A very detailed manuscript inventory in a single hand on three pages, two columns each, listing articles of "wearing apparel and other things" of Mrs. Ann Bamford: gowns, bonnets, stays, hoops, caps, shoes, handkerchiefs, aprons, tippets, pockets, cloaks, bonnets, shawls, gloves, petticoats, etc. The type of material and color are often included in the description as well
Description:
In English., Docket title., and For further information, consult library staff.
Manuscript, in a single hand, of a description of the author's tour through France and Italy in 1770, traveling with his master Robert Fellowes and Thomas Durrant, and recording his interactions with the inhabitants, curious sights, local hygienic practices, and traveling conditions. At one point he writes that he fell 14 times from his horse, while in Aquapendente he witnesses a postboy beating the horses "in a most unmerciful manner." In Bologna, he records news of banditti "which infested this part of the Country consisting of upwards of 40 men." He also climbs Mount Vesuvius "about two years since there was a dreadful eruption," where he walks on rough lava and ashes "in many places knee deep." Elsewhere, he notes the practice in Italy of hanging ladies' negligees out of coach windows and the presence of lice on the Italian nobility; and expresses his regret at the lack of diversions during this season of the year, as he should have been "very glad to have been here at the time of the Carnival when all kinds of diversions are allowed, such as Plays, Operas, Maskings, Horseraces &c." and At the conclusion of the manuscript, the author describes his return to England in excellent health and his gratitude to his "indulgent master" Mr. Durrant; addresses the manuscript to his father; and signs it "J Deeker London March 12th 1770." Bound in throughout the manuscript are 13 maps, colored in red and green representing stages of the author's journey, and 11 pen and wash drawings of such scenes as Trajan's pillar at Rome; Remains of three taverns where St Paul met his friends; and the Palace of the duke of Tuscany at Florence. A wash drawing entitled "Mons. D-r [Deeker] riding post", probably copied from Henry William Bunbury's print "Courier francois", is also bound in.
Description:
James Deeker was one of the first aeronauts in England. His hot-air balloon ascent in Norwich in June, 1785, was witnessed by Horace's nephew, George, the 3rd Earl of Orford., In English., Index of places visited at end of manuscript, as well as a mileage chart and a "List of Painters &c." which lists artists' names and brief biographies., On flyleaves, two pages in pencil recording "Interesting Remarks" and their page numbers., Autograph in pencil on flyleaf: ER Pratt. April 1812., Bookplate of Roger Pratt. Written in pencil on bookplate: Ryston Hall. Norfolk., and Binding: full reverse calf. Marbled endpapers. Stamped on spine: Deeker's Journal. Written on spine: 1770.
Subject (Geographic):
Europe., Europe, France, Italy, and Vesuvius (Italy)
Subject (Name):
Deeker, James.
Subject (Topic):
Grand tours (Education), Tourism, Travelers' writings, English, Ruins, Social life and customs, and Description and travel
Manuscript, in multiple hands, of copies of several hundred letters from Conway to other military officials, including Prince Ferdinand of Brunswick and John Manners, Marquis of Granby, during his service as deputy to Granby, Commander of the British forces, in the Seven Years' War, as well as subordinate officers and members of the Commissary Office. Many of the letters concern routine problems of military life and discipline; he requests wagons for camp necessaries, clothing, and supplies of ammunition; deplores the lack of horses and harness, notes that subalterns have no tents in which to sleep, discusses convalescent and discharge pay, and complains that he has no directions where to send sick soldiers, nor hospital wagons in which to transport them. He also reports numerous instances of delinquency in the military, including theft and robbery in the Guards; and, on June 19, 1761, writes to Granby for permission to court-martial a deserter as an example to the other soldiers, "as scarce a day passes without some desertion from us." He also discusses personnel issues, including an appointment to the Commissariat; engages in numerous disagreements with Lieutenant Colonel Beckwith over administrative matters, and acknowledges orders from Granby and Prince Ferdinand for marching and troop formation, as well as gives his opinions on how best to do so. In other military correspondence, he requests Lord Frederick Cavendish to look for proper ground for encamping twelve battalions at Bergen; asks Major Baczko to procure all possible intelligence of the motions of the enemy; and thanks Major General George Townshend for his report on the roads
Description:
Henry Seymour Conway (1719-1795) was an army general and politician. He fought in the War of the Austrian Succession; served in Ireland during the Jacobite Rebellion, and in Germany during the Seven Years' War. He was successively promoted to major general in 1756 and to lieutenant general in 1759. Sitting in the House of Commons from 1741 to 1774 and from 1775 to 1784, Conway became a leading member of the opposition, opposing the King's action against John Wilkes regarding general warrants in 1763. In 1765, he became secretary of state for the southern department in Lord Rockingham's ministry, where he promoted a policy of reconciliation towards the American colonies. He supported the repeal of the Stamp Act in 1766, and opposed the taxation policies of Chancellor of the Exchequer Charles Townshend. He criticized British prosecution of the war with the American colonies and played an important part in the House of Commons' resolution against continuing the war. In 1747, he married Caroline Bruce, countess of Ailesbury (1721-1803), and had one child, Anne (1749-1828) Seymour Damer. His aunt Catherine was the wife of Sir Robert Walpole, and Conway maintained a lifelong friendship and correspondence with his cousin Horace Walpole., In English and French., Inside front cover of vol. 1: index., Pasted on front cover of vol. 2: piece of paper on which is written, "Marshal Conway, Military Letters from Germany 1761. 62. 63. His own Copies.", Binding: vol. 1: half vellum over colored-paper boards; vol. 2: quarter vellum over colored-paper boards; vol. 3: full vellum; vol. 4: half vellum over green-paper boards., and For further information, consult library staff.
