- Creator:
- Gillray, James, 1756-1815, printmaker
- Published / Created:
- [10 May 1787] and [not before 1801]
- Call Number:
- Drawer 787.05.10.01.2
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- "The King and Queen (left), seated under a canopy decorated with a crown and the royal arms, listen enraptured to a concert; the performers are arranged in a pyramid on the right. Numbers on the figures refer to notes engraved beneath the design. George III leans back, his hands clasped, eyes turned ecstatically upwards; he wears a laurel wreath and his head is surrounded by a star-shaped halo. The Queen sits upright with an eager expression, beating time; her hair and scraggy neck are covered with jewels (cf. BMSat 6978, &c). On the extreme left, and on the King's right, stands Pitt, very erect, a rattle in his right hand, blowing a whistle attached to a child's coral and bells. Behind the Queen are two ladies: '4', lean and ugly, holds an ear-trumpet to her ear; ['5'], who is stout, holds a parakeet on her finger. This group is: '1 Mr P------t'. '2 K------'. '3 Q------'. '4 Mad. Schw---gh--n' [Schwellenberg]. '5 Miss Jeff-----s' [Elizabeth Jefferyes or Jeffries, a Maid of Honour]. The royal party are on a circular carpet. On the roof of the canopy sits a demon holding up a purse in each hand, emblem of the supposed avarice of the King and Queen, a favourite subject with Gillray, cf. BMSat 7166, and see BMSat 7836, &c. Three demon hounds, inscribed 'G. R. Windsor', chase a realistically drawn fox (Fox), to whose tail is tied (by a ribbon inscribed 'Coalition') a pot with the features of North. The performers are arranged behind a low semicircular barrier. A stout man with a goat's head is asleep on the left, his hands clasped on his breast; from his pocket protrudes a paper inscribed 'Road to Wynnstay' (cf. BMSat 7068, &c). He is '6 Sr W. W. W-----ne' [Williams-Wynn], one of the founders of 'The Concert of Antient Music'. A demon child and an infant with butterfly-wings sit together on the barrier, singing from one book. A braying ass holding a book is '7 Mr Assb-----ge' (Ashbridge, a celebrated kettle-drummer). A bird of prey (? an owl) wearing a large cap stands on the barrier, a piece of music under its claws inscribed 'Anointed Solomon, King over all, E------'. She is '8 Mad. Mara.' Next '7' is seated a large ox supporting a music-book on his hoofs. He is 'J------h B--tes' (Joah Bates, originator (1776) and conductor of 'The Concert of Antient Music'). In the second row of performers (right to left) is a group (behind '7' and '8') of three fishwives: '10, D------ R------d'. the Duke of Richmond, with a basket of fish on his head, arms akimbo, is scolding '11, M-----s La--sd--e' (Marquis Lansdowne), while '12, Col. B--r-' (Barré), his eyes closed, joins in the dispute. An allusion to the altercation in the House of Lords over Richmond's proposed fortifications (see BMSat 7149 etc.). Next, realistically drawn, is '13 Sir J. M--why' (Mawbey), holding under his arm a squeaking pig whose tail he is twisting as if it were a musical instrument. Mawbey, as a distiller, was famous for keeping large quantities of hogs, see BMSats 5746, 7506, &c. Two lawyers sing from the same music; they are '14 Atty Genl' (Arden) and '15 Sollr Genl' (Macdonald). Behind their heads, and towards the apex of the pyramid, stand two judges facing each other, each holding a chimney-sweep's shovel and brush which they strike together in the manner of chimney-sweeps on May Day. They are '16. D--n--as' (Dundas) and '17. Ld L--ghb--gh' (Loughborough). The former's shovel is decorated with a thistle, the latter's with a man hanging from a gibbet, with the