Plate 31. Queen Charlotte's collection of Hogarth works. Leaf 31. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The scene is of the Southwark fairgrounds in London with attractions. A large sign "The Siege of Troy" hangs in front a church obscuring all but the steeple. A theatrical booth on the left collapses under the sign "The Stage of Mutiny ..."; a lantern sign reads "Ciber [sic] and Bullock's The Fall of Bajazet". There is a china shop, a rope dancer and rope-flyer, a quack doctor, a peepshow, a conjuror (Isaac Fawkes) and broadsword fighter on horseback; in the foreground a black boy plays a trumpet and a young woman a drum
Alternative Title:
Humours of a fair
Description:
Title and publisher from Paulson., Paulson cites an alternative title from Hogarth: Humours of a fair., 1 print : etching with engraving on laid paper ; plate mark 36.1 x 47.1 cm, on sheet 46 x 59 cm., and Plate 31 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Geographic):
London (England)
Subject (Topic):
Social life and customs, Acrobats, Blacks, City & town life, Crowds, Entertainers, Fairs, Magicians, Peepshows, Puppet shows, Street musicians, and Theatrical productions
The many windowed buildings are on the right, the high curved and spiked wall on the left. A lawyer, who invoked proceedings for gaming offences against former cronies, is being tossed high from a vast blanket, having been lured into the prison. A group of men with racquets is on the left. College=prison. See British Museum catalogue
Description:
Title, printmaker, and imprint from published state., Plate etched for: Westmacott, C.M. English spy. London : Sherwood, Jones, and Co., 1825-1826., For published state see: No. 14952 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., and Ms. note in pencil on front: Vol. 1, page 410.
Scene in a crowded room lit by a few guttering candles, 'far exceeding in profligacy and dissipation' anything depicted by R obert Cruikshank in St. Giles. Men and women fight, drink, and smoke. An old soldier fiddles, a woman beats a drum for dancers who are almost hidden but apparently naked. Cruikshank stands on a table, pouring gin from a large tankard inscribed 'R.C' into raised glasses. One prostitute squirts liquid from her mouth at another, a third pulls on her stockings, incidents taken from Hogarth's 'Rake's Progress' (plate iii). 'Blackmantle' watches the fight, smoking a long pipe. On the walls are placards: 'No trust' and 'Pig and Whistle: Rules of the Club." British Museum catalogue
Alternative Title:
Buff Club, at the Pig and Whistle, Avon Street, Bath
Description:
Title, printmaker, and imprint from published state., Plate etched for: Westmacott, C.M. English spy. London : Sherwood, Jones, and Co., 1825-1826., For published state see: No. 15232 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., and Ms. note in pencil on front: Vol. 2, Page 386.
Publisher:
Sherwood & Co.
Subject (Name):
Cruikshank, Robert, 1789-1856, and Hogarth, William, 1697-1764.
An etching that appeared at the head of a broadside with the title 'Rhe Scotch yoke, or, English resentment' and nine verses in letterpress below; a satire on Lord Bute, his Excise scheme and the Treaty of Paris (1762). The image shows Lord Bute, dressed in tartan, seated on top of a pole on a pyre, holding two documents one labeled "Peace" and the other "Excise upon Cyder"; surrounded by a group a cheering people; with engraved speech bubbles
Alternative Title:
English resentment
Description:
Title from British Museum catalogue. and On page 292 in volume 3. Sheet trimmed to: 14.9 x 19.2 cm.
An etching that appeared at the head of a broadside with the title 'Rhe Scotch yoke, or, English resentment' and nine verses in letterpress below; a satire on Lord Bute, his Excise scheme and the Treaty of Paris (1762). The image shows Lord Bute, dressed in tartan, seated on top of a pole on a pyre, holding two documents one labeled "Peace" and the other "Excise upon Cyder"; surrounded by a group a cheering people; with engraved speech bubbles
Alternative Title:
English resentment
Description:
Title from British Museum catalogue. and With Bowditch's annotaions on mount: 33.2 x 45.2 cm.
"Satire on the financial scandal of the South Sea Bubble; a composite scene in the City of London identified by the Guildhall, St Paul's Cathedral and the Monument (its inscription changed to record the destruction of the city by the South Sea); a crowd is gathered around a merry-go-round (on which ride a prostitute, a clergyman, a shoe-black, an old crone and a Scottish nobleman); to left, the Devil hacks the limbs of Fortune, while religious leaders (both Anglican and Jewish) play at pitch and hustle; to right, emblematic figures of Honour and Honesty are beaten by Self-Interest and Villainy, and Trade sleeps."--British Museum online catalogue
Description:
Title and state from Paulson. imprint from 3rd state., Verses below image: See here [the] causes why in London, so many men are made, & undone .... Guess at the rest you find out more., "Price 1 shilling."--Lower right., Sheet trimmed within plate mark with some loss to text at bottom margin., Ms. note in Steevens's hand above: South-Sea. In pencil below: See Nichol's book, 3d edit. p. 122., and On page 8 in volume 1.
