publish'd according to act of Parliamt. June 20th, 1746.
Call Number:
Folio 75 H67 764 (Oversize)
Collection Title:
Plate 32. Queen Charlotte's collection of Hogarth works. Leaf 32. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
David Garrick in the role of Richard III, awakening from his troubled dream in the tent before the battle of Bosworth Field
Alternative Title:
Garrick in the character of Richard III
Description:
Title etched below image., Title in Paulson: Garrick in the character of Richard III., State and publisher from Paulson., 1 print : etching and engraving on laid paper ; plate mark 41.8 x 52.4 cm, on sheet 46 x 59 cm., and Plate 32 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Name):
Garrick, David, 1717-1779 and Shakespeare, William, 1564-1616.
publish'd according to act of Parliamt. June 20th, 1746.
Call Number:
Folio 75 H67 764 (Oversize)
Collection Title:
Plate 32. Queen Charlotte's collection of Hogarth works. Leaf 32. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
David Garrick in the role of Richard III, awakening from his troubled dream in the tent before the battle of Bosworth Field
Alternative Title:
Garrick in the character of Richard III
Description:
Title etched below image., Title in Paulson: Garrick in the character of Richard III., State and publisher from Paulson., 1 print : etching and engraving on laid paper ; plate mark 41.8 x 52.4 cm, on sheet 46 x 59 cm., and Plate 32 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Name):
Garrick, David, 1717-1779 and Shakespeare, William, 1564-1616.
Plate 25. Queen Charlotte's collection of Hogarth works. Leaf 25. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The fourth print in the series "Four Times of the Day" is set at the intersection of Rummer Court and Charing Cross. Le Sueur's equestrian statue of Charles I can be seen in the background. It is the anniversary of the Restoration of Charles II (29 May, known as "Oak Apple Day"). In the foreground a drunken freemason (probably the corrupt magistrate Sir Thomas De Veil) is supported by a serving man. Behind them a man pours gin into a keg. To the left a barber is seen at work through a window; each pane of the shop window contains a lit candle. From a window above the barber shop, a chamber pot is being emptied onto the top of a wooden shelter under which a man and woman sleep. Beside them, a link boy crouches as he blows on the flame of his torch. Behind and to the right of the freemason, the Salisbury Flying Coach has crashed and overturned while trying to avoid a bonfire in the middle of the street; the passengers reach out the window of the coach, alarmed looks on their faces.Two men look on, one of whom appears to be a butcher. Shop and tavern signs include the barber's which is decorated with oak leaves and advertises "Shaving Bleeding & Teeth Drawn wth. a Touch Ecce Signum"; the Rummer Tavern; the Earl of Cardigan; and, the Bagnio and the New Bagnio
Description:
Title engraved below image., State from Paulson., 1 print : engraving on laid paper ; plate mark 49 x 40.3 cm, on sheet 59 x 46 cm., and Plate 25 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain. and England.
Subject (Name):
De Veil, Thomas, Sir, 1684-1746
Subject (Topic):
Liquor laws, Freemasons, Jacobites, Accidents, Barbering, Butchers, Carriages & coaches, City & town life, Children, Fires, Intoxication, Liquor, Prostitution, Sleeping, Signs (Notices), and Taverns (Inns)
Plate 23. Queen Charlotte's collection of Hogarth works. Leaf 23. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The second print in the series "Four Times of the Day" is set outside St Giles's-in-the-Fields. On the right an elegant crowd leaves the French Huguenot church; they are dressed in the height of French fashion. Two women kiss on the far right in the customary French way. They are contrasted with Londoners on the left. The two groups are separated by a gutter down the middle of the road; a dead cat lies in the gutter foreground. The Londoners stand outside a tavern with the sign of the Good Woman (one without a head); a woman and man in the second-storey window look surprised as the contents of her bowl are tossed out the window. In the foreground, left, under a sign with John the Baptist's head on a platter and reading "Good Eating", a black man embraces a servant girl and a small boy (evidently intended by his curly red hair to be identified as one of the Irish inhabitants of the area) cries because he has broken a pie-dish. A little girl squats as she eats the fallen pie off the ground. The clock in the steeple in the background reads 12:30.