date '1745' and 'Kenn Com' in allusion to the Jacobites executed on Kennington Common, one of whom was Sir John Wedderburn. The apex of the pyramid is '18. Ch--n--ll--r', Thurlow, standing with a fierce expression; he holds up a pair of birch-rods above the bare posteriors of two terrified boys who serve as kettle-drums. Two squalling and fighting cats hang from the ceiling by ribbons attached to their tails. Beneath the design is engraved: '------Monarchs, who with Rapture wild, Hear their own Praise with Mouths of gaping Wonder, And control each Crotchet of the Birth-day Thunder. Peter Pindar.' The satire illustrates this and other passages from 'Ode upon Ode', which attack Pitt for obsequiousness to the King, and the King and Queen for their parsimony in attending the Concerts of Antient Music as subscribers instead of having concerts at their palace: '- Monarchs, who with oeconomic Fury Force all the tuneful World to Tot'n'am Lane.' Mawbey is mentioned: 'Strains! that Sir Joseph Mawbey deem'd divine, Sweet as the Quavers of his fattest Swine.' Wynn also: 'The sleek Welsh Deity who Music knows- The Alexander of the Tot'n'am Troops.' Richmond is mentioned: 'Mad as his Military Grace For fortifying ev'ry Place . . .' The cats: 'How like the Notes of Cats, a vocal Pair.'"--British Museum online catalogue
- Description:
- Title from item., Printmaker from British Museum catalogue., Later state, with numbers and explanatory notes, hairs on the queen's face and further stippling on the king's face., Publication date inferred from watermark., Sheet trimmed within plate mark., Temporary local subject terms: Allusion to Sir John Wedderburn, 1704-1746? -- Chimney sweep's implements -- Singing lawyers -- Squeking pigs -- Fighting cats -- Dispute over Richmond's fortifications -- Child demons -- Ribbon of coalition -- Circular carpets -- Royal canopies -- Demon hounds -- Royal parsimony -- Birds: paraket -- Owls -- Kensington Common -- Literature: allusion to Peter Pindar's Ode upon ode -- Concerts: Antient music, 1787 -- Music: Serenata 'Solomon' by William Boyce -- Emblems -- Allusion to Jacobites -- Children: bous a kettle drums -- Richmond as a fishwoman -- Music books -- Performers in pyramid shape -- Star-shaped haloes -- Birch rods -- Toys: coral and bells -- Cherubs., Watermark: R A 1801 on the left side of sheet; fleur-de-lis on the right side., Matted to 56 x 71 cm., and Verso of former mount (49 x 60 cm), now laid in, with image in reverse of La belle assemblee.
- Publisher:
- Pub'd May 10th, 1787 by S.W. Fores, Piccadilly
- Subject (Name):
- George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Williams-Wynn, Watkin, Sir, 1749-1789, Mara, Gertrud Elisabeth, 1749-1833, Richmond, Charles Lennox, 3d Duke of, 1735-1806, Lansdowne, William Petty, Marquis of, 1737-1805, Mawbey, Joseph, Sir, 1730-1798, Alvanley, Richard Pepper Arden, Baron, 1745-1804, Macdonald, Archibald, Sir, 1747-1826, Melville, Henry Dundas, Viscount, 1742-1811, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Thurlow, Edward Thurlow, Baron, 1731-1806, Schwellenberg, Elizabeth Juliana, ca 1728-1797, Jefferyes, Elizabeth, active 1787-1791, Ashbridge, John, -1799, Bates, Joah, 1741-1799, and Barré, Isaac, 1726-1802
- Subject (Topic):
- Canopies, Concerts, Wreaths, Jewelry, Dogs, Demons, Sleeping, Musical instruments, Books, Birds of prey, Baskets, Fish, Swine, Lawyers, Judges, Shovels, Brooms & brushes, Punishment devices, Buttocks, and Cats
- Found in:
- Lewis Walpole Library > Ancient music [graphic].
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- Creator:
- Byron, Frederick George, 1764-1792, printmaker
- Published / Created:
- Novr. 5, 1787.