Publisher:
Mrs. Chilcot and R. Caldwell?
Subject (Geographic):
Financial crises and Great Britain
Subject (Topic):
South Sea Bubble, Great Britain, 1720, History, Allegories, Clergy, Crowds, Devil, Ethnic stereotypes, Merry-go-rounds, Occupations, and Prostitutes
"Satire on the financial scandal of the South Sea Bubble; a composite scene in the City of London identified by the Guildhall, St Paul's Cathedral and the Monument (its inscription changed to record the destruction of the city by the South Sea); a crowd is gathered around a merry-go-round (on which ride a prostitute, a clergyman, a shoe-black, an old crone and a Scottish nobleman); to left, the Devil hacks the limbs of Fortune, while religious leaders (both Anglican and Jewish) play at pitch and hustle; to right, emblematic figures of Honour and Honesty are beaten by Self-Interest and Villainy, and Trade sleeps."--British Museum online catalogue
Description:
Title and state from Paulson. imprint from 3rd state., Verses below image: See here [the] causes why in London, so many men are made, & undone .... Guess at the rest you find out more., Price erased in state 6 and new publication line added in state 7., Sheet trimmed within plate mark., and On page 8 in volume 1.
Publisher:
Printed for John Bowles at No. 13 in Cornhill
Subject (Geographic):
Financial crises and Great Britain
Subject (Topic):
South Sea Bubble, Great Britain, 1720, History, Allegories, Clergy, Crowds, Devil, Ethnic stereotypes, Merry-go-rounds, Occupations, and Prostitutes
A scene outside the Ram Inn (with a ram above the sign "Dealer in foreigh wintes"), part of whose front forms a background. Yokels are crowded in a wagons with banners, fiddlers, and trumpeter, all wearing favors, and accompanied by many pedestrians (including women and children with dogs) and one or two mounted men. They are witnesses, &c., in a lawsuit on the claim of the vicar of Berkeley, Mr. Carrington, to the great tithes of Gloucester; on a verdict against the vicar they are about to go in procession to Berkeley for a celebration near the vicarage, with a roasted ox, firing of small cannon, &c.
Description:
Title and imprint from published state., Plate etched for: Westmacott, C.M. English spy. London : Sherwood, Jones, and Co., 1825-1826., For published state see: No. 15225 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., and Ms. note in pencil on front: Page 334, Vol. 2.
An expensively decorated room with a gas chandelier of cut glass is filled with a raffish crowd, eating, drinking, and fighting, and flirting. The selling of shell-fish is a 'specious pretence' for 'costly suppers' in a 'den of depravity'. The center figure, a young man assailed by a woman, appears to be Robert Cruikshank. See British Museum catalogue
Alternative Title:
New Covent Garden Hall
Description:
Title, printmaker, and imprint from published state., Plate etched for: Westmacott, C.M. English spy. London : Sherwood, Jones, and Co., 1825-1826., For published state see: No. 14950 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., and Ms. note in pencil on front: Vol. 1, page 399.
Publisher:
Sherwood Jones & Co.
Subject (Name):
Cruikshank, Robert, 1789-1856,
Subject (Topic):
Chandeliers, Courtship, Crowds, Eating & drinking, Fighting, Intoxication, and Parties
"The March to Finchley"; scene at Tottenham Court (after the painting in the Foundling Museum) with soldiers gathering to march north to defend London from the Jacobite rebels; the crowd includes, in the foreground, a man urinating painfully against a wall as he reads an advertisement for Dr. Rock's remedy for venereal disease, an innocent young piper, a drunken drummer, a young soldier with a pregnant ballad seller (her basket contains "God Save our Noble King" and a portrait of the Duke of Cumberland) and a Jacobite harridan selling newspapers, a milkmaid being kissed by one soldier while another fills his hat from her pail, a muffin man, a young chimney sweep, a gin-seller whose emaciated baby reaches for a drink. In the background a boxing match takes place under the sign of Giles Gardiner (Adam and Eve depicted), a wagon loaded with equipment follows the marching soldiers and, to the right, prostitutes lean from the windows of a brothel at the sign of Charles II's head; beyond the sunlight shines on Hampstead village on the hill."--British Museum online catalogue
Description:
Title, imprint, artist, printmaker and state from Paulson., Sheet trimmed with plate mark., Ms. note in pencil in Steevens's hand below print: Aqua fortis proof. See Mr. Nichols's book, 3d. edit. p. 299., and On page 149 in volume 2.