"The Prince of Wales, drunk, staggers along supported on his right by Fox, on his left by Sam House. He wears a 'Fox' favour and a Prince of Wales plume in his hat. Fox, whose left arm is linked in the Prince's right, points at him with his right forefinger. House (right) stands in back-view, turning his head to look at Fox."--British Museum online catalogue
Description:
Title etched below image., Questionable attribution to Gillray from British Museum catalogue., Originally issued without imprint and with the title: Election coalition. See Lewis Walpole Library 784.04.13.01.1., Etched below title in lower right: No. 12., Sheet trimmed within plate mark., Temporary local subject terms: Coalitions -- Male costume: Hat of Prince of Wales with Fox's favor., and Oval image slightly trimmed at the top.
Publisher:
Published April 13, 1784, by G. Humphrey, No. 48 Long Acre
Subject (Geographic):
England and London.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fox, Charles James, 1749-1806, House, Samuel, -1785, and Great Britain. Parliament
"The Prince of Wales, very fat and pompous, in night-cap, dressing-gown, and slippers, walks in profile along a corridor leading from his own door (right), above which are his coronet and feathers, towards that of Lady Jersey, which is wide open and reveals its occupant holding apart the bed-curtains with a gap-toothed grin. Lord Jersey, dwarfish, shambling, and elderly, dressed in nightcap and night-shirt (on which is a 'J' with a coronet), stands by the door, holding a candle and pointing to the bed; he raises his night-cap deferentially to the Prince, who says, with contemptuous arrogance, 'va-t-en' (see BMSat 8809). The Prince walks on a fringed strip of carpet. On the open door behind Lord Jersey is 'A [torn] Map of the Road into the Harbour of Jer[sey]'; the islands of 'Guernsey, Alderney, Sark and [Je]rsey' are depicted, with a route leading to Jersey (cf. BMSat 8810)."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., and Temporary local subject terms: Adultery -- Emblems: Prince of Wales's feathers -- Pictures amplifying subject: torn map of the road into the harbour of Jersey -- Coronets -- Lighting: candlesticks -- Male dress: nightshirt -- Nightcaps.
Publisher:
Pubd. May 25th, 1796, by H. Humphrey, New Bond Street
Subject (Name):
George IV, King of Great Britain, 1762-1830, Jersey, George Bussey Villiers, Earl of, 1735-1805, and Jersey, Frances Villiers, Countess of, 1753-1821
"The Princess of Wales (left), candle in hand, approaches the bed of the Prince, who wakes up, raising his hands in dismay. Lady Jersey (here, an attractive woman, cf. BMSat 8811) is asleep, her head on the Prince's shoulder, her arms round his neck. The distressed Princess wears a coronet and triple ostrich plume, her right arm is flung back. Behind her (left) is an open door through which is seen the baby princess in a cradle ornamented with the Prince's feathers, with which his bed is also decorated. On the twisting draperies of the bed is the star of the Garter. Above the Princess's head hangs a 'Map of the Road back to Brunswick'."--British Museum online catalogue
Alternative Title:
Good cause for seperation, Good cause for separation, and Good cause for discontent
Description:
Title etched below image; the word "seperation" has been scored through and the word "discontent" inserted above it using a caret., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Adultery -- Emblems: Prince of Wales's feathers -- Pictures amplifying subject: map of the road back to Brunswick., and Mounted to 35 x 48 cm.
