"George IV, seated on a Chinese throne with Chinese attendants, addresses a group of Ministers, &c. (right): Liverpool, Eldon, Canning, with a paper headed 'East Indies' in his pocket (he was President of the Board of Control), Copley and Gifford. P. 9: H, for the hubbub the Archer intended, By one 'coup de main' should be presently ended. ...'"--British Museum online catalogue
Alternative Title:
H, for the hubbub the archer intended, by one coup de main should be presently ended ...
Description:
Title etched below image., Alternative title from letterpress text on facing page of the bound work., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., Plate from: Rosco. Horrida bella. London : G. Humphrey, 1820., Mounted on page 9 of: George Humphrey shop album., and Mounted opposite the sheet of corresponding letterpress text that would have faced the plate in the bound work.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Geographic):
England.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Canning, George, 1770-1827, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Eldon, John Scott, Earl of, 1751-1838, Lyndhurst, John Singleton Copley, Baron, 1772-1863, Gifford, Robert Gifford, Baron, 1779-1826, and Rosco.
Subject (Topic):
Politicians, Thrones, Servants, and Fans (Accessories)
"An imitation of British Museum Satires No. 9012. The profiles of George IV (left) and Queen Caroline (right), replacing those of George III and Pitt, and joined together by the merging of the former's wig and the latter's hair, rest on a dish supported by the King's massive whiskers and heavy jowl. The King is coarse, drink-blotched, melancholy, and larger in scale than the Queen, who is flatteringly depicted. A cherub's head supported on wings (left) blows a blast of 'Public Opinion' against a small crown, driving it from the King's head and breaking it in half. The left half is dim and partly obliterated; the right half, belonging to the Queen, is solid and bright. A ribbon hangs from each half: one, torn into three pieces, is inscribed 'God Sav/e Great G/eor'; the other: 'God Save Queen Caroline'. Towards the cherub is directed a counterblast of 'Persecution and Malice', issuing from a bladder (or clyster-pipe) blown by a saturnine profile (intended for Sidmouth) in the upper right corner, supported on webbed wings."--British Museum online catalogue
Description:
Title etched below image., Artist's name in statement of responsibility formed with a monogrammatic "SV" followed by a depiction of an owl and the letters "es"., Month of publication from the British Museum catalogue., Sheet trimmed within plate mark., and Mounted on page 43 of: George Humphrey shop album.
Publisher:
Pubd. by S. Vowles
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, and Sidmouth, Henry Addington, Viscount, 1757-1844
Subject (Topic):
Heads (Anatomy), Tableware, Crowns, Putti, and Ribbons
Viewed from the back. Lady Conyngham, immensely fat, and her size increased by inflated sleeves and skirt. The King advances from the right and takes her right hand. The back of her head is covered by a large '5s.' piece, showing the reverse or "tail", with St. George and the 'Honi Soit' ... inscription. The King's face is covered with a sovereign, showing the obverse, with his own head, the profile towards the lady, and 'Georgius IV'... inscription. She wears an enormous high-crowned hat trimmed with loops of ribbon, the brim extending beyond her vast shoulders. He wears a top-hat and braided coat with fur collar, the ribbon of the Garter, and the Golden Fleece, with knee-breeches. Above the design: 'If thou be a King, where is thy Crown! My Crown is in My heart, not on my head!' Shakspeare (from 3 Henry VI, III. i). At the bottom edge of the image: A- is 2s/6d to herr husband". See British Museum online catalogue
Alternative Title:
Crown piece and a sovereign
Description:
Title etched below image., Imprint continues: ... sole publisher W. Heaths ..., and Sheet trimmed to plate mark.
Publisher:
Pub. Sep. 30, 1829, by T. McLean, 26 Haymarket ...
