Manuscript on parchment (goatskin) of John Waleys (John of Wales, Iohannes Gallensis), Communiloquium sive summa collationum ad omne genus hominum
Description:
In Latin., Script: Written by a single scribe in Southern Gothica Textualis Libraria which, however, differs from Rotunda by the absence of Textus Praescissus features. A few rubrics are added in Gothica Cursiva, e.g. ff. 63v and 64v. Instructions for the rubricator are written in thin Gothica Cursiva Currens in the lower margins, mostly lost due to trimming., Headings in red. Alternately red and blue paragraph marks. The decoration consists of (1) alternately red and blue flourished initials, 2 lines; (2) flourished litterae duplices, 3-5 lines, at the opening of the Distinctiones; they have marginal extensions ("J-staves") in pen and ink over the full height of the text area; (3) on f. 4r a damaged foliate initial on a gold, red and blue background, containing a hybrid, with floral extensions featuring a hybrid head and a hybrid. On f. 37r there is a coarse pen and ink drawing of a sword in the margin, probably related to a Hermogenes quotation in the text about murder., and Binding: Seventeenth century. Sprinkled brown leather over cardboard, the covers simply decorated with blind fillets. Spine with five raised bands and two gold-tooled red leather title-labels with the inscriptions "MS. VALLENS. COMMUNILOQ." and "TRACT. DE RE PUBLICA." Red edges. The spine was reinforced by means of two strips of parchment from an English archival document (ca. 1500) in which the names William Holborn, Robert Ball "nuper de Letheringham" and others appear.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
John, of Wales, -approximately 1285. and Franciscans.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Preaching, and Scholasticism
Manuscript on parchment of Petrus Pictaviensis, Compendium historiae in genealogia Christi.
Alternative Title:
Compendium historiae in genealogia Christi
Description:
Binding: Nineteenth century, Germany. Grubby blue paper wrapper. Title, in ink, on upper cover: "Manuscript des XIII#t#e#n Jahrhunderts. Historia mundi sec. ord. chronol. usque ad mortem Jesu Christi"., Genealogical tables accompany text throughout: drawn in red with roundels connected by pairs of parallel lines and aligned between red vertical rulings. Roundels for Adam and Eve, f. 1r, in yellow and blue, respectively; the roundels for their descendants on green ground. The plan of the temple at Jerusalem, f. 4r, in red, green and blue. The roundels for Christ, f. 5r, in blue, yellow, and red. Headings in red; spaces left for decorative initials remain unfilled., Lower portion of f. 1 torn, with loss of text., and Script: Written by a single scribe in fine gothic bookhand, above top line.
Subject (Name):
Jesus Christ--Genealogy and Petrus Pictaviensis
Subject (Topic):
Christian literature, Latin (Medieval and modern), Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Antoninus, Saint, Archbishop of Florence, 1389-1459
Published / Created:
[between 1490 and 1500]
Call Number:
Beinecke MS 4
Image Count:
127
Resource Type:
unspecified
Abstract:
Manuscript on paper of St. Antoninus, Confessionale
Description:
In Latin., Watermarks: unidentified bull's head., Script: Text written by one person in humanistic script; numerous marginal and interlinear notes in a slightly later hand., Many ornamental capitals of various sizes, 9- to 3-line, in red and blue with purple penwork, mark each section of text; some with pale shades of yellow, peach, and purple as background. Rubrics (except toward end); red, blue, and yellow paragraph marks., and Binding: between 1490 and 1500. Original sewing on three tawed, slit straps, kermes pink, laced through tunnels in the thickness of wooden boards into rectangular channels on their outer face. Twisted, tawed cores of plain, wound endbands laid in grooves. All supports pegged and gypsum (?) used to fill in around them. Spine lined with brown calf, wanting except under endband tie-downs. Covered in brown calf, blind-tooled with a rope interlace panel border. Corner turn-in tongues. Two catches on lower board, stubs of straps on upper. Boards worm-eaten and detached and most of the cover wanting. Minor repairs to endleaves and headband made ca. 1976.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Antoninus, Saint, Archbishop of Florence, 1389-1459.
Subject (Topic):
Confession, Catholic Church, Didactic literature, Latin (Medieval and modern), Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment of 1) Bartholomaeus de Chaimis (de Mediolano, d. c. 1496), OFM, Confessionale. 2) Ps.-Anselmus Cantuariensis (Pseudo-Anselm of Canterbury), Interrogationes faciendae infirmo morienti.
