A montage of images with the portrait of the Duke of Cumberland in the center. The theme is the defeat of the Young Pretender at the Battle of Culloden. In the upper left corner is an image of a broadside ballad, 'A Loyal Song', sung by Mr. Beard at the Theatre Royal in Covent Garden. Over it is superimposed a playing card of Jack of clubs in Scottish dress looking wistfully towards the Duke. Below, partially under the Duke's portait is an image of the Devil drawing the Scots caught in his net towards a hill on top of which stands the 'triple tree', i.e., the gallows, decorated with a royal crown at each corner. Beneath this image is another, showing the British cavalry, well equipped and healthy, pursuing the Scots on bony horses. Partially covering that image, at the bottom of the plate, is a smaller, allegorical representation of Britannia and Liberty pointing to a beehive and a temple of Concord. The last image, in top right of plate, shows the British army marching in a parade. Eight lines of verse, enclosed in a vignette, below the medley, begin as follows: Britons, behold the Royal Youth, 'tis he who fights your battles , sets your country free ...
Alternative Title:
Duke triumphant
Description:
Title engraved above image., Tentatively attributed to George Bickham the elder in an unverified card catalog record., Sheet trimmed within plate mark., "Price 6d.", Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Matted to 61 x 49 cm.
Publisher:
publisher not identified
Subject (Name):
William Augustus, Prince, Duke of Cumberland, 1721-1765 and Charles Edward, Prince, grandson of James II, King of England, 1720-1788
Subject (Topic):
Britannia (Symbolic character), Culloden, Battle of, Scotland, 1746, and Scots
Title from item., Publication date from British Museum catalogue., Two lines of caption in verse below image: Here happy Britain tells her joyfull [sic] tales ..., See British Museum catalogue no. 3042., Temporary local subject terms: Interiors: library -- Allusion to Jacobites -- Papal bulls -- Battles: reference to the Battle of Culloden, 1746 -- Furniture: rococco table -- Male dress: Highlander's dress, ca. 1746., and Annotated on verso: From Ld. B Album, p. 54.
Publisher:
publisher not identified
Subject (Name):
Charles Edward, Prince, grandson of James II, King of England, 1720-1788 and William Augustus, Prince, Duke of Cumberland, 1721-1765
Subject (Topic):
Britannia (Symbolic character) and Culloden, Battle of, Scotland, 1746
Three playing card size designs on one plate, arranged vertically
Description:
Titles from items., Caption under top design: --well done quoth Whackum., Caption under center design: Mores homines., Two lines of verse below bottom design: And shall the substitutes of power our Genius thus bedecks ..., Copies of, nos. 3398, 3493, and 3543 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., and Temporary local subject terms: Money: bag of money -- Pictures amplifying subject: hawk attacking cock -- Newcastle Administration -- Axes -- Signboards: inn sign -- Blazing comet -- Masks -- Satire on Admiralty -- Royal die and dice box -- Emblems: anchor -- Pictures amplifying subject: EO table -- Clubs: allusion to White's Club -- Animals: sea-lions -- Trades: fishwomen -- Female dress: French dress, ca. 1756 -- Emblems: fleur-de-lis -- Containers: fishwoman's tub for pickled salmon.
Publisher:
publisher not identified
Subject (Name):
Anson, George Anson, Baron, 1697-1762, Holland, Henry Fox, Baron, 1705-1774, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, and Pitt, William, Earl of Chatham, 1708-1778
Subject (Topic):
Britannia (Symbolic character), Gallows, and Gambling
"Satire on the Duke of Newcastle and Lord Barrington suggesting that their conduct of the war is influenced by, respectively, corruption and incompetence, with reference here to the disgrace of General Fowke and Admiral Byng."--British Museum online catalogue
Alternative Title:
Discard
Description:
Title engraved above image., Publication date from British Museum catalogue., Sheet trimmed to plate mark., Four columns of verse below image: I've heard of times (pray God defend us, we're not so good but he may mend us) ..., Temporary local subject terms: Naval uniforms: officers' uniforms -- Literature: Shakespeare., and Watermark: Strasburg lily with initials LVG below.
