Manuscript on paper (trimmed) of 1) Alphabetical index. 2) Extract from Petrarca, Africa, VI, 885-918. 3) Petrarca, Canzoniere. 366 poems. 4) Transcription of a note on the front flyleaf of the Virgil manuscript copied by Petrarch, Milan, Biblioteca Ambrosiana, MS S.P. Arm. 10, scaf. 27. 5) Petrarca, Trionfi
Description:
In Italian., Script: Copied by one hand writing an unusual and upright form of Humanistica Cursiva Libraria, marked by a conspicuous shape of r; a second hand copied the replacement leaves 108 and 109, and a third hand copied f. 149r-v; both using the same type of script., Pale red headings (the one on f. 9r in Capitalis), subscriptions and plain initials (Capitalis). On f. 9r (beginning of art. 3) splendid 5-line trompe-l'oeil initial in Veneto-Paduan style in the shape of a square purple stone slab showing the letter V and plants in relief, slightly damaged., A section in the middle of ff. 85 and 86 is missing and has been replaced by pieces of paper written by a contemporary hand, and Binding: Seventeenth century. Limp parchment with two modern leather ties. On the spine the inscription in ink: "Petrar** Manuss***".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Petrarca, Francesco, 1304-1374.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Italian poetry, and Manuscripts, Medieval
Manuscript on parchment of 1) Dante Alighieri, La Commedia secondo l'antica vulgata. 2) Bosone de' Raffaelli da Gubbio, "Capitolo" on the Divine Comedy, in 64 terzine. 3) Iacopo Alighieri, "Divisione" of the Divine Comedy in 50 terzine (thus of the B group).
Description:
In Italian., Script: Written in round gothic script., Very fine initials and borders. Three historiated initials, each with a personification with attributes. Each initial with a full border of fleshy acanthus, blue, orange, olive green, pink, grey and gold, with tooling; birds in lower margin of ff. 1r and 54r; on f. 1r a coat-of-arms, in lower margin: azure, a chevron or, between two roses in chief argent, a mount of 6 in base argent, probably of the Bini family, Florence. 3-line initials, red or blue, with mauve or red penwork with long intricate flourishes often extending the length of the page. Opening text of Inferno adjacent to the initial of f. 1r in display capitals with penwork panels in brown ink. Capitals on the beginning of each stanza stroked in yellow. Rubrics throughout., and Binding: Sixteenth century. Sewn on five double supports attached to wooden boards. The spine is square with well defined bands and red and green endbands. Covered in dark brown goatskin, blind-tooled in mudejar style in two sets of concentric frames; DO.IOAN.DE gold-tooled in the center of one, BORGA in the other. Trace of two fastenings. Gilt edges. Restored.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Dante Alighieri, 1265-1321. and Dominicans
Subject (Topic):
Manuscripts, Illumination of books and manuscripts, Medieval, Italian poetry, Manuscripts, Medieval, and Scholia
Manuscript on paper (watermarks buried in gutter) of Gregorio (or Leonardo?) Dati, La Sfera. This rhyming treatise (ottava rima) is divided into two parts: 1) a treatise on astronomy; 2) rules for navigation and the determination of the position of the sea
Description:
In Italian., Script: Written by one person in neat mercantile script., One 4-line initial, f. lr., gold capital with white-vine foliage against a blue, pink and green ground, connected to a 3/4 white-vine border with brown penwork and gold dots; a coat of arms in wreath at center of lower margin. Two 3-line initials, ff. 7r and 14v, gold, against pink and green grounds with yellow and white filigree. Folios 1r-14v illustrated in margins with astronomical and geographical diagrams, all of them circular, tinted drawings in brown pen with red, yellow, blue and green washes. Folios 15r-24v decorated with unframed maps and illustrations drawn in brown pen, and tinted green, brown and red. Most illustrations unlabeled., Some leaves repaired; the manuscript shows signs of heavy use., and Binding: 16th-17th centuries. Resewn on three vegetable fiber supports. Rounded spine. Covered in black/brown sheepskin over wooden boards with corner tongues. Blind-tooled with five line fillets forming diamonds. There are traces of four bosses on each board and two clasp-and-catch fastenings, the catches on the lower board. Fastenings and bosses are wanting. Concentric circles are scratched in the center of the lower board. Rebacked.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Dati, Gregorio, 1362-1436.
