A short obese man stands facing the viewer, his right hand tucked in his waistcoat. His wig and clothes are old-fashioned. He wears a short, fur-trimmed coat on top
Description:
Title from item., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Watermark: initials G R below watermark that has been almost completely cut off., and Annotated on verso: from Ld. B. Album.
Publisher:
Publish'd as the act directs, Febry. 13, 1772, by Wm. Tringham, under St. Dunstans Church, Fleet Street
Description from similar print in Lewis Walpole Library: A sleeping clergyman sits in an armchair, oblivious to a maid tickling his nose with the tail of a sucking pig, just delivered by a man standing in the open doorway. On a table is an inkstand and quill, a wine bottle, glass and candle with a book entitled "Tythe laws fully consider'd". At cat pulls from the table a paper labelled "Bans of marriage", while on the floor near a small dog a large book lies open to "Poem on good living". The clergyman's portrait and that of a woman hang on the wall behind him beside a map entitled "A Plan of the doctor's parish."
Description:
Title below image., Date supplied by curator., Below title is a poem in three columns: "The well fed rich Doctor now Dinner is o'er, In his Arm Chair gives way to an Afternoon's snore ..., In margin lower right: 102., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Printed for & Sold by Bowles & Carver, at their Map and ... Print Warehouse, No. 69 in St. Paul's Church Yard, London
Subject (Geographic):
England. and England
Subject (Name):
Church of England
Subject (Topic):
Clergy, Tithes, Clothing & dress, Practical jokes, Dogs, and Swine
"Burke stands full face, frowning; his right arm rests along a high pedestal inscribed 'G.R' which supports a bust of George III. In his right hand is a book: 'Burke on the French Revolution'. His left arm hangs by his side, in his left hand are the staff and cap of 'Liberty'. The right half of his dress is whole, the coat gold-laced, the pockets brimming over with coins. The left half is ragged, his empty pocket hangs inside out. The head of the King, in profile to the right, wears an arrogant frown. In the background is a mountain, evidently Parnassus, crowned with a windmill) on one sail of which Fame is precariously poised. Trees and foliage complete the background."--British Museum online catalogue
Description:
Title from item., Printmaker from British Museum catalogue., One line of text below title: "I preserve consistency by varying my means to secure the unity of my end." Burkes Reflections, p. 354., Sheet trimmed within plate mark., and Temporary local subject terms: Monuments -- Busts: bust of George III -- Mountains: Parnassus -- Buildings: windmills -- Symbols: figure of Fame -- Literature: allusion to Edmund Burke's Reflections On The French Revolution -- Poverty -- Money: coins -- Spectacles.
Publisher:
Pubd. Novr. 16th, 1791, by H. Humphrey, No. 18 Old Bond Street
Title from caption below image., Twelfth plate in a series of 12 prints., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted to 22 x 30 cm.
Publisher:
Published by Thos. McLean, Repository of Wit & Humour, 26 Haymarket
"Satire on George II's reluctance to accept an inter-party ("Broad-Bottom") government which included Tories suspected of Jacobite sympathies. The king, in the centre. leans across a table crying out, "Hounsfoot me no Stomach him!" as Thomas Pelham, Duke of Newcastle, and his brother Henry prepare to cram the Tory John Hinde Cotton into his mouth; Newcastle remarks, "His Bottom's dam'd Broad". Six other former opposition members hoping for office, including Lords Cobham (saying "I'll Protest no more") and Lyttelton ("You are right Cuz"),and William Pitt ("We drive a fine Trade"), lie on a shelf ready to be treated in the same way as Cotton, one of them saying, "Burn the Yellow List." The kings breeches are lowered and he is evacuating Lord Hobart. Others who have presumably emerged in the same manner leave the scene to left complaining that they have been turned out of office. They include Sir John Rushout saying, "Rusht-out with a Fizzle", and, kneeling in the foreground, Lord Winchelsea who has dropped his spectacles, complaining, "Bes[hi]t without a Job". In the foreground to right, stand two other gentlemen address the oppositiion members, one saying "Consider Your Oaths", and the other, holding a large key, "Remember The Healths"."--British Museum online catalogue
Description:
Title from caption above image., Printmaker George Bickham the Younger and publication date 1744 from British Museum catalogue., and Mounted to 34 x 49 cm.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain and Great Britain.
Subject (Name):
George II, King of Great Britain, 1683-1760, Buckinghamshire, John Hobart, Earl of, 1693-1756, Cobham, Richard Temple, Viscount, 1669?-1749, Cotton, John Hynde, Sir, 1686-1752, Lyttelton, George Lyttelton, Baron, 1709-1773, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, Pelham, Henry, 1695?-1754, Pitt, William, Earl of Chatham, 1708-1778, Rushout, John, Sir, 1684-1775, and Winchilsea, Daniel Finch, Earl of, 1689-1769
Subject (Topic):
Broad-bottom, Politics and government, Defecation, and Politicians
A couple stand in their nightclothes in horror as they look on their bed which is in flames. An overturned table with a lit candle appears to be the cause of the fire, the other contents, a book, a rosary, a watch and chain, and spectacles are also on the floor. To the right is a dressing table with a mirror, scissors and comb; above, hangs a framed painting
Description:
Title and series title from caption below image., "Pl. 9"--Upper right corner., Ninth plate in a series of 12 prints., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted to 19 x 30 cm.
Publisher:
Published by Thos. McLean, Repository of Wit & Humour, 26 Haymarket
A design resembling a high-relief depicts three amoretti attend the toilet of an old hag. The cestus of Venus is a huge pad which one of the attendants ties round the old woman's waist as another attendant holds up a mirror. A third cupid ties the girdle as the arrows fall from the quiver on his back. Behind him, the altar of Venus has tipped over, the fire still burning. A copy of Ovid's Art of love protrudes from the old woman's pocket
Alternative Title:
Vestal of 1793 trying on the cestus of Venus
Description:
Title etched below image., Subtitle transposed from below lines of verse., Early state, with printmaker's name present., Three lines of quoted verse below title: "Upon her fragrant breast the zone was brac'd ..., A satire on the 'pads' which became fashionable in 1793., and Sheet trimmed within plate mark.
Publisher:
Pubd. April 29th, 1793, by H. Humphrey, No. 18 Old Bond Street
A design resembling a high-relief depicts three amoretti attending the toilet of an old hag. The cestus of Venus is a huge pad which one of the attendants ties round the old woman's waist as another attendant holds up a mirror. A third cupid ties the girdle as the arrows fall from the quiver on his back. Behind him, the altar of Venus has tipped over, the fire still burning. A copy of Ovid's Art of love protrudes from the old woman's pocket
Alternative Title:
Vestal of 1793 trying on the cestus of Venus
Description:
Title from text below image., Sheet trimmed within plate mark., Three lines of verse below title: Upon her fragrant breast the zone was brac'd ..., Subtitle transposed from below lines of verse., and Later state, with corrections to plate. Cf. No. 8389 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7.
Publisher:
Pubd. April 29th 1793 by H. Humphrey, No. 18 Old Bond Street