A scene in a barber's shop in which the centre figure is a man seated, full-face, swathed in a sheet, while a boy (left) applies tongs to his hair, which a man (right) is combing. In the foreground (left) a customer is seated, clasping his bald head with a concerned expression as he reads a newspaper "Morning post" dated Nov. 3, 1807. Behind him, two men, their hair freshly curled, stand in profile to the left before a looking-glass (left) adjusting their cravats. Beside them is a barber's block with a large, dressed wig. On the extreme right a barber shaves a man whose face is lathered; a low table to his left contains other shaving equipment. Next, a stout man wearing top-boots, standing full-face, turning his head upwards and in profile to the left, stanches a cut on his cheek with a towel. A boy stands beside him holding a barber's basin. In the centre foreground two dogs tug at a bag-wig. A barber's block has been overturned (right). Wigs and wig-boxes decorate the back wall
Description:
Title from print based on this design: "The barbers shop" published by J. Jones on 12 May 1785 "from an original drawing by H. Bunbury Esqr. in the possession of Sr. Joshua Reynolds, to whom this plate is inscribed by his much obliged & most humble servant, John Jones.", Date of this drawing based on the date of the newspaper in the image., and Light crease down part of middle. Tear on the left hand side, and over all slight discoloration, scuffs. Light pencil drawing on verso.
Subject (Topic):
Barbers, Barbershops, Dogs, Hairdressing, Hairstyles, Shaving, Shaving equipment, and Wigs
A scene in a barber's shop in which the centre figure is a man seated, full-face, swathed in a sheet, while a boy (left) applies tongs to his hair, which a man (right) is combing. In the foreground (left) a customer is seated, clasping his bald head with a concerned expression as he reads a newspaper "Morning post" dated Nov. 3, 1807. Behind him, two men, their hair freshly curled, stand in profile to the left before a looking-glass (left) adjusting their cravats. Beside them is a barber's block with a large, dressed wig. On the extreme right a barber shaves a man whose face is lathered; a low table to his left contains other shaving equipment. Next, a stout man wearing top-boots, standing full-face, turning his head upwards and in profile to the left, stanches a cut on his cheek with a towel. A boy stands beside him holding a barber's basin. In the centre foreground two dogs tug at a bag-wig. A barber's block has been overturned (right). Wigs and wig-boxes decorate the back wall
Description:
Title from print based on this design: "The barbers shop" published by J. Jones on 12 May 1785 "from an original drawing by H. Bunbury Esqr. in the possession of Sr. Joshua Reynolds, to whom this plate is inscribed by his much obliged & most humble servant, John Jones.", Date of this drawing based on the date of the newspaper in the image., and Light crease down part of middle. Tear on the left hand side, and over all slight discoloration, scuffs. Light pencil drawing on verso.
Subject (Topic):
Barbers, Barbershops, Dogs, Hairdressing, Hairstyles, Shaving, Shaving equipment, and Wigs
Plate lettered in the top center 'L': Reverse copies of details of three men after characters around the table on the right in Hogarth's first plate in Election entertainment. Each figure is numbered; 1. A distraught looking man with his wig askew. 2, 3. A doctor wipes the forehead of a man seated before him, eyes closed, appparently ill from eating oysters (as seen in the Hogarth original).
Description:
Title supplied by cataloger., Printmaker and date from other prints in the series in the British Museum online catalogue., Plates from: Lichtenberg's Göttinger Taschen Kalender., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
publisher not identified
Subject (Name):
Hogarth, William, 1697-1764.
Subject (Topic):
Doctors, Political elections, Wigs, and Taverns (Inns)
Page 289. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
"Satire; an ugly old woman dressed in richly decorated black clothes, leering at a macaroni wearing a wig with an enormous looped queue, one hand on his shoulder while he lays one hand on his breast and smiles admiringly at her; a black page standing behind the old woman and a couple smiling at them as they pass by, in the background to right."--British Museum online catalogue, description of a later state
Alternative Title:
Pshaw, theres no trusting you macaronies
Description:
Title from later state., Additional title from note below image, written in pencil and brown ink: Pshaw, theres no trusting you macaronies., Printmaker from statement of responsibility on later state: Wilson delt. & fecit., Early state, with scratched-letter publication statement only. For a later state with the title "A real-scene on the parade at Bath" and other lettering in lower margin, see British Museum online catalogue, registration no.: 2010,7081.363., Publisher from imprint on later state: London, Publish'd March 21st, 1772, by J. Parker, No. 82, Cornhill., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum., Temporary local subject terms: Macaronies -- Female costume, 1772 -- Male headdresses., Folded to 30.6 x 24.5 cm; mounted to 32 x 26 cm., and Mounted on page 289 in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?].
