Winchelsea, Charles Finch, Earl of, 1672-1712, artist
Published / Created:
[not after 1712?]
Call Number:
Folio 49 3588 v.1 (Oversize)
Collection Title:
Volume 1, page 50. Collection of prints engraved by various persons of quality.
Image Count:
1
Resource Type:
still image
Description:
Title devised by curator., Signed with the artist's name in lower left corner. The identity of "Lord Maidstone" is pondered in Horace Walpole's ink annotation at bottom of mount: This was probably Charles Lord Maidstone, son of William lost in the Dutch war, & grandson of Heneage Finch Earl of Winchelsea, whom he suceeded., Date of production based on death date of the presumed artist., Laid down on a wash-line mount, with a border of gold paint around the drawing., and Mounted on page 50 in volume 1 of Horace Walpole's collection of amateur works entitled: A collection of prints engraved by various persons of quality.
Volume 1, page 49. Original drawings of heads, antiquities, monuments, views, &c. by George Vertue
Image Count:
1
Resource Type:
still image
Description:
Title devised by curator., Date supplied by cataloger., With a description, written in ink, above and to the right of drawing: Painted on the wall in Hungerfords Chapple, Salisbury. This is painted on the wall within Hungerfords Chapple adjoyning to Salisbury Cathedral ..., Inscriptions from the painting are reproduced in ink below image, under the headings "over the gallant young mans head" and "writt over the figure of the sceleton"., and Mounted on page 49 in a volume of ca. 50 drawings that was assembled from works purchased by Horace Walpole at the Vertue sale of 1757. Now bound in red morocco, this volume has Walpole's manuscript title-page: Original drawings of heads, antiquities, monuments, views, &c. by George Vertue and others.
Page 121.8. Description of the villa of Horace Walpole ...
Image Count:
1
Resource Type:
still image
Description:
Title devised by curator., Unsigned; questionable attribution to John Chute from local card catalog record., Date based on death date of Horace Walpole, who assembled the extra-illustrated volume in which this drawing is mounted., Two drawings on separate sheets, mounted together one above the other., Annotations accompany the vignettes in the drawings, with "circular room 12 feet high" written in pencil across top of uppermost drawing. Also in the upper drawing, "eight stools" is written in ink next to a circular design, and the notes "fret work inside of roof" and "low head boards pierced ..." are written next to two small depictions of a chimneypiece. In the lower drawing, the notes "flat & square" and "balustrade 2 f. 1/2 high" are written next to a patterned design., Several additional sketches of architectural details, in pen and ink and pencil, are present on the verso of the sheet mounted at top., and Mounted on page 121.8 in Horace Walpole's extra-illustrated copy of: Walpole, H. A description of the villa of Horace Walpole ... Strawberry Hill : Printed by Thomas Kirgate, MDCCLXXIV [1774-1786]. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 22, copy 3.
Subject (Name):
Walpole, Horace, 1717-1797 and Strawberry Hill (Twickenham, London, England)
Volume 1, page 59. Original drawings of heads, antiquities, monuments, views, &c. by George Vertue
Image Count:
1
Resource Type:
still image
Abstract:
Drawing of the southern front of Chichester Cross, a 15th-century market cross that stands in the center of the city of Chichester
Alternative Title:
South front and Chichester cross
Description:
Title devised by curator., Sheet annotated in ink with "The south front" above image and "Chichester Cross" below image., Date supplied by cataloger., Sheet numbered "3" in upper right corner., Laid down on an ink line mount., Mounted on same page is a separate sheet on which the dedicatory inscription for the clock of Chichester Cross is reproduced in ink, beneath which is written "Inscription to south front"., and Mounted on page 59 in a volume of ca. 50 drawings that was assembled from works purchased by Horace Walpole at the Vertue sale of 1757. Now bound in red morocco, this volume has Walpole's manuscript title-page: Original drawings of heads, antiquities, monuments, views, &c. by George Vertue and others.
Page 22A. Designs by Mr. R. Bentley, for six poems by Mr. T. Gray.
Image Count:
1
Resource Type:
still image
Description:
Title devised by curator., Attribution to Richard Bentley from Thomas Kirgate's note in pencil below image: First sketch, by Bentley., Date of production inferred from the 1753 publication date of the first edition of Designs by Mr. R. Bentley, for six poems by Mr. T. Gray. This drawing is presumably an early design for the tailpiece to A long story., Written above in brown ink are nine lines of text, including the final two stanzas of the poem A long story., and Tipped in as page [22A] in Thomas Kirgate's copy of: Designs by Mr. R. Bentley, for six poems by Mr. T. Gray.
Title devised by curator., Date of production based on artist's death date., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Subject (Topic):
Anatomists, Surgical instruments and apparatus, Human skeleton, and Grave robbing
A scene in a chamber with the end of canopy bed visible in the background, left. A woman in her undergarments, a candlestick in the foreground positioned suggestively between her legs, reaches out to cover her husband's one good eye as he walks through the front door; behind her, her lover escapes undetected with his clothes over his arm. Outside, through the open door, a servant can be seen leading a horse, with a barn across the yard. To the right of the door, a chamber pot sits on a ladder-back chair with a hat and a fiddle hanging off pegs on the wall above
Alternative Title:
Wife's dream
Description:
Title devised by cataloger., Signed by the artist in lower right., Date supplied by cataloger., and With an extensive inscription on verso, in an unidentified hand, that might represent the original idea for this drawing that was sent to Rowlandson: A woman being catched in her Bedchamber with her Paramour by her husband who had but one Eye. She ran to him, crying aloud that she dream he saw with both’ and therefore, I must know," added the artful Baggage "whether my Dream be fulfill’d - saying this she shut his good Eye which gave her Gallant an opportunity of slipping away unperceived by her husband.
Title derived by curator from duck depicted saying "Quack" drawn in ink at lower left., "C[al]eb[?] Cammon '65" written in ink at top., Artist's initials at lower right., Date derived from artist's date of death., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Title devised by curator., "I.C." in ink lower right., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
A young woman presumably a prostitute, bare breasted and with a dejected look on her face, is being led up the steps of a building by a beadle or constable, her head bowed in shame. Her infant has been left in the arms of an older woman, stands at the base of the stairs ont he right. Another, older child, seated on a lower step in the foreground, looks up at the scene. The building has barred windows
Description:
Title from dealer's description., Signed by the artist in lower right: T. Rowlandson., and Date supplied by cataloger.