"George IV, crowned, and with orb and sceptre, sits on a coronation chair in Westminster Abbey (right). The Archbishop, well characterized, stands beside him, holding his mitre, his right hand on the chair. On the King's right hand stands Londonderry (Castlereagh) in Garter robes; other peers stand behind him. All watch the antics of Canning, dressed in parti-coloured clothes as a merry-andrew or buffoon. He kneels on the dais at the King's feet, arms flung wide; at his feet is a high-crowned hat with a peacock's feather; on the back of his tunic are the letters M P and P C. He declaims: The delight of the Nation at the Celebration of your Majesty's Coronation, the Exultation throughout the Creation exceeds all Imagination. the Expectation to which the Anticipation of this Consumation has given occasion is beyond Contemplation; we offer the Oblation of our Congratulation, without Hesitation or Trepidation; no Tribulation can effect a Cessation of the Sensation which pervades every Station; no Situation in whatever Deprivation will utter an Execration for the Association are in Preparation to effect an Extirpation of all Defamation. We hope the Expectation of a Decollation will produce Annihilation of all Deviation from strict Regulation; we submit to Subjugation without Hesitation, and we offer our Oration with gratefull Adoration upon this Jollification. The King composedly touches (or kicks) Canning's chin with his toe. Peeresses stand in a gallery across the north transept, holding their coronets. Above them is a second and more crowded gallery."--British Museum online catalogue
Alternative Title:
Adulation, or, A coronation oration by the George Pudding of the nation, Coronation oration by the Jack Pudding of the nation, and Coronation oration by the George Pudding of the nation
Description:
Title etched below image; the name "George" is scored through and replaced by "Jack" written above., Attributed to Charles Williams in the British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
Pubd. July 1821 by S.W. Fores, Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Castlereagh, Robert Stewart, Viscount, 1769-1822, and Canning, George, 1770-1827
"A roughly made jaunting-car on the sands of Dublin Bay proceeds towards the Pigeon House (right) at the end of the jetty (the South Bull). A young and an old woman sit back to back with an elderly man and a young one. The young people turn their heads to kiss, unobserved by their elders : the woman absorbed in snuff-taking, the man looking through a telescope. The head and shoulders of the driver, in back view, form the apex of the design; his hair projects through his battered hat."--British Museum online catalogue
Alternative Title:
Irish vis-a-vis vide Dublin Harbour
Description:
Title from caption below image., Publication date from unverified data from local card catalog record., Sheet trimmed to plate mark on two sides., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: J. Whatman Turkey Mill 1825.
Title from item., Sheet trimmed within plate mark., Reduced copy of a print originally published by S.W. Fores in 1802., Part of a series of reduced copies of prints published by Fores in 1806 and etched primarily by Charles Williams., Printmaker inferred from other prints from the series., Plate numbered in lower left corner: No. 14., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark.
Asses of the 19th century and Modern use of a coachman
Description:
Title from caption below image., Publication date from unverified data from local card catalog record., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Horses -- Horsemanship -- Donkeys.
Publisher:
Pub. by S.W. Fores 50 Piccadilly & 312 Oxford Street
Title from caption below image., Printmaker from British Museum catalogue., Sheet trimmed to plate mark., After the title, a three-line verse by Dryden., Plate numbered "374" in upper right corner., Temporary local subject terms: John Bull -- See-saws -- Costume: male, jack-boots -- Crutches -- Wine -- Beef., Watermark: J. Whatman 1818., and Manuscript "273" in upper center of plate.
Publisher:
Pubd. June 1816 by T. Tegg No. 111 Cheapside
Subject (Name):
Léopold I, King of the Belgians, 1790-1865, Charlotte Augusta, Princess of Great Britain, 1796-1817, and George IV, King of Great Britain, 1762-1830
"A illustrated broadside engraved in two columns. A stalwart Highland soldier, with plumed bonnet, stands outside an open doorway (left) crowded with cringing Italians. He lunges furiously towards them with clenched fist, saying: "Filthy brutes! i 'ts for new boots, That a' you Rogues are swearing at her". The most prominent of the witnesses (cf. British Museum satires no. 13762) are Majocchi (see British Museum satires no. 13827) and Demont, see British Museum satires no. 13856. Over the doorway: 'Rogues Retreat'; at the corner of the building: 'Cotton Garden' [see British Museum satires no. 13824]. Behind (right) is the Thames. The Highlander's words are from the second verse of the song: 'Air Tibby Fowler o' the Glen'. The third of five verses: 'Fie upon the filthy louns! There's o'er mony swearing at her; Fifteen came frae German towns; There's eight and fifty swearing at her; Swearing at her, mumbling at her, Tumbling at her, canna hit her; Tawdry louns! its for new gowns, The hizzies a' are swearing at her.'."--British Museum online catalogue
Description:
Title etched below image, Printmaker and date of publication from the British Museum catalogue., Sheet trimmed to plate mark on right edge., Mounted on page 39 of: George Humphrey shop album., 1 print : etching ; sheet 17.6 x 26 cm., On laid paper, hand-colored., and Imperfect; sheet has been cut in half, with bottom portion (17.3 x 20.7 cm) containing the verses mounted separately beside upper portion containing the engraved plate.
