"A domestic interior. A fat and ugly citizen, wearing old-fashioned dress with a small unpowdered wig, stands on the hearth-rug (right), his back to the fire; he is meditatively reading the 'Gazette', headed: 'New Taxes', and 'Bankru[pts]', his left hand plunged in his breeches pocket. Behind him on the chimney-piece is a pair of scales for weighing guineas (see BMSat 5128). His wife, bald-headed, ugly, and stout, leans back in an arm-chair, her hands raised in protest at an unpowdered wig which a grotesquely thin and ragged French hairdresser (left) proffers obsequiously. A fashionably dressed young man with cropped hair looks with imbecile surprise at his reflection in an oval mirror over the chimney-piece. His mouth is half-covered by his swathed neckcloth, he wears a short spencer (see BMSat 8192) over a sparrow-tail coat, and half-boots. A young woman with over-dressed but unpowdered (red) hair looks with dismay at her reflection in a mirror which she has snatched from the wall. On the wall is an oval bust portrait of 'Charles 2d', his tiny head framed in an immense powdered wig."--British Museum online catalogue
Alternative Title:
Frugal family saving the guinea
Description:
Title etched below image., Sheet trimmed within plate mark., and Temporary local subject terms: Scales -- Pictures amplifying subject: portrait of Charles II in a powdered wig -- Newspapers: 'Gazette' -- Male dress: spencers -- Sparrow-tailed coats.
Publisher:
Pubd. March 10th, 1795, by H. Humphrey, No. 37 New Bond Street
"Gaetan Vestris (right) giving a dancing lesson to a gigantic goose with a human head and long pigtail queue. They face each other in profile. Vestris stands with his legs together, chest thrown out, his arms curved. "Regardez-moi" was his characteristic admonition. On a stool behind the goose is an open book inscribed "Electrical E. E. L."; on the ground at its feet is another inscribed "The Torpedo. Dedicated to Ld------C------. My Lord, I take the Liberty------ The greatness of whose Parts are known. . ." . This indicates that the goose is Lord Cholmondeley (1749-1827), "The Torpedo, a Poem to the Electrical Eel addressed to Mr John Hunter Surgeon" and "Dedicated to . . . Lord Cholmondeley," 4th ed. 1777, was a coarse and scurrilous poem, three lines of which are, "What tho' Lord Ch--lm--d--ly may conceal A most enormous length of Eel Admir'd for Size and bone:"In the wall which forms the background are two sash-windows and a door (left) round which a grinning youth, probably a servant, is looking. On the wall are half length portraits: three in ovals of elderly ladies in profile, one of a clergyman, full-face, wearing a biretta, his left hand on a book. There is also a picture of Fox, with a fox's head, seated opposite Cholmondeley; they are throwing dice. Fox appears satisfied, the other clenches his fist and exclaims in anger. A devil is climbing on the top of the frame and holds out a claw to grab the head of Fox. On the picture are the words "A Nick by God". Like Fox, see BMSat 5972, Cholmondeley held a faro bank at Brooks's. G.E.C., 'Complete Peerage'."-- British Museum online catalogue
Description:
Title from text at bottom of image., Printmaker and date of publication from British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
publisher not identified
Subject (Geographic):
England
Subject (Name):
Vestris, Gaëtan, 1729-1808, Cholmondeley, George James Cholmondeley, Marquess of, 1749-1827, and Fox, Charles James, 1749-1806
The Bow Street magistrate and campaigner against gambling, Sampson Wright, is shown seated at a table being assailed by a man who has entered the door on the right. On the left another man (probably meant to be John Bond, Wright's clerk) expresses alarm, and on the right a dismayed youth wipes away a tear
Description:
Title etched below image., Printmaker and date of publication from British Museum catalogue., Sheet trimmed within plate mark., and Mounted to 44 x 29 cm.
Publisher:
Publish'd by Bonde at the Thieftakers Office, Bow Street
Subject (Geographic):
England and London
Subject (Name):
Wright, Sampson, Sir, -1793 and Bond, John, active 1782
Subject (Topic):
Threats, Judges, Gambling, Interiors, and Clothing & dress
Depicts on the right the German dancing master Jansen playing the fiddle, as his pupil faces him with raised right arm and hat in left hand, a smaller youth standing sleepily on the left
Alternative Title:
Maitre de ballet allemand
Description:
Title etched below image. and Printmaker from British Museum catalogue.
Publisher:
Pubd. April 5th, 1782, by H. Humphrey, No. 18 New Bond Street
A fashionably dressed woman sits (left) in profile, in an upright chair, while a carriage waits for her as seen through the window of the well-appointed sitting room. Her loose dress, high to the neck, has two embroidered slits to reveal the breasts. A pretty, buxom nurse holds out an infant, who eagerly sucks the breast thus conveniently laid bare. She wears a turban with two erect feathers, and short sleeves; her gloved right hand holds a closed fan. On the wall behind her is a large picture, 'Maternal Love': a seated woman suckles an infant. Through a high sash-window is seen a corner of the waiting coach, a footman holding open the door, a fat coachman on the box. The coach, hammer-cloth, and the lady's chair are decorated with a baron's coronet. A patterned carpet covers the floor
Alternative Title:
Convenience of modern dress
Description:
Title etched below image.
Publisher:
Pubd. Feby. 15th, 1796, by H. Humphrey, New Bond Street
Subject (Topic):
Breast feeding, Carriages & coaches, Clothing & dress, Coach drivers, Hats, Infants, Jewelry, Interiors, Mothers, Parlors, Rugs, and Servants