Subject (Name):
Conyngham, Elizabeth Conyngham, Marchioness, -1861 and George IV, King of Great Britain, 1762-1830
"The Prince of Wales, on horseback, figures as a life-like equestrian statue (of the future George IV) mounted on a pedestal of three rectangular blocks, diminishing in size. On the middle block: 'PATER URBIUM subscribi Statuis." Juvel'. The Prince, in regimentals, very fat, sits in profile to the left, holding a drawn sabre. He holds the left curb rein, the snaffle lying on the animal's neck. The toe of his spurred boot is in the stirrup. He wears a feathered cocked hat, a star on his breast and on his hat, a broad sash round his ample waist. A large holster hangs from the saddle beneath which is a leopard-skin with a 'GR' and crown on each corner. The horse's near foreleg and off hind leg are raised. Beneath the design: '"------"I saw him with his Beaver on "His Cuisses on his Thighs gallantly arm'ed "Rise from the ground like feather 'd Mercury "And vaulted with such ease into his seat "As if an Angel dropt down from the Clouds, "To turn & wind a fiery Pegasus "And witch the world with noble Horsemanship - Kg Henry 4th'."--British Museum online catalogue
Alternative Title:
Pater urbium subscribi statuis
Description:
Title etched at top of image., Thomas Adams is one of the pseudonyms used by Gillray., Sheet trimmed within plate mark., and Temporary local subject terms: Monuments -- Military uniforms: regimentals -- Literature: quotation from Shakespeare's King Henry IV, Part I, iv.i.
Publisher:
Pubd. May 3d, 1796, by H. Humphrey, New Bond Street
"The King and Queen are tied together back to back, by a ribbon inscribed 'The Matrimonial Knot. Keep thee only.. unto her, so long as ye both shall live.' The Queen (left), richly dressed and with three feathers in her hair, stands looking towards Justice, who takes her right hand. She says, her hand on her breast, "Nothing but death shall e'er divorce my dignities" ['Henry VIII', III. i]. Justice stands among clouds; she says: "Your exemplary conduct is worthy imitation, as during your husband's ill treatment every effort you exerted to reclaim him, which failing, the world must approve your seeking refuge in the wholesome and protecting laws of your country.--I will be your guide." Brougham stands on the extreme left, poorly characterized but holding a rolled document inscribed 'To Mr Brougham'; he says: "Let slanderous tounges [sic] say what they will they are "Trifles light as air" ['Othello', III. iii] for "She is every inch a Queen." [Adapted from 'Lear', IV. vi]." The King leans against the bond that joins them, straining hard to break it; he puts his hands on the shoulders of Castlereagh who holds him round the waist, the first of a chain of three who pull hard to help him to break loose. The King: "Heigho! how to get un-married; thats the question! There is but little trouble in tying the knot, but your quizzes of the cloth draw it so d----nd tight, Pull away Derry, Pull away Deary Pull away Doctor." Sidmouth tugs at Lady Hertford (or Conyngham) whose arms are round Castlereagh. Castlereagh answers: "If we could entice that blind Lady from her, we might do some good." Sidmouth: "A long pull and a Strong pull and a pull alltogether.""--British Museum online catalogue
Alternative Title:
How to get unmarried
Description:
Title etched below image., Month of publication from the British Museum catalogue., Sheet trimmed within plate mark., "Turn over-"--Lower right margin., and Mounted on page 21 of: George Humphrey shop album.
Publisher:
Pubd. by J.L. Marks, No. 2 Sandy's Row, Bishopsgate
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Conyngham, Elizabeth Conyngham, Marchioness, -1861, and Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834
"John Bull's head and shoulders emerge from a gigantic coffee-mill. He is being ground by Pitt into guineas which pour from the spout of the machine into the inverted coronet of the Prince of Wales, held out by the Prince (left). John Bull, his hands clasped, shrieks "Murder! Murder!" Pitt (right), both hands on the handle, is working hard, stripped to his shirt. His coat lies across an enormous heap of guineas on which he rests his left knee. He says: "God save great George our Ki . . ." Behind him, and in the upper right corner of the design, is the crown, the centre of a sun whose rays extend behind Pitt's head, with the words: "Grind away! grind away grind away Billy! never mind his bawling! grind away." Other words from the crown are directed towards the victim: "What! - What! - what! Murder hay? why, you poor Stupe, is it not for the good of your Country? hay? hay". Between Pitt and the post of the mill Dundas and Burke are grovelling for guineas: Burke, frowning, uses both hands; Dundas, who wears a plaid, fills his Scots cap. Behind the post Loughborough grovels, his elongated judge's wig turned in back view (cf. BMSat 6796). The Prince (right) wearing a Garter ribbon, with the letters 'G.P' on the jewel, kneels on one knee, his head turned in back view; he points out his harvest of coins to a row of creditors. These stand in a row on the left: a jockey, probably Chifney (given a pension by the Prince, see BMSat 7918), holds out a paper: 'Debts of Honor'. Next, a bearded Jew holds out a paper headed 'Money Lent at £500 pr Cent'. Next is Mrs. Fitzherbert (caricatured) and another woman (? Mrs. Crouch); others are indicated. Behind this group is part of the colonnade and façade of Carlton House."--British Museum online catalogue
Description:
Title etched at bottom of image., Printmaker from British Museum catalogue., Temporary local subject terms: Coffee-mills -- Taxation -- Debts: Prince of Wales's debts -- Buildings: Carlton House -- Creditors -- Jews -- Pensions: pension for Samuel Chifney, the jockey -- George III as sun -- Crowns -- Emblems: Prince of Wales's feathers., and Mounted to 34 x 48 cm.
