Eight figures in two rows are depicted reading Thomas Paine's pamphlet The Rights of Man, each gesturing dramatically and each with a lengthy quote above his head either praising or denouncing the ideas expressed. On the top row are Edmund Burke (reading the passages referring to himself), Charles Fox, George III, and Charles Jenkinson. In the second row, Queen Charlotte, Mary Wollstonecraft Godwin, William Pitt, and Richard Sheridan seem to address each other in a similarly lively debate of contrasting responses to Paine's arguments
Description:
Title etched below image., Attributed to F.G. Byron. See An Oxford Companion to the Romantic Age .../ Iain McCalman. Oxford : Published by Oxford University Press, 2001, p. 20., Below image on right: In Holland's exhibition rooms may be seen the largest collection of caricatures in Europe. Admitte. on shilg, Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Sheet trimmed to plate mark on sides., For further information, consult library staff., and Pencil annotations identify each of the caricatures, but identifies Mary Wollstonecraft as Hannah More. Questionable printmaker attribution in local card catalog: R. Newton f.?
Publisher:
Pubd. May 26, 1791 by William Holland, No. 50 Oxford Street
Subject (Geographic):
France and Great Britain
Subject (Name):
Paine, Thomas, 1737-1809., George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Burke, Edmund, 1729-1797, Burke, Edmund, 1729-1797., Fox, Charles James, 1749-1806, Wollstonecraft, Mary, 1759-1797, Jenkinson, Chalres, 1727-1808., Pitt, William, 1759-1806, and Sheridan, Richard Brinsley, 1751-1816
Subject (Topic):
History, Foreign public opinion, British, and Politics and government
The rivalry between Fox and Pitt is shown in a series of seven images beginning with the portraits of each of them. In the third image, Fox and Pitt fight for a Twelfth Cake, with Fox winning. In the fourth, Nobody (i.e., the King), gives Lord Temple, carrying dark lantern, a note supporting Pitt's claim to the Cake. In the fifth image, a grocer complains about Fox's actions against smuggling. In the sixth, on his return from the Grocers' Hall on February 28, Pitt participates in a riot. He is opposed by a diminutive Jeffery Dunstan, the popular 'mayor of Garrett" and Fox's supporter. In the seventh, Pitt and his companions are thrashed by men with sticks
Alternative Title:
Young statesman's ramble
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., and Mounted to 29 x 40 cm.
Publisher:
Pub. 24th March 1784 by W. Humphrey, No. 227 Strand
Subject (Geographic):
Great Britain and England
Subject (Name):
George III, King of Great Britain, 1738-1820, Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Dunstan, Jeffery, 1759?-1797, and Cornwall, Charles Wolfran, 1735-1789
Subject (Topic):
Politics and government, Devil, Smuggling, Riots, and Clothing & dress
"A design in two compartments. On the left the triumph of Necker in a land of 'Freedom', in the other that of Pitt in a land of 'Slavery'. Necker (full face), seated in an armchair is carried on the shoulders of distinguished personages, who wave their hats. He holds in his right hand the staff and cap of 'Liberty', in his left a royal crown. He is stout and benevolent. Above his head floats a laurel wreath, irradiated, inscribed 'Necker', and adding a touch of absurdity. Under his feet are a chain and an instrument of torture resembling a harrow. The naval officer (left) wearing a star, -who holds one pole of the chair, is labelled 'Orleans'; his companion, in regimentals, is probably Lafayette; both wave their hats. In the background is a cheering crowd and the massive but broken stone wall of the 'Bastile'. On the right Pitt, lean and arrogant, stands in profile to the left on a royal crown which bends under his weight (as in BMSat 7478). In his right hand is a banner on which are instruments of torture: a narrow, shackles, and scourges; in his left hand, which rests on his hip, are a headsman's axe and chains, the other ends of which are attached to persons who kneel humbly behind him, the most prominent of whom is the King. Other chains are attached to artisans, &c, who kneel abjectly before him. In the background are (left) a gallows from which hang seven nooses, and (right) a high scaffold on which stands a headsman with an axe. From Pitt's pocket projects a large tobacco-pipe inscribed 'Excise'.."--British Museum online catalogue
Alternative Title:
France, Britain, freedom, slavery and Freedom, slavery
Description:
Title from text in and below image., Printmaker from British Museum catalogue., Temporary local subject terms: Instruments of torture -- Cap of Liberty -- Staff of Liberty -- Transference of customs to excise -- Banners with instruments of torture -- Cheering crowds -- Laurel wreaths -- Chairing of Necker -- Kneeling slaves -- Emblems: pipe as tobacco tax -- Allusion to excise -- Crowns -- Gallows -- Bastille -- Executioners: headsman -- Artisans as slaves -- Emblems: slavery., and Watermark: countermark S. Lay.