Publisher:
Pubd. by S.W. Fores, 41 Piccadilly
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Demont, Louisa, active 1814-1820, and Majocchi, Theodore, active 1820
"A illustrated broadside engraved in two columns. A stalwart Highland soldier, with plumed bonnet, stands outside an open doorway (left) crowded with cringing Italians. He lunges furiously towards them with clenched fist, saying: "Filthy brutes! i 'ts for new boots, That a' you Rogues are swearing at her". The most prominent of the witnesses (cf. British Museum satires no. 13762) are Majocchi (see British Museum satires no. 13827) and Demont, see British Museum satires no. 13856. Over the doorway: 'Rogues Retreat'; at the corner of the building: 'Cotton Garden' [see British Museum satires no. 13824]. Behind (right) is the Thames. The Highlander's words are from the second verse of the song: 'Air Tibby Fowler o' the Glen'. The third of five verses: 'Fie upon the filthy louns! There's o'er mony swearing at her; Fifteen came frae German towns; There's eight and fifty swearing at her; Swearing at her, mumbling at her, Tumbling at her, canna hit her; Tawdry louns! its for new gowns, The hizzies a' are swearing at her.'."--British Museum online catalogue
Description:
Title etched below image, Printmaker and date of publication from the British Museum catalogue., Sheet trimmed to plate mark on right edge., 1 print : etching, hand-colored ; plate mark 35.8 x 26.1 cm, on sheet 39.5 x 28.2 cm, and Printed on laid paper (with a watermark)
Publisher:
Pubd. by S.W. Fores, 41 Piccadilly
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Demont, Louisa, active 1814-1820, and Majocchi, Theodore, active 1820
"Two tiers of single English figures expressing appropriate opinions about the coronation of Napoleon."--British Museum online catalogue
Description:
Title etched below image., Attributed to Charles Williams in dealer's description. Questionably attributed to Isaac Cruikshank in the British Museum online catalogue, registration no.: 1985,0119.188., Sheet trimmed to plate mark leaving thread margins., "Folios of caracatures [sic] lent out for the evening"--Below image in lower right., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark.
Publisher:
Pubd. July 16th, 1804, by S.W. Fores, No. 50 Piccadilly
Subject (Geographic):
France and Great Britain.
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821.
Subject (Topic):
Foreign public opinion, British, Public opinion, Soldiers, French, Sailors, and British
"A Hyde Park scene. An African family, man, woman, and child, and a similar Lapp family, stand to be gazed at by extravagantly dressed pedestrians. The Lapps have a reindeer decorated with ribbons as in BM Satires 14430, and the child is held on its back by the proud parents. The Africans have distended ear-lobes and projecting under-lips; they wear metal circlets on their heads, set with erect feathers, and feather-trimmed robes. 'Monstrosities' include a very tall cavalry officer with a huge plume in his ornate helmet, and a dwarf in top-boots and fashionable dress. There are also a dandy on horseback with concertina-like trousers, two men in ulsters (one tartan) which trail on the ground, a woman with an enormous bonnet and ermine-trimmed pelisse of grotesque shape. Men's hats are low-crowned and broad-brimmed, or cylindrical, or bell-shaped."--British Museum online catalogue
Description:
Title from caption below image., Printmaker from British Museum catalogue., Sheet trimmed leaving thread margins., Temporary local subect terms: Reindeers -- Native Americans -- Lapp family -- Ethnic stereotypes., and Watermark.
Title from item., Sheet trimmed within plate mark., Reduced copy of print orginally published by S.W. Fores in 1800., Plate is part of a series of reduced copies of prints published by Fores in 1806 and etched primarily by Charles Williams., Printmaker from British Museum catalogue., Plate numbered in lower left corner: No. 4 Pl. 6., Temporary local subject terms: Lawyers -- Devils -- Fishing rods., and Watermark.