A copy in reverse of William Hogarth's Plate 6 of A harlot's progress: A dilapidated room with Moll Hackabout's friends, mostly prostitutes, gathered around her open coffin, several of them weeping; one young woman stands with her back to the scene as she gazes at herself in the mirror. On the right, a clergyman spills his brandy as he surreptitiously gropes beneath a woman's skirt; Moll's serving woman, standing at the coffin with a wine bottle and glass in hand scowls at the pair. Under the window and to the left, the undertaker flirts with a pretty young prostitute who picks a handkerchief from his pocket. In the foreground Moll's small son plays with a spinning top. Sprigs of yew (rosemary?) decorate her coffin; a plate of yew rests on the floor at the parson's feet, another spring at her son's feet
Alternative Title:
Harlot's progress. Plate 6, Her funeral properly attended, and Pompe de ses funérailles
Description:
Title in English and French engraved below image., Date of publication based on the series of Rake's progress by Henry Parker dated 25 March 1768 in which these same engraved border pieces are used, here visibly more worn, and reversed on the page., The ornamental borders along the left and right edges are printed from a separate plate (images 25 x 2.8 cm, on plate mark 25.7 x 36.4 cm)., Copy of Hogarth's original plate, engraved in reverse as per the piracy published by Elisha Kirkall in 1732., Cf. Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3, no. 2107., and Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 126.
Publisher:
publisher not identified
Subject (Topic):
Prostitution, Children, Clergy, Coffins, Death, Funeral rites & ceremonies, Interiors, Prostitutes, Rake's progress, Seduction, Servants, Syphilis, Undertakers, and Wake services
A fat parson stands in the grounds of a country house as a footman on the right doffs his hat to him and a dog jumps on him in greeting. A fashionably dressed young woman walks on the park grounds (left) and looks coyly back towards them; behind her in the distance is a folly. Beyond the iron gates (right) -- the pillars decorated with eagles -- another servant waits by the carriage. In the distance (right) is a church spire
Description:
Title etched below image., After Dighton. Cf. Sotheby's catalog., Sheet trimmed within plate mark., Plate numbered '563' in lower left corner., Cf. No. 3755 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3. Original issue without imprint date; dated in the Catalogue ca. 1760., No. 34 in a bound in a collection of 69 prints with a manuscript title page: A collection of drolleries., Bound in half red morocco with marbled paper boards and spine title "Facetious" in gold lettering., and 1 print : mezzotint on laid paper ; plate mark 35.2 x 25 cm, on sheet 38.5 x 37.2 cm.
Publisher:
Printed for & sold by Carington Bowles, No. 69 St. Paul's Church Yard, London. Published as the act directs
A fat parson stands in the grounds of a country house as a footman on the right doffs his hat to him and a dog jumps on him in greeting. A fashionably dressed young woman walks on the park grounds (left) and looks coyly back towards them; behind her in the distance is a folly. Beyond the iron gates (right) -- the pillars decorated with eagles -- another servant waits by the carriage. In the distance (right) is a church spire
Description:
Title etched below image., After Dighton. Cf. Sotheby's catalog., Sheet trimmed within plate mark., Plate numbered '563' in lower left corner., Cf. No. 3755 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3. Original issue without imprint date; dated in the Catalogue ca. 1760., and Mounted.
Publisher:
Printed for & sold by Carington Bowles, No. 69 St. Paul's Church Yard, London. Published as the act directs
A fat parson stands in the grounds of a country house as a footman on the right doffs his hat to him and a dog jumps on him in greeting. A fashionably dressed young woman walks on the park grounds (left) and looks coyly back towards them; behind her in the distance is a folly. Beyond the iron gates (right) -- the pillars decorated with eagles -- another servant waits by the carriage. In the distance (right) is a church spire
Description:
Title etched below image., After Dighton. Cf. Sotheby's catalog., Date of publication inferred from date of the Bowles & Carver partnership formed after the 1793 death of Carington Bowles. Cf. Plomer., Numbered '348' in lower left corner., and Cf. No. 3755 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3. Original print was published by Carington Bowles in 1760 and 1785.