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
Cavendish, Frederick, Lord, 1729-1803., Cockburn, James, Sir, 1723-1801., Conway, Henry Seymour, 1721-1795., De Cosne, Ruvigny., Ferdinand, Duke of Brunswick-Lüneburg, 1721-1792., Granby, John Manners, Marquis of, 1721-1770., and Townshend, George Townshend, Marquis, 1724-1807.
Subject (Topic):
Military administration, Military camps, Military discipline, Seven Years' War, 1756-1763, Militia, and Politics and government
Manuscript, in multiple hands, of copies of several hundred letters from Conway to other military officials, including Prince Ferdinand of Brunswick and John Manners, Marquis of Granby, during his service as deputy to Granby, Commander of the British forces, in the Seven Years' War, as well as subordinate officers and members of the Commissary Office. Many of the letters concern routine problems of military life and discipline; he requests wagons for camp necessaries, clothing, and supplies of ammunition; deplores the lack of horses and harness, notes that subalterns have no tents in which to sleep, discusses convalescent and discharge pay, and complains that he has no directions where to send sick soldiers, nor hospital wagons in which to transport them. He also reports numerous instances of delinquency in the military, including theft and robbery in the Guards; and, on June 19, 1761, writes to Granby for permission to court-martial a deserter as an example to the other soldiers, "as scarce a day passes without some desertion from us." He also discusses personnel issues, including an appointment to the Commissariat; engages in numerous disagreements with Lieutenant Colonel Beckwith over administrative matters, and acknowledges orders from Granby and Prince Ferdinand for marching and troop formation, as well as gives his opinions on how best to do so. In other military correspondence, he requests Lord Frederick Cavendish to look for proper ground for encamping twelve battalions at Bergen; asks Major Baczko to procure all possible intelligence of the motions of the enemy; and thanks Major General George Townshend for his report on the roads
Description:
Henry Seymour Conway (1719-1795) was an army general and politician. He fought in the War of the Austrian Succession; served in Ireland during the Jacobite Rebellion, and in Germany during the Seven Years' War. He was successively promoted to major general in 1756 and to lieutenant general in 1759. Sitting in the House of Commons from 1741 to 1774 and from 1775 to 1784, Conway became a leading member of the opposition, opposing the King's action against John Wilkes regarding general warrants in 1763. In 1765, he became secretary of state for the southern department in Lord Rockingham's ministry, where he promoted a policy of reconciliation towards the American colonies. He supported the repeal of the Stamp Act in 1766, and opposed the taxation policies of Chancellor of the Exchequer Charles Townshend. He criticized British prosecution of the war with the American colonies and played an important part in the House of Commons' resolution against continuing the war. In 1747, he married Caroline Bruce, countess of Ailesbury (1721-1803), and had one child, Anne (1749-1828) Seymour Damer. His aunt Catherine was the wife of Sir Robert Walpole, and Conway maintained a lifelong friendship and correspondence with his cousin Horace Walpole., In English and French., Inside front cover of vol. 1: index., Pasted on front cover of vol. 2: piece of paper on which is written, "Marshal Conway, Military Letters from Germany 1761. 62. 63. His own Copies.", Binding: vol. 1: half vellum over colored-paper boards; vol. 2: quarter vellum over colored-paper boards; vol. 3: full vellum; vol. 4: half vellum over green-paper boards., and For further information, consult library staff.
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
Cavendish, Frederick, Lord, 1729-1803., Cockburn, James, Sir, 1723-1801., Conway, Henry Seymour, 1721-1795., De Cosne, Ruvigny., Ferdinand, Duke of Brunswick-Lüneburg, 1721-1792., Granby, John Manners, Marquis of, 1721-1770., and Townshend, George Townshend, Marquis, 1724-1807.