Publisher:
Henry Parker
Subject (Geographic):
Bath (England),
Subject (Topic):
Blacks, Dandies, British, Wigs, Older people, Courtship, Couples, and Servants
Plate lettered in the top center 'G': Reverse copies of details from Hogarth's "A midnight modern conversation". Each item is numbered; 1. The man who, holding a tobacco-pipe, rises at the further side of the table; 2. The man without his wig who speaks aloud and, standing behind the cleryman, waves his drinking glass; 3. A man smiling and wearing a large wig; 4. The clergyman himself, with a pipe at his lips; 5. The drunken man who staggers in front of the table, emptying the bottle; 6. The bare-headed man who has fallen to the floor
Description:
Title from British Museum catalogue., Printmaker and date from other prints in this series in the British Museum online catalogue., and Plate prepared for: Manuel contentant diverses Connoissances curieuses et utile pour l'année 1786" in Göttingen.
Publisher:
publisher not identified
Subject (Name):
Hogarth, William, 1697-1764.
Subject (Topic):
Clergy, Eating & drinking, Intoxication, Men, Pipes (Smoking), and Wigs
A half-length portrait in profile of a clergyman wearing spectacles and a wig. He holds a stack of paper in his right hand, while his left hand is raised with his finger pointing upward
Description:
Title devised by cataloger., Sitter tentatively identified as Edward Bearcroft., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pub. as the act directs
Subject (Geographic):
England
Subject (Name):
Bearcroft, Edward, ?1737-1796
Subject (Topic):
Clothing & dress, Clergy, Eyeglasses, Lawyers, and Wigs
Title devised from British Museum catalogue., Tim Bobbin is John Collier's pseudonym., Other prints in the series were designed and etched by either Tim Bobbin or Thomas Sandars., Plate from: Human passions delineated ... by Timo. Bobbin. Manchester : Printed and published by John Heywood, 1773., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Macaronies -- Fops -- Toupée wig with club., 'June' missing in original imprint due to a poorly mended tear in the sheet., and Publication date from watermark on plates 12, 24 ,30, and 32 in the series: 1816.
"George III rides Pegasus, and is about to be thrown; both arms are raised in consternation. Another man (? Wolcot) falls head downwards from the horse; his wig has fallen off and he has dropped a roll of MS. Behind the plunging heels of the animal Harlequin (right) flourishes his club."--British Museum online catalogue, description of an earlier proof state
Description:
Title, printmaker, and date from description of proof state in the British Museum catalogue., For a proof state before "Ode for new year" lettering added to the roll of paper within image, see no. 7188 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Frontispiece to: Pindar, P. Ode upon ode, or, Peep at St. James's ... London : Printed by G. Kearsley ..., [1787], Sheet trimmed within plate mark on top and bottom edges., and Temporary local subject terms: Literary quotation -- Personification -- Mythology -- Pindar's Ode for a new year.
Publisher:
publisher not identified
Subject (Name):
George III, King of Great Britain, 1738-1820 and Pindar, Peter, 1738-1819
Subject (Topic):
Harlequin (Fictitious character), Pegasus (Greek mythology), Falling, and Wigs
Title assigned by cataloger., Other prints in the series were designed and etched by either Tim Bobbin or Thomas Sandars., Plate from: Human passions delineated in above 120 figures ... design'd in the Hogarthian style ... by Timo[thy] Bobbin. [Manchester] : John Heywood, 1773., Plate numbered '24' in upper right corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Macaronies -- Toupée wigs -- Club wigs -- Nosegays -- Female dress, 1773.
Publisher:
publisher not identified
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Dandies, British, Wigs, Corsages, and Flowers