Publisher:
Printed for & sold by Bowles & Carver, No. 69 in St. Pauls Church Yard, London
Leaf 80. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"Print of five clergymen over-indulging with food and drink in the Vestry room. They sit around a large table drinking, one member, with his foot bound with gout sits with his back to the viewer. On the left a footman kicks away a family of beggars from the door and towards the Workhouse, a sign for which may be seen in the background. A line of more malnourished beggars can be seen outside the window of the Vestry."--Royal Collection Trust online catalogue
Description:
Title etched below image., Restrike. For original issue of the plate, see Royal Collection Trust, RCIN 810639., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 58., and On leaf 80 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
publish'd 1st Jany. 1778.
Call Number:
Bunbury 778.01.01.03++
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on Grand Tourists: scene outside an inn in France, with a sign reading "Poste Royale", where a young English gentleman, holding a copy of "[Lord] Chesterfield's Letters", arrives with his tutor. He is greeted by the smiling inkeeper wearing large wooden shoes stuffed with wool who holds out a menu; beside the innkeeper a positllion holding a whip climbs out of his large boots On the right, a fat servant carries two bottles of wine and four books; behind him another postillion drives the coach with two horses towards the right. In the background, a woman can be seen through the archway of the inn standing on a bench and reaching up to clip the wings of a cockerel; a door beside the arch, lettered, "Bon Chere icy chez La Grenouille / Traiteur", is open to reveal a ladder up which a cook has climbed in order to catch three cats running along a wall; he holds a knife in his hand. An image of a young Bacchus seated on a barrel has been chalked on the wall; a dog jumps up towards it. Beyond the wall is the roof of a cottage, a church tower and a cottage with a niche with a statue of a saint."--British Museum online catalogue
Description:
Title from text below image., Probably an earlier state of a print in the British Museum with the imprint "Publish'd 11th March 1778." Cf. no. 4732 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Sheet trimmed to plate mark., Temporary local subject terms: Tutor -- Domestic service: Manservant -- Literature: Chesterfield's letters -- The Grand Tour., and Watermark, mostly trimmed.
Publisher:
publisher not identified
Subject (Geographic):
France.
Subject (Topic):
Grand tours (Education), Ethnic stereotypes, Education, Taverns (Inns), Clergy, Tutoring, Servants, Boots, Whips, Postillions, and French
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[27 February 1799]
Call Number:
Bunbury 799.02.27.05++
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on Grand Tourists: scene outside an inn in France, with a sign reading "Poste Royale", where a young English gentleman, holding a copy of "[Lord] Chesterfield's Letters", arrives with his tutor. He is greeted by the smiling inkeeper wearing large wooden shoes stuffed with wool who holds out a menu; beside the innkeeper a positllion holding a whip climbs out of his large boots On the right, a fat servant carries two bottles of wine and four books; behind him another postillion drives the coach with two horses towards the right. In the background, a woman can be seen through the archway of the inn standing on a bench and reaching up to clip the wings of a cockerel; a door beside the arch, lettered, "Bon Chere icy chez La Grenouille / Traiteur", is open to reveal a ladder up which a cook has climbed in order to catch three cats running along a wall; he holds a knife in his hand. An image of a young Bacchus seated on a barrel has been chalked on the wall; a dog jumps up towards it. Beyond the wall is the roof of a cottage, a church tower and a cottage with a niche with a statue of a saint."--British Museum online catalogue, description of an earlier state
Description:
Title from text below image., Reissue, with different imprint statement, of a print previously published 11 March 1778. Cf. No. 4732 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4, Temporary local subject terms: Tutor -- Domestic service: Manservant -- Literature: Chesterfield's letters -- The Grand Tour., and Watermark.
Publisher:
Publish'd Feby. 27th, 1799, by J. Harris, Sweetings Alley, Cornhill
Subject (Geographic):
France.
