A rider sits stiffly on a misshapen horse that wears blinkers. The rider's stirrups almost touch the ground, and his body and legs form a quasi-vertical line from head to heels. Above his hat is a dotted half circle labeled '90 degrees'. On the right in the middle distance another horse gallops out of control of its rider while further on top a hill in the distance is St. Paul's Cathedral and surrounding buildings.
Alternative Title:
Mathematical horsemanship ; plate 3
Description:
Date of publication from Grego. and Title etched below image; series title etched above image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
One of many satires on the morganatic marriage of George IV and Mrs. Fitzherbert. on the left Mrs. Fitzherbert as Dido sits on a funeral pyre made up of phallic-shaped logs and watches the Prince of Wales sail away in a small boat whose flag is inscribed with the word 'Windsor' [Castle]. The wind which fills the ragged sail of the boat appears to be produced by a blast from the mouths of Dundas and Pitt, whose profile heads are on the extreme left. It is directed at Dido's head, and has blown off a royal crown, an orb and sceptre, and a coronet decorated with the Prince of Wales's feathers. With a tragic gesture she holds out in her right hand a mutilated crucifix. Her breast is bare and her girdle of 'Chastity' is broken. At her feet lie emblems of Popery: a sharp-toothed harrow inscribed 'For the conversion of Heretics', shackles, a pair of birch-rods, an axe, a scourge, and a rosary and crucifix. The pyre seems to be made of money-bags. The boat is the 'Honor'; the Prince is seated between Fox, who holds the tiller, and Burke, who holds the sail; his arms are folded and he looks over his shoulder at Fox, saying, "I never saw her in my Life". Fox echoes "No, never in all his Life, Damme"; Burke, wearing a Jesuit's biretta, says "Never", and North, who sits beside him, apparently asleep, says "No, never". After the title is engraved: 'Sic transit gloria Reginae' (pardoy of "Sic transit gloria mundi"). See British Museum online catalogue.
Description:
Attributed to Gillray in the British Museum catalogue., CtY-LW, Sheet trimmed within plate mark., and Title etched below image.
Publisher:
S. W. Fores, No. 3 Piccadilly
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Burke, Edmund,--1729-1797--Caricatures and cartoons., Fitzherbert, Maria Anne,--1756-1837--Caricatures and cartoons., Fores, S. W., publisher., Fox, Charles James,--1749-1806--Caricatures and cartoons., George--IV,--King of Great Britain,--1762-1830--Caricatures and cartoons., George--IV,--King of Great Britain,--1762-1830--Finance, Personal., Harvey, Francis--Ownership., Melville, Henry Dundas,--Viscount,--1742-1811--Caricatures and cartoons., North, Frederick,--Lord,--1732-1792--Caricatures and cartoons., Pitt, William,--1759-1806--Caricatures and cartoons., and Virgil.--Aeneis.--Liber 4--Parodies, imitations, etc.
Subject (Topic):
Anti-Catholicism., Chastity belts., Emblems., Genitals., and Sailboats.
"A bedroom scene. Lady Hamilton, grotesquely fat, but with traces of beauty in her features, rises from a curtained bed, arms and one leg extended in a burlesqued gesture of despair. She wears a nightgown and lace-trimmed cap. Behind her in the shadowed depths of the bed the night-capped head of her elderly and (?) sleeping husband, rests on the pillow. She looks, weeping, towards an open sash-window through which is seen a fleet sailing towards the horizon. In the window (left) is a cushioned window seat on which (besides a stocking) is an open book: 'Studies of Academic Attitudes taken from the Life'; on one page is a nude woman lying in sensual abandonment. On the right against the curtains of the bed is a dressing-table on which, besides toilet-articles, are a flask of 'Maraschino', a 'Composing Draught', and a pot of 'Rouge à la Naples'. On the carpeted floor (right) are objects from Sir W. Hamilton's collection, with an open book: 'Antiquities of Herculaneum Naples Caprea &c. &c.'; on the right page is a satyr chasing a nymph. They include an oval gem, a figure of a squatting monster, headless, the base inscribed 'Pri[apus]', a laughing bust of 'Messalina', statues of a Venus and a Satyr, coins or medals, one inscribed 'Ovid', another 'Tibertius'. In front of Lady Hamilton are the slippers she has kicked off, and a garter inscribed 'The Hero of the Nile'."--British Museum online catalogue.
