Title from caption below image., Date of publication surmised from the year Dimond first appeared on stage, per Oxford Dictionary of national biography., Description based on imperfect impression; sheet trimmed within plate mark with possible loss of text., Text above image: Engraved for the Ladies Magazine., Text below title: Alba. Here is my picture &c., and In paper frame: 307 x 254 mm.
Great seal of King William the Third and Queen Mary
Description:
Title from text below image., Place of publication from printmaker's known place of activity., Text in image, surrounding both seals: "Gulielmus III et Maria II dei gra Ang. Fra. et Hib. rex et regina fidei defensor &c.", and Sheet trimmed within plate mark on top and bottom.
Publisher:
publisher not identified
Subject (Name):
William III, King of England, 1650-1702, and Mary II, Queen of England, 1662-1694,
Page 395. Catalogue of the classic contents of Strawberry Hill.
Image Count:
1
Resource Type:
still image
Alternative Title:
Ladies Waldegrave
Description:
Title and statements of responsibility written in ink below image, on mounting sheet., Drawn after the painting by Reynolds, now in the National Gallery of Scotland (NG 2171), that was kept by Horace Walpole in the Great Parlour (Refectory) at Strawberry Hill., Date of production based on the 1842 publication date of the Strawberry Hill sale catalogue, into which this drawing was inserted as an illustration., and Mounted on page 395 in an extra-illustrated copy of A catalogue of the classic contents of Strawberry Hill.
Subject (Name):
Waldegrave, Elizabeth Laura Waldegrave, Countess, 1760-1816,, Euston, Charlotte Maria Waldegrave, Lady, 1761-1808,, and Seymour, Anne Horatia Waldegrave, Lady, 1762-1801,
Volume 1, page 25. Original drawings of heads, antiquities, monuments, views, &c. by George Vertue
Image Count:
1
Resource Type:
still image
Alternative Title:
Walter Raleigh Knight
Description:
Title inscribed in ink below image., Date supplied by cataloger., After a painting by an unidentified artist, with the date "1602" inscribed both below image and in upper left corner. The original painting is now in the National Portrait Gallery, London (NPG 3914)., and Mounted on page 25 in a volume of ca. 50 drawings that was assembled from works purchased by Horace Walpole at the Vertue sale of 1757. Now bound in red morocco, this volume has Walpole's manuscript title-page: Original drawings of heads, antiquities, monuments, views, &c. by George Vertue and others.
Subject (Name):
Raleigh, Walter, Sir, 1552?-1618, and Raleigh, Walter, 1593-1618,
A group of drawings by George Vertue of items in the Earl of Oxford's collection, many presumably sold in the sale of 1741-2. Among the items depicted are urns, busts and statues, various fragments with Greek inscriptions, a medal, an ossuary, and a sarcophagus. The group of drawings ends with a copy the portrait by Van Dyck of Sir Kenelm Digby and his family, and it begins with Vertue's orginal drawing for the engraved frontispiece to: A catalogue of Greek, Roman and English coins, medallions and medals, of the Right Honourable Edward Earl of Oxford, deceased
Description:
Title devised by cataloger., Bound by George Vertue in a volume with Harleian catalogues and plates., and Original mottled calf, rebacked. Wilmarth Sheldon Lewis's notes on back endpaper.
Subject (Geographic):
England, London., and England.
Subject (Name):
Oxford, Edward Harley, Earl of, 1689-1741, Digby, Kenelm, 1603-1665,, and Digby, Venetia Stanley, Lady, 1600-1633,
Subject (Topic):
Art collections, Art, Private collections, Sculpture, Portraits, Urns, Medals, and Sarcophagi
From the 1774 Description: Charles Churchill, and Lady Maria Walpole, his wife, with their eldest son Charles who is tethered to a gold rope held by his mother. The family all dressed in 17th century Van Dyck attire stand in an exterior garden. To the right a red and blue parrot sits on a rose vine above a water fountain. In the distance is an antique style sculpture of a woman. At the upper right are the arms of Churchill impaling Walpole. T
Alternative Title:
Portrait of Colonel Charles Churchill and Lady Mary Churchill and their Eldest Son Charles
Description:
Title from 2005 Christie's appraisal., Text from the 1842 Catalogue of the classic contents of Strawberry Hill collected by Horace Walpole: A ditto [pleasing picture], the companion, with Portraits of Charles Churchill, and the Lady Maria, his wife, daughter to Sir Robert Walpole, and Charles, their eldest son, in a similar frame, 1749 Eckardt., and The frame is the black and gold frame is the original Strawberry Hill frame.