Subject (Topic):
Military administration, Military camps, Military discipline, Seven Years' War, 1756-1763, Militia, and Politics and government
Manuscript, in multiple hands, of copies of several hundred letters from Conway to other military officials, including Prince Ferdinand of Brunswick and John Manners, Marquis of Granby, during his service as deputy to Granby, Commander of the British forces, in the Seven Years' War, as well as subordinate officers and members of the Commissary Office. Many of the letters concern routine problems of military life and discipline; he requests wagons for camp necessaries, clothing, and supplies of ammunition; deplores the lack of horses and harness, notes that subalterns have no tents in which to sleep, discusses convalescent and discharge pay, and complains that he has no directions where to send sick soldiers, nor hospital wagons in which to transport them. He also reports numerous instances of delinquency in the military, including theft and robbery in the Guards; and, on June 19, 1761, writes to Granby for permission to court-martial a deserter as an example to the other soldiers, "as scarce a day passes without some desertion from us." He also discusses personnel issues, including an appointment to the Commissariat; engages in numerous disagreements with Lieutenant Colonel Beckwith over administrative matters, and acknowledges orders from Granby and Prince Ferdinand for marching and troop formation, as well as gives his opinions on how best to do so. In other military correspondence, he requests Lord Frederick Cavendish to look for proper ground for encamping twelve battalions at Bergen; asks Major Baczko to procure all possible intelligence of the motions of the enemy; and thanks Major General George Townshend for his report on the roads
Description:
Henry Seymour Conway (1719-1795) was an army general and politician. He fought in the War of the Austrian Succession; served in Ireland during the Jacobite Rebellion, and in Germany during the Seven Years' War. He was successively promoted to major general in 1756 and to lieutenant general in 1759. Sitting in the House of Commons from 1741 to 1774 and from 1775 to 1784, Conway became a leading member of the opposition, opposing the King's action against John Wilkes regarding general warrants in 1763. In 1765, he became secretary of state for the southern department in Lord Rockingham's ministry, where he promoted a policy of reconciliation towards the American colonies. He supported the repeal of the Stamp Act in 1766, and opposed the taxation policies of Chancellor of the Exchequer Charles Townshend. He criticized British prosecution of the war with the American colonies and played an important part in the House of Commons' resolution against continuing the war. In 1747, he married Caroline Bruce, countess of Ailesbury (1721-1803), and had one child, Anne (1749-1828) Seymour Damer. His aunt Catherine was the wife of Sir Robert Walpole, and Conway maintained a lifelong friendship and correspondence with his cousin Horace Walpole., In English and French., Inside front cover of vol. 1: index., Pasted on front cover of vol. 2: piece of paper on which is written, "Marshal Conway, Military Letters from Germany 1761. 62. 63. His own Copies.", Binding: vol. 1: half vellum over colored-paper boards; vol. 2: quarter vellum over colored-paper boards; vol. 3: full vellum; vol. 4: half vellum over green-paper boards., and For further information, consult library staff.
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
Cavendish, Frederick, Lord, 1729-1803., Cockburn, James, Sir, 1723-1801., Conway, Henry Seymour, 1721-1795., De Cosne, Ruvigny., Ferdinand, Duke of Brunswick-Lüneburg, 1721-1792., Granby, John Manners, Marquis of, 1721-1770., and Townshend, George Townshend, Marquis, 1724-1807.
Subject (Topic):
Military administration, Military camps, Military discipline, Seven Years' War, 1756-1763, Militia, and Politics and government
Manuscript, in multiple hands, of copies of several hundred letters from Conway to other military officials, including Prince Ferdinand of Brunswick and John Manners, Marquis of Granby, during his service as deputy to Granby, Commander of the British forces, in the Seven Years' War, as well as subordinate officers and members of the Commissary Office. Many of the letters concern routine problems of military life and discipline; he requests wagons for camp necessaries, clothing, and supplies of ammunition; deplores the lack of horses and harness, notes that subalterns have no tents in which to sleep, discusses convalescent and discharge pay, and complains that he has no directions where to send sick soldiers, nor hospital wagons in which to transport them. He also reports numerous instances of delinquency in the military, including theft and robbery in the Guards; and, on June 19, 1761, writes to Granby for permission to court-martial a deserter as an example to the other soldiers, "as scarce a day passes without some desertion from us." He also discusses personnel issues, including an appointment to the Commissariat; engages in numerous disagreements with Lieutenant Colonel Beckwith over administrative matters, and acknowledges orders from Granby and Prince Ferdinand for marching and troop formation, as well as gives his opinions on how best to do so. In other military correspondence, he requests Lord Frederick Cavendish to look for proper ground for encamping twelve battalions at Bergen; asks Major Baczko to procure all possible intelligence of the motions of the enemy; and thanks Major General George Townshend for his report on the roads
Description:
Henry Seymour Conway (1719-1795) was an army general and politician. He fought in the War of the Austrian Succession; served in Ireland during the Jacobite Rebellion, and in Germany during the Seven Years' War. He was successively promoted to major general in 1756 and to lieutenant general in 1759. Sitting in the House of Commons from 1741 to 1774 and from 1775 to 1784, Conway became a leading member of the opposition, opposing the King's action against John Wilkes regarding general warrants in 1763. In 1765, he became secretary of state for the southern department in Lord Rockingham's ministry, where he promoted a policy of reconciliation towards the American colonies. He supported the repeal of the Stamp Act in 1766, and opposed the taxation policies of Chancellor of the Exchequer Charles Townshend. He criticized British prosecution of the war with the American colonies and played an important part in the House of Commons' resolution against continuing the war. In 1747, he married Caroline Bruce, countess of Ailesbury (1721-1803), and had one child, Anne (1749-1828) Seymour Damer. His aunt Catherine was the wife of Sir Robert Walpole, and Conway maintained a lifelong friendship and correspondence with his cousin Horace Walpole., In English and French., Inside front cover of vol. 1: index., Pasted on front cover of vol. 2: piece of paper on which is written, "Marshal Conway, Military Letters from Germany 1761. 62. 63. His own Copies.", Binding: vol. 1: half vellum over colored-paper boards; vol. 2: quarter vellum over colored-paper boards; vol. 3: full vellum; vol. 4: half vellum over green-paper boards., and For further information, consult library staff.
