'arbre de la Liberte', from which hangs the body of a monk."--British Museum online catalogue
Description:
Title etched below image., Signed with the monogram of James Sayers., Sheet trimmed to plate mark on bottom edge and within plate mark in lower left corner., Two lines of quoted text below title: "Nought can make us rue, if England to itself do rest but true.", Temporary local subject terms: Associations: Association for preserving Liberty & Property against Republicans and Levellers -- Male costume: French sans culottes -- Signboard "Crown Inn" -- Tools: Aaws -- Chains -- Proclamations -- Soldiers: British soldier -- Soldiers' uniforms -- Weapons: Muskets -- British Lion -- Executions: Decapitated body -- Executions: Hanged monk -- Travesties: Dead tree of liberty -- St. James's Palace., and Mounted to 37 x 31 cm.
Publisher:
Publd. 15 Decr. 1792 by Thos. Cornell, Bruton Street
Subject (Name):
Paine, Thomas, 1737-1809 and Fox, Charles James, 1749-1806.
Subject (Topic):
Signs (Notices), Taverns (Inns), Ropes, Saws, Sailors, British, Soldiers, Military uniforms, Rifles, Lions, Crowns, Spears, Decapitations, Nooses, and Monks
"A (tricolour) top with the head of Napoleon spins, above the ground, savagely lashed by representatives of the Allies. His arms and his legs have already been severed from his body, now represented only by the madly spinning top. The most violently active is Blücher (left) stripped to the shirt, his coat and hat thrown on a drum on the extreme left, beside which lie his gloves and baton. Facing them is Wellington (right) equally effective, stern, but less savage. Full-face, and immediately behind the top is the Tsar, left hand on hip; his whip is inscribed 'Knout'. Between him and Wellington is Schwarzenberg (or Francis I). Bernadotte stands rather behind, between Blücher and Alexander, both hands on his hips; he holds a whip but is an amused spectator. Behind (right) the future King of Holland, crowned and wearing a star, but dressed in the breeches and jacket of the Dutchman in English caricature, sits under a tree on a cask of 'Hollands'. He watches delightedly, holding up one of Napoleon's legs inscribed 'United Netherlands'. The other leg, the thigh inscribed 'Swisslad, the boot Italy, lies near Blücher. At Wellington's feet is the right arm inscribed Spain & Portugal'; the left arm, inscribed 'Germany', is near Schwarzenberg. Napoleon's orb and (broken) sceptre lie near him, with some of the feathers from the large hat which is still on his head; his horrified and shrieking profile faces Blücher. In the background (left) is a road along which a carriage drives off, drawn by four galloping horses. It contains tiny figures: Marie Louise, crowned and looking behind her, and the little King of Rome also crowned and waving a sceptre. Two soldiers are on the box, two others sit behind. In the air behind Bernadotte a demon flies off to the left, with Joseph Bonaparte clutching his barbed tail. The latter, his crown flying off, looks back horrified, exclaiming "O! My poor Brother Nap oh oh! O!"."--British Museum online catalogue
Description:
Title etched below image., Artist "G.H." identified as George Humphrey in the British Museum catalogue., and On verso, light impression of offsetting from another print.
Publisher:
Pubd. April 11th, 1814, by H. Humphrey, St. James's Strt
Subject (Geographic):
Great Britain.
Subject (Name):
Alexander I, Emperor of Russia, 1777-1825, Napoleon I, Emperor of the French, 1769-1821, Charles XIV John, King of Sweden and Norway, 1763-1844, Bonaparte, François-Charles-Joseph, Herzog von Reichstadt, 1811-1832, Marie Louise, Empress, consort of Napoleon I, Emperor of the French, 1791-1847, Schwarzenberg, Karl Philipp, Fürst zu, 1771-1820, Blücher, Gebhard Leberecht von, 1742-1819, Wellington, Arthur Wellesley, Duke of, 1769-1852, Francis I, Emperor of Austria, 1768-1835, Joseph Bonaparte, King of Spain, 1768-1844, Joachim Murat, King of Naples, 1767-1815, and William I, King of the Netherlands, 1772-1843
Subject (Topic):
Campaigns of 1813-1814, Napoleonic Wars, 1800-1815, Carriages & coaches, Crowns, Demons, Emperors, Kings, Military uniforms, Tops (Toys), Victories, War allies, and Whipping