Publisher:
publisher not identified
Subject (Name):
William Augustus, Prince, Duke of Cumberland, 1721-1765, Anson, George Anson, Baron, 1697-1762, Barrington, William Wildman Barrington, Viscount, 1717-1793, Byng, John, 1704-1757, and Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768
Subject (Topic):
Britannia (Symbolic character), Military uniforms, British, Thrones, and Eagles
"Satire on the end of Lord Rockingham's administration shown as a dance at court. The verses below describe the protagonists who have been numbered in pen and ink: in the centre, Princess Augusta (1) dances with Lord Bute (2) their joined hands holding a leading string attached to Pitt (3) with a gouty leg who leans on his crutch, adorned with a coronet, as he converses with America, a half naked native American woman holding a bottle of rum. To the left of the Princess, stand Charles Townshend (4), holding a weathercock, beside his partner Britannia standing on her head, her shield and spear fallen on the ground. Further left, Lord Northington (5) robed as Lord President of the Council holds a glass of wine towards his elaborately dressed young woman (6; identified by Stephens as Betty Careless, although she had died in 1752). On the right, Henry Fox (7) dances with the devil; behind him are a Frenchman saying he will not pay the Canada Bills recompensing Britain after the Seven Years' War, and a Spaniard saying he will not pay the Manilla Ransom, a sum of two million dollars offered to Britain by the governor of Manilla when the city was captured. At far left, the king (8) plays the fiddle accompanied by two Scottish bagpipers. Wilkes (9) flies above, a copy of his Essay on Woman in his pocket, bound for Paris on a broomstick with a witch who says she will take him anywhere but to Scotland; he defecates on the head of Lord Bute. In the foreground stand four politicians: Temple (10) saying that he will get Francis Hayman to paint the scene for his garden at Stowe; Newcastle (11) wearing spectacles; Rockingham (12) wearning boots and carrying a riding whip; Winchilsea (13). Verses below in six columns, each with the chorus, "Doodle doodle doo""--British Museum online catalogue
Alternative Title:
New country dance as danced at Court July the 30th 1766
Description:
Title etched at bottom of image., "The devil seems to have been inspired by the work of Jefferyes Hamett O'Neale and other facial types echo those in prints designed by him"--Curator's comments, British Museum online catalogue registration no.: 1868,0808.4386., Publication date based on advertisement in The Public advertiser, Sept. 4, 1766., Description based on an imperfect impression; sheet trimmed within plate mark at bottom resulting in loss of text below image, including distribution information and price from lower right corner. For missing text, see British Museum online catalogue., Figure numbered '6' is most likely a depiction of Fanny Murray., and Mounted to 28 x 43 cm.
Publisher:
publisher not identified
Subject (Name):
George III, King of Great Britain, 1738-1820, Augusta, Princess of Wales, 1719-1772, Charles III, King of Spain, 1716-1788, Louis XV, King of France, 1710-1774, Bute, John Stuart, Earl of, 1713-1792, Pitt, William, Earl of Chatham, 1708-1778, Holland, Henry Fox, Baron, 1705-1774, Townshend, Charles, 1725-1767, Northington, Robert Henley, Earl of, 1708?-1772, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, Rockingham, Charles Watson-Wentworth, Marquis of, 1730-1782, Temple, Richard Grenville-Temple, Earl, 1711-1779, Winchilsea, Daniel Finch, Earl of, 1689-1769, Wilkes, John, 1725-1797, Murray, Fanny, 1729-1778, and Hayman, Francis, 1708-1776.
Subject (Topic):
Influence, Britannia (Symbolic character), Alcoholic beverages, Brooms & brushes, Crutches, Devil, Eyeglasses, Prostitutes, Symbols, Weather vanes, and Witches
Title from placard held by Britannia within image., Alternate title in banner below seated figure of Britannia: Britannia., and Sheet trimmed within plate mark.
"Satire on the dispute about whether peace should be forced on Britian. Britannia turns away, her "Bowels are all in an uproar", as a politician (presumably the Duke of Bedford, negotiator with France) holds out a phial containing the "Compostion of Peace"; behind him others discuss whether she should take it; Pitt is concerned that "she is but a Woman and her Constitution is weak", but Bute (dressed in tartan with a large jack boot) suggests that they form the medicine into "a Bolus [and] Gild it"; Cumberland warns that Bute could be answerable if Britannia is destroyed."--British Museum online catalogue
Alternative Title:
Political quacks
Description:
Title from item. and Reduced and reversed copy, without verse and with changes to speech balloons, of No. 3923 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4. Not the same as a reduced and reversed copy published in The British antidote to Caledonian poison.
