A satire on Napoleon. "The 'dwarf' (Lord Kirkcudbright) stands beside Glumdalclitch's empty chair at the dinner-table. A marrow-bone stands erect on the plate; from this emerges Napoleon, three-quarter length., wearing his bicorne and clenching both fists. The 'dwarf' says: "There you little insignificant Pigmy, I've Bone'd you." Kirkcudbright, in profile to the right., is based on Gillray's caricature, see BMSat 9905, head, figure, dress and sword being closely copied; but he stands chapeau-bras, and the arms and hands are differently posed: r. hand on the edge of the table, left hand held up derisively above Napoleon. The legs are cut off below the knee by the lower margin. On the back of the chair is a crown; on plate, knife, and fork are the Royal Arms."--British Musuen online catalogue
Description:
Title etched below image., Text following title: Vide Swift's Gulliver, Voyage to Brobingnag., and Sheet trimmed with loss of imprint statement. Imprint supplied from impression in the British Museum. See Registration number 1868,0808.7205.
Publisher:
Pubd October 18th 1803 by S.W. Fores 50 Piccadilly
Subject (Name):
Kirkcudbright, John Maclellan, Lord, 1729-1801, Napoleon I, Emperor of the French, 1769-1821, and Swift, Jonathan, 1667-1745.
Subject (Topic):
Caricatures and cartoons and Adaptations, parodies, etc
A medley of engraved representations of several prints laid on top of others. The largest print, at the bottom of the pile, and so partially obscured, is identified by a banner at the top that reads "The three false bretherns" and are identified below as Daniel [Defoe], the Pope and the devil. Other prints laying on top include "A deformed head in the pillory", a portrait of Oliver Cromwell, two playing cards, "A Whig & Tory a wrestling", "On the calves head feast".
Alternative Title:
Whigs medley
Description:
Title from engraved image of a plate in lower right portion of image; engraver's monogram from image in upper right corner., Sheet trimmed within plate mark., and Bowditch's ms. annotations on the mounting sheet; mounted to 44 x 35 cm.
Publisher:
publisher not identified
Subject (Name):
Cromwell, Oliver, 1599-1658 and Defoe, Daniel, 1661?-1731
"Satire on Lord Bute in the form of a reply to Henry Howard's bawdy ballad, "The Queen's Ass" (BM Satires 3870): the zebra kicks Howard, who has fallen to the ground, behind him a group of men comprising John Fielding, the three Cherokee chiefs who visited London in 1762, and another who may be identified as the man referred to in the verse below as "M-re [who] sally'd forth the fair Sex to relieve"; on the right, Bute, dressed in tartan and wearing a boot, riding a tamed British Lion; a Jewish stockbroker in the stocks; and George Whitfield looking into a mirror which reflects the image of an ass. In the background Charles Churchill, wielding a stick, chases off Bute's supporters, the journalists Arthur Murphy and Tobias Smollett, who raise their hands in surprise. Engraved inscriptions, title and verses in two columns by "Fartinando", to be sung to the tune of "The Ass in the Chaplet"."--British Museum online catalogue
Alternative Title:
Answer to Harry Howard's ass
Description:
Caption title below etching., Engraved broadside poem illustrated with etching at top of sheet (late mark 30.1 x 20 cm). Etching signed: J. Jones delin et sculpt., Harry H----d's = Henry Howard., Publication date from British Museum catalogue., The lion bears some resemblance to those designed by Jefferyes Hamett O'Neale for the Ladies Amusement (first published by Sayer in 1760), especially plate 108, and was perhaps copied from his work. Cf. British Museum online catalogue., Ten stanzas of verse below title: Permit me good people (a whimsical bard) and snarl not [the] critical class ..., and Mounted to 35 x 41 cm.
Publisher:
Publish'd according to act of Parliament by J. Williams, next the Mitre Tavern, Fleet Street
Subject (Name):
Bute, John Stuart, Earl of, 1713-1792, Whitefield, George, 1714-1770, Fielding, John, Sir, 1721-1780, Murphy, Arthur, 1727-1805, and Smollett, T. 1721-1771 (Tobias),
Subject (Topic):
Cherokee Indians, Jews, Clergy, England, National emblems, British, Stocks (Punishment), and Zebras
"Peel stands directed to the left holding a dome-shaped wire cage containing rats; his left hand is on his hip. He wears a small battered hat, once a topper, a collar and stock, patched greatcoat with sheepskin collar and many pockets; loose boots to the calf. A document projects from his coat-tail pocket. Above his head: 'I turns my hand to any thing now I ketches Rats like winking.'"--British Museum online catalogue
Description:
Title etched below image., Plate signed in bottom left-hand corner using William Heath's device: A man with an umbrella., and Cf. Heath, W. The man wot drives the sovereign, which shows Wellington as a coach driver, also publisher in 1829 by MacLean.
