Manuscript fragment, on parchment, from an Italian lectionary, containing readings from Luke 7.
Description:
In Latin., Script: Italian gothic bookhand., Decoration: rubricated. Capitals in alternating red and blue ink., and Top of leaf trimmed, with margin and text loss.
Illuminated manuscript on parchment, in unidentified hand, containing a collection of letters, attributed to Hippocrates (ff. 1r-50v). Also includes a series of epitaphs (ff. 51r-53v); incipit: Caesari sacrum Ennius Montanus fecit auxit. Concludes with a collection of pseudo-classical letters of unknown Renaissance authorship (ff. 54r-72v): correspondence between Marius Appius and Latianus (2 letters, 54r-55r), letters by and to Curtius Rufus (22 letters, ff. 56r-73v), and a letter by Genutius to the Roman senate (1 letter, ff. 73r-74r). Leaves 50, 73-77 are blank
Alternative Title:
[Epistolae : translated into Latin by Alamanno Rinuccini].
Description:
In Latin., Title assigned by cataloger., Script: humanist minuscule., Decoration: historiated gold initial showing king seated on a throne (Ataxerxes?), with sword and orb in hand, and full border decoration including animals, puti, and human figures (f. 1r); five-line gold initial on blue frame (f. 25r); 2-line gold initials on purple and blue frames; gold capital letters. Rubrication., Layout: 1 column of 15 lines., Binding: old burgundy velvet over parchment., and Foliation added in modern pencil.
Subject (Topic):
Medicine, Greek and Roman, Medicine, Manuscripts, and Medicine, Medieval
Manuscript, on paper, in unidentified hand, of an Italian translation of Averroës' Latin Tractatus or Epitome in physicorum libros (ff. 1r-53v)--a text originally written in Arabic. Also includes a treatise on human diseases in 46 chapters (ff. 54r-65r), entitled: In questo libro trataremo de tutte linfermita che posseno avenire nel corpo delomo dentro ede fuora dal capo ai piedii. Concludes with a list of remedies (ff. 65r-68r), written in a different hand; incipit: Per male de pieda cossa provata
Alternative Title:
Trattato di fisica
Description:
In Italian., Title from closing rubric., Script: humanist minuscule., Decoration: 2-line red initials. Rubrication., Layout: 2 columns of 30 to 40 lines., and Binding: modern brown leather half-binding over brown and green marbled paper (over pasteboard). Spine title in gold-tooling: Trattato di medicina in volgare.
Subject (Topic):
Medicine, Arab, Medicine, Medieval, Medicine, and Manuscripts
Manuscript fragment on parchment containing a portion of the Litany of the Saints. Saint Lubin of Chartres is among the saints invoked
Description:
In Latin., Script: gothica textualis semiquadrata., and Decoration: Ruled in red. Each invocation begins with a small gold capital on a red or blue ink ground. Line fillers in alternating red or blue ink with gold highlighting.
Manuscript, in two unidentified hands, written on paper (leaves 1-92) and parchment (leaves 93-102). Contains medical recipes and lists of herbs in Middle English (incipit: Here begynne goode medecynes; ff. 5-71), French provers in verse (incipit: Ce sont les proverbes des philosophes), Macer's De virtutibus herbarum (ff. 76-92), Honorius Augustodunensis' Imago mundi (f. 93-100).
Alternative Title:
Medical recipes [in English] ; Imago mundi de Asia, Africa et Europa: Asia a regiam [in Latin] and Imago mundi de Asia
Description:
In Middle English, Middle French, and Latin., Title assigned by cataloger., Script: gothic cursiva., Decoration: some two-line initials in red ink. Rubrication., Layout: single column of 48-56 lines., Binding: contemporary wooden boards portion of back cover missing., and Watermark is a variant of Briquet 5353 (Bologna 1432) and Briquet 5351 (Sienna 1410).