Description:
Binding: Original brown leather over bevelled beech boards, both covers blind-tooled with fillets and small tools in ropework design. Sewn on three split leather thongs. Spine damaged. Remnants of three clasps, one at the top, one at the bottom and one at the side edge of the covers, each attached with three engraved nails to the front cover; quadrangular decorated brass catches on the rear cover, engraved with the initial “S” and each fixed with four nails., Headings in purplish red. Alternately red and blue paragraph marks and 1- and 2-line plain initials with guide letters. Decorated initials: f. 1r (Prologue), 7-line white vinestem initial followed by text line in fancy Capitalis; f. 2r (Part 1), 4-line Humanistic dentelle initial; f. 12r (Part 2), 4-line white vinestem initial; f. 18v (Part 3), 4-line Humanistic dentelle initial; f. 127v (Part 4), idem. Running headlines in Capitalis in purplish red., and Script: Copied by one hand writing a small and rather uneven Humanistica Textualis Libraria, highly abbreviated, especially in the quotations of authorities.
Subject (Name):
Franciscans
Subject (Topic):
Confession--Catholic Church, Extreme unction, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on parchment of Lorenzo Valla, Confutationes. 1) Antidotum in Poggium, Books I-III. 2) Antidotum in Poggium, Book IV. 3) Dialogus in Poggium, Book I. 4) Confutatio prior in Benedictum Morandum.
Description:
Acquired in 1954 from C. A. Stonehill by Thomas E. Marston., Binding: ca. 1900, England. Red goatskin case with gold-tooled title "Valla In Poggium MS" and turn-ins. Gilt edges. Bound by Zaehnsdorf (London, 1842-1930)., Illuminated page (f. 1r) with partial border in outer and lower margins, white vine-stem ornament on predominately green and red ground, with some blue and white dots, framed by thin gold bars. In lower border, unidentified mutilated coat of arms, against blue ground. Seven illuminated initials, 4- to 2-line, gold, against blue, green and red grounds with white vine-stem ornament and white dots. Headings and marginal annotations in pale red., and Script: Written in a round humanistic script by a single scribe, above top line.
Subject (Name):
Valla, Lorenzo,--1407-1457
Subject (Topic):
Dialogues, Latin (Medieval and modern), Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on parchment (thick, stiff) of 1) Record of those for whom memorial prayers were to be said during November, divided into 6 estaciones, with a total of 501 memoriae. The place where the prayer is to be said is often given; from those mentioned, the church in question can be identified as the Cathedral of Cordoba. Still at the Cathedral in 1625, when memoriae for Don Diego de Mardones were added. 2) Prayers for the Dead
Description:
In Latin and Spanish., Script: Written by a single scribe in rotunda, very well executed, with additions at end of estaciones in rotunda and humanistic script, by later hands., Initials, ff. 20r-21v (2-line), in alternating red with purple penwork and blue with red penwork. 1-line capitals sometimes have yellow wash. Rubrics in orange-tinted red, paragraph marks in blue. Added memoriae for Don Diego de Mardones have elaborate penwork cadeaux at the beginning., Offset impression of red lines (from pastedowns or flyleaves now lost?) appear on ff. 1r (running vertically) and 21v (horizontally); no loss of text., and Binding: Sixteenth century. Resewn on three small, vegetable fiber supports laced into wooden boards. The spine is square and lined with vellum between the supports. Covered in tan sheepskin blind-tooled with a floral roll border and arabesques in the center. A paper label on the upper cover: "Noviembre." Rebacked.
Subject (Geographic):
Connecticut, New Haven., and Córdoba (Spain)
Subject (Name):
Catholic Church
Subject (Topic):
Illumination of books and manuscripts, Medieval and Manuscripts, Medieval
Manuscript on paper of C. Iulius Caesar (100-44 B.C.), De bello Gallico; De bello civili; De bello Alexandrino; De bello Africo; De bello Hispaniensi.
