A man stands in the center of his dressing room with an expression of pain on his face as he pulls open one of his eye lids to expose a large black speck in its center. He stands in what appears to be his dressing room, dressed in a waistcoat, nightcap, heavy stockings over his trousers, and slippers.The table is filled with medicine bottles and a vial. His clothes hang from a dresser drawer, a laundry washtub, brushes, and a bar of soap lie off to its side under the window. A blanket has been thrown on the back of the upholstered chair with castors. Small weights for lifting lie on the rug beside the chair
Description:
Title etched below image., 'Ego' is the pseudonym of M. Egerton. See British Museum catalogue., Caption below title: I wish you'd take it out. There's always something the matter with me!, Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local Medical Library subject terms: Eye disorders., 1 print : aquatint with etching on wove paper, hand-colored ; sheet 29 x 21 cm., and Imperfect; sheet trimmed within plate mark with loss of imprint statement from bottom edge.
A drunken soldier stretches out in a chair by a table on which sit a punch bowl and empty glass. A young woman in large hat is taking his money and watch
Description:
Title engraved below image. and Numbered '192' in lower left corner of plate.
Publisher:
Printed for Robert Sayer, Chart and Printseller, No. 53 Fleet Street, as the act directs
Depicts a well-dressed lady approaching a table where a striped chair is being held for her by a young black serving boy. At the table are seated a bald and bearded man, and on his left, seated on a sofa, a lady wearing an ermine trimmed robe. The table holds a silver urn and various dishes on a tray. On the walls are two paintings of what appear to be seduction scenes and a wall sconce with mirror
Alternative Title:
One of the tribe of Levi, going to breakfast with a young Christian
Description:
Title from item.
Publisher:
Printed for R. Sayer & J. Bennett ... No. 53 Fleet Street
Subject (Geographic):
England. and England
Subject (Topic):
Jews, Judaism, Relations, Christianity, Sofas, Furniture, Sconces, Paintings, Tableware, Black people, Servants, Interiors, and Clothing & dress
Seated at a table before a fireplace, a fat woman with a mountainous headress faces an ugly man as they play a game of push-pin. On the right is a sofa, while on the wall behind them 2 portraits (male on left and female on right) hang in oval frames, and a scene depicting a dancing bear and two dancing couples hangs above the fireplace
Description:
Title from item., Signed in plate: R.S. [i.e. Richard Sneer] artist and J.L. [i.e. John Lockington?] engraver., and Inlaid to 27 x 37 cm.
Subject (Geographic):
England
Subject (Topic):
Hairstyles, Couples, Games, Interiors, and Clothing & dress
"Gaetan Vestris (right) giving a dancing lesson to a gigantic goose with a human head and long pigtail queue. They face each other in profile. Vestris stands with his legs together, chest thrown out, his arms curved. "Regardez-moi" was his characteristic admonition. On a stool behind the goose is an open book inscribed "Electrical E. E. L."; on the ground at its feet is another inscribed "The Torpedo. Dedicated to Ld------C------. My Lord, I take the Liberty------ The greatness of whose Parts are known. . ." . This indicates that the goose is Lord Cholmondeley (1749-1827), "The Torpedo, a Poem to the Electrical Eel addressed to Mr John Hunter Surgeon" and "Dedicated to . . . Lord Cholmondeley," 4th ed. 1777, was a coarse and scurrilous poem, three lines of which are, "What tho' Lord Ch--lm--d--ly may conceal A most enormous length of Eel Admir'd for Size and bone:"In the wall which forms the background are two sash-windows and a door (left) round which a grinning youth, probably a servant, is looking. On the wall are half length portraits: three in ovals of elderly ladies in profile, one of a clergyman, full-face, wearing a biretta, his left hand on a book. There is also a picture of Fox, with a fox's head, seated opposite Cholmondeley; they are throwing dice. Fox appears satisfied, the other clenches his fist and exclaims in anger. A devil is climbing on the top of the frame and holds out a claw to grab the head of Fox. On the picture are the words "A Nick by God". Like Fox, see BMSat 5972, Cholmondeley held a faro bank at Brooks's. G.E.C., 'Complete Peerage'."-- British Museum online catalogue
Description:
Title from text at bottom of image., Printmaker and date of publication from British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
publisher not identified
Subject (Geographic):
England
Subject (Name):
Vestris, Gaëtan, 1729-1808, Cholmondeley, George James Cholmondeley, Marquess of, 1749-1827, and Fox, Charles James, 1749-1806
Copy in reverse of the first state of Plate 3 of Hogarth's 'The Rake's Progress' (Paulson 134): A room at the Rose Tavern, Drury Lane (after the painting at Sir John Soane's Museum); to left, Tom, surrounded by prostitutes and clearly drunk, sprawls on a chair with his foot on the table; one young woman embraces him and steals his watch, another spits a stream of gin across the table to the amusement of a young black woman standing in the background; one woman drinks from the punchbowl; another is removing her clothes in order to perform "postures"; to the right, a harpist and a door through which enters a man holding a large dish and a candle, and a pregnant ballad singer holding a sheet lettered "Black Joke"; on the walls hang a map of the world to which a young woman holds a candle and framed prints of Roman emperors, all (except that of Nero) damaged. A second version of the paintings is at the Atkins Museum (Kansas City, Missouri).
