"A young man, [Friedrich Christian Accum (1769-1838) misidentified by Dorothy George as] Humphrey Davy (1778-1829), stands on a platform in a crowded lecture-room, circular in shape, an arc of the wall being shown. He pours liquid from a kettle into a beaker. His table is covered with similar beakers, a tiny retort, &c. Behind him is a door inscribed 'Surrey Institution'. The absorbed audience consists chiefly of pretty women in evening dress and ugly and elderly men. Men are seated on the platform; one is standing. In the foreground (left) a much caricatured elderly man in old-fashioned dress and bag-wig leans forward on his stick, registering anguished jealousy. In his pocket is a book: 'Accum's Lectures' .... Spectators look down from a balcony immediately above the platform."--British Museum online catalogue
Description:
Title etched below image., Date of publication from Grego. A date of ca. 1810 is given in the British Museum catalogue., and Watermark: J. Whatman 1810.
"A young couple sit side by side taking tea; the hostess, probably the mother of the young woman, is seated at a small rectangular table filling a tea-pot from an urn. A footman holds a salver to a man who helps himself to sugar, probably the father of the younger man. He sits on the right of his host, a gouty invalid in dressing-gown and nightcap, who is seated in an armchair on the extreme right. A dog sits beside the tea-table."--British Museum online catalogue
Description:
Title etched below image., It is suggested that this print is an imitation of Rowlandson in the British Museum catalogue, but Grego indicates that it is by Rowlandson., Date '1785' in lower right corner of image., 1 print : etching, hand-colored ; sheet 21.0 x 29.3 cm., and Sheet trimmed within plate mark.
Publisher:
Publish'd Jany. 1st, 1786, by S.W. Fores, at the Caracature Warehouse, No. 3 Piccadilly
Subject (Topic):
Gout, Couples, Courtship, Dogs, Servants, and Tea parties
"A young couple sit side by side taking tea; the hostess, probably the mother of the young woman, is seated at a small rectangular table filling a tea-pot from an urn. A footman holds a salver to a man who helps himself to sugar, probably the father of the younger man. He sits on the right of his host, a gouty invalid in dressing-gown and nightcap, who is seated in an armchair on the extreme right. A dog sits beside the tea-table."--British Museum online catalogue
Description:
Title etched below image., It is suggested that this print is an imitation of Rowlandson in the British Museum catalogue, but Grego indicates that it is by Rowlandson., and Date '1785' in lower right corner of image.
Publisher:
Publish'd Jany. 1st, 1786, by S.W. Fores, at the Caracature Warehouse, No. 3 Piccadilly
Subject (Topic):
Gout, Couples, Courtship, Dogs, Servants, and Tea parties
"Two fat elderly parsons in cap and gown walking together along the side-aisle of a large Gothic church fall violently over a rope stretched across the aisle and held by two groups of undergraduates, also in cap and gown. With the group on the right is a buxom young woman, pulling the rope. Two undergraduates flourish long-lashed whips, one aims a squirt, another lets off a squib. The aisle is divided from the nave by an iron railing; on the ground is a stone or brass with a mitre and crosier inscribed 'Here Lies the Body of Bishop Blear eyes.'"--British Museum online catalogue
Description:
Title from caption below image., Publication date from British Museum catalogue., Sheet trimmed leaving thread margins., "Price one shilling coloured.", Variant without publication date of no. 11781 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Watermark: Charles Wise., and 1 print on wove paper : etching, hand-colored ; sheet 25 x 35 x cm.
Title from item., Originally published in 1785. See British Museum catalogue., Possibly a companion print of Rowlandson's "Cully pillag'd"., Watermark., and Printseller's identification stamp located in lower right corner of sheet: S·W·F.
"A handsome strapping woman stands in the doorway of a brothel, a corner house of some size (right), tugging hard at the neck-cloth of a plainly dressed man, saying, "Wont you come, wont you come Mr Mug [a popular song, see No. 11205]." He leans back, pushing against the door-post, and the woman's chest, trying to escape, and saying: "Avaunt thee Satan." Two laughing prostitutes lean against him (left), pushing their posteriors against his, to prevent his escape; one of them, for better purchase, presses her hands and a foot against the post of the sign-board before the door. On this is a pictorial sign: 'Cat and Bagpipes'. A dog rushes barking towards the struggle. Behind (left), across the street, is a row of old houses with casement windows; washing hangs from a projecting pole."--British Museum online catalogue
Description:
Title from caption below image., Sheet trimmed within plate mark., Plate numbered "317" in upper right corner., and Watermark: Edmeads & Co.
Publisher:
Pubd. March 1, 1814 by Tho. Tegg No. 111 Cheapside
A night scene under the Piazza of Covent Garden, the center of which is seen through the arch of the arcade. A couple hurry arm-in-arm through a doorway (right) over which is Haddocks (a bagnio). The woman is the Duchess of Devonshire, shown with a bare breast and holding a lantern. She tells the prim young man "Vote for whom you please but kiss before you poll." He answers, "Tis too much neighbor! I could not go through with it." On the left behind the couple is Mrs. Hobart who holds her lantern to see an old Chelsea pensioner and a negro supported on stumps and crutches. She says to them, "D-m the Duchess, she got all the young voters."
Alternative Title:
Dark lantern business, or, Mrs. Hob and Nob on a night canvass with a bosom friend and Mrs. Hob and Nob on a night canvass with a bosom friend
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed partially within plate mark., and Mounted to 29 x 38 cm.
Publisher:
Pub. April 24th, 1784, by H. Humphrey, Bond Street
Subject (Geographic):
Great Britain.