Description:
Binding: ca. 1700 (repaired in 1993 by P. Dusel). Brown sprinkled calf over cardboard, gold-tooled: the covers decorated with a double fillet frame, the spine, with seven raised bands, richly decorated. In the second compartment a red title label with gold-tooled inscription “CESARIS / COMMENT/ARII .Ms.” Red edges., Collection of Bernard M. Rosenthal, Berkeley (MS 174). Purchased from Rosenthal on the Edwin J. Beinecke Fund., Pale red headings in Humanistica Textualis, sometimes missing, especially towards the end of the codex. Running headlines in the same colour and by the same hand, “L” in the middle of the verso page, the number in the middle and the title at right on the recto page. Gothic initials at the head of the subdivisions of the text as sketched above (including f. 69r): (1) foliate initials in Lombard style in red and green, filled with blue heightened with white penwork, on a square gold background, up to f. 51r; the opening one (f. 1r) is 9 lines high and has penwork extensions ending in leaves in the left and upper margin (the latter interfering with the heading); the others are 4-5 lines high and have similar sprays in the left margin only; (2) Starting f. 68v (art. 2) blue flourished initials (4-6 lines) with red penwork, the latter extending in the margin., and Script: Copied by one scribe writing a small Gothico-Humanistica with features close to Gothica Semitextualis Libraria.
Subject (Geographic):
Rome--History, Military--265-30 B.C
Subject (Name):
Caesar, Julius
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on parchment (trimmed) of a Book of Hours, use of Paris. Includes a Full calendar, Fifteen Joys of the Virgin, Seven Requests, and a sonnet, all in French
Description:
In Latin and French., Script: Written in Gothic bookhand., Sixteen miniatures from the workshops of the Lucon Master and the Master of the Duke of Bedford, in blue, pink, and gold arched frames, some with cusping. Each miniature with a lavish acanthus border incorporating arms on ff. 77r and 93r. Text pages with a 3/4 bar border, pink, blue and gold, with interlace knots at corners and terminals and delicate rinceaux, in two sizes on different folios. 3-line initials at text opening, two historiated: f. 77r and f. 93r; f. 51r with a blue and gold diapered ground; the remainder, blue with white highlights or in pink and blue acanthus filled with ivy, with blue and orange leaves, on gold, against pink, blue and/or gold grounds with white filigree; framed in gold, often with small ivy or acanthus serifs. 4- to 2-line initials in text and KL monograms, pink or blue with white highlights, filled with ivy, as above. 1-line initials blue, pink and gold with white filigree. Line endings, blue, pink and gold, three (ff. 57r, 102r, 102v) signed by Petrus Gilberti, known to have signed line-endings in at least four other manuscripts. Rubrics throughout., and Binding: 18th-19th centuries. Gilt edges. Red velvet with a silver fastening and a silver medallion, with unidentified male figure preaching, in center of upper board.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Devotional literature, French, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on paper (medium weight, sturdy) of 1) Aristotle, De anima. Followed by a Latin translation of Aristotle's De anima, sometimes ascribed to William of Moerbeke. 2) Simplicius, In Aristotelis De anima libros Commentarius. 3) Paraphrasis of art. 1. 4) Plotinus, Enneades I.1-8.6 line 27. 5) Aristotle, De interpretatione
Description:
In Greek and Latin., Watermarks on f. ii similar to Briquet Main 10713; ff. 1-48 similar to Harlfinger Homme 21; f. 49 similar to Briquet Ancre 428; ff. 51-67 similar to Briquet Chapeau 3384; ff. 69-80 similar to Briquet Balance 2506; ff. 81-96 similar to Briquet Lettre R 8938., Script: The manuscript is divided into 4 parts, which do not correspond precisely with the divisions of the text. Part I (ff. 1r-50v): Written in small, neat Greek minuscule. The parallel Latin translation (ff. 1r-9v only) is in italic, about the same size as the Greek; probably added later, since it is written around some marginal rubrics for the Greek text. Part II (ff. 51r-67r): Written in a rather large Greek minuscule, with a thick pen which ran out of ink every few words; marginal and interlinear notes much smaller, but possibly by same hand. Part III (ff. 67v-80r): Greek minuscule very similar to that in Part I. Part IV (ff. 81r-96v): Same scribe as Part II; signed on f. 96v: George, son of Constantine., Part I: Space for a 5-line initial at the beginning of the Greek text was not filled; 2-line initials in red at beginning of sections; headings in red, also marks in margin for chapters. Part II: Spaces for initials, 7-line or larger, were not filled in, but two initials similar to those in Part IV were sketched in (ff. 51r and 56r). Part III: Spaces for 8-line initials not filled. Part IV: 7-line initials in black and orange-tinted red; stylized leaves and vines, with a bird on f. 83v. Diagrams in red traced over black., and Binding: Nineteenth century. Tan calf case deeply indented and gold- and blind-tooled. Similar to the bindings of MSS 255 and 256 and probably by the same binder. According to A. R. A. Hobson the binder may be Whitaker.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Aristotle.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Scholia