Alternative Title:
Four times a day. Noon
Description:
Title engraved below image., State and series from Paulson. Second in a series: Four times a day and Strolling actresses dressing in a barn., 1 print : engraving and etching on laid paper ; plate mark 49 x 40.4 cm, on sheet 59 x 46 cm., and Plate 23 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Geographic):
England, London., and England.
Subject (Topic):
Huguenots, Irish, Blacks, Children, City & town life, Churches, Couples, Crowds, Crying, Kissing, Servants, Signs (Notices), Taverns (Inns), and Women
publish'd according to act of Parliament May 1st, 1751.
Call Number:
Folio 75 H67 764 (Oversize)
Collection Title:
Plate 59. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
At his trial before Felix the Roman Governor of Judea, a very short St. Paul stands on a stool so as to be seen. The stool is steadied by a fat angel who is fast asleep and so unaware of the angry looking dog who wears a collar etched with the name 'Felix'. In this state an imp has been added under the stool on which Paul stands; he is sawing through one of the legs of the stool. He stands addressing a gallery filled with people in Dutch dress. On the left behind a curtain the orator Tertullus tears up his speech; at his feet a demon pieces the fragments together. On the right Justice is shown as a fat woman who is not blind, one eye is not covered by the blindfold, in her left hand are the scales and in her left a butcher's knife. All the faces are caricatured; many of the audience hold their noses. In the distance can be seen boats on a river and a windmill
Alternative Title:
Paul before Felix burlesqued
Description:
Title etched above image., State and publisher from Paulson., Sheet trimmed to plate mark., 1 print : etching with some mezzotint tone on laid paper ; plate mark 25.9 x 34.8 cm, on sheet 31.1 x 39.1 cm., Mounted on leaf 59 x 46 cm., and Plate 59 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Name):
Paul, the Apostle, Saint.
Subject (Topic):
Angels, Courtrooms, Demons, Dogs, Judicial proceedings, Justice, Rulers, and Saints
published according to act of Parliament, Feb. 1, 1751.
Call Number:
Folio 75 H67 764 (Oversize)
Collection Title:
Plate 77. Queen Charlotte's collection of Hogarth works. Leaf 53. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
In the street outside the Thavies Inn, Holborn, the coach driver Tom Nero beats the horse that has collapsed under the weight of the overturned coach, having been overloaded with four lawyers who try to scramble out the door. To the right in the foreground, another man beats to death a sheep. Behind him in the mid-distance a sleeping drayman runs over a small boy with his cart loaded with barrels. To the left a driver uses a pitchfork to prod a donkey burdened with two men, a barrel, and a large trunk on its back. In the distance, a crowd of men follow a bull being baited by a dog. On the side of the building on the left, broadsides advertise a cock-fight and a boxing bout between James Field and George Taylor at Broughton's Amphitheatre
Description:
Title engraved above image., State from Paulson., Second plate in a series of four: The four stages of cruelty., "Price 1d"--Below design, lower right edge., 1 print : etching and engraving on laid paper ; plate mark 38.6 x 31.9 cm, on sheet 59 x 46 cm., and Plate 77 in the album: Queen Charlotte's collection of Hogarth works.
publish'd according to act of Parliament, August 25th 1746.
Call Number:
Folio 75 H67 764 (Oversize)
Collection Title:
Plate 56. Queen Charlotte's collection of Hogarth works. Leaf 46. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
An elderly, rotund Lord Lovat is seated on a chair, its back carved with putti supporting a coronet. He is counting on his fingers the number of Scottish clans that fought with the Pretender in the rebellion. To his left is a table on which sits a book entitled "Memoirs" and quill pen in an ink bottle
Description:
Title etched below image., State from Paulson., "Price 1 shilling.", 1 print : etching on laid paper ; plate mark 36.2 x 23.7 cm, on sheet 40.3 x 28.4 cm., Mounted on leaf 46 x 59 cm., and Plate 56 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Name):
Lovat, Simon Fraser, Lord, 1667 or 1668-1747
Subject (Topic):
Obesity, Peerage, British, Rebellions, and Traitors
Plate 65. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
In the bottom row four bewigged judges, three of whom are asleep, are seated on the bench in Westminster Hall. In the top row are eight caricatured heads, two representing one of the judges below, the others, two versions of the lame man in Raphael's Sacrifice at Lystra (extreme left) and apostles in Leonardo's Last Supper. The lengthy text explaining the character, caracatura, and outrè etched on a second separate plate below plate with image begins: There are hardly any two things more essentially different than character and caracatura ...