Publisher:
Pubd. May 24th, 1796, by H. Humphrey, New Bond St.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Charlotte Augusta, Princess of Great Britain, 1796-1817, and Jersey, Frances Villiers, Countess of, 1753-1821
"A drunken debauch in the new Union Club, see BMSat 9698. A long table, the cloth removed, one end cut off by the left margin, stretches almost across the design, slanting back slightly from the left, where it is in the foreground, and where Fox, grossly corpulent, sits in an armchair asleep, his feet on the table, a pipe in one hand. Nearly opposite his feet is the chair of state, on the table; on the empty seat is the Prince's cocked hat with triple plume, his motto 'Ich Di[en]' within the crown. The chair is backed by an elaborate architectural canopy with ornate pilasters on which swags of fruit and flowers are carved in relief: (left) grapes and lemons (materials for punch), and (right) roses and shamrocks. Above the seat are figures of Britannia and Erin, kissing, standing on a curved base inscribed 'The Union'. On the back of the chair are two clasped hands, elaborately irradiated. The chair is surrounded by broken wine-bottles; its former occupant, the Prince, lies on his back under the table, one arm flung over Lord Stanhope, who lies unconscious, clasping a bottle. On the Prince's stomach rest two feet in shoes with spiked, upcurved toes. In the foreground, opposite the Prince, Norfolk lies with his head against the seat of his overturned chair, looking very ill. All who are not incapacitated or fighting are toasting the Union (except Lansdowne and Parr, see below). On the table sits Moira, dressed as in BMSat 9386, a glass of wine held high above his head, his right leg thrust forward, while he stretches back to take the hand of Lord Clermont, [This is clear from the resemblance to BMSat 9575, and is supported by the shamrock which he and the other Irishmen wear. It is confirmed by 'London und Paris', vii. 80, where it is said that he and Moira were once bitter enemies. He is identified by Grego as General Manners, see BMSat 9288.] seated next Sheridan on the farther side of the table. Facing Clermont and in back view, Camelford sits erect, wearing a Jean de Bry coat (see BMSat 9425) and small round hat, with cropped hair. [The identification (that of Grego) is confirmed by BMSat 9716, Wright and Evans give Burdett, E. Hawkins 'Mr Manners'.] Beside him (right) two waiters bring in a full tub of Whiskey Punch, which they spill; one treads on the face of the prostrate Nicholls. Near the end of the table (right) sits Derby, his large head and crumpled features grotesquely caricatured. In the foreground on the extreme right Montagu Mathew (as in BMSat 9560) and Skeffington (as in BMSat 9557) advance dancing arm-in-arm, with tipsy grace, the former with a bottle in each hand; one reversed, the other, held above his head, splashes its contents over his partner's uplifted glass. (The pair, according to 'London und Paris', vii, 1801, p. 76, were known as inseparables in fashionable London resorts, cf. BMSat 9755.) ..."--British Museum online catalogue
Description:
Title etched below image., Four lines of verse on either side of title: "We'll join hand in hand, all party shall cease, "and glass after glass, shall our union increase ..., and 1 print : etching with engraving on wove paper, hand-colored ; plate mark 30 x 44.2 cm, on sheet 31.0 x 46.9 cm.
Publisher:
Publish'd Jany. 21st, 1801, by H. Humphrey, St. James's Street
Subject (Name):
Fox, Charles James, 1749-1806, George IV, King of Great Britain, 1762-1830, Stanhope, Charles Stanhope, Earl, 1753-1816, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Norfolk, Charles Howard, Duke of, 1746-1815, Sheridan, Richard Brinsley, 1751-1816, Pitt, Thomas, Baron Camelford, 1775-1804, Nicholls, John, 1745?-1832, Smith-Stanley, Edward, 1752-1834, Skeffington, Lumley St. George, Sir, 1771-1850, Erskine, Thomas Erskine, Baron, 1750-1823, Tierney, George, 1761-1830, Bedford, Francis Russell, Duke of, 1765-1802, Walpole, George, 1761-1830, Lansdowne, William Petty, Marquis of, 1737-1805, Parr, Samuel, 1747-1825, Queensberry, William Douglas, Duke of, 1725-1810, Cholmondeley, George James Cholmondeley, Marquess of, 1749-1827, Kirkcudbright, John Maclellan, Lord, 1729-1801, Hanger, George, 1751?-1824, Jones, Thomas Tyrwhitt, Sir, 1765-1811, and Sturt, Charles, 1763-1812
"The Duchess of York (left), full face, dances a minuet with a partner whose figure and profile suggest the Prince of Wales. He faces her, his left forefinger touching her left forefinger, his right arm outstretched, holding his hat. Her dress is cut very low and she displays her tiny feet (cf. BMSat 7930, &c), showing her leg to the knee in a way then considered immodest."--British Museum online catalogue
Description:
Title etched below image; the letter 'k' in 'York' seems to have been etched on the plate as 'y' and altered by hand after printing., Printmaker from British Museum catalogue., Sheet partially trimmed within plate mark., and Temporary local subject terms: Dancing -- Dances: minuet.