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
Cavendish, Frederick, Lord, 1729-1803., Cockburn, James, Sir, 1723-1801., Conway, Henry Seymour, 1721-1795., De Cosne, Ruvigny., Ferdinand, Duke of Brunswick-Lüneburg, 1721-1792., Granby, John Manners, Marquis of, 1721-1770., and Townshend, George Townshend, Marquis, 1724-1807.
Subject (Topic):
Military administration, Military camps, Military discipline, Seven Years' War, 1756-1763, Militia, and Politics and government
Manuscript, in a single hand with numerous corrections, of a collection of 15 letters describing life in England, translated into French, possibly from German. The letters discuss English lotteries; the proliferation of newspapers; the constitution and the difficulty of reconciling ideology with practice; Parliamentary elections; literary societies; and the nobility. One letter describes and deplores the cruelty of amusements such as hunting, cock-fighting, and "combats des gladiateurs"; another letter mocks an English law against the illegal wearing of buttons. A letter dated December 14, 1790 discusses the possibility of the abolition of the slave trade; the author declares it is the most talked-of subject of conversation and expresses his astonishment that the trade still exists and The letters are followed by a lengthy essay explaining the Women's March on Versailles on October 5-6, 1789. The volume is prefaced by a note by the translator, who criticizes the motives of many travel writers; says that he was drawn to this letter-writer for his curiosity and interest in humanity; and explains that the writer published two volumes, the first of letters written in Paris and Versailles during the revolution in 1789, and the second of letters in England
Description:
In French., Binding: full calf., and For further information, consult library staff.
Subject (Geographic):
Great Britain, Great Britain., England, France, and Versailles (France)
Subject (Name):
Lafayette, Marie Joseph Paul Yves Roch Gilbert Du Motier, marquis de, 1757-1834., Louis XVI, King of France, 1754-1793., and Necker, Jacques, 1732-1804.
Subject (Topic):
Cockfighting, Elections, Hunting, Lotteries, Slave trade, Newspapers, Nobility, Travelers' writings, French, Description and travel, History, Women, Intellectual life, Politics and government, and Social life and customs
Manuscripts, in Thomas Gray's hand and others', of musical transcriptions in score, primarily selections from operas heard in Italy and London. On the outside of each volume is written the names of the composers whose works it contains. Inside each front cover is an index of the volume's contents, in Gray's hand, including names of characters and performers. Some of the volumes contain music and words also copied in his hand; he also makes annotations throughout the volumes, noting the schools of the composers and the names of the operas and other compositions from which these selections have been made, Vol. 1 contains 25 arias by Johann Adolf Hasse, from the operas Allessandro nell'Indie; La clemenza di Tito; Demetrio; Issipile; Artaserse; and Siroe re di Persia. On the cover is written: "Arie del Sig: r / G: Adolfo Hasse / detto / Il Sasone. / Firenze. / 1740"., Vol. 2 contains 24 pieces for voice and strings by Hasse, including arias, duets, and a trio, excerpted from the operas Catone; Issipile; Siroe; Tito; and Artaserse. Written on spine: Hasse, Vol. 3 contains 35 pieces. These include 28 arias; 1 duet, and 3 minuets from operas by Leonardo Vinci, including Artaserse; Alessandro; Andromaca; Catone; Demofounte; and Semiramide. The volume also contains a Cantata per una voce by Vinci; Cantata per una voce by Giovanni Pergolesi; Toccata per il cembalo, Aria, and Minuet by Hasse; an aria, minuet, and arietta by Gaetano Latilla's Siroe; an aria by Giovanni Giai; a minuet by Giacomelli; and an arietta by David Perez. On the cover is written: "Arie del Sigr / Lionardo Vinci. / Napoletano / Firenze. / 1740." Written on spine: Vinci, Vol. 4 contains 30 pieces comprising Leonardo Vinci's cantata titled La Contessa de numi. Inside the front cover is an index of sinfonias and arias in Gray's hand, and a note, signed by H[enry] E[dward] K[rehbiel], which reads: "this is plainly the cantata "La Contessa de'Numi" / composed by V. 1729 to / words of