Publisher:
publisher not identified
Subject (Name):
William Augustus, Prince, Duke of Cumberland, 1721-1765, Bute, John Stuart, Earl of, 1713-1792, Pitt, William, Earl of Chatham, 1708-1778, and Bedford, John Russell, Duke of, 1766-1839
"The Princess of Wales and the Earl of Bute drag the British Lion, or George III, in a small car, such as children use, decorated with a big Thistle; on the king's head is a very large jack boot, which, falling over his face, blinds him. Pitt leans over the balcony and endeavours to remove the boot, i.e. to deliver the British Lion from the influence of Bute. The Duke of Cumberland, very fat, wearing the costume supposed to be appropriate to Roman generals, rushes forward to aid the king, his nephew. A soldier, a sailor, and a lawyer endeavour to hold back a wheel of the car, pulling at a rope attached to it. A number of persons, male and female, stand under the balcony and look on. In the background a harbour is indicated by the masts of ships. On our left is "THE OLD BRITISH WARE HOUSE", from which merchants are despatching bales of goods to "Pondicherry", "Martinico 1'', "Guadeloup", "Louisbourg", and "Quebec". These are the names of places captured from the French during the war which it was proposed to conclude by the peace promoted by Lord Bute, and agreed to in 1762. A Frenchman and a Spaniard, colonists (?), are receiving these goods in an amicable way. ... This satire was doubtless designed to induce the ministry of Lord Bute to desist from surrendering the places in question to the French as, even thus early in the negotiations, it was rumoured they intended to do. ...The minister and the princess drag the car towards a "Hosptial for Scoth pensioners." On our right, at the windows, three Scotchmen appear. Hogarth, mounted on a ladder, is busily painting a Scotch Thistle on the sign of the hospital. On his paint-pot is written: "500 250". This refers to Hogarth as the recipient of a pension, or rather as Serjeant-Painter to the king, and especially to the publication of "The Times. Plate I” ..."--British Museum catalogue
Alternative Title:
Political strugle and Political struggle
Description:
Title etched below image. and Cf. No. 3885 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4.
Publisher:
publisher not identified
Subject (Geographic):
England and London.
Subject (Name):
George III, King of Great Britain, 1738-1820,, Augusta, Princess of Wales, 1719-1772,, William Augustus, Prince, Duke of Cumberland, 1721-1765,, Bute, John Stuart, Earl of, 1713-1792,, Pitt, William, Earl of Chatham, 1708-1778,, Hogarth, William, 1697-1764,, Holland, Henry Fox, Baron, 1705-1774,, and East India Company.
Subject (Topic):
Britannia (Symbolic character), Chariots, City & town life, National emblems, British, Scottish, Taxes, and Warehouses
"In the centre of the design is the Coronation Chair (in Westminster Abbey), raised on four steps. Britannia on the right of the Chair takes the hand of the Prince of Wales, who is on the left, to lead him up to it; each rests a foot on the lowest step, inscribed 'Voice of the People'. The other steps are 'Public Safety', 'Patriotism', 'Virtue'. Britannia points with her left hand at Pitt and three maniacal and screaming Furies on the right whom she is putting to flight. She says: "I have been long deceiv'd by Hypocrisy but have at last discovered an Intention of sacrifising the rights of my people to satisfy a private ambition". Pitt, fleeing terror-struck, turns his head to say: A long farewell to all my greatness. From his pocket protrude papers inscribed 'Shop Tax' and Commutation. The Furies are half-naked hags with writhing serpents for hair; one, whose belt is inscribed 'Falshood', holds in one hand serpents, in the other a flaming torch inscribed 'Rebellion'; 'Envy' tears her hair, shrieking. The British lion, beside Pitt, looks from behind Britannia's shield at his mistress, roaring angrily. The Prince is being ushered to the throne by 'Liberty' and Justice, who are pretty young women carrying their accustomed symbols. Commerce reclines on the extreme left, leaning on a bale inscribed 'Commerce', and looking admiringly up at her two companions. The Lord Mayor, followed by other citizens, advances from the left, carrying the mace; the arms of the City decorate his gown. He says: "Whilst we mourn the occasion we must feel ourselves happy in reflecting that we are blessed by a Prince whose wisdom will protect our liberties, whose Virtues will afford stability to Empire". The background is a wall with Gothic mouldings and windows. A crown is suspended above the Chair."--British Museum online catalogue
Description:
Title etched below image., Attributed to Rowlandson in the British Museum catalogue., Date of publication from British Museum catalogue; a questionable date of 1783 is given by Grego., and Sheet trimmed within plate mark.
Publisher:
publisher not identified
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Pitt, William, 1759-1806