A collection of original caricatures by Robert Dighton, published 1792-1812
Alternative Title:
Caricatures by Dighton
Description:
Title from spine., Etching, several leaves watermarked 'Edmeades & Pine' and dated 1808 and 1807; sheet size 31.0 x 25.5 cm., Bound in early 19th century black half morocco, gilt-decorated spine, titled in gilt 'Characatures by Dighton', recased with original spine laid down., With the bookplate of James Barratt, Lymm Hall, inside front cover., and For further information, consult library staff.
The eighth drawing in a series of twelve that follow a tradition of producing a series on modern morals, a tradition established earlier in the 18th century by artists such as William Hogarth. In this series, twin brothers are bestowed an equal fortune. One brother, Edward, husbands his wealth and on his death, passes on his fortune; whilst the other brother, Charles, squanders his, leaving his family destitute and In this eighth drawing, Charles is dressed in costume at a crowded masquerade with other elaborately dressed party goers in an elegant ballroom
Description:
Title from pencil notation below title., Signed "Dodd" in lower left and numbered '8' in ink in the upper right., Date range based on artist's active dates., and For further information, consult library staff.
Subject (Topic):
Allegorical drawings, Ballrooms, Costumes, Masquerades, and Parables
The tenth drawing in a series of twelve that follow a tradition of producing a series on modern morals, a tradition established earlier in the 18th century by artists such as William Hogarth. In this series, twin brothers are bestowed an equal fortune. One brother, Edward, husbands his wealth and on his death, passes on his fortune; whilst the other brother, Charles, squanders his, leaving his family destitute and In this tenth drawing, Charles is confronted by two fellow prisoners as he enters his prison cell. The guard on the left looks in as he holds his key on the lock. The cell contains a single bed, a broken chair, a broken jug, a broadside posted to the wall along with graffiti including the initials "G.B."
Description:
Title from pencil notation below title., Signed "Dodd" in lower left and numbered '10' in ink in the upper right., Date range based on artist's active dates., and For further information, consult library staff.
Subject (Topic):
Allegorical drawings, Cells (Rooms & spaces), Debt, Graffiti, Prison guards, Prisoners, Prisons, Parables, and Political elections
Title in ink below image., Signed by the artist., Below the title, written in ink, "Chelsea Hospital, the grand national asylum for decayed and maimed Soldiers, it was b[egun] by Charles II, carried on by James II, and completed by William III.", and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Subject (Geographic):
Royal Hospital (Chelsea, London, England), and Great Britain.
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[not after 1806?]
Call Number:
Folio 33 30 Copy 11
Image Count:
1
Resource Type:
still image
Abstract:
Wash drawing of the chimneypiece in the Little Parlour at Horace Walpole's Strawberry Hill villa in Twickenham. Its design was taken from the tomb of Thomas Ruthall, Bishop of Durham, in Westminster Abbey. A saracen's head, the crest from the Walpole family arms, sits atop a blank shield at the center of the mantel
Description:
Title written in brown ink below image, in a contemporary hand., Signed by the artist in ink in lower right corner using his monogram: The letters "G" and "P" below with an "H" centered above., Date of production based on death date of Richard Bull, who assembled the extra-illustrated volume in which this drawing appears., Mounted on page 52 of Richard Bull's copiously extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 13., and For further information, consult library staff.
Subject (Name):
Walpole, Horace, 1717-1797 and Strawberry Hill (Twickenham, London, England)
Title etched below image., Date and place of publication supplied by curator., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Volume 1, opposite page 95. Anecdotes of painting in England.
Image Count:
1
Resource Type:
still image
Description:
Title written in ink below image., Unsigned; artist unidentified., Date based on death date of Horace Walpole, who assembled the extra-illustrated volume in which this drawing is found., and Tipped in opposite page 95 in volume 1 of Horace Walpole's extra-illustrated copy of Anecdotes of painting in England.
Manuscript on parchment, in a single hand, of the "second version" of John Hardyng's Chronicle. While the manuscript has lost perhaps 36 leaves from the beginning of the work, it is textually complete from the reign of Vortigern on. There is a final entry referring to Elizabeth Woodville as the queen of Edward IV. The final leaves of the volume contain an anonymous sixteenth-century poem, A lamentable complaint of our saviour Christ; an eighteen-line carol in Middle English which begins "By resone of ii and power of one;" and a page of notes in a single sixteenth-century hand on executions at Smithfield in London between 1531 and 1534
Description:
In Middle English., Ownership inscription of "John Ravell" at the end of the Chronicles text, along with other notes., Layout: single columns of approximately 42 lines., Script: English bookhand., Binding: seventeenth-century full calf. Red leather spine tag, gilt: "M. S. Hist: of England / From Vortvmrk to Edw. 4.", and Previous shelfmark: MS. L. J. I. 10.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Hardyng, John, 1378-1465?
Subject (Topic):
English literature, English poetry, Manuscripts, Medieval, and Narrative poetry, English (Middle)
Manuscript, on parchment, in a single hand, of a version of Peter of Ickham's chronicle of English history. The narrative in this copy ends with 1301; this is followed by several brief entries in the same hand for events dated between 1287 and 1305
Description:
In Latin., Scribal explicit: "hic pennam fixi penitet me si male dixi.", Ownership inscription on front paper flyleaf: "Brudenell de Deen d[omi]nusque de Stonton.", Some marginal annotations, particularly in lower margins. Some of these have been trimmed; three leaves containing lower margin annotations have been left untrimmed and folded back, apparently in an effort to preserve the annotations (13r; 22r; 59r)., Two leaves bound in at the end of the volume contain passages from the Doctrinale of Alexander de Villa Dei. Ownership inscription on 1r in a later, (early seventeenth-century?) hand: "Mistresse Leucey Brudenell.", Layout: single columns of 34 lines., Script: rounded gothic script., Decoration: Rubricated., and Binding: seventeenth-century full calf, with the arms of the Brudenell family in gilt on the covers.
Subject (Geographic):
Connecticut, New Haven., and Great Britain
Subject (Name):
Peter, of Ickham, active 1290.
Subject (Topic):
Manuscripts, Medieval, Latin prose literature, Medieval and modern, Great Britain, History, and Kings and rulers
Title from caption below image., Approximations of Chinese characters precede each line of text., Imprint statement erased from sheet. Publication information from unverified data from local card catalog record., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Chinese woman -- Dancing -- Stereotypes., Print numbered in pencil in upper right hand corner: 2., and Imprint statement erased from sheet.