Description:
"Dido" is a reference to a character from Virgil's Aeneid., Four lines of quoted verse, two on either side of title, etched below image: "Ah, where & ah where, is my gallant sailor gone? "He's gone to fight the Frenchmen, for George upon the throne. "He's gone to fight [the] Frenchmen, t' loose t' other arm & eye. "And left me with the old antiques, to lay me down & cry., and Title etched below image.
Publisher:
H. Humprey, No. 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Gillray, James, 1756-1815, artist., Hamilton, Emma,--Lady,--1761?-1815--Caricatures and cartoons., Hamilton, William,--Sir,--1730-1803--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Nelson, Horatio Nelson,--Viscount,--1758-1805--Caricatures and cartoons., and Virgil.--Aeneis--Parodies, imitations, etc.--depicted.
Subject (Topic):
Antiques., Bedrooms. , Interiors., Obesity. , and Window seats.
"A crowded scene, the amateurs of the Pic Nic Society are dressing and rehearsing. The design may derive from Hogarth's 'Actresses dressing in a Barn' (BMSat 2403), Gillray stressing the contrast between his luxurious mise-en-scène and the squalor of Hogarth's players. The centre figure is Lady Buckinghamshire, enormous, florid, and gorgeous, her skirts outspread, standing before a dressing-table, touching one of many patches on her face and holding her part, that of 'Roxana' [in Lee's tragedy, 'The Rival Queens; or the Death of Alexander the Great']. Under her dressing-table is a square bottle of 'Usquebaugh' and a glass. On Roxana's l., with her back to the dressing-table, sits Lady Salisbury, her legs crossed and much exposed, pulling on a laced boot. Her neck is swathed with a spotted cravat as in BMSat 9908. Near her on the floor are the second boot, a pair of breeches, and her part: 'the Part of Squire Groom to be per[formed], by [Lady Salisbu]ry'. She gazes at the huge Lord Cholmondeley who stands in profile to the left., dominating the left. of the design. He is dressed as Cupid; a tunic covered with a design of ring-doves, hearts, arrows, and cross a torches defines a vast paunch across which is a tricolour ribbon inscribed 'Amor Vincit Omnia'. He has butterfly wings, massive quiver filled with heavy arrows, and holds an arrow in his left hand. He stands impassively, his head wreathed with flowers. In the foreground, in front of Cholmondeley stands the tiny Lord Mount Edgcumbe in a swaggering attitude, studying his part: 'Alexander the Great', as in BMSat 9916. He wears armour, with a swathed cravat and vandyked ruff, and a helmet on which is a dragon spitting fire. Facing Cholmondeley and immediately behind Lady Salisbury is little Lord Derby blowing a French horn. Behind is a group of musicians: Lord Carlisle (l.) blows the bassoon with a melancholy expression, facing Lord Salisbury who pompously plays a small fiddle. Between them is Col. Greville or Lord Abercorn playing the triangle. ..."--British Museum online catalogue.
Alternative Title:
Peep at the green room
Description:
Title etched below image.
Publisher:
H. Humprey, No. 27 St. James's Street
Subject (Name):
Abercorn, John James Hamilton,--Marquess of,--1756-1818--Caricatures and cartoons., Auchincloss, Hugh Dudley--Ownership., Buckinghamshire, Albinia Hobart,--Countess of,--1738-1816--Caricatures and cartoons., Carlisle, Frederick Howard,--Earl of,--1748-1825--Caricatures and cartoons., Cecil, Mary Amelia,--Marchioness of Salisbury,--1750-1835--Caricatures and cartoons., Cholmondeley, George James Cholmondeley,--Marquess of,--1749-1827--Caricatures and cartoons., Fitzherbert, Maria Anne,--1756-1837--Caricatures and cartoons., George--IV,--King of Great Britain,--1762-1830--Caricatures and cartoons., Hanger, George,--1751?-1824--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher. http://id.loc.gov/authorities/names/n97861435, Jersey, Frances Villiers,--Countess of,--1753-1821--Caricatures and cartoons., Mount Edgcumbe, Richard Edgcumbe,--Earl of,--1764-1839--Caricatures and cartoons., Queensberry, William Douglas,--Duke of,--1725-1810--Caricatures and cartoons., Salisbury, James Cecil,--Marquess of,--1748-1823--Caricatures and cartoons., Skeffington, Lumley St. George,--Sir,--1771-1850--Caricatures and cartoons., and Smith-Stanley, Edward,--1752-1834--Caricatures and cartoons.
