Title in lower margin center., Place of publication derived from printmaker's place of residence., Date of publication derived from printmaker's date of death., Above image at left: Pinakothek., Dou's painting dated 1652., and Temporary local Medical Library subject terms: Mountebanks.
Publisher:
publisher not identified
Subject (Topic):
Quacks and quackery, Child care, Country life, Medicine shows, Patent medicines, Spectators, Children, Mothers, Dogs, Hunters, and Wheelbarrows
Title from item., Date derived from wartime subject matter., and Text below image: Printed for H.M. Stationery Office by Jarrold & Sons, Ltd., Norwich. 51-3083
Publisher:
H. M. Stationery Office and Jarrold & Sons, Ltd., Norwich
Subject (Topic):
Victory gardens, Nutrition, World War, 1939-1945, Children, Shovels, and Digging
Title from item., Date supplied by curator., Place of publication supplied by curator., Following title: pa 26., Sheet trimmed., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
publisher not identified
Subject (Topic):
Child care, Children, Conduct of life, Drugs, Mothers, Toys, and Medicines
Title written below image., Artist's initials on lower left, and on right, [anchor]--G. Cruikshank fect., Date based on original work created 1833., Pubd. by Thos McLean, 26 Haymarket, Augt. 1st, 1835 [scored through]., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
A man with a large nose and holding a walking stick walks arm-in-arm with a fashionably dressed young lady who holds a umbrella over her head. A woman holding the hands of two children walk toward them from the right; they all wear hats and the woman has her nose in the air. Behind the couple (left) is a man who holds a basket and makes a mocking gesture at the couple
Description:
Title from caption below image., Date of publication from unverified data from local card catalog record., Four lines of verse pasted on sheet: Now, whether his nose had two corners or three, unlucky! I did not heed them but I thought, form its length, the better 'twould be as a handle by which to lead him., Plate numbered '2' in upper right corner., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
publisher not identified
Subject (Topic):
Children, Couples, Hats, Noses, Teasing, Umbrellas, and Walking
Volume 1, page 2. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
A thin man, dressed in macaroni fashion, stands in profile to the right, holding a cane in his right hand and a bouquet in his left hand; a sword hangs from his side. A child stands behind him, hat held out as if begging for money
Alternative Title:
This club was instituted and kept at Almacks and called the Macaroni Society
Description:
Titled by the artist in ink below image., Attribution to Bunbury based on inclusion of the drawing in a volume of the artist's work., Date from local card catalog record., and Mounted with eleven other drawings on page 2 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs.
SH Contents W218 no. 3 Boxed separately, shelved at end of class
Image Count:
1
Abstract:
A drawing by Horace Walpole, after Antoine Watteau's painting "Pour nous prouver que cette belle"; a woman sits in a chair perusing the open sheet music in her hands as two young children look on. One man leans on the back of her chair, looking over her shoulder at the sheet music, as another man sits before her tuning his lute. 1774 Description: A man and woman in water-colours, after Watteau; by Mr. Walpole. Formerly hung in Mr. Walpole's Bedchamber
Description:
Title assigned by cataloger., Signed and dated in the image, on the side of the chair: Hor. Walpole 1736., Inscription, on the back of the frame, in Horace Walpole's hand: by Horace Walpole., and Place of creation based on the known residence of the artist in 1736.