"A stout lady wearing a tartan scarf supports the Prince of Wales, who is tipsily waving a lighted (and broken) candle, towards the open door of a bedroom (right). He is dishevelled, with ungartered stockings; his left arm is round the lady's neck. She holds a full wine-glass whose contents are spilling. Behind the Prince's back she snaps her ringers derisively at Lady Jersey, who enters (left), in under-garments and night-cap, saying, "I'll discover the Correspondence in Revenge". The scene is a small ante-room between two bedrooms; in it are a table with bottles and glasses at which is an arm-chair. Behind Lady Jersey (left) is a bed over which is a coronet with the letter 'J', in the other room (right) there is a coronet with the letter 'G' above the bed. Lord Jersey's head and shoulders project from under his wife's bed; he looks towards her, saying, "Upon my Honor I don't think he uses us well after giving me all this trouble for nothing!!" On the wall behind the chair is a circular scrawl indicating a picture inscribed 'D. Manchester'."--British Museum online catalogue
Alternative Title:
A cure for the heart ache!!
Description:
Title text below image., Sheet trimmed to plate mark on top and bottom., Printseller's announcement following imprint: Folios of carecatures [sic] lent out for the evening., Temporary local subject terms: Drunkenness -- Interiors: bedrooms -- Ante-room -- Susan Gordon, Duchess of Manchester., Subjects identified on mat below image., 1 print : etching ; sheet 24 x 39 cm cm., and On wove paper, hand-colored, matted to 47 x 62 cm.
Publisher:
Pub by S.W. Fores, N.50 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Jersey, Frances Villiers, Countess of, 1753-1821, and Jersey, George Bussey Villiers, Earl of, 1735-1805
"Two lovers embrace within a small shed inscribed 'Strong Box' supported on a pole; a tailor with huge shears is about to cut the pole, saying, "I'll upset the basket". The open doors of the shed are 'Modesty' and 'Chastity'. Behind is sketched an equestrian statue with a railing, indicating a London square. On the right is a room, flanked on the left by a high folding screen on which are bills with the titles of chap-books or songs relating to tailors, the uppermost being 'The Brighton Taylor' (see BMSat 6942, &c). In the room five men with horns sprouting from their heads approach a (?) lawyer sitting at a writing-table, who says, "Say & seal, I say said & sealed". One stands on a three-legged stool, two legs of which have been replaced by moneybags, each inscribed '£2,500'. He says: "Joys that none but a married man can know - would that there was a Taylor here to measure them, but it would cost five thousand - " [Other inscriptions have not been transcribed.] An old man with a crutch looks round the screen at the lovers, saying, "D------d good Trade Ill go & get married too."--British Museum online catalogue
Description:
Title etched below image., Temporary local subject terms: Adultery -- Cuckolds -- Divorce: crim con damages -- Trades: tailors -- Lawyers -- Barbers -- London square., Watermark: J Whatman 1794., and Printseller's stamp in lower right of plate: S.W.F.
Publisher:
Pub. by S.W. Fores, 50 Piccadilly
Subject (Geographic):
Great Britain
Subject (Topic):
Divorce, Adultery, Barbers, Couples, Hugging, Lawyers, and Tailors
Title from item., Printseller's announcement following publication statement: Folios of carecatures [sic] lent out for the evening., Temporary local subject terms: Dentists -- Advertisements: Brewers trew English tooth powder -- Furniture: sofas -- Allusion to gambling., Printseller's stamp in lower right of sheet: S.W.F., and Mounted.
Title from item., Printmaker identified by British Museum catalogue., Publisher's advertisement following imprint: NB Folios of caracatures [sic] lent for the evening., Temporary local subject terms: Reference to the London Corresponding Society's meetings near Copenhagen House in Islington, October-November 1795 -- Reference to the Convention Bill -- Crowns: royal crown -- Bonnet rouge., and Watermark: J Whatman.
Publisher:
Pub. No. 20, 1795, by S.W. Fores, N. 50 Piccadilly, corner of Sackville St.