Description:
Title etched below image., Print made from two plates; image and text on separate plates., State and publisher from Paulson., Sheet trimmed within plate mark. Only visible plate mark is between image and text., The judges were identified by Nichols (Biographical anecdotes) as William Noel, Sir John Willes, Henry, Earl Bathurst, and Sir Edward Clive. See British Museum online catalogue., 1 print : etching and engraving on laid paper ; plate marks 18.9 x 20.9 cm and 11.7 x 21.2 cm, on sheet 40 x 27 cm., Mounted on leaf 46 x 59 cm., and Plate 65 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Name):
Noel, William, 1695-1762, Willes, John, Sir, 1685-1761, Bathurst, Henry Bathurst, Earl, 1714-1794, and Clive, Edward, Sir, 1704-1771
Subject (Topic):
Caricatures and cartoons, Caricatures, Judges, Lawyers, Politicians, Sleeping, and Wigs
publish'd according to act of Parliament, August 1, 1763.
Call Number:
Folio 75 H67 764 (Oversize)
Collection Title:
Plate 73. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
A re-working of Hogarth's self-portrait of 1749 (Paulson 181); the artist has been replaced by a bear representing Charles Churchill wearing preaching bands and holding a tankard of beer in one paw and a knotty club in the other; the knots in the club are labelled 'Lye 1, Lye 2, Lye 3 ... Fallacy, Lye 10 ... ". The oval canvas rests on two books, on top is 'Great George Street : a list of the subscribers to the North Britons' and below 'A new way to pay old debts, a comedy by Massenger.' The dog Trump is urinating on a copy of Churchill's "Epistle to Hogarth". Leaning on the palette is a framed satirical print showing Hogarth himself (in a white hat) whipping a dancing bear (Churchill) and a monkey (John Wilkes) in front of a projected tomb for William Pitt from which a cannon fires at the dove of peace."--British Museum onlne catalogue
Description:
Title engraved below image., State and publisher from Paulson., Caption below title: But he had a Club this Dragon to Drub, or he had ne'er don't I warrant ye., "Price 1s. 6d."--Following Hogarth's name., Imperfect impression; price erased from this impression. Sheet trimmed within plate mark., 1 print : etching with engraving on laid paper ; plate mark 37.8 x 28.3 cm, on sheet 47.3 x 33.9 cm., Mounted on leaf 59 x 46 cm., and Plate 73 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Name):
Churchill, Charles, 1731-1764, Hogarth, William, 1697-1764, and Wilkes, John, 1725-1797.
Plate 61. Queen Charlotte's collection of Hogarth works. Leaf 48. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
A mock coat-of-arms for physicians with fifteen heads of doctors, three of whom, in the top row, are identified as John Taylor, Sarah Mapp, and Joshua Ward; three in the lower centre peer at liquid in a glass phial, the one to left using a pince-nez. The whole is contained within a black border or hatchment supported by cross-bones. The text on the scroll at the bottom of the design: "Et plurima mortis imago."
Description:
Title etched below image., "Price six pence.", Title from British Museum catalogue: A consultation of physicians., Caption below image begins: "Beareth sable, an urinal proper, between 12 quack-heads of the second & 12 caneheads or consultant ...", Temporary local Medical Library subject terms: Dod, Pierce (1683-1754) -- Bamber, Dr., 1 print : etching and engraving on laid paper ; plate mark 26 x 17.9 cm, on sheet 30.9 x 22.8 cm., Mounted on leaf 59 x 46 cm., and Plate 61 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Publish'd by W. Hogarth
Subject (Name):
Ward, Joshua, 1685-1761, Taylor, John, 1703-1772, and Mapp, Sarah
Subject (Topic):
Quacks and quackery, Escutcheons (Heraldry), Medical equipment & supplies, Physicians, and Staffs (Sticks)