Grant, C. J. (Charles Jameson), active 1830-1852, printmaker, artist
Published / Created:
May 1831.
Call Number:
831.05.00.02+
Image Count:
1
Resource Type:
still image
Abstract:
Grey stands in the center pulling back a curtain on the large painting (right) addressing the three men (probably Peel, Cumberland, and Wellington) who look on in amazement. Grey says, "Gentlemen this is a fine color'd picture representing Futurity. The idea of which was concieved [sic] by an injured people and painted by a new and promising artist. Reform." Reading from the left Peel looks at himself in the painting seated in a chair at a loom, "Why if there a'nt me at a spinning Jenny." Cumberland, hat flying off, looking at himself depicted in the painting on his backside, "And me dying on a dunghill." And Wellington closest to the painting that depicts him as a wounded soldier holding a broom and begging with his cap in hand, observes "And me begging." In the painting is a tower with the British and French flags the former with the year 1814, referencing the Wellington's successful campaign to end the Peninsular War
Description:
Title from text below image. and Not in the Catalogue of prints and drawings in the British Museum.
Publisher:
Pub. by G. Tregear, Cheapside
Subject (Geographic):
Great Britain
Subject (Name):
Great Britain. Parliament, Wellington, Arthur Wellesley, Duke of, 1769-1852, Ernest Augustus, King of Hanover, 1771-1851, Peel, Robert, 1788-1850, and Grey, Charles Grey, Earl, 1764-1845
Subject (Topic):
Reform, Politics and government, Begging, Spinning machinery, and Paintings
Plate 39. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
A dining room in a tavern is filled with drunken and rowdy men seated around a rectangular and a circular table that have been pushed together. More men and women are pushing through the doorway on the right. In the back of the room, a band of musicians play their instruments. Through the window demonstrators care signs with political messages: "Liberty and property" and "Marry and multiply in spite of the devil and the ..." State with hatching lines throughout strengthened. The space where "the whole" was is in the inscription is now crossed out with lines. Dark areas on the surface of the overturned table are removed
Description:
Title engraved above image., State from Paulson., The first plate of four of an election., Dedication engraved below design: To the Right Honourable Henry Fox, &c,&c,&c. This plate is humbly inscrib'd by his most obedient humble servt. Wm. Hogarth., Statement of responsibilty with heavily scored through word between "Painted and" and "engraved by Wm. Hogarth.", 1 print : etching and engraving on laid paper ; plate mark 43.3 x 55.8 cm, on sheet 46 x 59 cm., and Plate 39 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain
Subject (Topic):
Politics and government, Children, Demonstrations, Eating & drinking, Gin, Intoxication, Musicians, Political elections, Politicians, Smoking, and Taverns (Inns)
Plate 39. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
A dining room in a tavern is filled with drunken and rowdy men seated around a rectangular and a circular table that have been pushed together. More men and women are pushing through the doorway on the right. In the back of the room, a band of musicians play their instruments. Through the window demonstrators care signs with political messages: "Liberty and property" and "Marry and multiply in spite of the devil and the ..." State with hatching lines throughout strengthened. The space where "the whole" was is in the inscription is now crossed out with lines. Dark areas on the surface of the overturned table are removed
Description:
Title engraved above image., State from Paulson., The first plate of four of an election., Dedication engraved below design: To the Right Honourable Henry Fox, &c,&c,&c. This plate is humbly inscrib'd by his most obedient humble servt. Wm. Hogarth., Statement of responsibilty with heavily scored through word between "Painted and" and "engraved by Wm. Hogarth.", 1 print : etching and engraving on laid paper ; plate mark 43.3 x 55.8 cm, on sheet 46 x 59 cm., and Plate 39 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain
Subject (Topic):
Politics and government, Children, Demonstrations, Eating & drinking, Gin, Intoxication, Musicians, Political elections, Politicians, Smoking, and Taverns (Inns)
Plate 42. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