Subject (Name):
Fox, Charles James, 1749-1806 and Pitt, William, 1759-1806
On the right a grotesque figure representing the French Republic sits on a pile of gin barrels, serpents writhing in her hair as flames -- labelled Rapine, Murder, Famine, Atheism -- spit from their mouths. At her feet lies the decapitated figure of Justice. Approaching her from the left are Stanhope carrying a model of the House of Lords, a crown, sceptre and the Holy Bible. Following him is Sheridan carrying a model of the Bank of England and Fox who carries a model of India House and the royal arms. The British lion walks in the opposite direction away from the arms. Next, Whitbread hauls three barrels labelled "Whitbreads intire", the Duke of Bedford a promisary note, and finally Erskine carries a pile of books labelled "Treason / Law of / Libel / Misprisons of ..."
Description:
Title from item., Printmaker from British Museum catalogue., "Publ" in imprint partially burnished from plate., and Mounted to 30 x 47 cm.; caricatures partially identified on mount.
Publisher:
Publ. Feby 10, 1794, by S.W. Fores, No. 3 Piccadilly
Subject (Geographic):
France and Great Britain
Subject (Name):
Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Whitbread, Samuel, 1764-1815, Bedford, Francis Russell, Duke of, 1765-1802, and Stanhope, Charles Stanhope, Earl, 1753-1816
Subject (Topic):
Justice (Virtue), Sansculottes, History, Foreign public opinion, British, and Foreign relations
"A corner of the opera house. A dancer is poised on her right toe, while she leans forward, both arms extended, her left leg extended horizontally towards the audience. Her head is turned full-face. Those in the pit are peering under her skirt, which, falling limply almost to her ankles, defines her figure. In the front row of the pit sit (left to right) the Duke of Queensberry peering through an opera-glass; Sheridan, biting his thumb apprehensively (probably fearing competition with Drury Lane); Fox, leaning back laughing, while Pitt stands behind him, holding his shoulders, and staring intently at the dancer. Among the heads behind are Burke on the extreme right, Bedford next him, then Loughborough and Erskine (?) in their legal wigs. In a box on the first tier sit two ladies and a man, looking down upon the dancer, except that one of the ladies stares at the man she sits next through a glass. A door giving on to the stage is open, through which two men are staring up at the dancer. Behind stands a prim-looking man wearing spectacles. A scene of trees and foliage forms a background to the stage."--British Museum online catalogue
Description:
Title from item., Sheet trimmed to plate mark., The dancer is possibly Madame Rose Parisot?, and Matted to 47 x 62 cm.; printmaker's name and a key identifying subjects printed on mat below image.
Publisher:
Pub. May 7, 1796 by S.W. Fores, No. 50 Piccadilly
Subject (Name):
Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, Queensberry, William Douglas, Duke of, 1725-1810, Sheridan, Richard Brinsley, 1751-1816, Burke, Edmund, 1729-1797, Bedford, Francis Russell, Duke of, 1765-1802, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, and Erskine, Thomas Erskine, Baron, 1750-1823
Subject (Topic):
Audiences, Dancers, French, Performances, Opera houses, and Theatrical productions
Title etched below image., Eight lines of verse in two columns on sides of title: When he came to the Court, oh, what giggle and sport ..., Temporary local subject terms: Costume: Turkish costume -- Plenipotentiaries -- Eye-glasses -- Court -- Turks -- Alllusion to Barbary Coast -- Wands: Lord Chamberlain's wand -- Naval uniforms: admiral's uniform -- Ministers: Turkish minister., and Matted to 41 x 56 cm.
Publisher:
Pub. Janry 1, 1794, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Charlotte, consort of George III, King of Great Britain, 1744-1818, Buckinghamshire, Albinia Hobart, Countess of, 1738-1816, Fitzherbert, Maria Anne, 1756-1837, Frederica Charlotte Ulrica Catherina, Princess, Duchess of York, 1767-1820, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Richmond, Charles Lennox, 3d Duke of, 1735-1806, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, and Salisbury, James Cecil, Marquess of, 1748-1823
Title from item., Sheet trimmed within plate mark., Temporary local subject terms: Saldanha Bay -- Cape of Good Hope -- Palm trees -- Monkeys -- Dutchmen -- Sailors -- Frenchmen -- Money: coins -- Ships: deck -- Cannons., and Watermark: Strasburg lily.
Title from item., Printmaker identified from the original drawing for this print in the Huntington Library collection., and Temporary local subject terms: Pistols -- Eye glasses -- Duelists.
Publisher:
Publish'd 10th July 1792 by Robt. Sayer & Co., Fleet Street, London