Publisher:
Pubd. June 1st, 1795, by H. Humphrey, N. 37 New Bond Street
Subject (Name):
George IV, King of Great Britain, 1762-1830, Pitt, William, 1759-1806, Melville, Henry Dundas, Viscount, 1742-1811, Burke, Edmund, 1729-1797, and Fitzherbert, Maria Anne, 1756-1837
"The stout Empress of Russia sits on a throne, whose seat she completely covers, facing three-quarter to the left towards the Prince of Wales, who bows before her, hat in hand, in profile to the right. He says, adapting Falstaff's words ('2 Henry, IV', v. 5): "Oh what a thing it is to be in Love, To ride day and night; not to deliberate not to remember, not to have patience to shift me, but to stand stained with travel, & sweating with desire to see thee: Thinking on nothing else; putting all affairs in oblivion, as if there were nothing else to be done, but to see thee." He wears riding-dress with spurred boots. Behind and on the extreme left stands John Bull, full-face, a plainly dressed citizen wearing top-boots; he says: "There my Lad is a fine buxom Widow, aye and warm too, if you'l have her you need not ask Dad, or any of your Acquaintance for any Thing, she'll finish your house, & furnish it too for you, aye & keep you warm in cold frosty weather with her fur skins, a rare match my Lad especially as you are fond of Widows!!" The Empress, who clutches the fur (a tiger-skin) which trims her draperies, has an inscrutable expression. On her right is the bust of Fox by Nollekens, peering forward at the Prince with an anxious expression. On her left and on the extreme right stands a courtier, holding a long staff, wearing a bear's skin, his profile showing through the beast's open jaws. Behind is the back of the throne decorated with a double-headed imperial eagle."--British Museum online catalogue
Alternative Title:
John Bull's hint for a profitable alliance
Description:
Title etched below image., Publisher's advertisement following imprint: who has jus[t] fitted up his exhibition in an entire novel stile [sic], admittance one shilling. NB. folios of caracatures [sic] lent., and 1 print : etching on wove paper, hand-colored ; sheet 29 x 40 cm.
Publisher:
Sepr. 26, 1794, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
Catherine II, Empress of Russia, 1729-1796, George IV, King of Great Britain, 1762-1830, and Fox, Charles James, 1749-1806
"George IV, as Falstaff, sits in a high-backed chair with a grotesquely fat Doll Tearsheet (Lady Conyngham) on his knee. He holds a large glass of wine and looks at her with appraising melancholy. She pouts her lips to kiss. Their words are engraved below: Falstaff--hou dost give me flattering busses. Doll Nay, truly; I kiss thee with a constant heart. Fal-I am old, I am old. Doll-I love thee better than I love e'er a scurvy young boy of them all. --vide Shakspeare ['II Henry IV, II. iv.] Behind (right) stands Bardolph, with the head and nose of Curtis, talking to a lean Mrs. Quickly, who has the unmistakable profile of Lord Conyngham, behind whom a huge antlered stag's head looks down from the wall. Both women wear steeple-crowned hats, but the dress of one is flamboyant and ornate, of the other demure. A man looks in cautiously from the doorway. On the wall is a hanging on which is depicted the Prodigal Son turning his back on trough and swine to receive his father's embrace."--British Museum catalogue
Description:
Title from text above image., Print signed using William Heath's device: A man with an umbrella., Questionable publication date from British Museum catalogue., Text below image begins: Falstaff: Thou dost give me flattering busses. Doll: Nay, truly; I kiss thee with a constant heart ..., Sheet trimmed within plate mark., Numbered in ms. at top of sheet: 173., and Watermark: J. Whatman Turkey Mill 1827.