- Call Number:
- 787.11.05.04+
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- "The interior of a church (? the Chapel Royal) showing pulpit, side-gallery, and pews beneath the gallery. Wilkes (left) is the preacher, beneath him is his clerk, Pitt. At a right angle to the gallery is the royal pew (right), from which the King looks with earnest attention to the preacher. Queen Charlotte, her fingers to her mouth, also listens attentively. A lady-in-waiting and a courtier with a long wand (Lord Salisbury, the Lord Chamberlain) stand behind. The pew is decorated with the royal arms and has a canopy. In the centre of the gallery sit the Prince of Wales and Mrs. Fitzherbert; he turns away from the preacher, looking at her. Behind him stands George Hanger; behind Mrs. Fitzherbert sits a man looking at Wilkes through a spy-glass. Between him and the royal pew are three men in legal wigs and gowns: Pepper Arden, Dundas, and (?) Kenyon. Between the Prince and the pulpit sit North (asleep) and Burke, looking intently at Wilkes; a lady (? Duchess of Devonshire) attempts to wake North. In the seats under the gallery sit parties of citizens, in general asleep or inattentive. Below the royal pew stands Fox on a low stool as a penitent draped in a sheet; he wears a placard inscribed 'For Playing Cards on the Lord's Day'. A stout lady with an aquiline nose stands near Pitt; with a raised whip she chases a number of dogs out of the church. She has some resemblance to the Duchess of Gordon, a friend of Pitt. Immediately behind Mrs. Fitzherbert and between two Gothic windows is a wall-tablet inscribed: 'This Tablet is erected to the memory of the renowned Plenipotentiary who died by the bow string a short time after his return to Algiers. Two maiden ladies of this Parish who tasted exquisite felicity from his Prowess, dedicate this frail memorial to his loved memory'. Cf. British Museum Satires No. 7935, &c. Immediately behind Mrs. Fitzherbert and between two Gothic windows is a wall-tablet inscribed: 'This Tablet is erected to the memory of the renowned Plenipotentiary who died by the bow string a short time after his return to Algiers. Two maiden ladies of this Parish who tasted exquisite felicity from his Prowess, dedicate this frail memorial to his loved memory'. Cf. BMSat 7935, &c."--British Museum online catalogue
- Alternative Title:
- Wonderful effects of a proclamation
- Description:
- Title from item., Artist tentatively identified as Henry Wigstead; see British Museum catalogue., Printmaker formerly identified as Rowlandson, but an attribution to F.G. Byron (Andrew Edmunds, February 2021) is noted in the British Museum online catalogue, registration no.: J,4.101., The listed publisher "Paddy Whack" probably stands for William Holland; see British Museum catalogue., Temporary local subject terms: Congregations -- Piety Proclamation, June 1, 1787., and Mounted to 30 x 46 cm.
- Publisher:
- Pubd. by Paddy Whack, Oxford Street
- Subject (Geographic):
- England and London.
- Subject (Name):
- George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, George IV, King of Great Britain, 1762-1830, Alvanley, Richard Pepper Arden, Baron, 1745-1804, Kenyon, Lloyd Kenyon, Baron, 1732-1802, Melville, Henry Dundas, Viscount, 1742-1811, Hanger, George, 1751?-1824, Salisbury, James Cecil, Marquess of, 1748-1823, Fitzherbert, Maria Anne, 1756-1837, North, Frederick, Lord, 1732-1792, Wilkes, John, 1725-1797, Pitt, William, 1759-1806, Burke, Edmund, 1729-1797, Devonshire, Elizabeth Cavendish, Duchess of, 1758-1824, Gordon, Jane Gordon, Duchess of, 1748-1812, Fox, Charles James, 1749-1806, and Chapel Royal (Saint James's Palace, London, England),
- Subject (Topic):
- Interiors, Churches, Religious services, Pulpits, Pews, Dogs, Whips, Signs (Notices), and Windows
- Found in:
- Lewis Walpole Library > Reformation, or The wonderful effects of a proclamation [graphic].