Metastasio to / celebrate the birth of the dauphin". A further notation in Krehbiel's hand reads: "(autograph of Vincj)". On f.126v is an autograph in pencil: "R Bright August 27.th of the month 1819". Written on spine: Vinci, Vol. 5 contains 18 songs by Leonardo Leo, including motets; arias from the operas Achille; Artaserse; Ciro Riconosciuto; Olimpiade; and 2 duets from Olimpiade. Written on spine: "Leo.", Vol. 6 contains 24 pieces by Michele Fini, including arias and duets from Issipile; Siroe; Didone; Alessandro; Tito Manlio; Rodelinda; Farnace; and Temistocle. At the beginning of the manuscript is a treatise on musical accompaniment titled "Regole per l'accompagnamento" in Gray's hand, which includes musical examples. The collection also includes 8 anonymous keyboard pieces. Written on spine: Fini, Vol. 7 contains 11 vocal pieces. Ten are by Pergolesi, consisting of 5 arias, 3 duets from Catone and Olimpiade; and Stabat Mater. The remaining piece is by Leonardo Vinci. Written on spine: Pergolesi, Vol. 8 contains 25 arias by various composers. These include 3 arias from Giovanni Orlandini's Olimpiade; and a Trio from his Temistocle; 3 arias by Francesco Araia; an aria and duet by Giai; an aria from Domenico Sarro's Achille; 9 arias by Pergolesi; and 4 arias and 2 duets by Hasse. An autograph appears on the verso of front flyleaf: "E Bright May 22.nd / 1819"; another autograph appears inside the back cover, in pencil: "Rev.d John Bright / Grafton / Northamptonshire". Written on spine: "Hasse / Pergolesi / Sarro / Giaii / Orlandini Orlandini". Written on front cover: "Arie di G: pe Orlandini, Fiorentino. / Franco: co Araja. / Dom: Sarri. Napoletani / G: B: Pergolesi. / Ant: Giaii. Turinese. / & / Giov: Ad: fo Hasse, Sa ssone. / Firenze 1740". Written on spine: Hasse. Pergolesi. Sarro. Giaii. Araia. Orlandini, Vol. 9 contains 35 songs by Carlo Arrigoni, Andrea Bernasconi, Riccardo Broschi, Rinaldo di Capua, Michele Fini, Baldassare Galuppi, G. Baptista Lampagnani, Gaetano Latilla, Celestino Ligi, Antonio Mazzoni, Giovanni Orlandini, Gaetano Schiassi, Seletti, and Dionigi Zamperelli. Written on cover: "Arie di / G B: ta Lampognani / Andrea Bernascone / Rinaldo di Capua / Gaetano Latilla Napoletane / Michel Fini / Gaetano Schiassi Bolognese / & altri Autori". Written on spine: Bernasconi. Lampagnani. Fini. Rinaldo di Capua. Latilla. Schiassi, Vol. 10 contains 18 pieces of music by Handel, Pergolesi, Hasse, Giai, Domenico Sarro, Nicola Porpora, and others. These works are preceded by two pages explaining a system of musical notation using Arabic numbers, written in Italian in Gray's hand. The volume contains both Italian and English paper, and many of the works are incomplete. The arias from Ifigenia in Tauri conjectural attribution to composer Domenico Scarlatti, and Vol. 11 is a collection of 36 pages of musical scores. They include a liturgical text set to medieval notation, underneath which the music is notated in modern musical notation; and a score taken from the 4-part book of Claude le Jeune, 1641. Accompanying these papers is a note which declares, "These miscellaneous papers are all 19th century."
Description:
In Italian., Microfilm available, All volumes are bound in full parchment., and For further information, consult library staff.
Subject (Geographic):
Italy
Subject (Name):
Araja, Francesco, 1709-, Arrigoni, Carlo, 1697-1744., Bernasconi, Andrea, 1706-1784., Broschi, Riccardo, approximately 1698-1756., Capece, Carlo Sigismondo, 1652-1728., Celestino, Eligio, 1739-1812., Fini, Michele, 1708-1752., Galuppi, Baldassare, 1706-1785., Giai, Giovanni Antonio, 1690-1764., Gray, Thomas, 1716-1771., Handel, George Frideric, 1685-1759., Hasse, Johann Adolf, 1699-1783., Lampugnani, Giovanni Battista, 1706-approximately 1786., Latilla, Gaetano, 1711-1788., Leo, Leonardo, 1694-1744., Marcello, Benedetto, 1686-1739., Mazzoni, Antonio, 1717-1785., Milton, John, 1608-1674., Orlandini, Giuseppe Maria, 1676-1760., Ottoboni, Pietro, 1667-1740., Pasquini, Bernardo, 1637-1710., Pergolesi, Giovanni Battista, 1710-1736., Rinaldo, da Capua, approximately 1710-approximately 1780., Sarro, Domenico, 1679-1744., Scarlatti, Domenico, 1685-1757., Schiassi, Gaetano Maria, 1698-1754., Sellitto, Giuseppe, 1700-1777., Vinci, Leonardo, -1730., and Zamparelli, Dionisio.