Subject (Topic):
Cosmology, Medicine, Manuscripts, and Medicine, Medieval
Manuscript, in unidentified hand, on paper, containing a description of several alchemical and medical ingredients and processes. Includes a table of contents, using alchemical symbols, on f. 1: Aurum potabile (ff. 1-4), Lapis animalis (ff. 4-14), Lapis Vegetabilis (ff. 14-19), Lapis mineralis (ff. 19-26), Aurum potabile (ff. 26-30), Tinctura cum mercurio (ff. 30-33), Tinctura magna (ff. 33-36), Das war Auz[] pota[]le (ff. 36-41), Testamentum Raimundi Lulii (ff. 41-58), [mercuriis?] corporibus, Sequitur solutiones, Tinctura animalis, Tinctura albedinis (ff. 77-80), Coagulatio Mercurii (ff. 80-82), De oro argento (ff. 82-83), Verus elixir (ff. 83-86), Secreta Antionii (ff. 86-92), Proiectio (ff. 92-99).
Description:
In Latin and German., Title devised by cataloger., Script: gothic cursiva., Decoration: headings in red ink. Spare rubrication., Layout: single column of around 17 lines., Binding: red vellum binding., and Foliation in later hand.
Subject (Topic):
Alchemy, Manuscripts, Materia medica, Medicine, Medicine, Medieval, and Medicine, Magic, mystic, and spagiric
Manuscript on parchment (thin, fine quality) of a collection of chansons. Written probably at the Aragonese court in Naples in the 1470's, perhaps as a wedding gift for Beatrice of Aragon, who married Matthias Corvinus, King of Hungary, in 1476
Description:
In French., Script: Written by one scribe in batarde, usually one line below each staff, but sometimes text written on every other line of the staves., The style of the Chansonnier's initials points to one of the ateliers active in the service of Ferrante I of Naples, in particular to the shop of Matteo Felice. One 2-line initial (f. 1r) tan, shaded purple and green, with curling floral serifs, blue and puce, filled with curling leaves against burnished gold and blue, with white filigree, against gold ground, framed in blue with white filigree; short, 3-stemmed flowers, gold, with brown hair-spray stems project from upper serif and midpoint; 3 gold dots with hair-spray symmetrically disposed around letter; floral border in outer margin, hair-spray stems with gold and green leaves and flowers, blue, purple, and gold at midpoint and terminals. One-line initials throughout, gold, infilled blue or purple, with white filigree, against irregular grounds, purple or blue, edged in black, with white filigree and two short flowering tendrils, as in border on f. 1v; often with a gold dot with hair-spray adjacent in outer margin., and Binding: 19th-20th centuries. Brown goatskin, blind-stamped, by Henri Marius-Michel of Paris (1846-1925), whose name is stamped inside the front cover. Not in his usual style. Included in the center front and back panels are monograms of Baron Joseph Vitta.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Frye, Walter, d. 1474 or 5.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Music, and Songs, French
Stand-alone miniature on paper depicting a Benedictine nun kneeling before Christ and the instruments of the Passion. Banderoles containing devotional phrases extend from the mouths of the nun and Christ; an excerpt from Psalm 31 (Vulgate) is written at the bottom of the miniature
Description:
In Latin., Script: banderole text in a small Gothic bookhand., Decoration: an example of the simple illustration style known as "nonnenarbeiten," which are devotional images produced by medieval nuns for personal use. The nun and Christ are placed in a grassy field comprised of penstrokes covered with a green wash. Details like Christ's wounds are conveyed through penstrokes as well. The instruments of the Passion are individually colored with wash: red and black for the cock, orange for the sponge, and orange for parts of the spear. An alternating blue and orange wash has been used to decorate the border of the miniature., and Binding: individually mounted on parchment.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Benediktinerinnenabtei St. Walburg (Eichstätt, Germany)
Subject (Topic):
Manuscripts, Medieval, Benedictine nuns, Nuns as artists, Devotional objects, and Catholic Church