Publisher:
Pubd. July 28th, 1789, by J. Aitken, Printseller, N. 14 Castle Street, Leicester Fields
Subject (Name):
Louis XVI, King of France, 1754-1793, Necker, Jacques, 1732-1804, Orléans, Louis Philippe Joseph, duc d', 1747-1793, Lafayette, Marie Joseph Paul Yves Roch Gilbert Du Motier, marquis de, 1757-1834, George III, King of Great Britain, 1738-1820, and Pitt, William, 1759-1806
"The Prince of Wales lies on his back, much foreshortened, his head towards the spectator, arms outstretched, his feathers and coronet by his left hand. On his body stand the Duke of Grafton (left) and the Duke of Richmond (right); the former's right foot is on the Prince's left hand, his left foot on his chest, Richmond's left foot is on the Prince's right hand, his right foot on his chest; he stoops to look at the Prince, resting his hands on his knees. Lord Sydney, partly concealed by the legs of the two dukes, sits on the Prince, his head turned in 'profil perdu'. Pitt stands with his right foot on Grafton's shoulder, his left on that of Richmond, reaching up to a shelf on which is the crown on a cushion. In his right hand is a document inscribed 'Jo. Durnford's address'. Between Pitt's legs and above Sydney's head is a baron's coronet. Below this hangs a tailor's goose."--British Museum online catalogue
Description:
Title etched below image., Date precedes publisher's statement in imprint., Six lines of verse in two columns on either side of title: Still inimical to their country, see ..., and Folded and mounted to 37 x 56 cm.
Publisher:
Publishd. by Mr. Bradshaw, Coventry Street, Miss Humphrys, Bond Street, No. 51
Subject (Geographic):
Great Britain
Subject (Name):
George IV, King of Great Britain, 1762-1830, Pitt, William, 1759-1806, Smith-Stanley, Edward, 1752-1834, Richmond and Lennox, Charles Lennox, Duke of, 1735-1806, and Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811
"The Prince of Wales lies on his back, much foreshortened, his head towards the spectator, arms outstretched, his feathers and coronet by his left hand. On his body stand the Duke of Grafton (left) and the Duke of Richmond (right); the former's right foot is on the Prince's left hand, his left foot on his chest, Richmond's left foot is on the Prince's right hand, his right foot on his chest; he stoops to look at the Prince, resting his hands on his knees. Lord Sydney, partly concealed by the legs of the two dukes, sits on the Prince, his head turned in 'profil perdu'. Pitt stands with his right foot on Grafton's shoulder, his left on that of Richmond, reaching up to a shelf on which is the crown on a cushion. In his right hand is a document inscribed 'Jo. Durnford's address'. Between Pitt's legs and above Sydney's head is a baron's coronet. Below this hangs a tailor's goose."--British Museum online catalogue
Description:
Title from item, Date of publication from British Museum catalogue: December 29th, 1788., Six lines of verse inscribed below design: 'Still inimical to their Country, see Two Chips of Charles's block supporting me And Sy-y, well sirnam'd [the] Taylor's Goose, As Hot and Heavy as that Thing in use, Shall lend his Weight of Breech & length of Chin The Heir Apparent crush & poke me, in.', and Sheet trimmed within plate mark.
Publisher:
Publish'd by Mr. Bradshaw, Coventry Street : Miss Humphrys, Bond Street, No. 51
Subject (Geographic):
Great Britain
Subject (Name):
Dornford, Josiah, 1764-1797, Pitt, William, 1759-1806, George IV, King of Great Britain, 1762-1830, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Richmond and Lennox, Charles Lennox, Duke of, 1735-1806, Sydney, Thomas Townshend, Viscount, 1733-1800, and Charles II, King of England, 1630-1685
"A carriage (right) drives at a gallop towards the gateway of St. James's Palace; Lord Lansdowne, in peer's robes, puts his head out of the window to call to the coachman, who is lashing the pair of horses: "Drive you dog! drive! - now, or never! - aha the Coast is clearing!------drive! drive! you dog!" He has a sly smile. The carriage is decorated with coronets, and on the door is the beehive crest of Lord Lansdowne and the motto 'Ut Ap[es] Geometriam'. The coachman and three footmen who stand behind have enormous feather-trimmed cocked hats in the French fashion, with bag-wigs. Running behind the carriage with outstretched arms are: Fox, saying, "Stop! stop! - & take me in, - Stop!"; Sheridan saying, "And me too! stop", and (very small) M. A. Taylor, saying, "And me". In the background a similar carriage is driving yet more rapidly out of the Palace gateway; the tiny figures are recognizable: Dundas, the coachman, has dropped the reins, the horses are running away; Pitt, terror-stricken, puts his arms through the windows. Both look up at a dove with an olive-branch which flies over their heads towards the gateway. In the background are part of the Palace and the houses at the SW. corner of St. James's Street."--British Museum online catalogue
Description:
Title from item., Year of publication from British Museum catalogue., Temporary local subject terms: Vehicles: coaches -- London: St. James's Palace -- Domestic service: footmen -- Coachmen -- Pavement -- Symbols: dove with an olive-branch -- Nicknames: Shelburne as Malagrida -- Allusion to Gabriel Malagrida, 1689-1761., Mounted to 33 x 47 cm., and Watermark.