Subject (Topic):
Keyboard instrument music, Musical accompaniment, Operas, Opera, and Vocal music
Manuscripts, in Thomas Gray's hand and others', of musical transcriptions in score, primarily selections from operas heard in Italy and London. On the outside of each volume is written the names of the composers whose works it contains. Inside each front cover is an index of the volume's contents, in Gray's hand, including names of characters and performers. Some of the volumes contain music and words also copied in his hand; he also makes annotations throughout the volumes, noting the schools of the composers and the names of the operas and other compositions from which these selections have been made, Vol. 1 contains 25 arias by Johann Adolf Hasse, from the operas Allessandro nell'Indie; La clemenza di Tito; Demetrio; Issipile; Artaserse; and Siroe re di Persia. On the cover is written: "Arie del Sig: r / G: Adolfo Hasse / detto / Il Sasone. / Firenze. / 1740"., Vol. 2 contains 24 pieces for voice and strings by Hasse, including arias, duets, and a trio, excerpted from the operas Catone; Issipile; Siroe; Tito; and Artaserse. Written on spine: Hasse, Vol. 3 contains 35 pieces. These include 28 arias; 1 duet, and 3 minuets from operas by Leonardo Vinci, including Artaserse; Alessandro; Andromaca; Catone; Demofounte; and Semiramide. The volume also contains a Cantata per una voce by Vinci; Cantata per una voce by Giovanni Pergolesi; Toccata per il cembalo, Aria, and Minuet by Hasse; an aria, minuet, and arietta by Gaetano Latilla's Siroe; an aria by Giovanni Giai; a minuet by Giacomelli; and an arietta by David Perez. On the cover is written: "Arie del Sigr / Lionardo Vinci. / Napoletano / Firenze. / 1740." Written on spine: Vinci, Vol. 4 contains 30 pieces comprising Leonardo Vinci's cantata titled La Contessa de numi. Inside the front cover is an index of sinfonias and arias in Gray's hand, and a note, signed by H[enry] E[dward] K[rehbiel], which reads: "this is plainly the cantata "La Contessa de'Numi" / composed by V. 1729 to / words of Metastasio to / celebrate the birth of the dauphin". A further notation in Krehbiel's hand reads: "(autograph of Vincj)". On f.126v is an autograph in pencil: "R Bright August 27.th of the month 1819". Written on spine: Vinci, Vol. 5 contains 18 songs by Leonardo Leo, including motets; arias from the operas Achille; Artaserse; Ciro Riconosciuto; Olimpiade; and 2 duets from Olimpiade. Written on spine: "Leo.", Vol. 6 contains 24 pieces by Michele Fini, including arias and duets from Issipile; Siroe; Didone; Alessandro; Tito Manlio; Rodelinda; Farnace; and Temistocle. At the beginning of the manuscript is a treatise on musical accompaniment titled "Regole per l'accompagnamento" in Gray's hand, which includes musical examples. The collection also includes 8 anonymous keyboard pieces. Written on spine: Fini, Vol. 7 contains 11 vocal pieces. Ten are by Pergolesi, consisting of 5 arias, 3 duets from Catone and Olimpiade; and Stabat Mater. The remaining piece is by Leonardo Vinci. Written on spine: Pergolesi, Vol. 8 contains 25 arias by various composers. These include 3 arias from Giovanni Orlandini's Olimpiade; and a Trio from his Temistocle; 3 arias by Francesco Araia; an aria and duet by Giai; an aria from Domenico Sarro's Achille; 9 arias by Pergolesi; and 4 arias and 2 duets by Hasse. An autograph appears on the verso of front flyleaf: "E Bright May 22.nd / 1819"; another autograph appears inside the back cover, in pencil: "Rev.d John Bright / Grafton / Northamptonshire". Written on spine: "Hasse / Pergolesi / Sarro / Giaii / Orlandini Orlandini". Written on front cover: "Arie di G: pe Orlandini, Fiorentino. / Franco: co Araja. / Dom: Sarri. Napoletani / G: B: Pergolesi. / Ant: Giaii. Turinese. / & / Giov: Ad: fo Hasse, Sa ssone. / Firenze 1740". Written on spine: Hasse. Pergolesi. Sarro. Giaii. Araia. Orlandini, Vol. 9 contains 35 songs by Carlo Arrigoni, Andrea Bernasconi, Riccardo Broschi, Rinaldo di Capua, Michele Fini, Baldassare Galuppi, G. Baptista Lampagnani, Gaetano Latilla, Celestino Ligi, Antonio Mazzoni, Giovanni Orlandini, Gaetano Schiassi, Seletti, and Dionigi Zamperelli. Written on cover: "Arie di / G B: ta Lampognani / Andrea Bernascone / Rinaldo di Capua / Gaetano Latilla Napoletane / Michel Fini / Gaetano Schiassi Bolognese / & altri Autori". Written on spine: Bernasconi. Lampagnani. Fini. Rinaldo di Capua. Latilla. Schiassi, Vol. 10 contains 18 pieces of music by Handel, Pergolesi, Hasse, Giai, Domenico Sarro, Nicola Porpora, and others. These works are preceded by two pages explaining a system of musical notation using Arabic numbers, written in Italian in Gray's hand. The volume contains both Italian and English paper, and many of the works are incomplete. The arias from Ifigenia in Tauri conjectural attribution to composer Domenico Scarlatti, and Vol. 11 is a collection of 36 pages of musical scores. They include a liturgical text set to medieval notation, underneath which the music is notated in modern musical notation; and a score taken from the 4-part book of Claude le Jeune, 1641. Accompanying these papers is a note which declares, "These miscellaneous papers are all 19th century."