Alternative Title:
Rake's progress. Plate 3 and What wretched Fate succeeds his guilty Joys, ...
Description:
Title from text engraved above image., "Plate 3"--Lower right below design., Verses below image in three columns, four lines each: What wretched Fate succeeds his guilty joys, ..., The ornamental borders along the left and right edges are printed from a separate plate (images 25 x 2.8 cm, on plate mark 5.7 x 36.5 cm)., A reissue, with a new publication line and with ornamental borders added, of the third of eight prints in a series; all are copies of the first states of Hogarth's plates with new verses in the columns below the image; copies were made with Hogarth's consent in 1735. See Paulson, R. Hogarth's graphic works (3rd ed.), page 90., and Original publication line: Published with the consent of Mr. William Hogarth by Tho. Bakewell according to Act of Parliament July 1735.
Publisher:
Publish'd wth. [the] consent of Mrs. Hogarth, by Henry Parker, at No. 82 in Cornhill
The Bow Street magistrate and campaigner against gambling, Sampson Wright, is shown seated at a table being assailed by a man who has entered the door on the right. On the left another man (probably meant to be John Bond, Wright's clerk) expresses alarm, and on the right a dismayed youth wipes away a tear
Description:
Title etched below image., Printmaker and date of publication from British Museum catalogue., Sheet trimmed within plate mark., and Mounted to 44 x 29 cm.
Publisher:
Publish'd by Bonde at the Thieftakers Office, Bow Street
Subject (Geographic):
England and London
Subject (Name):
Wright, Sampson, Sir, -1793 and Bond, John, active 1782
Subject (Topic):
Threats, Judges, Gambling, Interiors, and Clothing & dress
A scene inside an apothecary’s shop, with a surprised looking apothecary standing behind the counter serving a shifty looking male customer wearing a Scottish bonnet cap and tartan trousers. Behind the counter is a labelled drug run (a set of drawers for storing medicinal ingredients) and labelled drug jars (for storing prepared medicines); on and in front of the counter are pestles and mortars. The shop has carboys and drug jars on display in the windows to the right. The apothecary holds a plaster iron in his hand and is in the process mixing a preparation. See: Royal Pharmaceutical Society Museum online, Attitudes to Health Collection, Reference 997.17.7.
Description:
Title etched below image., Sheet trimmed within plate mark., Two lines of dialogue etched below title: Please Dockthar to gee me a baubee's worth o' brimstane, its no for mysel but for anither gentleman thats outside., Not in the Catalogue of prints and drawings in the British Museum., and Temporary local Medical Library subject terms: Pharmacies, interior.
A well-dressed young couple are shown in an argument. The woman, seated on a couch, has just overturned her tea table. Cups and saucers litter the floor and the woman's small dog jumps up on her husband who turns away from the scene. A reduced version of George 4549
Description:
Title from item., Publication date burnished from plate., Numbered in plate: 262., and Date estimated from British Museum catalogue, v. 5, Appendix, "Key to the dates of the series of mezzotints issued by Carington Bowles." See Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Printed for Carington Bowles, No. 69 in St. Pauls Church Yard, London
Subject (Geographic):
England
Subject (Topic):
Marriage, Couples, Dogs, Interiors, Furniture, and Clothing & dress