"A companion print to British Museum Satires no. 6949. Design in a circle. The Prince of Wales (left) and Mrs. Fitzherbert (right) sit side by side on two upright chairs; she holds on her knee an infant in long clothes, which the Prince watches paternally. Behind her (right) is a cradle decorated with ostrich feathers."--British Museum online catalogue
Alternative Title:
Prince's nursery, or, Nine months after marriage and Nine months after marriage
Description:
Title etched below image; alternative title with filled-in blanks from British Museum catalogue. and Companion print to: An extravaganza, or, Young Solomon besieging Fitzhubbub.
Publisher:
Published 9th May 1786 by S.W. Fores at the Caracature Ware-house, No. 3 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Fitzherbert, Maria Anne, 1756-1837
"One of a set of prints on the marriage of the Prince of Wales, see BMSat 6924, &c. Mrs. Fitzherbert (left) and the Prince of Wales dance; she holds out her apron in her right hand, his left arm is raised as if dancing a Scots reel; he appears about to take her left hand. The musicians are Burke, Weltje, and Hanger: Weltje, wearing a hat, sits (left) on a low stool, beating a pistol upon a warming-pan which he holds between his knees. Burke stands behind him holding a gridiron in the manner of a violin and with a pair of tongs as bow. He says, "Oh Burn the Pan it is not Beautifull". Weltje answers, "Damme but 'tis Sublime" (one of many allusions to Burke's book). George Hanger stands (right) beating the heavy end of his bludgeon on a salt-box; he is stamping and dancing, his hat is on the ground at his feet. Through an aperture in the wall behind his head is seen an ornate bed, decorated with triple ostrich plumes; behind the pillows is a cross. Two pictures, both inscribed 'Hamlet', are on the wall: on the left the Lord Chamberlain with his wand (Lord Salisbury as Polonius) approaches George III, saying, "I will be brief your noble son is mad". On the right Laertes addresses Ophelia, saying: "He may not as inferior persons do carve for himself for on his choice depends the sanity [sic] & health of the whole state." On the floor, in the foreground, lie two books and a paper inscribed respectively, 'Bold Stroke for a Wife' [Mrs. Centlivre]; 'Clandestine Marriage' [Colman and Garrick]; and 'I'll have a Wife of my own'. Beneath the title is engraved, 'As performed at the Theatre Royal, C------n [Carlton] House for the Benifit of the Widow Wadman'. A patterned carpet completes the design."--British Museum online catalogue
Alternative Title:
Follies of a night
Description:
Title from item below image., Sheet trimmed within plate mark., Temporary local subject terms: Allusion to Edmund Burke's On the sublime and the beautiful -- Parody of Shakespeare's Hamlet -- Salt-box Pictures amplify subject -- Catholic Church -- Travesties., and Watermark in center of sheet: J. Whatman.
Publisher:
Published 1st April 1786, by S.W. Fores at the Caricature Warehouse, No. 3 Piccadilly
Subject (Geographic):
Scotland.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fitzherbert, Maria Anne, 1756-1837, Burke, Edmund, 1729-1797, Hanger, George, 1751?-1824, and Salisbury, James Cecil, Marquess of, 1748-1823
Subject (Topic):
Chandeliers, Cooking utensils, Dance, Firearms, Floor coverings, Marriage, Military uniforms, British, Musical instruments, and Sofas
"The Prince's stud, consisting of five asses with human faces, proceeds (left to right) past a signpost (right) pointing 'To Brighthlmstone'. The Prince, the central figure, rides an ass with the head of Mrs. Fitzherbert; he wears very long spurs. He is preceded by three animals, the foremost being George Hanger led by a groom (Captain Morris); on his saddle-cloth are the Prince's feathers, as if to show his privileged position. Next is Fox, his mouth wide open as if braying, next Weltje. Behind (left), apparently doubtful whether to proceed or not, is Lord Derby (or perhaps Lord North). Geese in the foreground (right) hiss at the procession."--British Museum online catalogue
Description:
Title etched below image. and On verso in pencil: George Townly Stubbs.
Publisher:
Pubd. July 20th 1786 by W.S. [sic] Fores at the Caracature Ware-house, No. 3 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fitzherbert, Maria Anne, 1756-1837, Hanger, George, 1751?-1824, Weltje, Louis, 1745-1810, Fox, Charles James, 1749-1806, and Smith-Stanley, Edward, 1752-1834
"The Prince of Wales falls from an overturning phaeton or curricle. He is about to fall on the prostrate body of Mrs. Fitzherbert (left), who lies on her back, her breasts exposed, in an attitude intended to be indecorous. She lies under a steep bank or rock beside a country road. The horse rears behind the Prince."--British Museum online catalogue
Alternative Title:
Fall in Fitz, Princes disastar, or, A fall in Fitz, and Princes disaster, or, A fall in Fitz
Description:
Title etched at bottom of image., Questionable attribution to John Boyne from dealer's description., Date of publication from the British Museum catalogue., Watermark., Original price written in pencil in lower right corner of sheet: 2 [shillings]., and Matted to 33 x 43 cm.
Publisher:
Published by James Aitken, Little Russell Court, Drury Lane
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Fitzherbert, Maria Anne, 1756-1837
Protestant St. George too much for all the talons, or, the beast with seven heads and Beast with seven heads
Description:
Title from item., Sheet trimmed within plate mark., Watermark: Strasburg Lily., and Mounted to 29 x 38 cm.