Description:
In Italian., Microfilm available, All volumes are bound in full parchment., and For further information, consult library staff.
Subject (Geographic):
Italy
Subject (Name):
Araja, Francesco, 1709-, Arrigoni, Carlo, 1697-1744., Bernasconi, Andrea, 1706-1784., Broschi, Riccardo, approximately 1698-1756., Capece, Carlo Sigismondo, 1652-1728., Celestino, Eligio, 1739-1812., Fini, Michele, 1708-1752., Galuppi, Baldassare, 1706-1785., Giai, Giovanni Antonio, 1690-1764., Gray, Thomas, 1716-1771., Handel, George Frideric, 1685-1759., Hasse, Johann Adolf, 1699-1783., Lampugnani, Giovanni Battista, 1706-approximately 1786., Latilla, Gaetano, 1711-1788., Leo, Leonardo, 1694-1744., Marcello, Benedetto, 1686-1739., Mazzoni, Antonio, 1717-1785., Milton, John, 1608-1674., Orlandini, Giuseppe Maria, 1676-1760., Ottoboni, Pietro, 1667-1740., Pasquini, Bernardo, 1637-1710., Pergolesi, Giovanni Battista, 1710-1736., Rinaldo, da Capua, approximately 1710-approximately 1780., Sarro, Domenico, 1679-1744., Scarlatti, Domenico, 1685-1757., Schiassi, Gaetano Maria, 1698-1754., Sellitto, Giuseppe, 1700-1777., Vinci, Leonardo, -1730., and Zamparelli, Dionisio.
Subject (Topic):
Keyboard instrument music, Musical accompaniment, Operas, Opera, and Vocal music
Manuscripts, in Thomas Gray's hand and others', of musical transcriptions in score, primarily selections from operas heard in Italy and London. On the outside of each volume is written the names of the composers whose works it contains. Inside each front cover is an index of the volume's contents, in Gray's hand, including names of characters and performers. Some of the volumes contain music and words also copied in his hand; he also makes annotations throughout the volumes, noting the schools of the composers and the names of the operas and other compositions from which these selections have been made, Vol. 1 contains 25 arias by Johann Adolf Hasse, from the operas Allessandro nell'Indie; La clemenza di Tito; Demetrio; Issipile; Artaserse; and Siroe re di Persia. On the cover is written: "Arie del Sig: r / G: Adolfo Hasse / detto / Il Sasone. / Firenze. / 1740"., Vol. 2 contains 24 pieces for voice and strings by Hasse, including arias, duets, and a trio, excerpted from the operas Catone; Issipile; Siroe; Tito; and Artaserse. Written on spine: Hasse, Vol. 3 contains 35 pieces. These include 28 arias; 1 duet, and 3 minuets from operas by Leonardo Vinci, including Artaserse; Alessandro; Andromaca; Catone; Demofounte; and Semiramide. The volume also contains a Cantata per una voce by Vinci; Cantata per una voce by Giovanni Pergolesi; Toccata per il cembalo, Aria, and Minuet by Hasse; an aria, minuet, and arietta by Gaetano Latilla's Siroe; an aria by Giovanni Giai; a minuet by Giacomelli; and an arietta by David Perez. On the cover is written: "Arie del Sigr / Lionardo Vinci. / Napoletano / Firenze. / 1740." Written on spine: Vinci, Vol. 4 contains 30 pieces comprising Leonardo Vinci's cantata titled La Contessa de numi. Inside the front cover is an index of sinfonias and arias in Gray's hand, and a note, signed by H[enry] E[dward] K[rehbiel], which reads: "this is plainly the cantata "La Contessa de'Numi" / composed by V. 1729 to / words of Metastasio to / celebrate the birth of the dauphin". A further notation in Krehbiel's hand reads: "(autograph of Vincj)". On f.126v is an autograph in pencil: "R Bright August 27.th of the month 1819". Written on spine: Vinci, Vol. 5 contains 18 songs by Leonardo Leo, including motets; arias from the operas Achille; Artaserse; Ciro Riconosciuto; Olimpiade; and 2 duets from Olimpiade. Written on spine: "Leo.", Vol. 6 contains 24 pieces by Michele Fini, including arias and duets from Issipile; Siroe; Didone; Alessandro; Tito Manlio; Rodelinda; Farnace; and Temistocle. At the beginning of