"Price one shilling coloured.", Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Title etched below image.
Publisher:
Thos. Tegg, No. 111 Cheapside
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Tegg, Thomas, 1776-1845, publisher.
"Lord Kenyon (left), in wig and robes, flogs with great vigour the scarred back of Lady Buckinghamshire, whose wrists are tied to the back of a cart. He has a scourge in the right hand, a birch-rod in the left; from his pocket issues a paper: 'Laws against Gambling'. His head is in back view. His fat victim wears a feathered turban and fashionably dressed hair; her profile and gestures indicate shrieking protest. The horse plods (left to right) away from the spectator. On a pitchfork lashed to the cart is a placard: 'Faro's Daughter's Beware'. Behind is a crowd, divided between those (right) who watch the cart, grinning, in front of whom stands a constable with his staff, and those in back view who surround a pillory in which stand two ladies, closely confined, under a rain of missiles flung by the mob. Both wear feathers in their hair, one (left) has a profile somewhat resembling that of Lady Archer, but is perhaps Lady Elizabeth Luttrell; the other is probably Mrs. Concannon."--British Museum online catalogue.
Description:
Title etched at bottom of image.
Publisher:
H. Humphrey, New Bond Street & St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Buckinghamshire, Albinia Hobart,--Countess of,--1738-1816--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and Kenyon, Lloyd Kenyon,--Baron,--1732-1802--Caricatures and cartoons.
"A pretty young maidservant stands on a doorstep (right) while a man, Irish in appearance, gazes insinuatingly into her face as he fills her bowl with brick-dust from a jar. He has an ass which stands patiently, a double sack pannier-wise across his back and a second jar or measure standing on the sack. The profile of a shrewish old woman looks through the door at the couple, who are intent on each other. A dog barks at the girl. Behind is a street, the nearer houses tall the farther ones lower and gabled. At the doorway opposite a woman appears to be giving food to a poor woman and child. A man and woman lean from the attic windows of adjacent houses to converse. A little chimney-sweep emerges from a chimney, waving his brush."--British Museum online catalogue.
"A fat doctor is trundled down a hill in a wheelbarrow by a lean and amused countryman. His fat wife walks beside the barrow, holding his wig, hat, and stick, and angrily threatens him with her fist, while a dog runs in front. They have just left a thatched and gabled inn (left), with a sign, 'The Horns', and a placard over the door: 'Real Yorkshire Stingo Wines Cordials'. Jovial village notables sit outside the door, drinking and smoking; two, much amused, stand to watch the departure. A cock (left) with three hens squawks at the barrow."--British Museum online catalogue.
Alternative Title:
Teggs caricatures ; no. 23
Description:
"Price one shilling coloured." and Title etched below image.
Publisher:
Thos. Tegg, No. 111 Cheapside
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Tegg, Thomas, 1776-1845, publisher.
"A copy of a Rowlandson watercolour, see British Museum Satires No. 11111. An ugly foppish apothecary, with drink-blotched profile, kneels at the feet of a handsome young woman, one hand on his breast, the other pointing to a cloth at his feet on which are spread clyster-pipes, knife, pestle and mortar, and a bottle: 'Elixer of Life Drops'. She stands, making a gesture of surprise. Behind are the curtains of a bed, and a door (right) round which looks an amused man."--British Museum online catalogue, description of an earlier state.
Description:
Date of publication based on earlier state with the imprint "Published by Reeve & Jones, No. 7 Vere Street, Novr. 1, 1808." See British Museum catalogue., Reissue, with alterations to plate; imprint statement has been removed, a new border has been added in aquatint around design, and a border of etched lines has been added around title. For original issue before these changes, see no. 11114 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Rowlandson, Thomas, 1756-1827, artist.