Subject (Name):
Churchill, Mary Walpole, Lady, 1725?-1801,, Churchill, Charles, 1720-1812,, Churchill, Charles, 1747-1783,, and Strawberry Hill (Twickenham, London, England)
Drawing, full-length, of King Richard III and his Queen, in robes and crowned
Description:
Title devised by curator., Unsigned; artist unidentified., Possibly after a drawing from painted glass by George Vertue, which formerly hung in the blue breakfast room at Strawberry Hill., Date based on date of William Bawtree's death., and Mounted on page 55 of William Bawtree's extra-illustrated copy of: Horace Walpole's A description of the villa of Mr. Horace Walpole (Strawberry Hill : Printed by Thomas Kirgate, 1784). See A.T. Hazen's Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 11.
Subject (Geographic):
England.
Subject (Name):
Richard III, King of England, 1452-1485,, Anne, Queen, consort of Richard III, King of England, 1456-1485,, and Strawberry Hill (Twickenham, London, England)
A small scale, full-length portrait in landscape format. Husband and wife gather around an ornate table in an architecturally setting with columns and empty niches that is open to the exterior grounds of the country estate. Sir Robert Walpole in ceremonial robes sits at left. The Chancellors seal and the busts of King George I and King George II signifiy Walpole’s role as first Minister to them. Lady Walpole stands at the opposite end of the table where flowers, shells, a palette and pencils mark her love of the arts. Their hounds in the left foreground are painted by the sporting artist John Wooton who may also have painted the view of Walpole’s Norfolk estate, Houghton, in the distance. The posthumous portraits are based on lifetime miniatures by Zincke
Alternative Title:
Double portrait of Sir Robert Walpole, 1st Earl of Orford (1776-1745) and Lady Walpole (circa 1682-1737)
Description:
Title devised by curator., Title from 2005 Christie's appraisal: Double portrait of Sir Robert Walpole, 1st Earl of Orford (1776-1745) and Lady Walpole (circa 1682-1737)., From the 1774 Description: ... over the chimneypiece ... In a frame of black and gold carved by Gibbons, Sir Robert Walpole and Catharine Shorter; small whole lengths; by Eckardt, after Zinck: the hounds and view of Houghton by Wootton. Sir Robert is sitting; by him, on a table, is the purse of chancellor of the exchequer, leaning against busts of George 1st. and 2d. to denote his being first minister to those kings: by lady Walpole are flowers, shells, a pallet and pencils, to mark her love of the arts. Formerly located in the Blue Bedchamber at Strawberry Hill., In an ornate black and gold frame deeply carved with fruit and flowers by a follower of Grinling Gibbons. The family coat of arms set at center top. Walpole attributed the frame to Gibbons himself., Text from the 1842 Catalogue of the classic contents of Strawberry Hill collected by Horace Walpole: A very interesting and valuable picture, Portraits of Sir Robert Walpole and Catherine Shorter, Lady Walpole, small whole lengths, the former in his robes sitting, on a table near him is the purse of the Chancellor of the Exchequer leaning against busts of George I. and II., to denote his being First Minister to those kings; near Lady Walpole are flowers, shells, a pallet and pencils to mark her love of the arts; their favourite hounds in the foreground and a view of Houghton in the distance. This painting is from the united efforts of Eckardt and Wootton, and is considered a masterpiece of art; the Portraits of Sir Robert and Lady Walpole are from the miniatures by Zincke, the hounds and view of Houghton by Wootton. The black and gold frame enclosing the picture, one of the finest specimens carving, is by Gibbons, displaying with wonderful effect the arms of the family, enriched with Cupid figures as supporters, birds, fruit, grapes and foliage, most beautifully designed and perfect as a work of art. Eckardt and Wootton., and For further information, see library staff.
Subject (Name):
Walpole, Robert, Earl of Orford, 1676-1745, and Walpole, Catherine, Lady, 1681 or 1682-1737,
Harding, G. P. (George Perfect), 1780-1853, associated name
Published / Created:
[not after 1824]
Call Number:
Folio 33 30 Copy 4
Image Count:
1
Resource Type:
still image
Abstract:
Wash drawing after a painting by Sir Joshua Reynolds that hung in the Great Parlour (Refectory) at Strawberry Hill, a group portrait of the three Waldegrave sisters, shown three-quarter length and seated beside one another at small work-table, with Lady Anna Horatia at the right embroidering, Lady Charlotte Maria on the left, her head turned towards front, winding silk from skein which Lady Elizabeth Laura, center, is holding. There is a pillar to the left and behind with a curtain between and trees beyond. After Reynolds (Mannings 1810).
Description:
Title devised by curator., Unsigned; questionable attribution to George Perfect Harding from local card catalog record., Date based on date of William Bawtree's death., and Mounted on page 21 of William Bawtree's extra-illustrated copy of: Horace Walpole's A description of the villa of Mr. Horace Walpole (Strawberry Hill : Printed by Thomas Kirgate, 1784). See A.T. Hazen's Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 11.
Subject (Name):
Waldegrave, Elizabeth Laura Waldegrave, Countess, 1760-1816, Euston, Charlotte Maria Waldegrave, Lady, 1761-1808,, Seymour, Anne Horatia Waldegrave, Lady, 1762-1801,, and Strawberry Hill (Twickenham, London, England)