Publisher:
Pubd. Decr. 14th, 1791, by H. Humphrey, No. 18 Old Bond Street
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Frederica Charlotte Ulrica Catherina, Princess, Duchess of York, 1767-1820
"An elaborate design. The Prince of Würtemberg, grotesquely corpulent, conducts his bride in the procession (right to left) towards the bridal chamber which is led by the King and Queen. George III, plainly dressed and wearing a hat, partly concealed by a pillar, hurries forward; in each hand is a candle-stick holding a guttering candle-end (cf. BMSat 8117). The Queen, covered with jewels and her face hidden by a poke-bonnet, carries a steaming bowl of 'Posset'. On the back of the Prince's coat are slung five ribbons from which dangle the jewels of orders; three garters encircle his leg; a star decorates the bag of his wig. The Princess gazes at him from behind her fan. Round her waist is the ribbon of an order, to which is attached a jewel containing a whole length miniature of her husband, which exaggerates his corpulence. Behind the Princess is a group of princes: the Prince of Wales, in regimentals, is fat and sulky. Prince William of Gloucester stands with splayed-out feet as in BMSat 8716. The Duke of Clarence (caricatured) puts a hand on the right arm of the Prince of Wales. Behind is the more handsome head of the Duke of York. These four heads are clever juxtapositions of variations on the family features. Behind them is the grotesque profile of the Stadholder with closed eyes. The sharp features of Lady Derby tower above the Stadholder. Next him is the Princess of Wales, not caricatured. Two princesses hold up their sister's train, and, behind, a sea of feathered headdresses recedes in perspective under a lighted chandelier. Salisbury (left), the Lord Chamberlain, standing stiffly in profile to the right, much caricatured, with wand and key as in BMSat 8649, holds open the door through which the King is about to pass. Pitt, on the outskirts of the procession, carries a sack inscribed '£80,000' (the amount of the Princess's dowry). On the wall is a large picture, inscribed 'Le Triomphe de l'Amour', of an elephant with a little cupid sitting on his neck blowing a trumpet."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Temporary local subject terms: Marriages: Prince of Würtemberg to Princess Charlotte Augusta, May 17, 1797 -- Beverages: posset -- Furnishings: carpets -- Pictures amplifying subject: a cupid riding an elephant -- Male dress: court dress., and Mounted to 31 x 46 cm.
Publisher:
Pubd. May 18th, 1797, by H. Humphrey, 27 St. James Street
Subject (Name):
Frederick I, King of Württemberg, 1754-1816, Charlotte, Queen, Consort of Frederick I, King of Württemberg, 1766-1828, George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, George IV, King of Great Britain, 1762-1830, William IV, King of Great Britain, 1765-1837, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, William Frederick, Duke of Gloucester, 1776-1834, William V, Prince of Orange, 1748-1806, Salisbury, James Cecil, Marquess of, 1748-1823, Derby, Elizabeth Farren Stanley, Countess of, 1759 or 62-1829, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, and Pitt, William, 1759-1806
"The Prince of Wales falls headlong, but gracefully, from his high phaeton, and is about to land on Mrs. Fitzherbert, who lies face downwards on the ground, on hands and knees, her petticoats over her head, leaving her posteriors bare. The reins have broken, the horses, which are drawn with much spirit, are running away (right to left). In the background is a wall, over which appears the head of an interested military officer. A yokel seated on the wall lifts his hands in astonishment."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Two lines of quoted verse following title: "Th' imaginary bride with beauty glows, "for envy magnifies what e'er she shows. Ovid., Temporary local subject terms: Quotation from literature: Ovid, 43 B.C.-18 A.D. -- Vehicles: Phaeton capsizing., and Mounted to 33 x 44 cm.
Publisher:
Pub. July 1st, 1788, by S.W. Fores, N. 3 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Fitzherbert, Maria Anne, 1756-1837
"A fantastic representation of the supper at the ball given by the eleven Knights of the Bath installed on 19 May in Westminster Abbey, see BMSat 7318. Full accounts appeared in the newspapers, and the scene depicted appears intended for 'the Prince of Wales, Duke of York, and a select party of their friends' who 'supped privately in the cotillon room'. 'London Chronicle', 27 May 1788. The guests sit on each side of a long narrow table, scantily provided with food, the bench on the near side of the table showing legs and feet in characteristic attitudes. The design, long as it is, shows only a section of the table, the ends not appearing. [Pl. 1.] On the extreme left, on the near side two elderly and ugly ladies lean ingratiatingly towards Major Topham, the seat of whose breeches is decorated with Prince of Wales's feathers. On the opposite side, on the extreme left, is a couple identified as Sir J. Johnstone and lady. He is very unlike the herculean uncouth figure described by Wraxall, 'Memoirs', 1884, iv. 404. Next (opposite Topham) Lord Bathurst takes wine with Lord Stormont who grasps a decanter of French Wine. Burke, seated next Topham, on whom he turns his back, holds out an empty plate towards Hastings on the opposite side of the table who keeps to himself a whole ham; they regard each other with wary suspicion. On Hastings's left sits Mrs. Hastings, also looking