Publisher:
Pub. by Thos. McLean 26 Haymarket
Subject (Name):
George IV, King of Great Britain, 1762-1830, Conyngham, Elizabeth Conyngham, Marchioness, -1861, Conyngham, Henry, Marquess, 1766-1832, and Curtis, William, Sir, 1752-1829
"George IV (right), as Henry VIII (see British Museum Satires No. 13664, &c.), wearing ermine robes and ruff, sits on a dais under a canopy, his eyes turned sideways to the right. In his right hand is a goblet; on a table before him is a decanter of 'Curacoa'. Against this, at a lower level, is a second table on which is the mace; on each side sits a cardinal, gaping in astonishment at Queen Caroline, as Katharine of Aragon; she stands facing the King at the end of the table (left), wearing quasi-Tudor robes. She declaims Queen Catherine's speech, abridged: "Sir, I desire you do me right and justice, And to bestow your pity on me: for I am a most poor woman, and a stranger, Born out of your dominions; -- If, in the course And process of this time, you can report, And perove [sic] it too, against mine honour aught, My bond to wedlock, or my Love and duty Against your sacred person, in Gods name, Turn me away ;-- and so give me up To the sharpest kind of justice." Under Castlereagh's foot lies 'Mag[na] Charta'; his vis-à-vis cardinal is Sidmouth. Next Castlereagh (right) sits a lawyer, writing (? Leach). Beside him is a large bag with its neck encircled by hissing serpents; it is placarded: 'A Green Bag! filled with Spite Envy Malice. Hatred Lies &c &c &c' [see British Museum Satires No. 13735, &c.]. On each side of the King stands a bishop holding a crosier, one the Archbishop of Canterbury, the other probably Pelham of Exeter, see British Museum Satires No. 13946. Behind the Queen and on the extreme left stands Wood in his alderman's gown. Beefeaters stand against the wall."--British Museum online catalogue
Description:
Title etched below image., Date of publication from the British Museum catalogue., Text following title: Principal characters, King of England by the ****, Queen of England by the Q****, Cardinal Wolsey - L**d C*********h [Castlereagh] &c &c &[c]., Sheet trimmed within plate mark., Publisher's advertisement below title: Just Pubd. "How to get un-married" [British Museum Satires No. 13770]., and Mounted on page 21 of: George Humphrey shop album.
Publisher:
Pubd. by J.L. Marks, 37 Princes St., Soho
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Wood, Matthew, Sir, 1768-1843, Manners-Sutton, Charles, 1755-1828, Pelham, George, 1766-1827, Leach, John, 1760-1834, and Shakespeare, William, 1564-1616.
"The Prince of Wales lies on his back, much foreshortened, his head towards the spectator, arms outstretched, his feathers and coronet by his left hand. On his body stand the Duke of Grafton (left) and the Duke of Richmond (right); the former's right foot is on the Prince's left hand, his left foot on his chest, Richmond's left foot is on the Prince's right hand, his right foot on his chest; he stoops to look at the Prince, resting his hands on his knees. Lord Sydney, partly concealed by the legs of the two dukes, sits on the Prince, his head turned in 'profil perdu'. Pitt stands with his right foot on Grafton's shoulder, his left on that of Richmond, reaching up to a shelf on which is the crown on a cushion. In his right hand is a document inscribed 'Jo. Durnford's address'. Between Pitt's legs and above Sydney's head is a baron's coronet. Below this hangs a tailor's goose."--British Museum online catalogue
Description:
Title etched below image., Date precedes publisher's statement in imprint., Six lines of verse in two columns on either side of title: Still inimical to their country, see ..., and Folded and mounted to 37 x 56 cm.
Publisher:
Publishd. by Mr. Bradshaw, Coventry Street, Miss Humphrys, Bond Street, No. 51
Subject (Geographic):
Great Britain
Subject (Name):
George IV, King of Great Britain, 1762-1830, Pitt, William, 1759-1806, Smith-Stanley, Edward, 1752-1834, Richmond and Lennox, Charles Lennox, Duke of, 1735-1806, and Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811