Subject (Name):
Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806, Buckinghamshire, Albinia Hobart, Countess of, 1738-1816, and Covent Garden (London, England)
Subject (Topic):
Brothels, Lanterns, Lighting, People with disabilities, Political elections, and Prostitutes
"From the bustle and life visible on all sides it would seem that the period is fair-time, when the rustics and agricultural population of the vicinity in general flock into the town, holiday-making. A travelling mountebank has established his theatre in the market place; the person of the ingenious charlatan is decked out in a fine court dress, with bag wig, powder, sword, and laced hat complete, the better to excite the respect of his audience; he is holding forth on the marvellous properties ascribed to the nostrums which he is seeking to palm off on the simple villagers as wonder-working elixirs; while his attendants, Merry Andrew and Jack Pudding, are going through their share of the performance. One branch of the mountebank physician's profession was the drawing of teeth; an unfortunate sufferer is submitting himself to the hands of the empiric's assistant. The rural audience is stolidly contemplating the antics of the party, without being particularly moved by Dr. Botherum's imposing eloquence, these vagabond scamps being frequently clever rogues, blessed with an inexhaustible fund of bewildering oratory, and witty repartee at glib command. Leaving the quack, we find plentiful and suggestive materials to employ the humourist's skilful graver scattered around. In the centre, a scene of jealousy is displayed; the beguilements of a portly butcher are prevailing against the assumed privileges of a slip-shod tailor, who is seemingly tempted to have recourse to his sheers, to cut the amorous entanglement summarily asunder. On the left, the promiscuous and greedy feeding associated with 'fairings,' is going busily forward, and on the opposite side are exhibited all the drolleries which can be got out of a Jew pedlar, his pack, the diversified actions of customers he is trying to tempt with his wares, and the bargains for finery into which the fair and softer sex are vainly trying to beguile the cunning Hebrew on their own accounts. It seems probable that Rowlandson in his print of Doctor Botherum may have had a certain Doctor Bossy in his eye, a German practitioner of considerable skill, who enjoyed a comfortable private practice, said to have been the last of the respectable charlatans who exhibited in the British metropolis. This benevolent empiric, as Angelo informs us, dispensed medicines and practised the healing art, publicly and gratuitously on a stage, his booth being erected weekly in the midst of Covent-Garden Market, where the mountebank, handsomely dressed and wearing a gold-laced cocked hat, arrived in his chariot with a liveried servant behind. According to the old custom, the itinerant quack-doctor, with his attendant gang, was as constant a visitor at every market-place as the pedlar with his pack."--Grego
Description:
Title etched below image., Attributed to Rowlandson by Grego., Sheet trimmed within plate mark., Twelve lines of verse below image, six on either side of title: High o'er the gaping crowd, on market day, while Andrew drolls the blockheads pence away ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local Medical Library subject terms: Mountebanks -- Tooth Extraction -- Dr. Bossey., and 1 print : aquatint and etching, hand-colored ; sheet 373 x 433 mm.
Publisher:
Pubd. 6 March 1800 at R. Ackermann's Repository of the Arts, 101 Strand
Subject (Topic):
Quacks and quackery, Teeth, Extraction, Jews, City & town life, Plazas, Medicine shows, Audiences, Crowds, Peddlers, and Butchers
"Companion print to BMSat 9678. Four pretty young women are in different stages of dress; a fat woman dressed as (?) a nun, holding a bottle and glass, resembles a bawd. One (left) is having her lank hair combed by a hair-dresser. One, completely dressed, stands in a chair to see her reflection in the small mirror held by a squalid and elderly woman. She wears a quasi-oriental high-crowned turban with floating draperies; one breast is bare; she holds a mask. A young woman wearing a huge cocked hat, shirt, and breeches, puts on a stocking, her foot supported on an overturned chair. The fourth, wearing mask and large feathered hat, adjusts a 'derrière' over her petticoat, standing before a dressing-table and mirror. On the floor are a make-up box, mask, bandbox, &c."--British Museum online catalogue
Description:
Title from caption below image., Sheet trimmed within plate mark on three edges., Companion print to: Dressing for a birthday., Temporary local subject terms: Hairdressing implements -- Mirrors -- Courtesans -- Hairdressers -- Masks -- Female costume: Masquerade -- Derrières -- Hats: Feathered turban -- Make-up boxes -- Masquerade headdress., and Watermark: 1794.
Publisher:
Pub. April 1, 1790, by S.W. Fores, N. 3 Piccadilly
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Two Thames watermen pull a pair-oar wherry towards riverside stairs, much amused at the effects of the wind on a fat 'cit' and a pretty young woman whom he is leading out of the boat. His hat and wig blow off, as does her hat, while her parasol is blown inside out. Other fat and elderly grotesques on the stairs (right) chase hats and wigs. Two comely young women sit in the stern (left). The houses by the stairs are ancient and small. The river is wide; on the opposite side (left) are buildings closely grouped round a large church, and suggesting Southwark."--British Museum online catalogue, description of an earlier state
Alternative Title:
Scudding under bare poles
Description:
Title etched below image., Reissue, with imprint burnished from plate., Publisher and date of publication from earlier state with the imprint "Pubd. May 10th, 1810, by Thos. Tegg, No. 111 Cheapside." Cf. No. 11620 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Also issued separately., "Price one shilling coloured.", Sheet trimmed to plate mark., Design was previously etched in nearly identical form on a different plate. For this earlier version published 10 April 1810 by Thomas Tegg, see: Grego, J. Rowlandson the caricaturist, v. 2, page 186., 1 print : etching on wove paper, hand-colored ; plate mark 24.8 x 34.7 cm, on sheet 25.6 x 41.8 cm., and Leaf 1 in volume 1.