warily at Burke. She is decked with jewels and wears a small crowned turban as a head-dress. Next her is a man wearing a ribbon and star, drinking, who is identified as the Marquis of Buckingham (K.G.). Opposite Mrs. Hastings sits a very fat lady talking to a lean man wearing epaulettes. They are identified as Mrs. Hobart [Whom she does not resemble] (actually Miss Jefferies) and Col. Jekyll. Next Jekyll, Lord Sandwich and an ugly (unidentified) man share the same jelly-glass, holding between them the plate on which it stands. On the extreme right, on the farther end of the table, a man of plebeian appearance drinks from a tankard; he is identified as Dr. Parr. The man between him and Buckingham is identified as the Duke of Portland, whom he does not resemble. [Pl. 2.] On the extreme left the Duke of Grafton turns towards the fat Mrs. Hobart (identified as Miss Jefferies). Opposite him a stout man drinking from a jelly-glass has been identified as Lord Nugent (whom he does not resemble). Next him Cornwallis, wearing ear-rings, puts his arm round the shoulder of a lady, identified as Lady Clive, who looks languishingly at him as she takes a (?) peach. Next her is Lord North. Opposite him is a man identified as Sir George Shuckburgh [He is unlike the Shuckburgh of Gillray's 'French Habits' (1798)] who takes his neighbour by the arm offering her a glass of wine; she demurs deprecatingly. On the farther side of the table, with no one seated opposite him, is the Prince of Wales, a fork held to his mouth (as in BMSat 8111), sitting impassively between Lady Archer and Lady Cecilia Johnston, two bedizened harridans, who ogle him, putting their hands on his shoulders. Next Lady Cecilia (right) is Mrs. Fitzherbert, ogling Wilkes, who sits next her, squinting and leering. On the near side of the table is a man in back view wearing a ribbon and (right) Lord Carlisle talking to Lord Heathfield who sits behind a sirloin of beef. Opposite him and on the extreme right is a pretty young lady identified as Miss Bingham. [Pl. 3.] On the extreme left, on the near side of the table, a middle-aged couple, holding knives and forks, turn to each other with animated smiles. Opposite them sits a good-looking young man wearing a ribbon and star (perhaps Lord Mornington). On his left the Duke of Richmond turns with an expression of pained surprise to Lord Rawdon. Opposite this pair two stout men turn to each other, both drinking. The central group of this plate, a pendant to that of the Prince of Wales on pl. 2, is the Duke of York sitting between two pretty young women, his right arm is round the shoulder of one, probably Lady Tyrconnel, the other holds his left arm and shoulder; both look languishingly at him. On the near side of the table are two more couples: Lord Amherst (caricatured) puts an arm round the waist of a lean and ugly old woman wearing the fashionable false 'derrière' in an exaggerated form. On the extreme right Lord Derby, his hand on his breast, drinks wine with the witch-like Lady Mount Edgcumbe. On the farther side of the table are two unidentified men, one of whom drinks from his plate; next him is a pretty young woman. On the extreme right Dundas turns to speak to his left-hand neighbour; he grasps a decanter and glass, spilling his wine. [Pl. 4.] On the farther side of the table Philip Francis turns to speak to Dundas. Opposite him, and on the extreme left, a stout lady, identified as Lady Salisbury (see BMSat 6115), sits in back view, her petticoats enormously inflated behind. She speaks to no one: Pitt, her right hand neighbour, leans behind the back of the Speaker (alternatively identified as Thurlow) to touch glasses with Fox, who smiles amiably, holding a decanter in his right hand. Cornwall bends avidly over his plate; he wears his Speaker's wig, the mace lies across his knees. Four figures sit opposite this group: the ugly Pepper Arden who gazes admiringly at a pretty young woman on his left; she appears displeased at her position between Arden and a fat woman who puts both knife and fork to her mouth. Next the latter is Lord Lansdowne, who seizes affectionately the hand of Lord Sydney who turns towards him with a smile; they drink to each other. Next Fox on the near side of the table a plain and elderly couple drink to each other; both are thin. They are identified as Lady Powlett and Sir H. Powlett. Opposite them, and, like the lady on his left, intent on his plate, is a military officer identified as General Bligh. His neighbour is old and haggard, her hair elaborately dressed. Next her and on the extreme right two men carouse together, both wear stars; one is identified as the Duke of Bedford, the other (right) as the Duke of Norfolk (neither had an order). Opposite, a man wearing a ribbon pours out wine for an elderly and ugly lady who receives the attention with a gesture of satisfaction. They are identified as Sir George and Lady Yonge. He is identical with the ass whose profile is shown on the extreme right in BMSat 7318, who can hardly be Yonge who appears elsewhere in that print."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Text in lower right corner of plate 4: All the works of Bunbury, & Gillray, to be had of S.W. Fores, No. 3 Piccadilly., A design on four plates, the prints to be pasted together to form a long strip; the imprint is on plate 1, the title on plate 2 and plate 3, the inscription relating to Bunbury, &c, on plate 4., and Several of the figures are identified in different hands below design. For further information, consult library staff.