"Scene in a country town with two newly-elected members of parliament (one a representation of George Bubb Doddington, the other visible only as a shadow on a distant wall) carried shoulder-high along the street, led by a blind and ragged fiddler and surrounded by a chaotic and disreputable crowd; two chimney boys sit on the church wall, a dancing-bear interferes with a donkey's load and is about to be clubbed by the driver, the one-legged bear-leader (dressed in sailor's clothes) is engaged in a fight with a man swinging a flail, a rifle slung over a monkey's shoulder discharges to the horror of a black serving woman, a sow and her piglets up-end a woman as they charge across the street, a soldier stripped to the waist for a boxing bout is taking tobacco from a wrapper; to right, dishes of food are being carried into an elegant house where victory is being celebrated."--British Museum online catalogue
Description:
Title engraved above image., State from Paulson., State with the word "NDINTUR" added to the paper hanging from the upper window on the right. with other design enhancements. See Paulson., Fourth and final print in a series: Four prints of an election., Dedication etched below image: To the Honble. George Hay, one of the Lords Commissioners of the Admiralty, &c,&c. This plate is most humbly inscrib'd by his most obedient, humble servant, Willm. Hogarth., 1 print : etching and engraving on laid paper ; plate mark 43.6 x 55.8 cm, on sheet 46 x 59 cm., and Leaf 42 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain
Subject (Topic):
Politics and government, Bears, Black people, Chimney sweeps, Donkeys, Fighting, Monkeys, Peg legs, Political elections, Riots, Servants, Street musicians, and Swine
Poster shows image of a skeleton wearing a hat with United Farm Workers iconography, a shirt with a large green circle with a smaller red circle inside, and pants. The skeleton appears to be hanging up a poster with information about a parade. The interior poster includes five panels, four with information, and one with images of skulls and bones. Title information is above. Around the information is a border of bones. "RCAF" in lower center of poster
Description:
BEIN WA Prints +168: Variant 1., BEIN WA Prints +439: Variant 2., At least two variants exist. Variant 1 has background of "Dia de los muertos" fully in orange, "Nov. 1, 1975 at 4 p.m." in orange on green, "respeto la raza!" and "¡Boycott Gallo!" in red on green, and background behind skulls and bones in lower right in red. Variant 2 has background of "Dia de los muertos" half in red and half in yellow, "Nov. 1, 1975 at 4 p.m." in red on green, "respeto la raza!" and "¡Boycott Gallo!" in yellow on green, and background behind skulls and bones in lower right in yellow., "Nov. 1, 1975 at 4 p.m.", "From Hiram Johnson to St. Mary Cemetery.", "Respeto a la raza!", "1st annual procession, for more info: 442-7651.", "Boycott CocaCola.", "¡Boycott Gallo!", "¡Para la gloria de mi raza!", "The Royal Chicano Air Force (RCAF) is a Sacramento, California-based art collective, founded in 1970 by José Montoya and Esteban Villa. It was one of the 'most important collective artist groups' in the Chicano art movement in California during the 1970s and the 1980s and continues to be influential into the 21st century.", and Text in English and Spanish.
Publisher:
RCAF
Subject (Geographic):
California, Sacramento, and Sacramento.
Subject (Topic):
All Souls' Day, Mexican Americans, Social life and customs, Politics and government, Parades, All Souls' Day in art, and Serigraphy
Poster shows image of a skeleton wearing a hat with United Farm Workers iconography, a shirt with a large green circle with a smaller red circle inside, and pants. The skeleton appears to be hanging up a poster with information about a parade. The interior poster includes five panels, four with information, and one with images of skulls and bones. Title information is above. Around the information is a border of bones. "RCAF" in lower center of poster
Description:
BEIN WA Prints +168: Variant 1., BEIN WA Prints +439: Variant 2., At least two variants exist. Variant 1 has background of "Dia de los muertos" fully in orange, "Nov. 1, 1975 at 4 p.m." in orange on green, "respeto la raza!" and "¡Boycott Gallo!" in red on green, and background behind skulls and bones in lower right in red. Variant 2 has background of "Dia de los muertos" half in red and half in yellow, "Nov. 1, 1975 at 4 p.m." in red on green, "respeto la raza!" and "¡Boycott Gallo!" in yellow on green, and background behind skulls and bones in lower right in yellow., "Nov. 1, 1975 at 4 p.m.", "From Hiram Johnson to St. Mary Cemetery.", "Respeto a la raza!", "1st annual procession, for more info: 442-7651.", "Boycott CocaCola.", "¡Boycott Gallo!", "¡Para la gloria de mi raza!", "The Royal Chicano Air Force (RCAF) is a Sacramento, California-based art collective, founded in 1970 by José Montoya and Esteban Villa. It was one of the 'most important collective artist groups' in the Chicano art movement in California during the 1970s and the 1980s and continues to be influential into the 21st century.", and Text in English and Spanish.
