Caption title., An account of a marriage between a black man and a white servant in Bristol at the beginning of the 19th century. The handbill ostensibly supports the union but also perpetuates racial stereotypes and mocks the proceedings., First line: There's no accounting for Love; -- when once the little God Cupid, shoots his arrow into a maiden's heart, it is all over! ..., and For further information, consult library staff.
Publisher:
H. Bonner, printer, No. 4, Narrow Wine-Street, Bristol
Drop-head title., An account of the foundation meeting of the Hull Armed Association, set up by the 'Merchants, Ship-Owners, and other Inhabitants' in February 1798 to 'assist the Magistrates in support of Civil Society, and for the Defence of the Town, in case the Military should be ordered away, to oppose the landing or resist the progess of the Enemy'., Not in English short title catalogue., and Dated "1798" in ink at head of title. For further information, consult library staff.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain. and Hull (England)
Subject (Topic):
Napoleonic Wars, 1800-1815, Proposed invasion of England, 1793-1805, Civil defense, and Militia
"Broadside; the text in five columns: small cuts I-X on the left and right, each with an eight-line verse below it; cuts XI and XII above and below the three centre columns. Cut I. The Queen's arrival in England, and Marriage. The Prince leads her ashore from a small boat. Cut II. Taking farewell of Charlotte [1814]. Mother and daughter weep, turning from each other; the Princess approaches a ship's boat, Cut III. Her Return--Landing at Dover [June 1820]. She is rowed to shore by two sailors. Cut IV. Her Trial in the House of Lords. A simplified but recognizable view. Cut V. Her Acquittal. She drives in an open carriage past Carlton House. Cut VI. Procession to St. Paul's. A similar carriage scene with St. Paul's in the background. Cut VII. The Highlanders' Address. Highlanders in a carriage with banners (cf. British Museum Satires No. 13934). Cut VIII. Refused Admittance into the Abbey. She gestures at the partly closed door between a sentry and the rejecting doorkeeper. Cut IX. Death-Bed of the Queen. The bed surrounded by weeping mourners. Cut X. Embarkation of Her Body at Harwich. The coffin is swung by tackle into a ship's boat. Cut XI. The Queen's Funeral Procession at Brunswick. The coffin, with crown and royal arms, is borne towards a church door (right) where girls scatter flowers. Cut XII. Queen Caroline's Tomb. Britannia weeps, and her Lion registers anger, beside the tomb of Caroline The Injured Queen of England, topped by a large urn on which is her bust portrait. The text includes the funeral prayer, 'A Dirge' and 'An Elegy . . .' (28 11.): 11. 7-10: 'A seperation hardly to be borne, Her only Daughter from her arms was torn! And next discarded--driven from her home, An unprotected Wanderer to roam!' The verses below Cut XII end: 'For the King shall be Judg'd with the poor of the earth, And, perhaps the poor man will be greater than he. Until that great day we leave Caroline's wrongs, Meantime, may, "Repentance" her foes o'ertake; O grant it kind POWER, to whom alone it belongs' AMEN. Here an end of this Hist'ry we make."--British Museum online catalogue
Description:
Caption title., "Quod Jas. C-tn--h, Dec. 10th, 1821."--Bottom of sheet., Woodcuts with accompanying letterpress text, mostly in verse., "Entered at Stationer's Hall."--Below imprint in square brackets., "Price 2d."--Upper right., and For the first edition, see No. 14255 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10.
Publisher:
Printed and sold wholesale and retail by J. Catnatch, 2, Monmouth Court, 7 Dials
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Charlotte Augusta, Princess of Great Britain, 1796-1817,, Great Britain. Parliament. House of Lords,, and St. Paul's Cathedral (London, England),
Subject (Topic):
Death and burial, Arrivals & departures, Carriages & coaches, Parades & processions, Deathbeds, Funeral processions, and Tombs & sepulchral monuments
Illustrated memorial published after the death of Charlotte Augusta, Princess of Wales, who died after giving birth to a stillborn child in 1817. One of many similar memorials using the same illustration (an urn beneath a weeping willow) but with different verses
Description:
Title from item., Letterpress text with engraved illustration above; within a mourning border., First line of verse beneath title: Trembling I touch the plaintive chord, to speak our England’s grief ..., and "Maria" written in a contemporary hand in lower right corner. For further information, consult library staff.
Publisher:
Published by the authoress, and sold by T. Gardiner and Son, 20, Princes-street, Cavendish-square; and at No. 209, Piccadilly
Subject (Name):
Charlotte Augusta, Princess of Great Britain, 1796-1817
Caption title., In verse., Text within ornamental border., An ode to Queen Caroline, who died soon after the Coronation of her husband George IV, an event to which she was refused entry., First line: The fairest of flowers must shed all its blossom ..., "Price one penny."--Following imprint., and For further information, consult library staff.
Publisher:
Printed & published by B. Johnson, Hudson's-Court, 482, Strand, London
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821
Charlotte Augusta, Princess of Great Britain, 1796-1817
Published / Created:
[1822]
Call Number:
File 56 C47 822C
Image Count:
1
Resource Type:
text
Description:
Caption title., Broadside publication of a letter in the Royal Collection, from Princess Charlotte to her mother, the Princess of Wales, later Queen Caroline in which she discusses her thoughts and feelings of her impending motherhood just a month before her death following the birth of a stillborn son., and For further information, consult library staff.
Publisher:
Oakley, printer, Blandford
Subject (Geographic):
England and London.
Subject (Name):
Charlotte Augusta, Princess of Great Britain, 1796-1817 and Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821
Manuscript sheet, in unidentified hand, on parchment, containing an anatomical drawing of a seated woman. Text includes descriptions of the different parts of the body
Alternative Title:
Anatomie pour congnoistre les parties interieures : [a large anatomical drawing in color, surrounded by explanatory text]
Description:
In Middle French., Title from heading., Script: humanist hand., Layout: anatomical drawing in center, double columns of 80 lines surrounding and underneath drawing., No text on verso. Used as binding waste., Included in a portfolio (66 x 51 cm.) with eight 58 x 38 cm. color photoreproductions., and Dr. Peter Jones, May, 2003, states that this single sheet most likely is a manuscript copy of the Jean Ruelle fugitive sheet (female figure only) Paris, 1540. cf. Carlino, A. Paper bodies ... London, 1999, page 171.
Subject (Topic):
Anatomy, Human anatomy, Medicine, Manuscripts, and Medicine, Medieval