Publisher:
Publish'd June 4th, 1788, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
Topham, Edward, 1751-1820, Bathurst, Henry Bathurst, Earl, 1714-1794, Mansfield, David Murray, Earl of, 1727-1796, Burke, Edmund, 1729-1797, Hastings, Warren, 1732-1818, Hastings, Anna Maria Apollonia von Chapuset, 1747-1837, Sandwich, John Montagu, Earl of, 1718-1792, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Cornwallis, Charles Cornwallis, Marquis, 1738-1805, North, Frederick, Lord, 1732-1792, Archer, Sarah West, Lady, 1741-1801, Johnston, Henrietta Cecilia, Lady, 1727-1817, Fitzherbert, Maria Anne, 1756-1837, Carlisle, Frederick Howard, Earl of, 1748-1825, Richmond and Lennox, Charles Lennox, Duke of, 1735-1806, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, George IV, King of Great Britain, 1762-1830, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Amherst, Jeffery Amherst, Baron, 1717-1797, Mount Edgcumbe, Emma Gilbert, Lady, 1729-1807., Smith-Stanley, Edward, 1752-1834, Dundas, Henry, 1742-1811, Francis, Philip, 1740-1818, Cecil, Mary Amelia, Marchioness of Salisbury, 1750-1835., Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Cornwall, Charles Wolfran, 1735-1789, Alvanley, Richard Pepper Arden, Baron, 1745-1804, Lansdowne, William Petty, Marquis of, 1737-1805, and Sydney, Thomas Townshend, Viscount, 1733-1800
"The Prince of Wales lies in bed asleep, clasping a pillow with a rapt expression, his closed eyes directed towards a vision of the Princess Caroline who leans towards him floating on clouds, a radiant beauty with outstretched arms. A winged figure with the torch of Hymen (right) holds up her draperies, while a cupid with bow and arrows flying above the Princess's head holds up the heavy curtains of the four-post bed. On the left, also emerging from clouds, the King and Queen, caricatured, crouch over the Prince's bed. The former, a grotesque figure, holds out a large money-bag inscribed '£150000 Pr Annm'. The Queen holds out a book: 'The Art of getting Pretty Children'. Both have expressions of avid delight. On the left and among clouds persons flee in alarm at the approach of the bride: Fox scattering dice from a dice-box, Sheridan as a bearded Jew wearing a broad-brimmed hat. Above them are three women: the most prominent, Mrs. Fitzherbert, with clasped hands; next (?) Lady Jersey, and between and behind them a young woman wearing a cap (cf. BMSat 8611). Above their heads two tiny jockeys gallop off, indicating that the Prince will give up the turf (cf. BMSat 7918, &c). From the foot of the bed (left), which extends diagonally across the design from right to left, rolls a cask of 'Port' on which an infant Bacchus with the head and clumsy figure of Lord Derby is seated astride; he is about to fall, dropping his glass. On the head of the bed is the Prince's coronet with feathers. Beside it (right) is a chamber-pot in which is a bottle of 'Velno' (see BMSat 7592)."--British Museum online catalogue
Description:
Title etched below image., Text below title: "A thousand virtues seem to lackey her, driving far off each thing of sin & guilt." Milton., Sheet trimmed within plate mark., and Temporary local subject terms: Mythology: Hymen's torch -- Bacchus -- Medicine: velno -- Coronets: George IV's coronet -- Emblems: Prince of Wales's feathers -- Cupids -- Bags of money -- Jews -- Furnishings: bed curtains -- Barrels -- Alcohol: port -- Gambling: dice-box.
Publisher:
Pubd. Jany. 24th, 1795, by H. Humphrey, No. 37 New Bond Street
Subject (Name):
George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Charlotte, consort of George III, King of Great Britain, 1744-1818, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Fitzherbert, Maria Anne, 1756-1837, Jersey, Frances Villiers, Countess of, 1753-1821, Fox, Charles James, 1749-1806, and Sheridan, Richard Brinsley, 1751-1816