Publisher:
RCAF
Subject (Geographic):
California, Sacramento, and Sacramento.
Subject (Topic):
All Souls' Day, Mexican Americans, Social life and customs, Politics and government, Parades, All Souls' Day in art, and Serigraphy
A satire of the 1832 Reform Bill, with a see-saw with the Crown as the fulcrum. At the center is William IV, waving the Union flag; to the right is Lord Grey, seated on the lever, helping William balance with a scroll marked 'Union', with John Bull standing underneath, wedging the lever up with the 'Reform Bill'; and to the right the Duke of Wellington tumbles backwards as the lever breaks under the weight of him and two huge scrolls marked 'Anti Reform'.
Description:
Title from text below image., Date from dealer's description., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Laid on canvas backing.
Publisher:
Pubd. by O. Hodgson, 10 Cloth Fair
Subject (Geographic):
Great Britain
Subject (Name):
William IV, King of Great Britain, 1765-1837, Grey, Charles Grey, Earl, 1764-1845, Wellington, Arthur Wellesley, Duke of, 1769-1852, and Great Britain. Parliament
Subject (Topic):
Reform, Politics and government, John Bull (Symbolic character), Seesaws, Crowns, Flags, and British
Minerva Press broadside detailing the unfortunate end of Louis XVI on the guillotine, January 21, 1793 in Paris. The broadside includes a woodcut illustration of a man lying face down waiting for the blade of the guillotine to drop; the decree of the French National Convention authorizing the execution of "Louis Capet;" descriptions of his execution and of the guillotine--"the modern beheading machine"--and a few anecdotes indicating "that for some time [the king] had been expecting his fate."
Description:
One of several variants; in this edition, the text of the second column begins with the words: "middle of the square, directly facing the gate of the garden of the Tuileries..." See also English short title catalogue, nos. T194096 and T039027., Caption title., Text printed in two columns; text and illustration within double-ruled black border., "Price three-pence.", "Where may be had an exact and authenticated copy of his will, price one-penny"--Lower margin., and For further information, consult library staff.
Publisher:
Printed at the Minerva Office, for William Lane, Leadenhall-Street, and sold wholesale at one guinea per hundred and And retail by every bookseller, stationer, &c. in England, Scotland and Ireland
Subject (Geographic):
France and France.
Subject (Name):
Louis XVI, King of France, 1754-1793 and Louis XVI, King of France, 1754-1793.
Subject (Topic):
Death and burial, Politics and government, Foreign public opinion, British, and Public opinion
"Norfolk (left) and Fox (right) sit close together, hands on knees, the left knee of Norfolk and the right knee of Fox touching; their heads are turned in profile, each gazing fixedly at the other with a melancholy expression. On the back of Norfolk's chair is a ducal coronet; Fox sits on a stool. At their feet is an open book: 'List of his Maje[stys] \ Privy Council \ Earl of.. Lord.. \ Duke of D...\ Earl of... \ Rt Hon. C. J. Fox [scored through] Duke of Leed[s]'. By Norfolk is a torn paper: 'Lord Lieutenant of the West Riding York . .' Under Fox's feet: 'A Seat in Parliament to be disposed off enquire at next General Election'. Under this is another paper: 'Speech Whig Club'. Their words (or thoughts) are etched beneath the title (left): 'Charley, keep a civil \ Tongue in your Head'. (right) 'Jocky of Norfolk \ be not so bold'."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Leaf 64 in an album with the spine title: Characatures by Dighton., 1 print : etching and stipple engraving on laid paper, hand-colored ; plate mark 20.1 x 15.0 cm, on sheet 31.1 x 25.5 cm., and Watermark, trimmed: [E]dmeads 1808.
Publisher:
Pubd. May 25th, 1798, by Dighton, Charg. Cross
Subject (Geographic):
Great Britain
Subject (Name):
Norfolk, Charles Howard, Duke of, 1746-1815, Fox, Charles James, 1749-1806, George III, King of Great Britain, 1738-1820., Leeds, Francis Godolphin Osborne, Duke of, 1751-1799., and Whig Club (London, England)