- Published / Created:
- [16 April 1784]
- Call Number:
- 784.04.16.03+
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- "Two dogs, with the heads of Hood and Wray, followed by huntsmen chase a fox (left to right) down a slope inscribed 'Constitution Hill'. In front of the fox (Fox) is a sign-post, one arm pointing (right) 'To Cov. Garden'; two others pointing left are 'To St. James's' and 'To the Gallows': The fox's tail, inscribed 'Patriotism', brushes the eye of Wray, who says, "This is a swinging Brush it smarts D-----y he has Blinded me quite". The fox, turning his head back, snarls: "Ha Ha my old Friend you have Run hard for a little Poxes P-ss. Hood, half a length behind the fox, and in the foreground, says: "Never fear Brother, a little Court Water will soon heal the Smart." Behind Wray floats or flies a witch-like old woman carrying the staff and cap of Liberty; she says, "Hack Forward, good Dogs, Tally O Ho W-y he has worried all my Geese & put my Hen Roost in an Uproar". Her skirt is inscribed, 'Secret Influence'; 'Prerogatives'; 'Addresses', 'Petitions &c.' (For the addresses thanking the king for dismissing the Coalition see BMSat 6445, &c.) Behind her, on the extreme left of the design, appear the head and shoulders of the king wearing his crown; he says, "Tally O Tally O my Brave Chelsea Tally O", alluding to Wray's proposal to abolish Chelsea Hospital, see BMSat 6475, &c. Behind are two shadowy huntsmen; one, mounted, says "Wee'l whip him Down by G - d"; the other blows a horn."--British Museum online catalogue
- Alternative Title:
- Re tail iation, Retailiation, and Retaliation
- Description:
- Title from item., Temporary local subject terms: Elections: Westminster, 1784 -- Allusion to Covent Garden -- Allusion to St. James's -- Allusion to Wray's proposal to abolish Chelsea Hospital -- Court Water -- Constitution Hill -- Liberty (symbolic character) -- Witches -- Allusion to Westminster electors as geese -- Collars: inscribed 'Chelsea' -- Secret influence -- Political addresses: George III's address, March 4, 1784 -- Petitions -- Hunting -- Sign posts -- Hunters -- Royal prerogative., and Countermark in center of sheet: T W or W T.
- Publisher:
- Pubd. as the act directs, April 16, 1784, by C. Jones, Brewer Street
- Subject (Name):
- George III, King of Great Britain, 1738-1820, Fox, Charles James, 1749-1806, Hood, Samuel Hood, Viscount, 1724-1816, and Wray, Cecil, Sir, 1734-1805
- Subject (Topic):
- Dogs, Foxes, and Liberty cap
- Found in:
- Lewis Walpole Library > The Westminster hunt, or, The re tail iation [graphic].
- Creator:
- Mansell, William, 1750-1820, attributed name
- Published / Created:
- [24 February 1786]
- Call Number:
- 786.02.24.01.1+
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- "George III, dressed like a farmer, rides a sorry horse towards Windsor. Queen Charlotte sits pillion behind him like a farmer's wife; he is in profile, she full-face, both feet in a wide stirrup or platform. He points awkwardly with his stick towards Windsor. A dog walks before them, its collar inscribed 'G.R. Windsor Castle' (left) is among trees; a signpost (left) points 'To Windsor' and 'To Slough'. On the extreme right is a milestone, 'XX Miles from St James's'."--British Museum online catalogue
- Description:
- Title etched below image., The title is an allusion to George Farquhar's Constant Couple., Possibly by: W. Mansell, Conrad Martin or Gillray. See British Museum catalogue., Proof? Without artist's initials and date in lower left corner as in other impressions., Sheet trimmed within plate mark., and For another state see Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6, no. 6918.
- Publisher:
- Publish'd Feb. 24, 1786, by J. Phillips, No. 164 Piccadilly
- Subject (Name):
- George III, King of Great Britain, 1738-1820 and Charlotte, consort of George III, King of Great Britain, 1744-1818
- Subject (Topic):
- Dogs, Horses, and Milestones
- Found in:
- Lewis Walpole Library > The constant couple [graphic].
- Published / Created:
- [1766]
- Call Number:
- 766.08.00.01+
- Image Count:
- 1
- Resource Type:
- still image
- Alternative Title:
- Cat's paw rescu'd and Cat's paw rescued
- Description:
- Title from British Museum catalogue., Publication date based on the beginning of Chatham's administration, July 30, 1766., Sheet trimmed within plate mark resulting in loss of title., Three columns of verse below image: The monkey Scot no more shall boast, 'tis he at C-t who rules the roast ..., Temporary local subject terms: Emblems: thistle and white rose of Stuarts -- Royal crown -- Emblems: jack boot as Lord Bute -- Pictures amplifying subject -- British Lion -- Ministries: Pitt's ministry, 1766., and Mounted to 33 x 49 cm.
- Publisher:
- publisher not identified
- Subject (Name):
- George III, King of Great Britain, 1738-1820, Augusta, Princess of Wales, 1719-1772, Bute, John Stuart, Earl of, 1713-1792, Conway, Henry Seymour, 1721-1795, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Pitt, William, Earl of Chatham, 1708-1778, Camden, Charles Pratt, Earl, 1714-1794, Beckford, William, 1709-1770, and Temple, Richard Grenville-Temple, Earl, 1711-1779
- Subject (Topic):
- Cats, Dogs, Fireplaces, Monkeys, National emblems, British, and Scotland
- Found in:
- Lewis Walpole Library > The monkey's downfall, or, Cat's paw rescu'd [graphic].