Subject (Topic):
Astronomy, Medieval, Italian poetry, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Early maps, and Navigation
Manuscript on paper of 1) Jacopone da Todi (c. 1236-1306), Laude. 2) Poem in quatrains, each beginning with the name "Yhesu" (attributed to Jacopone da Todi). 3) Jacopone da Todi (attributed), Tractatus utilissimus. 4) On the five steps of spiritual illumination. 5) Hymn on the name of Jesus attributed to St. Bernard of Clairvaux (Bernardus Claraevallensis, 1090-1153). 6) Bonaventura (1221-1274), Rhythmus de operationibus Iesu Christi, an addition to his Lignum vitae. 7) On the name of Jesus. 8) Lauda on the love of Jesus, attributed to Bianco da Siena (ca. 1350, d. between 1400 and 1450). 9) Lauda on the Virgin, attributed to Gianotto Sachetti
Description:
In Italian and Latin., Script: In spite of the very uneven script, probably copied by one hand hesitating between Southern Gothica Textualis and Semitextualis Libraria/Formata., Headings in red, often missing. Initials with guide-letters: 1-line plain initials alternately red and blue; 2-line flourished initials in red with purple penwork and blue with red penwork; those on the first pages are 3- or 4-line. On f. 1r 11-line historiated initial on gold background containing a profile portrait of Jacopone da Todi with nimbus and holding medallion with the "Jesus"-monogram; the initial has floral extensions in the inner margin. In the lower margin a coat of arms (made illegible by means of black paint) in a wreath., and Binding: Ancient limp parchment. At the top of the spine in 17th-century handwriting: "Imni di F. Jacopone. M.S. D.27" ; at the bottom the shelfmark "T 1 15".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Jacopone, da Todi, 1230-1306. and Franciscans.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Italian poetry, Manuscripts, Medieval, and Religious poetry, Italian
Manuscript on parchment of Jacopo Ariani (?), 200 Sonnets addressed to a lady called Laura. With Alberto Maffei, Colophon in the form of a sonnet addressed to the readers
Description:
In Italian., Script: Written by Alberto Maffei in a small calligraphic Humanistica Semitextualis Formata., Each sonnet opens with a Capital in gold ink, the three subsequent stanzas with alternating red and blue Capitals. On the opening page (f. 2r), however, the opening Capitals are in gold on a square blue background dotted with gold, above each of the two sonnets floral ornaments have been painted in red and gold ink and in the lower margin there is a medallion within a gold wreath adorned with ribbons and containing the coat of arms of the Ariani family flanked by the initials "I.A.". ff. 1 and 52 are stained purple and the text of artt. 1 and 3 is written in gold ink, the headings being executed in silver ink. On both pages silver and gold floral ornaments in three margins. The ones in the lower margins end in Capital "A" (for "Albertus")., and Binding: Nineteenth century. Blue velvet over cardboard with blue watered-silk doublure. Gilt edges.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Ariani, Jacopo.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Italian poetry, and Manuscripts, Medieval
In Italian., Script: Written by one scribe in humanistic bookhand., Six fine miniatures. Each miniature, 12- to 9-line, is rectangular, framed with a thin band of burnished gold (except on f. 39r, a square 14-line miniature in a purple frame edged on both sides with gold). On f. 3v, a full border: putti with swags in upper margin [trimmed], white-vine ornament in side and lower margins, the ground predominantly blue, with some green and pink and with white dots; in outer and lower margin, a gold trellis, with polygonal medallions at corners and midpoints, containing a capital I, and the busts of a child, youth, and young woman; finely drawn animals (stag, goat, panther, rabbit, and fox) superimposed over border. In the lower margin of f. 1r is a coat-of-arms (effaced), supported by four putti and with birds in surrounding vine ornament. For the other miniatures, partial borders with dark blue, green, pink and gold flowers and gold dots and hair-spray. Small medallions containing the letters I, A, C, O, P, O incorporated into successive borders form the name Iacopo (probably the man who commissioned the volume). 3-line initials of gold, infilled green and pink, with delicate white filigree, against blue grounds. Headings and initial of each tercet in gold., and Binding: Eighteenth century. Gilt, gauffered edges. Red calf, gold-tooled with a ribbon border, acorns in the corners and a diced central ornament.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Petrarca, Francesco, 1304-1374.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Italian poetry, and Manuscripts, Medieval