A doctor trying to sell youthfulness potions to an elderly lawyer
Description:
Title from text below image., Plate from: New readings of old authors : Shakespeare / designed and drawn on stone by the late Robert Seymour. London : Tilt and Bogue, 86, Fleet Street, [1841]., and Temporary local Medical Library subject terms: Restoratives -- Theater.
Search for truth and Inquiry for the origin of the African nation
Description:
BEIN Slavery Pamphlets 61: No. 7 of 16 titles bound together., Cover title., and "Published for, and by the request of, Christopher Rush, a descendant of Africa"--Cover.
Publisher:
Printed for the Proprietor
Subject (Topic):
Black people, History, African Americans, Race identity, and Social conditions
Picart, Charles, approximately 1780-approximately 1837, printmaker
Published / Created:
[1 March 1809]
Call Number:
Folio 53 Sh52 M78
Image Count:
1
Resource Type:
still image
Abstract:
"Portrait of Samuel Hood, 1st Viscount Hood, nearly half-length, standing slightly to left against background of cloudy sky, looking to left; wearing wig, naval uniform, neckerchief and frill."--British Museum online catalogue
Description:
Title etched below image., Artist tentatively identified as Lemuel Francis Abbott in the British Museum online catalogue, registration no.: A,2.4., Sheet trimmed within plate mark., Plate from: The British Gallery of contemporary portraits. London : Printed for T. Cadell and W. Davies ... by J. M'Creery ..., 1813-1822., Window mounted to 51 x 36 cm., and Mounted opposite page 466 (leaf numbered '72' in pencil) in volume 3 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Published March 1, 1809, by T. Cadell & W. Davies, Strand, London
Subject (Geographic):
United States and United States.
Subject (Name):
Hood, Samuel Hood, Viscount, 1724-1816,, Great Britain. Royal Navy, Hood, Samuel Hood, Viscount, 1724-1816., and Great Britain. Royal Navy.
King William IV dressed as a sailor dances in the centre of a semicircle of ministers who have black bodies and are partially draped. Among the ministers are Peel and Scarlett on the left, Lyndhurst and Wellington on the right both of whom wear nose-rings. Scarlett encircles Ellenborough, who, with Sugden, is behind the King. Their tribal dance celebration alludes to the relief that the ministers must have felt to be able to retain their positions with the new reign. William IV was a popular King and a stark contrast to George IV and was liable to wild bursts of passion as is suggested here. He and the Duke of Wellington (then prime minister) got on very well, hence the retainment of his ministers. He is dressed in sailor garb in reference to his years in the navy. The tribal dress of the ministers refers to the far-flung shores that William visited
Description:
Title etched below image. and Sheet trimmed to plate mark.
Publisher:
Pub. July 19, 1830, by T. McLean, 26 Haymarket
Subject (Geographic):
Great Britain. and Great Britian.
Subject (Name):
William IV, King of Great Britain, 1765-1837, Scarlett, James, Sir, 1769-1844, Ellenborough, Edward Law, Baron, 1750-1818, Lyndhurst, John Singleton Copley, Baron, 1772-1863, Peel, Robert, 1788-1850, Wellington, Arthur Wellesley, Duke of, 1769-1852, Sugden, Edward Burtenshaw, 1781-1875, George IV, King of Great Britain, 1762-1830., William IV, King of Great Britain, 1765-1837., Wellington, Arthur Wellesley, Duke of, 1769-1852., Scarlett, James, Sir, 1769-1844., Peel, Robert, 1788-1850., Lyndhurst, John Singleton Copley, Baron, 1772-1863., and Ellenborough, Edward Law, Baron, 1750-1818.
"George IV sits in an arm-chair, his gouty right leg in a bulky swathing rests on a cushion; the left leg is tightly bound between calf and ankle with a narrow bandage. He wears a loose fur-collared coat or gown over breeches and waistcoat. He leans back reflectively, an open book, Diversions of Purley [by Home Tooke, cf. British Museum Satires No. 9020], in his right hand. Phases of his past life are illustrated in a series of W.L. portraits on the wall behind him. [1] As a handsome young man he stands holding a long-bow, as if at an archery contest. [2] He stands, slightly obese, in his Light Horse uniform, see British Museum Satires No. 8800 (1796). [3] He stands in back view as in BM Satires 12803, facing a wall on which is a portrait of the Hottentot Venus [Saartjie Baartman], see British Museum Satires No. 11577, &c. [4] He stands in hussar uniform, with high curled wig and whiskers. [5] He stands directed to the right in Field Marshal's uniform (as 'especially in 1814). [6] He stands on the deck of a ship in yachting costume wearing loose jacket and trousers, his hands in his coat-pocket. The profile and paunch of Sir William Curtis are behind and on the extreme left. [7] The picture is partly concealed by a curtain, but the King sits near a chamber-pot. [8] He stands in coronation robes holding orb and sceptre (see British Museum Satires No. 14199). [9] He is in Highland costume (see British Museum Satires No. 14386). At the King's left hand is a small cheval-glass topped by a crown. His appearance has changed, he has no whiskers, and has a wig of lightly curled natural hair, parted in the middle, so that in place of the pear- or pineapple-shaped head resulting from a crest of curls and whiskers, as from c. 1811 [In caricature. An engraved H.L. portrait by Schiavonetti after T. Phillips, pub. Cadell & Davis, 11 Oct. 1809, has whiskers and crest of curls], his face seems rounder, and, in many prints, younger. His dress is less formal, and his appearance (confirmed by portraits from 1820) suggests a determination to depart completely from the appearance and costume of caricature."--British Museum online catalogue
Description:
Title etched below image., Attributed to William Heath in the British Museum catalogue., and Temporary local Medical Library subject terms: Theater -- Hottentot Venus.
Publisher:
Pub. March 15, 1824, by S.W. Fores, 41 Picadilly, London
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Curtis, William, Sir, 1752-1829., Shakespeare, William, 1564-1616., Tooke, John Horne, 1736-1812., and George IV, King of Great Britain, 1762-1830.
Subject (Topic):
Fashion, Costume, History, Gout, Recluses, and Dandies
Caption title., Verso blank., Place of publication follows printer's name., Those present at meeting listed, together with a resolution concerning measures to be taken if invaded, including the provision of wagons, rockets, pikes and horses, escape routes, and a plan to flood the region; signed: John Lockwood, clerk of the general meetings., Date of imprint taken from date of meeting referred to in title., Printer M. Turner is probably Matthew Turner, bookseller, stationer, binder, printer, and circulatory library, Market Place, Beverley., and For further information, consult library staff.
Publisher:
M. Turner, printer
Subject (Geographic):
Great Britain., East Riding of Yorkshire (England), Hull (England), England, East Riding of Yorkshire., and Hull.
Subject (Topic):
Civil defense, Napoleonic Wars, 1800-1815, Proposed invasion of England, 1793-1805, Politics and government, and History
Muslim history to A.H. 1033 (A.D. 1624). and Copied in A.H. 1068 (A.D. 1658).
Description:
Available on microfilm, The title is given in the incipit, leaf 2 recto., Fair naskhī, in red and black., and Islamic binding, in brown, flap missing.
Resolutions supporting the federal government and opposing the threat of privateering. and Signed at end: J. Smith Homans, Secretary. New York, April 19, 1861.