A scene in a chamber with the end of canopy bed visible in the background, left. A woman in her undergarments, a candlestick in the foreground positioned suggestively between her legs, reaches out to cover her husband's one good eye as he walks through the front door; behind her, her lover escapes undetected with his clothes over his arm. Outside, through the open door, a servant can be seen leading a horse, with a barn across the yard. To the right of the door, a chamber pot sits on a ladder-back chair with a hat and a fiddle hanging off pegs on the wall above
Alternative Title:
Wife's dream
Description:
Title devised by cataloger., Signed by the artist in lower right., Date supplied by cataloger., and With an extensive inscription on verso, in an unidentified hand, that might represent the original idea for this drawing that was sent to Rowlandson: A woman being catched in her Bedchamber with her Paramour by her husband who had but one Eye. She ran to him, crying aloud that she dream he saw with both’ and therefore, I must know," added the artful Baggage "whether my Dream be fulfill’d - saying this she shut his good Eye which gave her Gallant an opportunity of slipping away unperceived by her husband.
A young woman presumably a prostitute, bare breasted and with a dejected look on her face, is being led up the steps of a building by a beadle or constable, her head bowed in shame. Her infant has been left in the arms of an older woman, stands at the base of the stairs ont he right. Another, older child, seated on a lower step in the foreground, looks up at the scene. The building has barred windows
Description:
Title from dealer's description., Signed by the artist in lower right: T. Rowlandson., and Date supplied by cataloger.
A collection of hand-drawn transformation playing cards using the suit symbols incorporated in the sketches of people in a variety of scenes, some clearly English, others continental. Two examples are a fireside scene illustrating a mother and child (and two others) seated in front of a fireplace with a hanging cauldron, and an illustration of an amorous couple enjoying a dance as a violinist plays stage left. The cards depict both black and white characters, all of whom are wealthy or of high status, including soldiers, bishops, and men and women in fashionable dress. At the top of one card above the head of a man who reads from a sheet as he addresses a woman who looks down demurely, are the words "Mio ben.". On the verso of two cards are inscriptions in English. The first shows a figure in Shakespearean-era costume on the front and on the back, a quote from Twelfth night (Act II, Scene 5): "Some are born great, some achieve greatness, and some have greatness thrust upon them.” A second shows a couple sitting across from each other with an empty table between and on the back three stanzas from William Cowper’s The Diverting History of John Gilpin, first published in 1782
Description:
Title devised by cataloger. and In a later envelope inscribed 'Mlle. de Bernardy' and 'N. Anderson'.
Subject (Geographic):
Great Britain
Subject (Topic):
Playing cards, Card games, and Social life and customs
Page 162. Portfolio containing 50 drawings by Lady Diana Beauclerk and her daughter Mary, Miss
Image Count:
1
Resource Type:
still image
Description:
Title devised by curator., Unsigned; questionable attribution to Thomas Walpole from local card catalog record., Date based on death date of Horace Walpole, who assembled the collection in which this drawing is found., and Mounted on page 162 in a volume containing Horace Walpole's extra-illustrated copy of his Description of the villa of Horace Walpole (Hazen 2523) and his Catalogue of pictures and drawings in the Holbein Chamber at Strawberry-Hill (Hazen 2619.4). Part of the collection: Portfolio containing 50 drawings by Lady Diana Beauclerk and her daughter Mary, Miss Sebright, Miss Knight, Mrs. Damer, John Gooch, Samuel Lysons, Sir Edward Walpole, and Thomas Walpole (Hazen 3641).
Page 163. Portfolio containing 50 drawings by Lady Diana Beauclerk and her daughter Mary, Miss
Image Count:
1
Resource Type:
still image
Description:
Title devised by curator., Unsigned; questionable attribution to Thomas Walpole from local card catalog record., Date based on death date of Horace Walpole, who assembled the collection in which this drawing is found., The smaller sheet, on which the figure holding a muff is drawn, is pasted on the right portion of the larger sheet; the figure holding a fan is drawn on the left portion of the larger sheet., and Mounted on page 163 in a volume containing Horace Walpole's extra-illustrated copy of his Description of the villa of Horace Walpole (Hazen 2523) and his Catalogue of pictures and drawings in the Holbein Chamber at Strawberry-Hill (Hazen 2619.4). Part of the collection: Portfolio containing 50 drawings by Lady Diana Beauclerk and her daughter Mary, Miss Sebright, Miss Knight, Mrs. Damer, John Gooch, Samuel Lysons, Sir Edward Walpole, and Thomas Walpole (Hazen 3641).
View inside Vauxhall Gardens, with the Grand Walk on the right leading towards the obelisk. The orchestra is seen to the left, flanked by pavillions on either side. Elegantly dressed figures socialize in the gardens and walk in pairs down the tree-lined path
Alternative Title:
View at the entrance into Vauxhall
Description:
Title, artist, and date from the 1761 engraving after this drawing., Unsigned., and Engraved in reverse by Edward Rooker and issued as a plate to: London and its environs described. London : R. and J. Dodsley, 1761.
Subject (Geographic):
Vauxhall Gardens (London, England),, England, and London.
A view from Richmond of the Twickenham bank of the Thames, showing (left to right) Pope's villa, Lady Ferrers' summer house, Cross Deep, and Dr. Batty's house (later Poulett Lodge).
Alternative Title:
Pope's villa, Twickenham
Description:
Title and date assigned by curator., Unsigned; attributed to Augustin Heckel., and Previously attributed to Johann Heinrich Mü̈ntz (1727-1798) and inscribed on the wash line mount 'J H Muntz / Pope's Villa Twickenham'. Also on the mount in lower right corner is the ownership stamp 'Scipio' (Henry Scipio Reitlinger).
Subject (Geographic):
Twickenham (London, England) and Thames River (England),
Volume 1, page 61. Original drawings of heads, antiquities, monuments, views, &c. by George Vertue
Image Count:
1
Resource Type:
still image
Abstract:
Drawing of the western front of Chichester Cross, a 15th-century market cross that stands in the center of the city of Chichester
Alternative Title:
West front
Description:
Title devised by curator., Note in ink in upper left corner: The west front., Date supplied by cataloger., Sheet numbered "2" in upper right corner., Laid down on an ink line mount., Mounted on the following leaf (page 63) is a sheet on which an inscription about the erection and repair of Chichester Cross is reproduced in ink, beneath which is written "Inscription to west front"., and Mounted on page 61 in a volume of ca. 50 drawings that was assembled from works purchased by Horace Walpole at the Vertue sale of 1757. Now bound in red morocco, this volume has Walpole's manuscript title-page: Original drawings of heads, antiquities, monuments, views, &c. by George Vertue and others.
Page 180. Portfolio containing 50 drawings by Lady Diana Beauclerk and her daughter Mary, Miss
Image Count:
1
Resource Type:
still image
Description:
Title devised by curator., Artist's name and date written in ink on verso, in a contemporary hand., Two small decorative designs in ink, on separate sheets, are mounted above and below drawing., and Mounted on page 180 in a volume containing Horace Walpole's extra-illustrated copy of his Description of the villa of Horace Walpole (Hazen 2523) and his Catalogue of pictures and drawings in the Holbein Chamber at Strawberry-Hill (Hazen 2619.4). Part of the collection: Portfolio containing 50 drawings by Lady Diana Beauclerk and her daughter Mary, Miss Sebright, Miss Knight, Mrs. Damer, John Gooch, Samuel Lysons, Sir Edward Walpole, and Thomas Walpole (Hazen 3641).