the manuscript is a treatise on musical accompaniment titled "Regole per l'accompagnamento" in Gray's hand, which includes musical examples. The collection also includes 8 anonymous keyboard pieces. Written on spine: Fini, Vol. 7 contains 11 vocal pieces. Ten are by Pergolesi, consisting of 5 arias, 3 duets from Catone and Olimpiade; and Stabat Mater. The remaining piece is by Leonardo Vinci. Written on spine: Pergolesi, Vol. 8 contains 25 arias by various composers. These include 3 arias from Giovanni Orlandini's Olimpiade; and a Trio from his Temistocle; 3 arias by Francesco Araia; an aria and duet by Giai; an aria from Domenico Sarro's Achille; 9 arias by Pergolesi; and 4 arias and 2 duets by Hasse. An autograph appears on the verso of front flyleaf: "E Bright May 22.nd / 1819"; another autograph appears inside the back cover, in pencil: "Rev.d John Bright / Grafton / Northamptonshire". Written on spine: "Hasse / Pergolesi / Sarro / Giaii / Orlandini Orlandini". Written on front cover: "Arie di G: pe Orlandini, Fiorentino. / Franco: co Araja. / Dom: Sarri. Napoletani / G: B: Pergolesi. / Ant: Giaii. Turinese. / & / Giov: Ad: fo Hasse, Sa ssone. / Firenze 1740". Written on spine: Hasse. Pergolesi. Sarro. Giaii. Araia. Orlandini, Vol. 9 contains 35 songs by Carlo Arrigoni, Andrea Bernasconi, Riccardo Broschi, Rinaldo di Capua, Michele Fini, Baldassare Galuppi, G. Baptista Lampagnani, Gaetano Latilla, Celestino Ligi, Antonio Mazzoni, Giovanni Orlandini, Gaetano Schiassi, Seletti, and Dionigi Zamperelli. Written on cover: "Arie di / G B: ta Lampognani / Andrea Bernascone / Rinaldo di Capua / Gaetano Latilla Napoletane / Michel Fini / Gaetano Schiassi Bolognese / & altri Autori". Written on spine: Bernasconi. Lampagnani. Fini. Rinaldo di Capua. Latilla. Schiassi, Vol. 10 contains 18 pieces of music by Handel, Pergolesi, Hasse, Giai, Domenico Sarro, Nicola Porpora, and others. These works are preceded by two pages explaining a system of musical notation using Arabic numbers, written in Italian in Gray's hand. The volume contains both Italian and English paper, and many of the works are incomplete. The arias from Ifigenia in Tauri conjectural attribution to composer Domenico Scarlatti, and Vol. 11 is a collection of 36 pages of musical scores. They include a liturgical text set to medieval notation, underneath which the music is notated in modern musical notation; and a score taken from the 4-part book of Claude le Jeune, 1641. Accompanying these papers is a note which declares, "These miscellaneous papers are all 19th century."
Description:
In Italian., Microfilm available, All volumes are bound in full parchment., and For further information, consult library staff.
Subject (Geographic):
Italy
Subject (Name):
Araja, Francesco, 1709-, Arrigoni, Carlo, 1697-1744., Bernasconi, Andrea, 1706-1784., Broschi, Riccardo, approximately 1698-1756., Capece, Carlo Sigismondo, 1652-1728., Celestino, Eligio, 1739-1812., Fini, Michele, 1708-1752., Galuppi, Baldassare, 1706-1785., Giai, Giovanni Antonio, 1690-1764., Gray, Thomas, 1716-1771., Handel, George Frideric, 1685-1759., Hasse, Johann Adolf, 1699-1783., Lampugnani, Giovanni Battista, 1706-approximately 1786., Latilla, Gaetano, 1711-1788., Leo, Leonardo, 1694-1744., Marcello, Benedetto, 1686-1739., Mazzoni, Antonio, 1717-1785., Milton, John, 1608-1674., Orlandini, Giuseppe Maria, 1676-1760., Ottoboni, Pietro, 1667-1740., Pasquini, Bernardo, 1637-1710., Pergolesi, Giovanni Battista, 1710-1736., Rinaldo, da Capua, approximately 1710-approximately 1780., Sarro, Domenico, 1679-1744., Scarlatti, Domenico, 1685-1757., Schiassi, Gaetano Maria, 1698-1754., Sellitto, Giuseppe, 1700-1777., Vinci, Leonardo, -1730., and Zamparelli, Dionisio.
Subject (Topic):
Keyboard instrument music, Musical accompaniment, Operas, Opera, and Vocal music