Publisher:
Pub. April 1829 by T. McFat, 26 Straw-market [i.e. T. McLean, 26 Haymarket]
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830. and Peel, Robert, 1788-1850
Subject (Topic):
Catholic emancipation, Animal traps, Newspapers, and Ratcatchers
A scene in a room: Justice Henry Fielding stans in a circle drawn on the floor, the scales of 'Astrea' in his pocket, his hand supported on the sword of Justice. Also in the circle as if to protect them from witchcraft are the Lord Mayor Sir Crisp Gascoyne, his state collar round his neck, and "Dr." John Hill, the clyster-pipe of 'Galen' in his pocket; the latter points to the gypsy Mary Squires whose cause he advocated. Fielding points to Elizabeth Canning with an attendent(?) behind, whose story he eagerly defended. Two pictures hanging on the wall amplify the subject of the print: on the left, a view of the Mansion House, London, then recently erected; and on the right, a view of the Old College of Physicians, comprising a mortar, a dried and stuffed skin of a crocodile, a human skeleton, and a stuffed ostrich. Between the pictures hangs the regalia of the City of London. Centered on the ground is a bottle labelled 'Another bottle' alluding to the 'Bottle-Conjurer' (See British Museum satire 'The magician' no 3022).
Description:
Title from item., Sheet trimmed within plate mark., "Pr. 6d"--Lower right below verses., Six lines of verse in three columns below image: When one head has a cause in hand, A cause it cannot understand; Auxilliarys must be good, To make the matter understood: Three conj'rers sure must find ye out, Which, one, might ever hold in doubt., and Mounted to 35 x 46 cm.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain. and British.
Subject (Name):
Fielding, John, Sir, 1721-1780, Hill, John, 1714?-1775, Gascoyne, Crisp, Sir, 1700-1761, Canning, Elizabeth, 1734-1773, and Squires, Mary, -1762
Subject (Topic):
Romani, Fraud, Interiors, Criminals, Physicians, British, Government officials, and Magicians
"Princess Charlotte (three-quarter length) stands at a table looking into a large (chinoiserie) punch-bowl (right) in which Bonaparte frantically swims towards her, among agitated waves, his large hat floating in the water. The Princess, very mature for her seven years, wears a cap with a jewelled fillet inscribed 'Ich Di[en]' in which are three feathers. Round her neck on a rope of pearls hangs an oval miniature of the Prince of Wales. She holds her left fist over the bowl, saying, "There you impertinent boasting swaggering Pigmy, - take that, - You attempt to take my Grandpap's Crown indeed, and plunder all his Subjects, Fillet you know that the Spirit and Indignation of every Girl in the Kingdom is roused at your Insolence."--British Museum online catalogue
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., and "Vide Gulliver's Vouyage to England"--Text following title.
Publisher:
Pubd. Octobr. 21st, 1803, by S.W. Fores, 50 Piccadilly
Subject (Name):
Charlotte Augusta, Princess of Great Britain, 1796-1817, George IV, King of Great Britain, 1762-1830, Napoleon I, Emperor of the French, 1769-1821, and Swift, Jonathan, 1667-1745.
Subject (Topic):
Caricatures and cartoons, Adaptations, parodies, etc, Bowls (Tableware), Girls, Pendants (Jewelry), Rulers, and Swimming
A satire on the Duke's pressure on the King to accept Emancipation. "Wellington stands in profile to the right, dressed as the driver of a mail-coach, holding his whip and (as way-bill) a paper resembling the 'Gazette', headed 'Bill' [i.e. for Catholic Relief]. His (gloved) left hand touches the broad brim of his hat. He wears a triple-caped greatcoat, tight at the waist, over tightly strapped white trousers, and is smart and erect, in contrast with his rival, see British Museum satires no. 15736"--British Museum online catalogue
Description:
Title etched below image., Plate signed using William Heath's device: A man with an umbrella., For a close copy published by E. King, see no. 15731A in the British Museum catalogue., and Watermark: J. Whatman 1829.
Publisher:
Pub. April 1829 by T. McLean, 26 Haymarket
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830. and Wellington, Arthur Wellesley, Duke of, 1769-1852
Subject (Topic):
Catholic emancipation, Coach drivers, Newspapers, and Whips
"The Duchess of Devonshire sits astride a galloping fox, her face to its tail. A signpost by the fox's head points (left) 'To Cuckolds Hall'; on the top of the post is a pair of horns. The Duchess wears a hat trimmed with ostrich feathers and with a ribbon inscribed 'Fox'"-- British Museum online catalogue
Alternative Title:
One good turn deserves another
Description:
Title etched below image., Reissue of a print originally published 24 May 1784. See British Museum catalogue., and Mounted to 28 x 36.5 cm.
Publisher:
Pubd. May 24, 1787, by J. Notice, Oxford Road
Subject (Geographic):
Great Britain
Subject (Name):
Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806, Fox, Charles James, 1749-1806, Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806., and Fox, Charles James, 1749-1806.
Subject (Topic):
Politics and government, Adultery, Foxes, and Traffic signs & signals
Print shows a group of five grotesquely caricatured men attending to a sixth man identified as Dr. Franz Joseph Gall, who is lecturing them on a skull which he holds up in his left hand. An open volume rests on a lectern beneath the lecturers prominent stomach, and the walls around the group are lined with shelves holding a collection of skulls and busts; the three shelves located behind them at left are labeled: Lawyers, thieves & murderers. - Poets, dramatists, actors. - Philosophers, statesmen & historians
Alternative Title:
Dr. Gall's lecture
Description:
Title and date supplied by cataloger. and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
publisher not identified
Subject (Name):
Gall, F. J. 1758-1828 (Franz Joseph), and Gall, F. J. 1758-1828. (Franz Joseph),
Subject (Topic):
Craniology, Phrenology, Skull, Science, Physicians, and Lectures and lecturing