Publisher:
Pub. March 16th by H. Humphrey, Bond Street
Subject (Name):
Lansdowne, William Petty, Marquis of, 1737-1805, Pitt, William, 1759-1806, Melville, Henry Dundas, Viscount, 1742-1811, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, and Taylor, Michael Angelo, 1757-1834
A large and animated procession approaches the Grocers' Hall on the left, led by musicians and Wilkes who tosses coins to the crowd. In the first of the three coaches, shown as a child's or an invalid's chair, sits Sir Watkin Lewes, alderman and M.P. for the City, in the central one rides Pitt, behind him Sir Barnard Turner, alderman and Sheriff. The windows of the buildings are filled with spectators. On the right, above the vitrine to "Neat Wines" shop, hangs a large portrait of Lord Chatham. A burlesque rendition of the procession that took place on February 28.
Description:
Title etched below image., Printmaker from British Museum catalogue., and Mounted to 32 x 45 cm.
Publisher:
Pub. March 8th by W. Humphry, No. 227 Strand
Subject (Geographic):
Great Britain, England, and Westminster
Subject (Name):
Pitt, William, 1759-1806, Pitt, William, Earl of Chatham, 1708-1778, Lewes, Watkin, Sir, 1740?-1821, Turner, Barnard, 1741 or 1742-1784, Wilkes, John, 1725-1797, and Grocers' Company (London, England)
Subject (Topic):
Politics and government, Political elections, Parades & processions, Spectators, and Wheeled chairs
Leaf 15. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
A large and animated procession approaches the Grocers' Hall on the left, led by musicians and Wilkes who tosses coins to the crowd. In the first of the three coaches, shown as a child's or an invalid's chair, sits Sir Watkin Lewes, alderman and M.P. for the City, in the central one rides Pitt, behind him Sir Barnard Turner, alderman and Sheriff. The windows of the buildings are filled with spectators. On the right, above the vitrine to "Neat Wines" shop, hangs a large portrait of Lord Chatham. A burlesque rendition of the procession that took place on February 28.
Description:
Title etched below image., Attribution to Rowlandson from the British Museum catalogue and Grego., Restrike. For original issue of the plate, see no. 6442 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Cf. Grego, J. Rowlandson the caricaturist, v. 1, pages 119-20., Temporary local subject terms: City companies -- Musicians: Band leading parade -- Liberty of the press: No. 45, symbol -- Emblems -- Boxes: Gold Box, voted to Pitt 10 February 1784 -- Slogans: No. 45 -- 'Pitt and Plumb Pudding for ever' -- Shops: Toy shop -- Wax-works., and On leaf 15 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Pub. March 8th by W. Humphry, No. 227 Strand and Field & Tuer
Subject (Geographic):
Great Britain, England, and Westminster
Subject (Name):
Pitt, William, 1759-1806, Pitt, William, Earl of Chatham, 1708-1778, Lewes, Watkin, Sir, 1740?-1821, Turner, Barnard, 1741 or 1742-1784, Wilkes, John, 1725-1797, and Grocers' Company (London, England)
Subject (Topic):
Politics and government, Political elections, Parades & processions, Spectators, and Wheeled chairs
Charles Fox, riding a lion, and William Pitt, on a white horse, face each other in the House of Commons, in front of the vacated Speaker's chair. Fox, holding a whip in one hand and a bridle in the other, tries to convince Pitt to dismount the untamed horse that stands with its front legs on a large sheet signed, "Magna Charta, Bill of Rights, Constitution," and kicks with the hind legs and defecates at the fleeing crowd of the members of Parliament. In return, Pitt praises his steed for its wild behavior. The last of the members pushing toward the door is the Speaker, Cornwall, in a wig and carrying the Speaker's mace. A satire on the dissolution of the Parliament on March 25.
Description:
Title etched below image., Printmaker from British Museum catalogue., Abbreviation "No." in imprint statement appears in superscript above the digit "7" in street number "227.", and Text below title: A scene in a new play lately acted in Westminster with distinguished applause. Act 2nd scene last.
Publisher:
Pubd. March 31st, 1784, by W. Humphrey, No. 227 Strand
Subject (Geographic):
Great Britain
Subject (Name):
Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, Cornwall, Charles Wolfran, 1735-1789, and Great Britain Parliament
Subject (Topic):
Dissolution, Politics and government, Humor, Horses, Lions, Coats of arms, Chairs, Defecation, and Crowds