- Published / Created:
- [17 February 1780]
- Call Number:
- 780.02.17.01
- Image Count:
- 1
- Resource Type:
- still image
- Description:
- Title from item. and Sheet trimmed within plate mark.
- Publisher:
- Pubd accg to act. Feby. 17, 1780 by D. Long
- Subject (Name):
- George III, King of Great Britain, 1738-1820, North, Frederick, Lord, 1732-1792, Bute, John Stuart, Earl of, 1713-1792, and Fox, Charles James, 1749-1806
- Subject (Topic):
- Hornbooks, Dogs, and Sofas
- Found in:
- Lewis Walpole Library > Whelps taught to read by an orator from the north [graphic].
- Published / Created:
- 1808. and [approximately 1868?]
- Call Number:
- Folio 724 836C (Oversize)
- Collection Title:
- Leaf 30. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- "Perceval, in back view, and in barrister's wig and gown, holds a magic lantern by which he displays the Pope in the guise of a ragged beggar, for the benefit of John Bull and the King. George III is seated on the throne and looks at the screen through a telescope held by Eldon, inscribed 'Ill-done's Patent Magnifying Papascope'. The King, much alarmed at what he sees, clutches the mace which Eldon holds, with the Purse of the Great Seal attached to it. Beside the King (right) stand a bishop in back view, and a man wearing academic cap and gown. Perceval' s lantern is inscribed 'Percev[al] Humbu[g]'. Canning stands in front of it; Castlereagh beside it, both pointing at John Bull, a yokel in a smock, who has fallen to the ground in terror at the lantern-display, guineas falling from his pocket. The figure on the screen is an old man with patched robes, two keys hanging from a girdle, a sack of 'Bulls' on his back. In place of his triple crown he wears three hats like a Jewish old clothes' man, and for a crosier he has a branching stick. Close to the screen and with his back to it, Portland sits on a block of stone (cf. British Museum Satires No. 10718), talking to Hawkesbury. On the stone is drawn a wig on a block with the inscription 'Retrospective View of Portland' [i.e. as a former Whig]. In the shadow, between and behind Canning and Castlereagh, stands Melville in Highland dress; on his sporran: 'Ex Privy' [Counsellor]. Three other figures are not characterized. In the foreground a dog, its collar inscribed 'John Bull', is biting the 'Union Bill 1800', where it is headed by an Irish harp; a fragment, with the Royal Arms, has been torn off. The dog befouls a 'Catholic Petition'. On the wall is a large playbill: 'Theatre Royal St Stephens By his Majesty's Servants Feby 1807 Horrid Tragedy of Raw Head and Bloody Bones in a Red Cloak Mesrs Percivall, Canning, H-b-y [Harrowby], Portland Castlereagh Wonderful Deceptions, Messrs Proteus & Ill-done.'"--British Museum online catalogue
- Alternative Title:
- What is this spectre of affright, with which they would delude our sight? ...
- Description:
- Title from British Museum catalogue., Four lines of verse in two columns below image: What is this spectre of affright, with which they would delude our sight? A shadow thrown upon the wall, a magic-lanthorn-shew! that's all! Page 15., Artist identified as Samuel de Wilde in the British Museum catalogue., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [approximately 1868?], and On leaf 30 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
- Publisher:
- Published by S. & H. Oddy, Oxford-Street, London and Field & Tuer
- Subject (Name):
- Restrike. For original issue of the plate, see no. 10962 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Perceval, Spencer, 1762-1812, Pius VII, Pope, 1742-1823, George III, King of Great Britain, 1738-1820, Eldon, John Scott, Earl of, 1751-1838, Castlereagh, Robert Stewart, Viscount, 1769-1822, Canning, George, 1770-1827, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Dundas, Henry, 1742-1811, and Harrowby, Dudley Ryder, Earl of, 1762-1847.
- Subject (Topic):
- John Bull (Symbolic character), Projectors, Thrones, Telescopes, Ceremonial maces, Clergy, and Dogs
- Found in:
- Lewis Walpole Library > [Perceval's magic lantern] [graphic]