Publisher:
Pub. by S.W. Fores, 50 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Fitzherbert, Maria Anne, 1756-1837, Spencer, George John Spencer, Earl, 1758-1834, Lansdowne, William Petty, Marquis of, 1737-1805, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Grey, Charles Grey, Earl, 1764-1845, Sheridan, Richard Brinsley, 1751-1816, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, and Grenville, William Wyndham Grenville, Baron, 1759-1834
"Design in an oval. Thirteen heads arranged in four rows, the first, second, and fourth having three heads, the third four. In the uppermost row the Prince of Wales (left) and the King (right) face each other in profile; the likeness between them is stressed. Between and slightly above them is Queen Charlotte, in profile to the left, her hair inscribed 'Queen of hearts', cf. British Museum Satires No. 6978. In the next row Fox, full-face, is the central head of the design; Mrs. Fitzherbert (left) (unrecognizable) wears a low crown inscribed 'Queen would be', and the feathers of the Prince of Wales; George Hanger, in profile to the left, wears the large cocked hat made familiar by British Museum Satires No. 6924, &c. The next four heads are (left to right): Mrs. Siddons, wearing a low crown inscribed 'Queen Rant', looking wildly over her shoulder to the right; Burke, wearing spectacles and a cap or turban, his back turned to Pitt who is in profile to the right; on the left in profile to the right is the Duchess of Devonshire, wearing a low crown and a collar which are inscribed 'Queen of Fox'. In the lowest row the central figure is the broad back of North wearing his ribbon; on the left is Mrs. Abington, a ribbon in her much-curled hair inscribed 'Queen Scrub' (see British Museum Satires No. 7053); on the right, in profile to the left, is the Duke of Richmond."--British Museum online catalogue
Description:
Title etched below image., Initials "W.M." identified in British Museum catalogue as those of William Mansell., and Characters identified in pencil.
Publisher:
Pub. 26 March 1786 by W. Humphrey, Lancaster Court
Subject (Name):
Charlotte, consort of George III, King of Great Britain, 1744-1818, George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Abington, Mrs., 1737-1815 (Frances Barton),, Burke, Edmund, 1729-1797, Devonshire, Elizabeth Cavendish, Duchess of, 1758-1824, Fox, Charles James, 1749-1806, Fitzherbert, Maria Anne, 1756-1837, Hanger, George, 1751?-1824, North, Frederick, Lord, 1732-1792, Pitt, William, 1759-1806, Richmond, Charles Lennox, 3d Duke of, 1735-1806, and Siddons, Sarah, 1755-1831
"The Prince of Wales falls headlong, but gracefully, from his high phaeton, and is about to land on Mrs. Fitzherbert, who lies face downwards on the ground, on hands and knees, her petticoats over her head, leaving her posteriors bare. The reins have broken, the horses, which are drawn with much spirit, are running away (right to left). In the background is a wall, over which appears the head of an interested military officer. A yokel seated on the wall lifts his hands in astonishment."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Two lines of quoted verse following title: "Th' imaginary bride with beauty glows, "for envy magnifies what e'er she shows. Ovid., Temporary local subject terms: Quotation from literature: Ovid, 43 B.C.-18 A.D. -- Vehicles: Phaeton capsizing., and Mounted to 33 x 44 cm.
Publisher:
Pub. July 1st, 1788, by S.W. Fores, N. 3 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Fitzherbert, Maria Anne, 1756-1837
"One of a set of prints by one or more artists on the marriage of the Prince of Wales and Mrs. Fitzherbert. The interior of a well-furnished room. The Prince of Wales (left) takes the hand of Mrs. Fitzherbert and is about to put the ring on her finger. The officiating minister (left), Weltje, stands in profile to the right holding a book inscribed 'Matrimony' and 'Hoyle's Games'. From his pocket issues a paper, 'Weltjie's Natn Bill'. A cork-screw and another implement hang from his waist by a jewelled chain, simulating a rosary and cross; he wears a long gown over fashionably cut clothes. Next Mrs. Fitzherbert (right) stands George Hanger, giving her away; he wears regimentals with a huge cocked hat; under his left arm is a bludgeon (cf. BMSat 7116). The Prince wears the insignia of the Garter, Mrs. Fitzherbert (poorly characterized) wears a triple ostrich plume in her hair with the motto 'Ich dien'. On the wall are two pictures: a three quarter length portrait of Mrs. Fitzherbert, and (right) a Leda and the Swan, partly concealed by a curtain which fills the upper right corner of the design. Beneath the Leda is a semicircular table on which are vases and a book, 'Love's Last Shift' (Cibber's play). A hanging candelabra is part of the design."--British Museum online catalogue
Alternative Title:
Marriage of Figaro
Description:
Title from item., Sheet trimmed within plate mark., In lower right corner: Price 2s. 6d., Subjects of character identified by inscriptions on their clothing., Temporary local subject terms: Prussian officers' uniforms -- Furniture -- Pictures that amplify subject -- Literary allustions: Love's Last Shift by Colley Cibber -- Holcroft's Follies of the Day., Watermark in center of sheet., and In manuscript on verso: Horace Walpole sat 8:2.
Publisher:
Published March 13th 1786 by S.W. Fores, at the Caracature Warehouse, No. 3 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fitzherbert, Maria Anne, 1756-1837, Hanger, George, 1751?-1824, and Weltje, Louis, 1745-1810