Subject (Topic):
Grand tours (Education), Ethnic stereotypes, Education, Taverns (Inns), Clergy, Tutoring, Servants, Boots, Whips, Postillions, and French
"A woman in an advanced stage of pregnancy stands with folded hands, laughing, close to an elderly parson (right) of Dr. Syntax type who recoils in angry horror. Behind them is a high garden wall, with a notice: 'Man Traps laid in these Grounds'. Behind the woman (left) is a hole in the wall, through which looks the grinning head of a black servant. 'Broad Grins' is a collection of coarse comic songs by Colman, 1802, cf. British Museum Satires No. 11941."--British Museum online catalogue
Alternative Title:
Black joke
Description:
Title etched below image.
Publisher:
Publd. June 4th, 1812, by Thos. Tegg, No. 111 Cheapside
Subject (Topic):
Black people, Pregnancy, Laughing, Clergy, Garden walls, Signs (Notices), Servants, and Smiling
publish'd according to act of Parliament, June 1st 1769.
Call Number:
Quarto 724 771N
Collection Title:
Page 61. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
In a paneled room hung with mirrors and a clock, the master of the house, in dressing gown and nightcap, puts his hand on the bosom of a maid who serves him biscuits. Next to him a clergyman looks adoringly at the lady of the house on his left. In his hand is an open volume with text "A sermon, I am sick of love." She is dressed in a wrap and cap and, while smiling at the clergyman, surreptitiously takes a letter from a black servant boy who approaches from behind her chair. A parrot in a cage hanging above them sings, "Caesar and Pompey were both of them horned." A squirrel sits on a stool next to the table. In the foreground, a monkey sits on the floor, reading "A dissertation on winding up the clock, by Tristam Shandy." On the extreme left, a footman with a long unbraided queue is trying to push out of the room a bill collector who came in to present a tailor's bill
Description:
Title etched below image., Publisher's announcement following publication statement: Price 1s. but given gratis to the purchasers of The Court miscellany., Sheet trimmed within plate mark., Eight lines of verse in two columns on either side of the title: With touch indelicate His Grace, approaches that angelic place ..., Companion print to: High life in the evening., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching with engraving on laid paper ; sheet 22.5 x 34.2 cm, folded to 22.5 x 24.8 cm., Imperfect; sheet trimmed within plate mark with loss of publication line from bottom edge., Mounted to 26 x 32 cm., and Mounted on page 61 in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?].
Publisher:
publisher not identified
Subject (Topic):
Interiors, Furniture, Mirrors, Longcase clocks, Women domestics, Clergy, Books, Servants, Parrots, Birdcages, Squirrels, and Monkeys
publish'd according to act of Parliament, June 1st 1769.
Call Number:
769.06.01.01+
Collection Title:
Page 61. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
In a paneled room hung with mirrors and a clock, the master of the house, in dressing gown and nightcap, puts his hand on the bosom of a maid who serves him biscuits. Next to him a clergyman looks adoringly at the lady of the house on his left. In his hand is an open volume with text "A sermon, I am sick of love." She is dressed in a wrap and cap and, while smiling at the clergyman, surreptitiously takes a letter from a black servant boy who approaches from behind her chair. A parrot in a cage hanging above them sings, "Caesar and Pompey were both of them horned." A squirrel sits on a stool next to the table. In the foreground, a monkey sits on the floor, reading "A dissertation on winding up the clock, by Tristam Shandy." On the extreme left, a footman with a long unbraided queue is trying to push out of the room a bill collector who came in to present a tailor's bill
Description:
Title etched below image., Publisher's announcement following publication statement: Price 1s. but given gratis to the purchasers of The Court miscellany., Sheet trimmed within plate mark., Eight lines of verse in two columns on either side of the title: With touch indelicate His Grace, approaches that angelic place ..., Companion print to: High life in the evening., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted to 27 x 39 cm.
Publisher:
publisher not identified
Subject (Topic):
Interiors, Furniture, Mirrors, Longcase clocks, Women domestics, Clergy, Books, Servants, Parrots, Birdcages, Squirrels, and Monkeys